Films like Sixteen Candles personify what the eighties was all about. And if you were a child of the 80s, you will probably identify with this film a lot more than the now younger generation. The story is simple enough, but it works so well. Molly Ringwald is particularly likeable in this, and she is almost irreplaceable in her part. There are heaps of familiar faces, including small parts from many of the present day 'movie stars' ie John Cusack, Joan Cusack and Jami Gertz. It's kind of daggy though, and when you tell people you watched it their response is usually "Oh My God. That is so OLD." But that's what I like about it. If you want to watch a film that reflects the eighties, forget the nostalgia trips of The Wedding Singer and Romy and Michelle. Hire a true eighties product, such as Pretty in Pink, Sixteen Candles, The Breakfast Club, St Elmo's Fire.... The list goes on and on.
255 Reviews
30 years ago...
ptb-828 March 2004
I am shocked to realise this hilarious film is now 30 years old! Films from 1964 seen in 1988 looked a zillion years apart.....how can a 1980s film like this one still be so new and play so fresh in 2014? ...Apart from it being funnier and truly inspired I really now appreciate more the legacy of John Hughes in his series of films that were released in that 5 year span 1984-89. Anthony Michael Hall is rightly celebrated and gorgeous Molly Ringwald deserves her fame in the teen hall of Stardom. Whatever happened to Michael Schoeffling (Jake)....anyone know? It seems incongruous that so many future stars got their start in this film yet he seemed to go nowhere. I am also very surprised it got a PG rating.......given the swearing and the nudity..but I guess in the spirit of it all it was a perfect pic for anyone 12 - 112. Very clever and very funny.
Now we're both on the pill!
smakawhat15 May 2001
I had to write about this film after seeing the last 10 minutes of it on TV last night. I didn't miss much after all cause I had seen the film countless times when I was younger. Man I remember how much I enjoyed it. This has to be the most 80's character driven film about high school I have ever seen. It is just plain out stupid funny and heartwarming.
While Breakfast Club tries to handle the seriousness of social peers, and Ferris Beuller just solidifies the ultimate 80's experience with some great performances and total hip coolness, Sixteen Candles is just a crazy fun romp through the perils of being a teenager.
Ringwald is at her prime as the overburdened teenager, and Michael Hall is at his greatest as the ultimate schemer-geek. The party aftermath always cracks me up everytime I see it, plus so many more things.
Also, there's a scene where the geek gets unloaded out of the trunk of a car, and i SWEAR it's not a human person but a dummy cause the guy does not move but stands like a broomstick.. It's just one of those bizarre movie qwerks I wish someone could explain to me. And who can forget those alligator shirts.... I laugh now at the way everyone and the bands look in these 80's movies.
Alas it seems, Hall and Ringwald got stuck in stereotyped roles that they never seemed to shed or outgrew them as they became adults, which is to bad cause Ringwald, and particularly Hall's comedic sense of timing in this film is just amazing.
Rating 8 out of 10.
While Breakfast Club tries to handle the seriousness of social peers, and Ferris Beuller just solidifies the ultimate 80's experience with some great performances and total hip coolness, Sixteen Candles is just a crazy fun romp through the perils of being a teenager.
Ringwald is at her prime as the overburdened teenager, and Michael Hall is at his greatest as the ultimate schemer-geek. The party aftermath always cracks me up everytime I see it, plus so many more things.
Also, there's a scene where the geek gets unloaded out of the trunk of a car, and i SWEAR it's not a human person but a dummy cause the guy does not move but stands like a broomstick.. It's just one of those bizarre movie qwerks I wish someone could explain to me. And who can forget those alligator shirts.... I laugh now at the way everyone and the bands look in these 80's movies.
Alas it seems, Hall and Ringwald got stuck in stereotyped roles that they never seemed to shed or outgrew them as they became adults, which is to bad cause Ringwald, and particularly Hall's comedic sense of timing in this film is just amazing.
Rating 8 out of 10.
You own a church?
Boyo-210 April 2000
This movie is one of the most quotable I've ever seen. Everyone who has ever seen it knows this is true. Along with "Ferris Bueller's Day Off" and "The Breakfast Club", this is the best of the John Hughes 1980's movies. The acting is perfection, down to the smallest parts, too. Standouts are Blanche Baker as the bride-to-be on too many painkillers, Justin Henry as the pain-in-the-neck little brother, Michael Schoeffling as hunk-deluxe Jake Ryan and last but never least, Anthony Michael Hall as Farmer Fred....I mean Ted.
Light and Goofy - Mixed to Good 80s Comedy
pc957 August 2022
My Aunt mentioned she loves "16 Candles", and it has been more than 12 years since I'd seen it, so we rewatched it. I've probably seen it half a dozen times earlier, but too young for it in the theater. For John Hughes earlier entry and his directorial debut - credit to him on picking and filming a very close to or actual 16 year-old Molly Ringwald for the title role. And while I really liked Michael Schoeffling for the tender main crush, he was obviously too old looking as a Senior (an easy 24 playing an 18 yro), a small quibble. His character suave, collected, and sensitive was a great counterbalance in tone to most of other characters. However the tone of the movie generally is a bit too goofy for its own good, and the humor with "Long Duk Dong" is tasteless, poor, and hasn't aged well. There are some well-written scenes to keep the movie together, particularly with Dooley and Ringwald, Hall and Ringwald, and the memorable finale scene that one doesn't forget with Schoeffling and Ringwald in the fantastic last 2 scenes. These are much needed scenes lifting the movie just out mediocrity, and the movie could've been much better focusing on the drama and cutting a good chunk of light humor. I give "16 candles" a high 6/10, round it up to a 7/10. Its in the top 5 or so of Hughes films - it has some flaws but also some touching moments.
I've never bagged a babe. I'm not a stud.
hitchcockthelegend15 January 2010
Warning: Spoilers
It's Samantha Baker's 16th birthday and her family are so wrapped up in her sisters impending wedding, they have completely forgotten Sam's big day. Not only that but she has the hots for school hunk Jake Ryan who, apparently doesn't know she even exists. Her existence, however, is noted by freshman Ted "The Geek" who lusts after her at every opportunity. Being 16 really isn't all it's cracked up to be, maybe?
John Hughes directs his first feature film and sets out his marker for the career that was to come for the astute observer of teen angst and coming of age drama.
Featuring Hughes faves Molly Ringwald (Sam0 & Anthony Michael Hall (Ted), Sixteen Candles is frothy on the outside but not without cunning substance on the inside. It's the sort of film that is easy to forgive its obviousness on account of its understanding of its characters, something that Hughes was a master of. Even as we run through the staple requirements of the teen comedy movie (dance, party, making out etc ) Hughes manages to avoid the cliché pitfalls of such sequences by fuelling them with believable patois.
His cast, with the exception of the dull Michael Schoeffling (Jake), are sparky and engaging throughout. With the Cusack siblings, John & Joan also showing up in the strong supporting cast. There's an Asian exchange student thread that some have tried to paint as stereotypically offencive, but that is nonsense! Gedde Watanabe ensures the role is the fun and harmless one it's meant to be.
The soundtrack is kicking and very at one with the story (another knack of Hughes), it features the likes of The Specials, The Revillos, Billy Idol, The Stray Cats and The Thompson Twins. And the Evanston, Illinois location work really fleshes out the feeling of the piece.
Not just a film for 80s nostalgists then, one for pretty much anyone who was 16 and had their emotions pulled all over the place. 7/10
John Hughes directs his first feature film and sets out his marker for the career that was to come for the astute observer of teen angst and coming of age drama.
Featuring Hughes faves Molly Ringwald (Sam0 & Anthony Michael Hall (Ted), Sixteen Candles is frothy on the outside but not without cunning substance on the inside. It's the sort of film that is easy to forgive its obviousness on account of its understanding of its characters, something that Hughes was a master of. Even as we run through the staple requirements of the teen comedy movie (dance, party, making out etc ) Hughes manages to avoid the cliché pitfalls of such sequences by fuelling them with believable patois.
His cast, with the exception of the dull Michael Schoeffling (Jake), are sparky and engaging throughout. With the Cusack siblings, John & Joan also showing up in the strong supporting cast. There's an Asian exchange student thread that some have tried to paint as stereotypically offencive, but that is nonsense! Gedde Watanabe ensures the role is the fun and harmless one it's meant to be.
The soundtrack is kicking and very at one with the story (another knack of Hughes), it features the likes of The Specials, The Revillos, Billy Idol, The Stray Cats and The Thompson Twins. And the Evanston, Illinois location work really fleshes out the feeling of the piece.
Not just a film for 80s nostalgists then, one for pretty much anyone who was 16 and had their emotions pulled all over the place. 7/10
my opinion of it....
beeble_bee14 April 2005
movies in the 80's were really cool, nice story lines, very real people and cute guys too! 80's movies were so musical, full of dance and laughter, really good acting and good use of props. I wish movies were like the old classic movies, movies nowadays are somewhat a rip off, i'm not saying all but most movies made in this era are all computerized, there's so much plastic surgery happening, drastic diets, if you look back at the old movies, the ladies are really beautiful naturally, nice hair, and the spark in those eyes, men were romantic. I watched Sixteen Candles for the first time, and i enjoyed it. I liked Pretty in Pink better though. Sixteen candles is a really funny yet in a sweet romantic sort of way....the geeks and the Duck guy, hilarious! i enjoy watching classic movies, eg. dirty dancing, ghost, gremlin, pretty in pink, ghost busters.... I wouldn't recommend this movie to kids 14+, especially if you don't like watching classic movies. But to those out there who were teens in the 80s, this might bring back your high school memories. Truly hilarious, you can predict the ending, the geeks took the spotlight for me
"They F##king forgot my birthday!!!"...
Don-10229 March 1999
These are the immortal words spoken by SIXTEEN CANDLES heroine Samantha Baker (Molly Ringwald) in the ultimate 80's teen comedy. This movie has become a classic to those born in the 70's, like myself, and I now consider it a "guilty pleasure". Its a movie we all grew up with. Didn't we all know a person like 'Farmer Ted', or a hot queenie like the blonde he hilariously gets. It was every young freshman's fantasy. This funny flick is also a relic of the 80's that is not all that dated.
The jokes still work (as long as you see it uncut) and it is neat seeing things of the not so distant past be on display. Floppy disks, headgears, leotards, etc... Time has not been so good to the featured stars. Ringwald and Anthony-Michael Hall, who was born to play this role, and this one only, have all but disappeared. The biggest stars now are blips on the screen here: Joan (in a headgear) and John (a geek) Cusack. The film is like a toy you can't put away.
Some situations are beat, but at least Paul Dooley adds an extra dimension to the father. Too many of John Hughes' teen-angst comedies of the era feature tissue-thin parental figures. This was the first and best of the so-called "brat pack" movies, and will always hold a place in 1980's filmmaking history. Girls learned never to lend their underwear to a geek and we all learned that high school is just a phase, easily forgotten as time goes on.
The jokes still work (as long as you see it uncut) and it is neat seeing things of the not so distant past be on display. Floppy disks, headgears, leotards, etc... Time has not been so good to the featured stars. Ringwald and Anthony-Michael Hall, who was born to play this role, and this one only, have all but disappeared. The biggest stars now are blips on the screen here: Joan (in a headgear) and John (a geek) Cusack. The film is like a toy you can't put away.
Some situations are beat, but at least Paul Dooley adds an extra dimension to the father. Too many of John Hughes' teen-angst comedies of the era feature tissue-thin parental figures. This was the first and best of the so-called "brat pack" movies, and will always hold a place in 1980's filmmaking history. Girls learned never to lend their underwear to a geek and we all learned that high school is just a phase, easily forgotten as time goes on.
A senior guy and a sophomore girl find romance
mloessel28 August 2022
Warning: Spoilers
Jake Ryan and Samantha Baker are not an item at least not in the beginning of movie. It takes the entire movie and some very odd moments to get them together. Jake does the pursuing as Sammie has opportunities but her shyness pulls her away from at least getting to know Jake. Samantha (aka Molly Ringwald) is a nice looking lady who's birthday is forgotten due to the upcoming wedding of her older sister Ginny. Jake (aka Michael Schoeffling) seems like a reasonably likable senior who wants to get to know Samanatha (the sophomore). He has grown tired of his current girlfriend (a very sexy senior) who's only interested in having sex with Jake. A strictly physical relationship gets old over time. Jake decides he wants to connect with Sam and to his credit he takes a few daring steps to contact her. The most daring is to call her home phone number. Unfortunately, Sam's grandparents have taken over Sam's bedroom and when Jake calls the grandma or grandpa pick up the receiver. In the end Jake gets a tongue lashing from grandma. To his credit Jake is determined to connect with Sam. The morning of the wedding He goes to her house and is told by the visiting exchange student (aka Gedde Watanabe) that the family has gone to church for her older sister's wedding. Jake drives to the church and meets up with Samanatha as everyone is leaving for the reception. She finally relaxes as Jake and Sam leave for his house. Sam's dad (aka Paul Dooley) sees her leave and she points out that Jake is the guy.
I like the realism of Sixteen Candles and remember my high school days especially my senior year. Many of the nicer looking 9th grade ladies got the attention of the senior guys. They liked the attention they received. All that would change over the four years of high school and the onset of puberty. Suddenly the time between a passing period would get replaced by a kiss as a lively chat took a back seat.
To its credit Director John Hughes took Sixteen Candles no further then the innocent high school romance. The final scene was Jake and Sam kissing over a candle lit birthday cake ... very nice.
I like the realism of Sixteen Candles and remember my high school days especially my senior year. Many of the nicer looking 9th grade ladies got the attention of the senior guys. They liked the attention they received. All that would change over the four years of high school and the onset of puberty. Suddenly the time between a passing period would get replaced by a kiss as a lively chat took a back seat.
To its credit Director John Hughes took Sixteen Candles no further then the innocent high school romance. The final scene was Jake and Sam kissing over a candle lit birthday cake ... very nice.
A difficult kiss.
TOMASBBloodhound26 February 2006
The final shot of this film can in some ways mirror the difficulties of adolescence. We see Molly Ringwald finally getting to kiss the boy she's been after since the film's outset. However this kiss doesn't look like it would have been particularly easy for the actors to pull off. Both Ringwald and Shoeffling are sitting "Indian-style" on a tabletop facing one another. They both have to lean forward presumably using their wrists for leverage while their lips meet over the flaming candles on her birthday cake. A difficult kiss, indeed.
Sixteen Candles is one of the best films John Hughes gave us in the 1980s. The young cast full of so many extraordinary talents gives us one memorable scene after another. Anthony Michael Hall is particularly effective as the leader of the nerdiest students on campus. Listen to his voice crack as he reads many of his lines, and try not to laugh. Good luck! The plot, as many of us know, centers around a young girl (Ringwald) whose parents forget about her sixteenth birthday in the midst of the chaos surrounding her older sister's wedding. At the same time she tries to win the affection of the most popular guy in school who happens to be dating the most beautiful girl in school. Ah, the trials and tribulations of high school.
The film is well-paced, never drags, and has its characters pegged pretty well. The obnoxious grandparents are particularly well-drawn. Of course things are eventually resolved in a manner that could never possibly happen in real life, but that's why we go to the movies.
I miss those destructive house parties!!! 9 of 10 stars.
The Hound.
Sixteen Candles is one of the best films John Hughes gave us in the 1980s. The young cast full of so many extraordinary talents gives us one memorable scene after another. Anthony Michael Hall is particularly effective as the leader of the nerdiest students on campus. Listen to his voice crack as he reads many of his lines, and try not to laugh. Good luck! The plot, as many of us know, centers around a young girl (Ringwald) whose parents forget about her sixteenth birthday in the midst of the chaos surrounding her older sister's wedding. At the same time she tries to win the affection of the most popular guy in school who happens to be dating the most beautiful girl in school. Ah, the trials and tribulations of high school.
The film is well-paced, never drags, and has its characters pegged pretty well. The obnoxious grandparents are particularly well-drawn. Of course things are eventually resolved in a manner that could never possibly happen in real life, but that's why we go to the movies.
I miss those destructive house parties!!! 9 of 10 stars.
The Hound.
Great portrayal of teenage angst, but partly lacking in believability
evancyl3 January 2015
This being John Hughes' most popular teen comedy, I was somewhat disappointed. Sixteen Candles is about high school sophomore Samantha Baker's struggle to get through her 16th birthday. Busy preparing for her older sister Ginny's wedding the next day, Sam's family has completely forgotten her birthday. At school, Sam is crushing on a senior who seemingly has no idea that she exists. On the bus home, a dorky freshman, Farmer Ted, pesters her for a date. Her grandparents show up the house and take over her room. To top it off, even the Vietnamese exchange student manages to find a date at the school dance faster than Sam. Unknown to her though, things are about to take a turn for the better.
The parts of the script relating to Sam were excellent. All the things that could go wrong on a girl's Sweet Sixteen went wrong. Molly Ringwald put in an splendid performance as Sam, conveying all the angst and desires that her character experienced. Michael Hall was perfect as Farmer Ted, trying desperately to be cool but unable to shake off his dorkiness.
However, the entire storyline relating to Sam's crush was not very believable. Apart from picking up the balled-up 'sex quiz' in class and seeing his name, there was absolutely nothing to draw him to Sam. Also, most guys wouldn't pursue a girl to that extent without first having a decent conversation with her in school. The whole after-the-after-party episode was also rather ludicrous. While I doubt things in America are that crazy, perhaps they are crazy enough for all this to be not so much of a stretch for viewers there - this might explain why the movie had such wide appeal.
The parts of the script relating to Sam were excellent. All the things that could go wrong on a girl's Sweet Sixteen went wrong. Molly Ringwald put in an splendid performance as Sam, conveying all the angst and desires that her character experienced. Michael Hall was perfect as Farmer Ted, trying desperately to be cool but unable to shake off his dorkiness.
However, the entire storyline relating to Sam's crush was not very believable. Apart from picking up the balled-up 'sex quiz' in class and seeing his name, there was absolutely nothing to draw him to Sam. Also, most guys wouldn't pursue a girl to that extent without first having a decent conversation with her in school. The whole after-the-after-party episode was also rather ludicrous. While I doubt things in America are that crazy, perhaps they are crazy enough for all this to be not so much of a stretch for viewers there - this might explain why the movie had such wide appeal.
a very good movie
lguerra-1252920 September 2022
I watched this movie for my film studies class, for a assignment. It is one of my moms favorites I have always heard about it but never had watched it. This movie was surprisingly really good. Not just because of the fact my mom liked it! I really enjoyed, watching it for the first time just not expecting it to be that great but a classic movie about high-school in the 80s like any other I have seen I definitely recommend if you enjoy comedy and a little bit of romance! I definitely will be watching this as a go to when I dont know what else to watch this movie seems to be one that just can't get old!
It's carbon dated
Smells_Like_Cheese17 October 2005
"Sixteen Candles" was a great movie from the land that was the 80's. All the girls from my work were talking about the 80's teen flicks and how much they loved them. I had never seen a Molly Ringwald film, after all I'm only 20. But the girls were still incredibly shocked when I told them, they told me that they will not respect my movie opinions until I saw all the teen flicks from the 80's. We're talking crazy here people: Sixteen Candles, Pretty in Pink, The Breakfast Club, Say Anything, Weird Science, etc.
So far now I have seen the major Molly Ringwald films. Pretty in Pink, The Breakfast Club, and Sixteen Candles. Sixteen Candles is a very cute film that came before the cliché 90's teen flicks. It's original and very funny. I think the reason why it's so popular, is because everyone can relate in some way to the characters. Molly, a shy ignored outcast, The Geek, well, he's a geek, the jock, he's expected to date and act a certain way. It goes on and on. I really enjoyed Sixteen Candles, well, I guess it's on the way to Say Anything! Wish me luck, y'all! :D
7/10
So far now I have seen the major Molly Ringwald films. Pretty in Pink, The Breakfast Club, and Sixteen Candles. Sixteen Candles is a very cute film that came before the cliché 90's teen flicks. It's original and very funny. I think the reason why it's so popular, is because everyone can relate in some way to the characters. Molly, a shy ignored outcast, The Geek, well, he's a geek, the jock, he's expected to date and act a certain way. It goes on and on. I really enjoyed Sixteen Candles, well, I guess it's on the way to Say Anything! Wish me luck, y'all! :D
7/10
Hasn't aged well
narcissussins28 June 2013
Warning: Spoilers
Call me over sensitive, but I really hated this movie. From the racist caricature of the 'Chinaman' to the flippant treatment of rape (seriously, your romantic hero trades a night with his drunk girlfriend for another girl's panties...swoon), Sixteen Candles struck me as far more mean-spirited than funny. Yeah, yeah, "lighten up! It's just a movie!" I'll lighten up when race is more than a punchline, when boys learn that being too drunk to consent means no consent.
Cheap humour.
On the plus side, it's kind of a kick to see the technology of yesteryear. Floppy disks! Phones the size of your head!
Cheap humour.
On the plus side, it's kind of a kick to see the technology of yesteryear. Floppy disks! Phones the size of your head!
an 80's classic!!!
LittleRascal-1512 January 2000
This John Hughes film is one of the best romantic teen comedies in history. Starring 2 of the Brat Packers, Molly Ringwald, playing the lovesick Samantha, and Anthony Michael Hall who plays "The Geek", he pratically stole the entire movie with his one-liners. His friends were the best, it's funny to see John Cusack as one of his geeky friends, and I just noticed Joan Cusack makes a small appearance in this as the girl with the neck brace on. That's funny. I recommend this classic to anyone who likes romantic teen comedies. Oh and whoever said that "Sixteen Candles" was perverted, all i have to say is WHAT? What is perverted about this movie, American Pie was perverted, this movie is a classic. There was ONE scene of nudity and it lasted about 3 seconds. I give "Sixteen Candles" 10 out of 10!!!!
A Slice of Teenage Life
Hitchcoc2 December 2016
I don't know why, but I've always found Molly Ringwald tough to watch. There is a snarl that is part of her being that doesn't appeal to me. Nevertheless, she does a decent job here as a poor ignored girl whose birthday is forgotten. Then we have a bunch of juvenile jokes, designed to appeal to, you guessed it, juveniles. I think a lot of the people who liked this movie, see this time in their lives in the characters. Once again, like with the breakfast club, we have all these persons with prescribed traits, interconnected. They come and they go, but there is not real connection. As a matter of fact, they would be at opposite poles in real life. We know that things will work out in the end and all will be well with the world. Nothing wrong with that. It's just not all that engaging.
Not So Sweet Sixteen is Kind of Sweet
daoldiges13 June 2023
I didn't love Sixteen Candles back in 1984 to the level that some folks did, but remembered it as kind of cute. With the Passing of Hughes I'm revisiting some of his work and this was next up. Sure, some of the material has dated all that well, unfortunately. But that needn't take away from the solid, and sweet basic story, and of course the endlessly enjoyable score/soundtrack. Molly Ringwald does a good job here and I really have to give make credit to Anthony Michael Hall, he's just wonderful here and adds a lot of charm to the proceedings. Sure, under the circumstances going on here it's unlikely that the Schoeffling character would pursue Samantha to the degree that he does, but I through my disbelief out the window and just went with it and am very happy that I'm able to do that. Sixteen Candles is worth checking out if you're curious.
A pretty fun classic, though imperfect & flawed in specific ways
I_Ailurophile5 March 2023
Its reputation far precedes it as one of the quintessential coming-of-age teen comedy-dramas, nevermind 80s movies, and that reputation is not undeserved. Even if not every last facet of the story or humor is fully relatable, a lot of it certainly is, and remains so even 40 years later: familial relations to which one can't relate, various social difficulties, total hatred of the school bus, feelings of being unappreciated, and more. On the other hand, we also get stereotypical representations of teens and cliques; over the top gags, jokes, and sound and musical cues, including some definite boorishness, and some abject randomness; obsession with sex and teenage notions of love that seem far-fetched even for stereotypical, hormonally-sensitive teens; the arbitrary inflated importance of The School Dance (and who has ever actually had a party like that?); and to top it all off, pervasive racism, and casual use of homophobic or ableist slurs that emphatically have not aged well. Suffice to say that earnestness is paired with tawdriness, aspects with which we can identify are paired with those with which we cannot, and all this time later some parts come off great, and others not so much. Still, despite its faults this is a classic, and on the balance, it's pretty fun!
In uneven bits and pieces, in both his writing and his direction, filmmaker John Hughes crafts small moments that in and of themselves are kind of brilliant. 'Sixteen candles' is never necessarily firing on all cylinders, but at its best, it's all but perfect. Some of the sight gags, characterizations, and jokes earn a good laugh, and the particular execution of some little inclusions is just exquisite; the climax is an absolute blast. The development of friendship between the archetypal geek and the archetypal jock is a minor delight, as is the representation of the most distinctly upper-class character as careless, selfish, childish, and destructive. Of course, the latter elements would be better if they weren't paired with casual, approving discussion or suggestion of sexual assault, manipulation, and exploitation. Even setting that aside (though definitely not forgetting it), some scenes don't come of nearly as well as they're supposed to, even something as small as that moment when Ted approaches the bedroom window of Bryce and Wease. Like I said: earnestness, and tawdriness.
And still, for all that, at large this is very well done. The big cast, filled with recognizable names and faces, are all a joy. Molly Ringwald actually gives an admirable, sincere performance of range and personality; given only a second supporting part, Paul Dooley lights up the screen with warmhearted honesty that threatens to upstage the star. Against all odds, Anthony Michael Hall and Michael Schoeffling do a fantastic job in helping to build the story and sell the comedy; in what are essentially bit parts, it's nonetheless a joy to see Jami Gertz and Zelda Rubinstein here. Moreover, crew behind the scenes turned in fine work all around - production design, art direction, costume design, hair and makeup, stunts, effects, and more. The assembled soundtrack is simply superb. 'Sixteen candles' as a whole is uneven in very distinct ways, but it boasts strong direction, acting, and craftsmanship, and its writing is smarter and sharper than not.
I'm not sure I'd go so far as to say this is a must-see; it has attained a rather high status in our culture that I'm not fully certain it deserves. Like some other features from the 80s, I think nostalgia has somewhat taken the place of consideration of inherent value, which doesn't serve the medium well and also says a lot about our society. Still, despite being decidedly flawed in some regards (if not outright ill-begotten), and broadly imperfect, more than not I think this is a rather good time, and holds up reasonably well; by no means can that be said for all its kin. It won't appeal to everyone; frankly, asterisks and content warnings are necessary for some of the inclusions; there is no actual need to see this just because of its reputation. All the same, if you do have the chance to watch 'Sixteen candles' and can abide its less savory aspects, it's a decent way to spend ninety minutes.
In uneven bits and pieces, in both his writing and his direction, filmmaker John Hughes crafts small moments that in and of themselves are kind of brilliant. 'Sixteen candles' is never necessarily firing on all cylinders, but at its best, it's all but perfect. Some of the sight gags, characterizations, and jokes earn a good laugh, and the particular execution of some little inclusions is just exquisite; the climax is an absolute blast. The development of friendship between the archetypal geek and the archetypal jock is a minor delight, as is the representation of the most distinctly upper-class character as careless, selfish, childish, and destructive. Of course, the latter elements would be better if they weren't paired with casual, approving discussion or suggestion of sexual assault, manipulation, and exploitation. Even setting that aside (though definitely not forgetting it), some scenes don't come of nearly as well as they're supposed to, even something as small as that moment when Ted approaches the bedroom window of Bryce and Wease. Like I said: earnestness, and tawdriness.
And still, for all that, at large this is very well done. The big cast, filled with recognizable names and faces, are all a joy. Molly Ringwald actually gives an admirable, sincere performance of range and personality; given only a second supporting part, Paul Dooley lights up the screen with warmhearted honesty that threatens to upstage the star. Against all odds, Anthony Michael Hall and Michael Schoeffling do a fantastic job in helping to build the story and sell the comedy; in what are essentially bit parts, it's nonetheless a joy to see Jami Gertz and Zelda Rubinstein here. Moreover, crew behind the scenes turned in fine work all around - production design, art direction, costume design, hair and makeup, stunts, effects, and more. The assembled soundtrack is simply superb. 'Sixteen candles' as a whole is uneven in very distinct ways, but it boasts strong direction, acting, and craftsmanship, and its writing is smarter and sharper than not.
I'm not sure I'd go so far as to say this is a must-see; it has attained a rather high status in our culture that I'm not fully certain it deserves. Like some other features from the 80s, I think nostalgia has somewhat taken the place of consideration of inherent value, which doesn't serve the medium well and also says a lot about our society. Still, despite being decidedly flawed in some regards (if not outright ill-begotten), and broadly imperfect, more than not I think this is a rather good time, and holds up reasonably well; by no means can that be said for all its kin. It won't appeal to everyone; frankly, asterisks and content warnings are necessary for some of the inclusions; there is no actual need to see this just because of its reputation. All the same, if you do have the chance to watch 'Sixteen candles' and can abide its less savory aspects, it's a decent way to spend ninety minutes.
Instant classic
mattmc-870609 December 2022
Warning: Spoilers
As always, John Hughes delivers. What i love most about his movies is how realistic the teens are and this movie is no exception. They swear when not around adults, they make crude comments and they throw house sized parties. And of course pass notes. I like how the nerds fight to fit in. Nerds are cool today but not so much in these days. However Michael hall plays a likeable-and even-cool nerd. II love his casual glance at the camera when driving. Its basically the worst sweet 16 day you could imagine (but a fun trip for us!) As for Molly she does have alot of attitude. It doesn't destroy the film by any means but she is not for everyone. If you want a1980s real teen grit then this is your movie. If you where not around then and are curious what life was like for 80s teens for real you will enjoy this.
Insensitive, but some good takeaways
klinedanielle16 August 2019
Many of the "jokes" in this movie have definitely not aged well, but I found Sam to be very relatable. Also her relationship with her dad and mom is something I greatly appreciated and we don't always see in teen movies. The scene where Sam and her dad talk on the sofa is the best scene in the film.
The Only Teen Comedy That Matters
evanston_dad11 April 2008
The teen comedy to which every teen comedy made for the rest of eternity will be compared.
"Sixteen Candles" is one of those movies that has entered the vocabulary of Gen-Xers everywhere. All you have to do is say a line like: "Oh look, Frank, she's got her boobies"; or "Thanks for lending me the Donger here, he's totally bitchin'"; or "What's happening', hot stuff?", to anyone between the ages of 30 and 40, and I guarantee they'll know what you're talking about.
Molly Ringwald raised teen surliness to Shakespearean heights; Anthony Michael Hall channeled hormonal distress; and Joan Cusack brought acceptance to head-gear wearers everywhere, proving that kids with bad teeth are humans too.
Grade: A+
"Sixteen Candles" is one of those movies that has entered the vocabulary of Gen-Xers everywhere. All you have to do is say a line like: "Oh look, Frank, she's got her boobies"; or "Thanks for lending me the Donger here, he's totally bitchin'"; or "What's happening', hot stuff?", to anyone between the ages of 30 and 40, and I guarantee they'll know what you're talking about.
Molly Ringwald raised teen surliness to Shakespearean heights; Anthony Michael Hall channeled hormonal distress; and Joan Cusack brought acceptance to head-gear wearers everywhere, proving that kids with bad teeth are humans too.
Grade: A+
Sweet and cheerful, if riddled with caricatures
shakercoola16 February 2019
An American comedy drama; A story about about a teenage girl whose family forget her birthday, so she tries to get over her disappointment by searching for the man of her dreams, unaware she's looking in the wrong place.
This film has themes about coping with the subject of sex, shyness and inexperience, and true love.
The story is fresh and cheerful and occasionally amusing with a goofy sense of humour. The script is sharp, with a keen sense for the idiom of teenspeak. As ever, Molly Ringwald is natural and appealing in this coming-of-age drama about a bright-eyed girl turning 16. It has a funny performance from Anthony Michael Hall as the dork, and a handsome turn from Michael Schoeffling.
It is a little slow moving and the dialogue at times lulls but there are plenty of daft distractions to smile at and some great 80s pop songs as a binding agent.
2019 review of an 80s classic
Wardman321 November 2019
I am a child of the 80s and was 15 when this came out... I loved it then and I love it now. I want to address the issues that have arisen in today's age in regards to a film from 1984. The inferred "" scene has come under scrutiny over the years and I can understand why in this climate. However, it was a different time back then...It is not a reason to validate it, but no one was thinking about it the way people do today... You can not go back and alter time, or censor things we do not like because society has changed. Would this scenario play in a comedic movie today? Of course not.
As far as the rest of the movie, I still crack up every time at multiple scenes...John Hughes had a talent in casting and writing about teen age life in the 80's and he was spot on. Casting was perfect...
In summary, if you are not from the era, you will probably not understand the huge influence this had on all of us born from 1965-1975. but it brings all of us back to a time where things were far more innocent and political correctness did not affect every aspect of our daily lives
Good film - but not as good as Ferris
ogdendc6 January 2014
Samantha Baker (Molly Ringwald) has her 16th birthday but her family are so wrapped up in the impending wedding of her sister Ginny (Blanche Baker) that they have completely overlooked this ('they've forgotten my f******g birthday!'). Her parents (Paul Dooley and Caroline Glynn) are nuts, her grandparents make remarks about her breasts and embarrass her. To add to that, Chinese exchange student Long Duc Dong (donggg!) played by Gedde Watanabe is staying with them.
Ted 'The Geek' (Anthony Hall) hits on her at every opportunity. She meanwhile has the hots for school hunk Jake Ryan (Michael Schoeffling) but he is in a relationship with Carolyn Mulford (Haviland Morris) who is perfect, and we get graphic evidence from the shower scene! The school dance section is beautifully observed. The dialogue between Sam and Ted is wryly constructed ('A lot can happen in a year – you could come back next fall as a completely normal person'. 'Yeah?') and there are some wonderfully surreal moments.
This film has a lot of similar elements to John Hughes' later film Ferris Bueller, though with not such strong leads. Ringwald is good but the others not so good. The scene between Hall and Schoeffling is weak and once Ringwald drops out from the action, the drawn-out end of the film drags a bit.
There are almost too many comedic elements and so most don't get fully developed. However, I did like the recurring character of the girl in the neck brace. And the music is very cool, even thirty years on (Bowie, Paul Young, Kajagoogoo, Spandau Ballet, The Specials, Nick Heyward, Patti Smith, Altered Images and The Thompson Twins).
I watched it, enjoyed it and would happily see some scenes again. But viewed as a whole – not as good as Ferris.
Ted 'The Geek' (Anthony Hall) hits on her at every opportunity. She meanwhile has the hots for school hunk Jake Ryan (Michael Schoeffling) but he is in a relationship with Carolyn Mulford (Haviland Morris) who is perfect, and we get graphic evidence from the shower scene! The school dance section is beautifully observed. The dialogue between Sam and Ted is wryly constructed ('A lot can happen in a year – you could come back next fall as a completely normal person'. 'Yeah?') and there are some wonderfully surreal moments.
This film has a lot of similar elements to John Hughes' later film Ferris Bueller, though with not such strong leads. Ringwald is good but the others not so good. The scene between Hall and Schoeffling is weak and once Ringwald drops out from the action, the drawn-out end of the film drags a bit.
There are almost too many comedic elements and so most don't get fully developed. However, I did like the recurring character of the girl in the neck brace. And the music is very cool, even thirty years on (Bowie, Paul Young, Kajagoogoo, Spandau Ballet, The Specials, Nick Heyward, Patti Smith, Altered Images and The Thompson Twins).
I watched it, enjoyed it and would happily see some scenes again. But viewed as a whole – not as good as Ferris.
I used to like this film... not anymore
nicolabennett_8023 June 2007
Warning: Spoilers
Reading all the comments about how funny and amazing and "true" this film is, I hope that the world has progressed a LOT since it was made or that the people who commented didn't actually see the vast majority of this film. When I first saw it as a child, I thought it was great too.
I recently had the chance to see it again, and I cannot believe how awful it actually is. This film is racist, sexist, classist and homophobic and not in a satirical way. It casually condones and glorifies rape (yes, having sex with someone who is too drunk to even know who you are is actually rape).
The only good thing about this film is the soundtrack.
I recently had the chance to see it again, and I cannot believe how awful it actually is. This film is racist, sexist, classist and homophobic and not in a satirical way. It casually condones and glorifies rape (yes, having sex with someone who is too drunk to even know who you are is actually rape).
The only good thing about this film is the soundtrack.
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