A big city teenager moves to a small town where Rock and Roll music and dancing have been banned by backward local parents and his rebellious spirit shakes up the populace.A big city teenager moves to a small town where Rock and Roll music and dancing have been banned by backward local parents and his rebellious spirit shakes up the populace.A big city teenager moves to a small town where Rock and Roll music and dancing have been banned by backward local parents and his rebellious spirit shakes up the populace.
- Nominated for 2 Oscars
- 2 wins & 7 nominations total
- Willard
- (as Christopher Penn)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
The style is reminiscent of a whole host of other '80's teen flicks, but only a handful are better. Most of the cast do great things with their roles. Kevin Bacon actually manages to make the clichéd concept seem kinda cool, here showcasing an easy charm that was to become the hallmark of much of his later work. Crucially, the music is actually pretty good too! (Even if I am torn between wanting to cringe and dance when I hear the theme!)
On reflection it's no cheesier than something like "All the Right Moves" (which has a great cast doing their best but suffers from a plodding story) In fact, it's miles better! At least the music in "Footloose" gave the makers a viable way to pep things up whenever the story begins to flag. This film is much, MUCH better than I had been led to believe, so give it a chance if you ain't seen it yet but thought you knew the score. Chances are, you don't...
Kevin Bacon is the new kid in town who wants the ban lifted. Indeed, this boy seems to live to dance and he's immensely likable. He uses his killer smile to great effect. In this movie the dancing is integral to the plot and it evolves from it naturally and, for once, the director Herbert Ross takes things easy. As well as Bacon, the film has Lori Singer, (the obligatory love interest), and John Lithgow and Dianne Wiest as her parents. He's the bible-thumper who thinks that dancing is sinful and Wiest, with her wan, other-worldly smile, is the wife who doesn't as well as a very young Chris Penn as the over-weight farm boy Bacon teaches to dance in a wonderful sequence choreographed to Denise Williams' 'Let's hear it for the boy'
But the music is great and the plot and themes do as much for me as "Grease" ever did. As teen movies go, it is somewhat original and interesting.
Who should see this film:
-- Teens with nothing better to do on a rainy day
-- People reliving the 1980s, you won't be disappointed to
see this one again
I'll give Footloose a 9 out of 10 because it cheered me up on a day I needed it.
This reviewer neither loves or hates 'Footloose', from personal opinion it falls short of being great but the immense appeal is definitely understandable.
Its biggest weak point is the story. Conceptually it's daft, and further hampered by laying it on too thick with the ridiculousness (the drug scene and the basic concept) and over-sentimentality (the Reverend's somewhat tacky reform that didn't really ring true compared to how his character was written in general). Ren's dance routine in the abandoned warehouse was far too randomly placed, coming at an unrealistically weird point in the film.
Lori Singer being too old didn't bother me as much as it did other reviewers, but the overacting, constantly looking as if she was trying too hard, was less forgivable. The script is uneven, sometimes it's humorously light-hearted and feel good and there is a laudable attempt at providing depth with some more mature themes but too much of it is also cheesy and flimsy.
However, the songs are toe-tappingly great, especially the title song "Footloose" and "Let's Hear it for the Boy". The dancing is spirited, and apart from that one scene with Ren the choreography and dance numbers are finger-snappingly infectious. 'Footloose' is a good-looking film too, beautifully shot and smartly photographed with some inventive visuals in the title song, while the direction is solid enough and the pacing sharp and energetic constantly.
Singer aside, the cast are simply terrific, with Kevin Bacon in the role that made him a star making for a good free-spirited lead and the sadly late Chris Penn proving that he had the talent to make it bigger than he did. Dianne Wiest doesn't seem capable of giving a bad performance, while John Lithgow is effectively subtle and wisely reigns in in a role that could easily have been the opposite.
Overall, falls short of being a great film but the appeal is definitely understandable, because there are a lot of good elements that outweigh the still quite big flaws. 6/10 Bethany Cox
Did you know
- TriviaThe scenes where Chris Penn's character had to learn how to dance were added to the script because Penn really could not dance.
- GoofsWhen Ren is dancing in the factory and is swinging on the high bar-type pole, he is wearing gloves. During the rest of the sequence he is bare-handed.
- Quotes
Ren: You like Men at Work?
Willard: Which man?
Ren: Men at Work.
Willard: Well, where do they work?
Ren: No, they don't, they're a music group.
Willard: Well, what do they call themselves?
Ren: Oh no! What about the Police?
Willard: What about 'em?
Ren: You ever heard them?
Willard: No, but I seen them.
Ren: Where, in concert?
Willard: No, behind you.
- Alternate versionsCBS edited 10 minutes from this film for its 1987 network television premiere.
- SoundtracksFootloose
Performed by Kenny Loggins
Written by Kenny Loggins and Dean Pitchford
Produced by Kenny Loggins with Lee De Carlo (as Lee DeCarlo)
Details
Box office
- Budget
- $8,200,000 (estimated)
- Gross US & Canada
- $80,035,402
- Opening weekend US & Canada
- $8,556,935
- Feb 20, 1984
- Gross worldwide
- $80,047,589
- Runtime1 hour 47 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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