A troubled child summons the courage to help a friendly alien escape from Earth and return to his home planet.A troubled child summons the courage to help a friendly alien escape from Earth and return to his home planet.A troubled child summons the courage to help a friendly alien escape from Earth and return to his home planet.
- Won 4 Oscars
- 52 wins & 38 nominations total
Robert MacNaughton
- Michael
- (as Robert Macnaughton)
C. Thomas Howell
- Tyler
- (as Tom Howell)
David M. O'Dell
- Schoolboy
- (as David O'Dell)
David Berkson
- Medical Unit
- (as David Berkson M.D.)
David Carlberg
- Medical Unit
- (as David Carlberg Ph.D.)
Milt Kogan
- Medical Unit
- (as Milt Kogan M.D.)
Alexander Lampone
- Medical Unit
- (as Alexander Lampone M.D.)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaMost of the full-body puppetry was performed by a 2'10" tall stuntman, but the scenes in the kitchen were done using a 12-year-old boy who was born without legs but was an expert on walking on his hands.
- GoofsWhen "Keys" goes inside the Clean room created for E.T. and Elliott, he and others wear a "Clean Suit", but the tubes coming out of the helmet go nowhere, not even a filter, meaning they are breathing contaminated air and that the suit is useless.
- Quotes
[last lines]
E.T.: Come...
Elliot: [solemnly] Stay...
E.T.: [puts his finger to his glowing heart] Ouch.
Elliot: [mimics the same action, tearfully] Ouch.
E.T.: [E.T. and Elliot embrace each other, then E.T. puts his glowing finger to Elliot's forehead] I'll... be... right... here.
Elliot: [tearfully] ... bye.
- Crazy creditsThe Universal logo animates backwards in the original 1982 cut.
- Alternate versionsOn the VHS version when E.T. is watching the Tom and Jerry cartoon, he gasps and starts yelling. The original version and 20th anniversary have him scream like he's scared after the gasp.
- ConnectionsEdited into The Dream (2010)
Featured review
Whilst visiting Earth an Alien is accidentally left behind and strikes up a friendship with a young boy.
The story centres around E.T. and his relationship with three children in a family where the parents are divorced and the father is not around. Much has been written about how autobiographical the movie is about Spielberg's own childhood and lots of unique little moments along these lines are captured in the most cinematic way possible. In fact some of the strongest scenes involve simple interaction between the family and their friends. These are not idealised Hollywood versions of families, but natural slices of suburban life that always feel real.
E.T.'s arrival and the events that follow help to fill the emptiness in the heart of the youngest son Elliott and they soon form a psychic bond together. Peace, tolerance and communication are explored constantly as we see visuals and hear dialogue connected to these themes throughout the movie.
We see everything from E.T.'s perspective and share his experience as an alien visitor in a strange world. Nothing is explained, because what we see with our own eyes tells us everything we need to know. In fact the visuals are so powerful there was very little I had to explain to my three year old companion as she watched it with me.
Everything builds towards a spectacular climax, which is one of the greatest scenes in cinematic history. Again very little is said as this wonderfully emotional sequence very efficiently breaks our hearts.
I didn't care much for E.T. during the 80s. I think it's because I was conditioned from a very young age by more violent and action orientated movies. Also, my mother was quite enthusiastic about it which back then could scrape the cool off most things. It was not until I was pushing forty with a three year old daughter that my perspective changed forever.
Well done Mr Spielberg, probably your finest moment.
The story centres around E.T. and his relationship with three children in a family where the parents are divorced and the father is not around. Much has been written about how autobiographical the movie is about Spielberg's own childhood and lots of unique little moments along these lines are captured in the most cinematic way possible. In fact some of the strongest scenes involve simple interaction between the family and their friends. These are not idealised Hollywood versions of families, but natural slices of suburban life that always feel real.
E.T.'s arrival and the events that follow help to fill the emptiness in the heart of the youngest son Elliott and they soon form a psychic bond together. Peace, tolerance and communication are explored constantly as we see visuals and hear dialogue connected to these themes throughout the movie.
We see everything from E.T.'s perspective and share his experience as an alien visitor in a strange world. Nothing is explained, because what we see with our own eyes tells us everything we need to know. In fact the visuals are so powerful there was very little I had to explain to my three year old companion as she watched it with me.
Everything builds towards a spectacular climax, which is one of the greatest scenes in cinematic history. Again very little is said as this wonderfully emotional sequence very efficiently breaks our hearts.
I didn't care much for E.T. during the 80s. I think it's because I was conditioned from a very young age by more violent and action orientated movies. Also, my mother was quite enthusiastic about it which back then could scrape the cool off most things. It was not until I was pushing forty with a three year old daughter that my perspective changed forever.
Well done Mr Spielberg, probably your finest moment.
- snoozejonc
- Sep 3, 2020
- Permalink
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Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- E. T. El extraterrestre
- Filming locations
- 7121 Lonzo Street, Tujunga, Los Angeles, California, USA(Elliott's home)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $10,500,000 (estimated)
- Gross US & Canada
- $439,454,989
- Opening weekend US & Canada
- $11,835,389
- Jun 13, 1982
- Gross worldwide
- $797,307,407
- Runtime1 hour 55 minutes
- Color
- Sound mix
- Dolby Stereo(original theatrical version)
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