Directed by
| Phillip Noyce | ||
Writing Credits
| Marc Rosenberg | ... | (screenplay) & |
| Phillip Noyce | ... | (screenplay) |
| Mark Stiles | ... | (based on an original screenplay by) & |
| Tim Gooding | ... | (based on an original screenplay by) |
Cast (in credits order) complete, awaiting verification
Produced by
| Jean Campbell-Bevins | ... | assistant producer |
| Hilary Linstead | ... | producer |
| Ross Matthews | ... | co-producer |
Music by
| Cameron Allan | ||
Cinematography by
| Vincent Monton | ||
Editing by
| John Scott | ||
Production Design by
| Ross Major | ||
Art Direction by
| Dean Taucher | ||
Costume Design by
| Terry Ryan | ||
Makeup Department
| Edwine Archer | ... | makeup assistant (as Edwina Archer) |
| Sally Gordon | ... | makeup department head |
| Melissa Jaffer | ... | hair stylist |
| Judy Lovell | ... | special makeup effects artist |
| Bob McCarron | ... | special makeup effects artist |
| Phillippa Noyce | ... | special makeup effects artist |
| Robern Pickering | ... | makeup assistant |
| Caralyn Taylor | ... | hairdresser: Anna Jemison |
Production Management
| Lynn Gailey | ... | production manager |
Second Unit Director or Assistant Director
| Steve E. Andrews | ... | first assistant director (as Steve Andrews) |
| Phillip Hurst | ... | third assistant director (as Philip Hurst) |
| Chris Maudson | ... | second assistant director |
Art Department
| Sally Campbell | ... | props buyer / set dresser |
| Lissa Coote | ... | props buyer / set dresser |
| Danie Daems | ... | construction manager |
| John Daniell | ... | stand-by props |
| Robert Flaherty | ... | props buyer / set dresser |
| Peter Hart | ... | assistant set dresser |
| Bruce Hillhouse | ... | carpenter |
| Paul Pholeros | ... | designer: 'Eden Design' |
| David Searl | ... | art department manager |
Sound Department
| Greg Bell | ... | sound editor |
| Helen Brown | ... | sound editor |
| Lloyd Carrick | ... | sound recordist |
| Gethin Creagh | ... | sound mixer |
| Peter Fenton | ... | sound mixer |
| Chris Goldsmith | ... | boom operator |
| Phil Heywood | ... | re-recording mixer (as Phillip Heywood) |
| Gerry Nixon | ... | sound recordist |
| Stella Savvas | ... | sound editor |
Special Effects by
| Ellis D. Fogg | ... | special effects lighting |
| Roger Foley | ... | special effects lighting |
| Alan Maxwell | ... | special effects |
| Reece Robinson | ... | special effects |
Visual Effects by
| Roger Cowland | ... | opticals |
Stunts
| Frank Arrowsmith | ... | stunt double |
| Dale Aspin | ... | stunt double |
| Max Aspin | ... | stunt coordinator |
| Stephen Sherwood | ... | stunt double |
Camera and Electrical Department
| Brian Bansgrove | ... | gaffer |
| Sam Bienstock | ... | electrician |
| David Brostoff | ... | focus puller |
| Ray Brown | ... | key grip |
| Colin Chase | ... | generator operator/electrician |
| Colin Deane | ... | additional photographer |
| Steve Dobson | ... | additional photographer (as Stephen Dobson) |
| Paul Gantner | ... | best boy |
| Reg Garside | ... | electrician |
| Stuart Green | ... | second grip |
| Frank Hammond | ... | camera operator: second unit |
| Louis Irving | ... | camera operator |
| Robert McFarlane | ... | still photographer |
| Andrew McLean | ... | clapper loader |
| Richard Michalak | ... | camera operator: second unit |
| David Parker | ... | still photographer |
Casting Department
| Jenny Goddard | ... | extras casting coordinator |
Costume and Wardrobe Department
| Jan Hurley | ... | stand-by wardrobe |
| Anthony Jones | ... | wardrobe supervisor |
| Jillian Mahony | ... | wardrobe assistant |
Editorial Department
| Arthur Cambridge | ... | color grader |
| Margaret Cardin | ... | negative cutter |
| Bill Gooley | ... | laboratory liaison |
| Al Hansen | ... | digital colorist: restoration |
| Sue Scott | ... | assistant film editor |
| Frans Vandenburg | ... | assembly editor |
Location Management
| Peta Lawson | ... | location manager |
| Mark Thomas | ... | assistant location manager |
Music Department
| Graham Bidstrup | ... | assistant to composer |
| Ashley Irwin | ... | music arranger |
| Margaret Roberts | ... | secretary to composer |
| Andrew Thomas Wilson | ... | music equipment |
Script and Continuity Department
| Therese O'Leary | ... | continuity |
Additional Crew
| Fiona Gosse | ... | production secretary |
| Keith Heygate | ... | caterer |
| Bob Hicks | ... | safety coordinator |
| Christine Koltas | ... | choreographer |
| Steve Lesiuk | ... | architectural consultant |
| Alan Marco | ... | production accountant |
| George Ogilvie | ... | voice consultant |
| Paul Pholeros | ... | architectural consultant |
| Ken Taylor | ... | catering assistant |
| Richard Ussher | ... | unit runner |
| Teresa Wilkinson | ... | stand-in: Judy Davis |
| Jan Sharp | ... | consultant to director (uncredited) |
Thanks
| Mark Arbuz | ... | special thanks |
| Pip Archdale | ... | special thanks |
| Ken Cameron | ... | special thanks |
| José De la Vega | ... | special thanks |
| Ken Done | ... | special thanks |
| Max Dupain | ... | special thanks |
| Tony Edwards | ... | special thanks |
| Hilary Furlong | ... | special thanks |
| Robyn Gordon | ... | special thanks |
| Paul Halstead | ... | special thanks |
| Vicci Harper | ... | special thanks |
| Ted Hetherington | ... | special thanks |
| Richard Le Plastrier | ... | special thanks |
| Geoff Malone | ... | special thanks |
| Ian McKay | ... | special thanks |
| David Moore | ... | special thanks |
| Rod Phillips | ... | special thanks |
| Phil Quirk | ... | special thanks (as Phillip Quirk) |
| John Firth Smith | ... | special thanks |
| Duncan Stemler | ... | special thanks |
| Jill White | ... | special thanks |
| Willi Young | ... | special thanks |
