Sigrid Thornton.
Sigrid Thornton will be presented with the Chauvel Award tonight at a screen industry gala event held as part of the Gold Coast Film Festival.
The award recognises the prolific actress’ significant contribution to the Australian screen industry. Her long career includes films such The Man From Snowy River and The Lighthorsemen, and TV series SeaChange, All The Rivers Run, Prisoner and recently, The Code and Wentworth. Established in 1992, previous winners of the Chauvel Award include Fred Schepisi, Gillian Armstrong, George Miller, Jan Chapman, Heath Ledger and Deborah Mailman.
“This recognition is a wonderful and very humbling acknowledgement of essentially what’s been a lot of hard work,” Thornton tells If.
“It’s a career that’s been full, rich and enormously joyful, but it’s also had a lot of ups and downs as well.”
Thronton will soon return to one of her most notable roles, that of Laura Gibson,...
Sigrid Thornton will be presented with the Chauvel Award tonight at a screen industry gala event held as part of the Gold Coast Film Festival.
The award recognises the prolific actress’ significant contribution to the Australian screen industry. Her long career includes films such The Man From Snowy River and The Lighthorsemen, and TV series SeaChange, All The Rivers Run, Prisoner and recently, The Code and Wentworth. Established in 1992, previous winners of the Chauvel Award include Fred Schepisi, Gillian Armstrong, George Miller, Jan Chapman, Heath Ledger and Deborah Mailman.
“This recognition is a wonderful and very humbling acknowledgement of essentially what’s been a lot of hard work,” Thornton tells If.
“It’s a career that’s been full, rich and enormously joyful, but it’s also had a lot of ups and downs as well.”
Thronton will soon return to one of her most notable roles, that of Laura Gibson,...
- 4/4/2019
- by jkeast
- IF.com.au
It said something about HBO’s elevating stature as a programmer that the company strategy was no longer catch-as-catch-can. HBO now found itself in the enviable position of being able to afford to turn shows down based on its view the project was – in the phrase I was coming to hear more and more often – “an HBO show.” Like the old joke about art, nobody could define what that meant, but they knew it when they saw it.
Case in point:
In 1996, HBO rolled out Arli$$ (1996-2002). Like The Larry Sanders Show, Arli$$ came from the off-kilter imagination of a stand-up comic, in this case Robert Wuhl, who also starred. In synopsis – and no doubt why HBO was interested – Arli$$ sounded like a sports version of The Larry Sanders Show. Wuhl played Arliss Michaels, a top-flight sports agent with the integrity of a hired killer moving through the circles of...
Case in point:
In 1996, HBO rolled out Arli$$ (1996-2002). Like The Larry Sanders Show, Arli$$ came from the off-kilter imagination of a stand-up comic, in this case Robert Wuhl, who also starred. In synopsis – and no doubt why HBO was interested – Arli$$ sounded like a sports version of The Larry Sanders Show. Wuhl played Arliss Michaels, a top-flight sports agent with the integrity of a hired killer moving through the circles of...
- 1/9/2014
- by Bill Mesce
- SoundOnSight
Family Demons: The Ghost as Domestic Inheritance by Donna McRae
Low cinematic genres – (as Clover, Williams and Robin Wood and others) have often pointed out – often handle explosive social material that mainstream cinema is reluctant to touch. — Joan Hawkins (1)
Can you make a film about the aftermath of incest and child abuse and its effect on three generations of women in the same family? Would this film contain an inherited ghost running through the narrative that could represent repressed feelings of colonial guilt on another level? Could this film prick the conscience of a nation that might be shuddering in silence for all its past sins? Would you get funding for this film from an Australian funding agency if you didn't have a track record? Would this very serious film fill cinemas, especially Australian ones? Could you get international profile actors to star in your film? Or would Australian film actors like Gracie Otto,...
Low cinematic genres – (as Clover, Williams and Robin Wood and others) have often pointed out – often handle explosive social material that mainstream cinema is reluctant to touch. — Joan Hawkins (1)
Can you make a film about the aftermath of incest and child abuse and its effect on three generations of women in the same family? Would this film contain an inherited ghost running through the narrative that could represent repressed feelings of colonial guilt on another level? Could this film prick the conscience of a nation that might be shuddering in silence for all its past sins? Would you get funding for this film from an Australian funding agency if you didn't have a track record? Would this very serious film fill cinemas, especially Australian ones? Could you get international profile actors to star in your film? Or would Australian film actors like Gracie Otto,...
- 12/16/2009
- by Superheidi
- Planet Fury
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