Directed by
| Mark Egerton | ||
| Keith Salvat | ... | (original director) (uncredited) |
Writing Credits
| Linda Lane | ... | (screenplay) & |
| Mark Egerton | ... | (screenplay) |
| Denis Whitburn | ... | (additional material) |
| Keith Salvat | ... | (uncredited) |
Cast (in credits order) verified as complete
 |
Gary Day | ... | Ed Ballinger |
| Penny Downie | ... | Cindy | |
|
|
Brian McDermott | ... | Whitehead |
| Peter Collingwood | ... | Hollister | |
| Kim Deacon | ... | Jane | |
| John Ewart | ... | Stollier | |
| Jill Forster | ... | Mrs. Stollier | |
|
|
Judith Woodroffe | ... | Clair |
Produced by
| Ross Matthews | ... | executive producer |
| Errol Sullivan | ... | producer |
Music by
| Chris Neal | ||
Cinematography by
| Vincent Monton | ||
Production Design by
| Laurence Eastwood | ... | (as Larry Eastwood) |
Costume Design by
| Jenny Miles | ||
Makeup Department
| Ivan Durrant | ... | Special Effects Makeup / special makeup effects artist |
| Liz Michie | ... | makeup artist |
Production Management
| Sara Bennett | ... | post-production supervisor |
| Julie Monton | ... | production manager |
| Tony Winley | ... | unit manager |
Second Unit Director or Assistant Director
| Steve E. Andrews | ... | first assistant director (as Steve Andrews) |
| Marshall Crosby | ... | assistant director |
| Mark Lamprell | ... | assistant director |
| Philip Worth | ... | assistant director (as Phil Worth) |
Art Department
| David Bowden | ... | props buyer |
| Brian Hocking | ... | construction manager |
| Michael Manuel | ... | props assistant |
| Karan Monkhouse | ... | standby props |
Sound Department
| Vicki Ambrose | ... | sound editor |
| Jeanine Chiavlo | ... | sound editor |
| Don Connolly | ... | Dolby Stereo Consultant |
| Julian Ellingworth | ... | sound mixer |
| Chris Neal | ... | computer sound effects / sound effects |
| John Phillips | ... | sound recordist |
| Ray Phillips | ... | boom operator |
| Phil Judd | ... | sound effects recordist (uncredited) |
Visual Effects by
| Roger Cowland | ... | visual effects |
Camera and Electrical Department
| Colin Chase | ... | generator operator |
| Steve Dobson | ... | focus puller |
| Geordie Dryden | ... | key grip |
| Pav Govind | ... | gaffer |
| Terry Jacklin | ... | grip |
| Robert McFarlane | ... | still photographer |
| Robyn Petersen | ... | clapper loader |
| Brian Probyn | ... | second unit cameraman |
| Andy Reid | ... | best boy (as Andrew Reid) |
| Bliss Swift | ... | still photographer |
| David Williamson | ... | camera operator |
Costume and Wardrobe Department
| Miranda Skinner | ... | wardrobe assistant |
Editorial Department
| Arthur Cambridge | ... | grader |
| Margaret Cardin | ... | negative cutter |
| John Daly | ... | assistant editor |
| Bill Gooley | ... | laboratory liaison |
| Lee Smith | ... | assistant editor |
| Christine Spry | ... | assistant editor |
Location Management
| Barbara Gibbs | ... | location manager |
Music Department
| Ian Davidson | ... | recording engineer |
Script and Continuity Department
| Jo Weeks | ... | continuity |
Additional Crew
| Deborah Bailley | ... | Department Secretary |
| Fran Burke | ... | titles |
| Cara Farnes | ... | production secretary |
| Pierre Mayer | ... | Tape Operator |
| Andrew McRae | ... | Computer Operator |
| Alain Pilot | ... | Electronics Operator |
| Craig Scott | ... | production accountant |
| Jo Weeks | ... | producer's assistant |
