103 reviews
Stir Crazy is directed by Sidney Poitier and written by Bruce Jay Friedman. It stars Gene Wilder, Richard Pryor, Miguel Angel Suarez, Georg Stanford Brown, JoBeth Williams and Erland Van Lidth. Plot has Pryor and Wilder as two care free New York buddies who after getting fired from their jobs decide to make their way to Hollywood in search of better fortunes. However, after taking up a gig as promotional woodpeckers for a bank's advertisement drive, they find themselves framed for robbing the bank and sentenced to 125 years each in prison
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The second pairing of Wilder and Pryor proves to be the best of their output on film. With their chemistry skin tight, film is full of laughs until a big slow down for the last third when the inevitable attempt at a prison break out occurs. Poitier's direction isn't up to anything other than correctly letting his two lead stars strut their stuff. But along with writer Friedman, he has to be accountable for letting the comedy dry up as the film chooses tension over humour which undoubtedly doesn't sit at all right. Still, the first hour is a joy ride, particularly once the guys land in prison, here the comedy reaches its peak and the contrast of the two characters played by Wilder and Pryor really mines the set-up for all is worth. Wilder is oblivious to the hazards of prison life, Pryor is street savvy and fully aware of the perils around every brick walled corner.
Naturally there's a hope on the horizon, which here comes in the form of Rodeo skills, this too brings the laughs, as does the number of prison characters that join in the plot. Notably Van Lidth's monstrous, and monstrously funny, Grossberger. Yes it's a roll call of prison stereotypes, from the top where the morally dubious Warden (Barry Corbin) sits, down to the cons where gays, bullies and gate happy loonies reside. With that, some of it now seems twee and badly out of date. So much so it's a film that is unlikely to garner a new and appreciative audience. However, those who were enamoured and found themselves laughing heartily with it back in the early 80s, should find that like myself, it holds up real well. Kind of like an old friend you call on when you need a pick me up. Hardly a superior comedy classic, then, but a film that rewards its fans on each subsequent revisit. 7/10
The second pairing of Wilder and Pryor proves to be the best of their output on film. With their chemistry skin tight, film is full of laughs until a big slow down for the last third when the inevitable attempt at a prison break out occurs. Poitier's direction isn't up to anything other than correctly letting his two lead stars strut their stuff. But along with writer Friedman, he has to be accountable for letting the comedy dry up as the film chooses tension over humour which undoubtedly doesn't sit at all right. Still, the first hour is a joy ride, particularly once the guys land in prison, here the comedy reaches its peak and the contrast of the two characters played by Wilder and Pryor really mines the set-up for all is worth. Wilder is oblivious to the hazards of prison life, Pryor is street savvy and fully aware of the perils around every brick walled corner.
Naturally there's a hope on the horizon, which here comes in the form of Rodeo skills, this too brings the laughs, as does the number of prison characters that join in the plot. Notably Van Lidth's monstrous, and monstrously funny, Grossberger. Yes it's a roll call of prison stereotypes, from the top where the morally dubious Warden (Barry Corbin) sits, down to the cons where gays, bullies and gate happy loonies reside. With that, some of it now seems twee and badly out of date. So much so it's a film that is unlikely to garner a new and appreciative audience. However, those who were enamoured and found themselves laughing heartily with it back in the early 80s, should find that like myself, it holds up real well. Kind of like an old friend you call on when you need a pick me up. Hardly a superior comedy classic, then, but a film that rewards its fans on each subsequent revisit. 7/10
- hitchcockthelegend
- Nov 18, 2011
- Permalink
Gene Wilder and Richard Pryor were a great comedy duo. Not all their few collaborations were great, but 'Silver Streak' and 'Stir Crazy' very much were very good, particularly the former. One thing that 'Stir Crazy' improves on than 'Silver Streak' is that Wilder and Pryor get equal screen time and work stronger as a double act.
'Stir Crazy's' second half isn't as good as the first half, a case of the first half being great but the second half having moments but not living up to the promise seen before. The elaborate escape scene stands out well, but generally the second half does suffer from a lack of laughs, which the first half had aplenty, the momentum isn't as snappy and the more serious tone jars a little.
That's pretty much it for the flaws though. 'Stir Crazy' is one of their more visually beautiful films, the setting is great and like a character of its own and there is some truly beautiful and clever photography at the start and in the first half.
Much of the script is hilarious and clever, and avoids being noisy or immature. Pryor's chicken scene is unforgettable, and there is some clever lampooning of prison clichés. The story is slightly contrived at times in the second half but very rarely gets tedious. Sidney Poitier is a surprising choice for director but does a very capable job.
Wilder is both funny and endearing and avoids mugging too much or clowning around. Pryor with more screen time than 'Silver Streak' equal to that of Wilder, works incredibly well with Wilder and while he is the less understated of the two he's not abrasive or annoying.
Overall, uneven but very enjoyable. 8/10 Bethany Cox
'Stir Crazy's' second half isn't as good as the first half, a case of the first half being great but the second half having moments but not living up to the promise seen before. The elaborate escape scene stands out well, but generally the second half does suffer from a lack of laughs, which the first half had aplenty, the momentum isn't as snappy and the more serious tone jars a little.
That's pretty much it for the flaws though. 'Stir Crazy' is one of their more visually beautiful films, the setting is great and like a character of its own and there is some truly beautiful and clever photography at the start and in the first half.
Much of the script is hilarious and clever, and avoids being noisy or immature. Pryor's chicken scene is unforgettable, and there is some clever lampooning of prison clichés. The story is slightly contrived at times in the second half but very rarely gets tedious. Sidney Poitier is a surprising choice for director but does a very capable job.
Wilder is both funny and endearing and avoids mugging too much or clowning around. Pryor with more screen time than 'Silver Streak' equal to that of Wilder, works incredibly well with Wilder and while he is the less understated of the two he's not abrasive or annoying.
Overall, uneven but very enjoyable. 8/10 Bethany Cox
- TheLittleSongbird
- Jun 11, 2017
- Permalink
Gene Wilder and Richard Pryor was a good comedy team of the 1970s, making several hit movies together, this being one of the more memorable. Viewing this movie recently after a 25-year absence, it was a shock to me to hear the language. I had remembered this strictly as a light-hearted comedy but I can see why it's rated "R." That is solely for the language, especially by Pryor, but he was known for his profane humor.
If you can put up with that, the film is downright funny, even today. I found myself laughing out loud at a few scenes, all of which I remembered vividly from several viewings in the '70s. They are still just as funny.
Who could forget that mammoth criminal with the long, long name - Erland van Lidth de Jeude? He was the guy that scared the hell out of everyone, just by his physical presence. In real life, that man was the opposite of his projected image on screen. He was a graduate of MIT, an accomplished opera singer, an Olympic wrestler, devoted husband and father, writer, etc. The poor man died at the age of 34.
It also was interesting to see such a young looking Craig T Nelson and JoBeth Williams.
This might have been the best of the Wilder-Pryor films. I was shocked to see that Sidney Poitier directed this movie. I didn't know that until seconds ago when I looked at this IMDb title page.
If you can put up with that, the film is downright funny, even today. I found myself laughing out loud at a few scenes, all of which I remembered vividly from several viewings in the '70s. They are still just as funny.
Who could forget that mammoth criminal with the long, long name - Erland van Lidth de Jeude? He was the guy that scared the hell out of everyone, just by his physical presence. In real life, that man was the opposite of his projected image on screen. He was a graduate of MIT, an accomplished opera singer, an Olympic wrestler, devoted husband and father, writer, etc. The poor man died at the age of 34.
It also was interesting to see such a young looking Craig T Nelson and JoBeth Williams.
This might have been the best of the Wilder-Pryor films. I was shocked to see that Sidney Poitier directed this movie. I didn't know that until seconds ago when I looked at this IMDb title page.
- ccthemovieman-1
- Aug 15, 2006
- Permalink
"Stir Crazy" once again brings together the comedic talents of Gene Wilder and Richard Pryor. Here, they play Skip and Harry, two hapless slackers in New York who decide to go west to find their fortunes. On the way, they stop in Arizona, and get framed for a bank robbery. This lands them behind bars. This movie is loaded with screwball comedy, and it shows Gene Wilder at his most manic. His methods at pretending to be insane and keeping his spirit from being broken will elicit the big laughs. It all climaxes with a prison rodeo, and an elaborate breakout scheme. "Stir Crazy" is a comedy classic, and reminds us all of the comedy team of Pryor and Wilder.
- EmperorNortonII
- Jun 30, 2005
- Permalink
Recently i bought a DVD-recorder. As a stunt the shop sold it at a special price, together with a selection of Movies on DVD. One of these DVD's is "Stir Crazy". I watched the film again, this time together with my 13-years old son and a friend of his. The boys were rolling on the floor with laughter, so one can definitely say that this is a timeless comedy, that never ages. The film always leaves me with a good feeling and i have seen that it still works, even with kids these days. The acting is superb, the dialog continually funny, the prison setting convincing and an extra credit should go out to Jobeth Williams' small but heat-warming part. Guaranteed to bring a little sunshine to a rainy day.
- vintig7345
- Jun 4, 2006
- Permalink
Skip Donahue (Gene Wilder) and Harry Monroe (Richard Pryor) are best friends living in New York City. Donahue is an amateur playwright, working a day job in department store security. Monroe is working as a catering assistant. When Donahue is canned for harassing a starlet and Monroe is fired because his marijuana ends up in the food at a society dinner on the same day, Donahue takes it as the perfect opportunity to finally leave the cold, unfriendly metropolis and head out West. Unfortunately, neither is very well adapted to life outside of New York, and they end up framed for a crime.
I hadn't seen Stir Crazy since at least the early 1980s. Recently I had a chance to rewatch Gene Wilder's The Adventure of Sherlock Holmes' Smarter Brother (1975), which I hadn't seen since the 1970s, and I was a bit disappointed. So I was nervous that Stir Crazy might also be a let down this far removed in time. That couldn't have been more wrong. I may have even thought it was funnier and more exciting this time around than when I first watched the film as a teen.
I had forgotten that Stir Crazy isn't just a comedy. It's also fairly suspenseful and surprisingly serious at times in the last act. Director Sidney Poitier makes a smooth transition through many genres--buddy film, road movie, fish out of water story and prison film, aided of course by Wilder and Pryor. While both actors have had plenty of performances just as good as Stir Crazy, neither have had any that were better.
In a way, this is really more Wilder's film than Pryor's. That's no slight on Pryor; Wilder just ends up getting more screen time. He presents a hilariously bizarre, complex character who is full of contradictions--kind of a channeling of a less loquacious Woody Allen through a more down to earth version of his Willy Wonka (Willy Wonka & The Chocolate Factory, 1971). Wilder's Skip Donahue has an air of Mister Rogers-styled good-natured innocence, with the same kind of odd and maybe creepy homoerotic overtones, but he'll also turn on a dime into a neurotic, screaming loon. As I said, it's all very complex, but extremely funny and enjoyable to watch.
Pryor's Harry Monroe is more of a streetwise perpetual victim who doesn't adjust to the social world of the criminal justice system as well as Donahue does. He has a much more typical reaction, with no misconceptions about their dire circumstances.
The crux of the humor in the first section of the film is the naivety of Donahue's "grass is always greener on the other side" conception of the Western U.S. compared to New York City. Of course, things turn out to be not quite so simple, but it's funny and charming that Poitier and writer Bruce Jay Friedman have Donahue never quite wake up from his naïve misconception. It also turns out to have much more weight than just a comic device: Donahue survives in prison as well as he does, and it brings about the profound changes of character--Donahue becomes much more authentic, realizes his potential, gains material for his art and even gets the girl--because of his continued misprision (in the Bloom sense) about life outside of New York City, and in the end, it enables a "return to the market", as they say in Zen Buddhism.
Watching Stir Crazy at this later point in time, some of the humor might seem a bit clichéd to younger viewers. It's important to remember that this is where a lot of those "clichés" came from. In 1980, everyone was mimicking scenes from this film (such "We bad . . .") and repeating dialogue and jokes. Some of the filmic (and by extension general cultural) folklore or urban legends about prisons contained in Stir Crazy had made appearances in films prior to this one, but not in the particular irreverent way that they're satirized here.
This is an important film in the careers of a few of the greatest actors and comedians (Wilder, Pryor and Poitier), with an important place in the history of Hollywood comedy. The fact that it's also suspenseful and has philosophical things to say about human nature is a bonus that makes this a film you shouldn't miss.
I hadn't seen Stir Crazy since at least the early 1980s. Recently I had a chance to rewatch Gene Wilder's The Adventure of Sherlock Holmes' Smarter Brother (1975), which I hadn't seen since the 1970s, and I was a bit disappointed. So I was nervous that Stir Crazy might also be a let down this far removed in time. That couldn't have been more wrong. I may have even thought it was funnier and more exciting this time around than when I first watched the film as a teen.
I had forgotten that Stir Crazy isn't just a comedy. It's also fairly suspenseful and surprisingly serious at times in the last act. Director Sidney Poitier makes a smooth transition through many genres--buddy film, road movie, fish out of water story and prison film, aided of course by Wilder and Pryor. While both actors have had plenty of performances just as good as Stir Crazy, neither have had any that were better.
In a way, this is really more Wilder's film than Pryor's. That's no slight on Pryor; Wilder just ends up getting more screen time. He presents a hilariously bizarre, complex character who is full of contradictions--kind of a channeling of a less loquacious Woody Allen through a more down to earth version of his Willy Wonka (Willy Wonka & The Chocolate Factory, 1971). Wilder's Skip Donahue has an air of Mister Rogers-styled good-natured innocence, with the same kind of odd and maybe creepy homoerotic overtones, but he'll also turn on a dime into a neurotic, screaming loon. As I said, it's all very complex, but extremely funny and enjoyable to watch.
Pryor's Harry Monroe is more of a streetwise perpetual victim who doesn't adjust to the social world of the criminal justice system as well as Donahue does. He has a much more typical reaction, with no misconceptions about their dire circumstances.
The crux of the humor in the first section of the film is the naivety of Donahue's "grass is always greener on the other side" conception of the Western U.S. compared to New York City. Of course, things turn out to be not quite so simple, but it's funny and charming that Poitier and writer Bruce Jay Friedman have Donahue never quite wake up from his naïve misconception. It also turns out to have much more weight than just a comic device: Donahue survives in prison as well as he does, and it brings about the profound changes of character--Donahue becomes much more authentic, realizes his potential, gains material for his art and even gets the girl--because of his continued misprision (in the Bloom sense) about life outside of New York City, and in the end, it enables a "return to the market", as they say in Zen Buddhism.
Watching Stir Crazy at this later point in time, some of the humor might seem a bit clichéd to younger viewers. It's important to remember that this is where a lot of those "clichés" came from. In 1980, everyone was mimicking scenes from this film (such "We bad . . .") and repeating dialogue and jokes. Some of the filmic (and by extension general cultural) folklore or urban legends about prisons contained in Stir Crazy had made appearances in films prior to this one, but not in the particular irreverent way that they're satirized here.
This is an important film in the careers of a few of the greatest actors and comedians (Wilder, Pryor and Poitier), with an important place in the history of Hollywood comedy. The fact that it's also suspenseful and has philosophical things to say about human nature is a bonus that makes this a film you shouldn't miss.
- BrandtSponseller
- Mar 30, 2005
- Permalink
Stir Crazy isn't anything too difficult to explain. It's simply pure comedy from the talented duo of Gene Wilder and Richard Pryor, directed by the fantastic Sidney Poitier.
Gene and Richard play two friends from New York who are moving to California. They stop over in a town in Arizona, get a job as dancing woodpeckers who do jingles for a bank and then are arrested when two other men steal their costumes and rob said bank.
They then are sent to jail for 125 years by the no-nonsense judge and the film documents their attempt to get used to prison life, pray that their lawyers can prove their innocence and hope Skip (Gene's character) can dominate the prison rodeo.
As I said, there's nothing deep or thought provoking in this film. It's just the zany antics of the two comedic legends. Some strong acting by the cast and excitement are in the offing and the film delivers that in spades.
What was neat to see were all the T.V. stars of past and future in the supporting cast, like Luis Avalos of The Electric Company and Craig T. Nelson of Coach. It was fun to recognize all these old faces.
The only flaw was that the film's writing seemed geared for an easy job of editing for T.V. I wonder if just making it PG would have been better for their box office numbers. Nonetheless, Stir Crazy was the 3rd highest grossing film of 1980.
If you're looking for a real comedy film, a blast from the past, Stir Crazy delivers.
Gene and Richard play two friends from New York who are moving to California. They stop over in a town in Arizona, get a job as dancing woodpeckers who do jingles for a bank and then are arrested when two other men steal their costumes and rob said bank.
They then are sent to jail for 125 years by the no-nonsense judge and the film documents their attempt to get used to prison life, pray that their lawyers can prove their innocence and hope Skip (Gene's character) can dominate the prison rodeo.
As I said, there's nothing deep or thought provoking in this film. It's just the zany antics of the two comedic legends. Some strong acting by the cast and excitement are in the offing and the film delivers that in spades.
What was neat to see were all the T.V. stars of past and future in the supporting cast, like Luis Avalos of The Electric Company and Craig T. Nelson of Coach. It was fun to recognize all these old faces.
The only flaw was that the film's writing seemed geared for an easy job of editing for T.V. I wonder if just making it PG would have been better for their box office numbers. Nonetheless, Stir Crazy was the 3rd highest grossing film of 1980.
If you're looking for a real comedy film, a blast from the past, Stir Crazy delivers.
- BlackJack_B
- Aug 30, 2011
- Permalink
Enjoyed this film starring Gene Wilder, (Skip Donahue) and Richard Pryor, (Harry Monroe) who are arrested and sent to prison for a bank robbery which they did not commit. Skip & Harry are from the East and are sent to a prison in the Western part of the country and they have to face some very difficult situations in the prison and just can't seem to adjust to prison life. One day the warden of the prison finds out that Skip has a great deal of experience in riding broncos in rodeo's and asks him to participate in a Western rodeo which is going to be presented to the prisoners and general public. There is some romance which goes on between a girl named Meredith, (Jo Beth Williams) who is attracted to Skip Donahue and obtains a lawyer for him to be able to investigate this false prison sentence and get him free. There is plenty of action with Skip & Harry trying to run away from bulls who are out to attack them and lots of great comedy.
Fun jail break film. I get the impression this film is mostly ad-libbed and just lets the 'comedy duo' play in each scene. In fact the scenes seem so loose that it almost suffers in some parts. Some scenes are unforgettably funny, and others are plain bizarre but i enjoy the fearlessness of both actors. It's the usual naive and optimistic Wilder versus street wise and pessimistic Pryor, but it works for whatever reasons. People seem to find this film on a comedic par with Hear No Evil See No Evil, despite them being made nearly a decade apart. There is definitely some weird magic happening on screen, and the supporting cast is at their best. Stands strong for 1980.
- poolandrews
- Nov 1, 2010
- Permalink
I love Gene Wilder and Richard Pryor. Silver Streak was great. Hear No Evil See No Evil wasn't bad. I just don't get why this movie is so highly thought of. It has a few chuckles here and there, but all in all I didn't find it that funny. The funniest moments were Gene Wilder's craftiness in dealing with the guards brutality. Richard Pryor's striking a match to the big guy in jail was funny too, although it didn't make much sense. I have seen both the TV and DVD version of this film and neither were able to impress on me the reason this movie is considered to be a "classic". Both actors have had funnier films (together and on their own).
- magellan333
- Dec 24, 2005
- Permalink
- lee_eisenberg
- Jul 8, 2005
- Permalink
Two guys doing a bank promotion dressed as Big Bird are mistaken for the bank robbers who stole their costumes in "Stir Crazy," a 1980 film starring Richard Pryor and Gene Wilder, who worked so well together in several films.
Two friends, Skip and Harry (Wilder and Pryor) both lose their jobs and leave New York City, planning to work their way to the west coast. When the unfortunate situation described above happens, they wind up in prison. The naive Skip (Wilder), an aspiring playwright, takes notes and Harry (Pryor), facing the reality of the situation, is terrified. In prison, they meet the very gay Rory (Georg Stanford Brown), the sweet Jesus (Miguel Angel Suarez), who misses his girlfriend Teresa, the huge, scary Grossberger (Erland van Lidth de Jeude) who turns out to be a pussycat with a beautiful singing voice, the miserable guard (Craig T. Nelson) and the warden (Barry Corbin). When it's discovered that Skip has a natural ability to ride a mechanical bull, the warden enters him in a rodeo where he has a huge bet with another warden (Nicholas Coaster). Harry, Skip, Rory, Grossberger, and Jesus plan an escape to take place at the rodeo.
Very funny film, with one of the highlights being Pryor in the prison hospital because he was told he had to have his appendix out, though they had already been removed. Skip is advised that in order to get the team he wants at the rodeo, he needs to turn down the warden's request that he ride. Putting Hank in the hospital is just one ploy to break him down. The scene is hilarious.
Pryor and Wilder work beautifully together, the street smart black and the naive dreamer. There's always something so sweet about Wilder and nervous about Pryor, one walking into obvious danger while the other one desperately tries to pull him out, that just worked in all their films. It's also a rare chance to see the uniquely talented Erland van Lidth de Jeude, a huge, 6'6" Dutch heldentenor who qualified for the Olympics in wrestling, was a teacher, an MIT graduate, and had his own computer company. An absolutely amazing man who died 7 years after this film.
Lots of fun. Recommended.
Two friends, Skip and Harry (Wilder and Pryor) both lose their jobs and leave New York City, planning to work their way to the west coast. When the unfortunate situation described above happens, they wind up in prison. The naive Skip (Wilder), an aspiring playwright, takes notes and Harry (Pryor), facing the reality of the situation, is terrified. In prison, they meet the very gay Rory (Georg Stanford Brown), the sweet Jesus (Miguel Angel Suarez), who misses his girlfriend Teresa, the huge, scary Grossberger (Erland van Lidth de Jeude) who turns out to be a pussycat with a beautiful singing voice, the miserable guard (Craig T. Nelson) and the warden (Barry Corbin). When it's discovered that Skip has a natural ability to ride a mechanical bull, the warden enters him in a rodeo where he has a huge bet with another warden (Nicholas Coaster). Harry, Skip, Rory, Grossberger, and Jesus plan an escape to take place at the rodeo.
Very funny film, with one of the highlights being Pryor in the prison hospital because he was told he had to have his appendix out, though they had already been removed. Skip is advised that in order to get the team he wants at the rodeo, he needs to turn down the warden's request that he ride. Putting Hank in the hospital is just one ploy to break him down. The scene is hilarious.
Pryor and Wilder work beautifully together, the street smart black and the naive dreamer. There's always something so sweet about Wilder and nervous about Pryor, one walking into obvious danger while the other one desperately tries to pull him out, that just worked in all their films. It's also a rare chance to see the uniquely talented Erland van Lidth de Jeude, a huge, 6'6" Dutch heldentenor who qualified for the Olympics in wrestling, was a teacher, an MIT graduate, and had his own computer company. An absolutely amazing man who died 7 years after this film.
Lots of fun. Recommended.
"Thats right,thats right we baaaad.....". That line was probably the most famous that Richard Pryor ever uttered on screen. He and Gene Wilder made a great "buddy" team just like Newman and Redford...only they are a helluva lot funnier! This was one film that critics hated but audiences loved. Wilder's "nice guy" is a perfect match for Pryor's wisecracking. This film has a fine supporting cast as well, George Stanford Brown (although his portrayal of a gay inmate may not seem "politically correct" today, he is hilariously "swishy" though!) Jobeth Williams, Barry Corbin (as the corrupt warden)and Craig T. Nelson (before he became a "Coach"). Sidney Poitier does a wonderful job of directing these two comedy legends I might add. The prison escape in the end kept me on the edge of my seat. I liked Skip and Harry so much that I was just rooting for them all the way! Pryor was burned shortly after this film was completed.
Skip Donahue (Gene Wilder) is a playwright. Harry Monroe (Richard Pryor) is an actor. They are unsuccessful best friends in NYC. After both getting fired, Skip is tired of the city and convinces Harry to move out to the west coast. Their van breaks down and they take jobs as mascots at a bank. Bank robbers steal their mascot outfits to rob the bank. Skip and Harry are arrested for the robbery and sent to prison for 125 years.
Gene Wilder going crazy in prison is hilarious. That's the best scene in the movie. However it flattens out and loses some of the comedic tone. It's too bad. It becomes a bit too serious about an escape attempt and a rodeo contest. I still love the Gene Wilder and Richard Pryor pairing. They are one of the best comedic duo of all times. They do some really fun back and forth in this one. However there isn't a single laugh in the last section of the movie.
Gene Wilder going crazy in prison is hilarious. That's the best scene in the movie. However it flattens out and loses some of the comedic tone. It's too bad. It becomes a bit too serious about an escape attempt and a rodeo contest. I still love the Gene Wilder and Richard Pryor pairing. They are one of the best comedic duo of all times. They do some really fun back and forth in this one. However there isn't a single laugh in the last section of the movie.
- SnoopyStyle
- Dec 25, 2014
- Permalink
Stir Crazy turns out to be another of those films with two distinct halves. The first half introducing best friends Skip and Harry, their trip west in an attempt to start new lives and their descent into and initial experiences adjusting to prison life and culture are generally pretty funny. The second half for some unknown reason changes tone and direction. The film starts to primarily play out as a prison escape film, combined with a prison sports sub-story. The laughter quotient is reduced, as this somewhat awkward and uncalled for suspense element is ramped up.
Fans of the Wilder/Pryor duo will still find the movie entertaining enough, but the hilarity of some of the earlier episodes prior to the escape plan coming into being is sorely missed. Give me their antics in the bar, or the courtroom, or on arriving in prison any day, instead of being forced to watch a very obviously disguised, Wilder stand-in/stuntman being chased around a rodeo corral by a bull.
The re-pairing of the two well-matched stars from Silver Streak is welcome, but director Sidney Poitier in my view missed an opportunity to make a really funny comedy that left a lasting impression, in the tradition of films such as Blazing Saddles and Anchorman.
Fans of the Wilder/Pryor duo will still find the movie entertaining enough, but the hilarity of some of the earlier episodes prior to the escape plan coming into being is sorely missed. Give me their antics in the bar, or the courtroom, or on arriving in prison any day, instead of being forced to watch a very obviously disguised, Wilder stand-in/stuntman being chased around a rodeo corral by a bull.
The re-pairing of the two well-matched stars from Silver Streak is welcome, but director Sidney Poitier in my view missed an opportunity to make a really funny comedy that left a lasting impression, in the tradition of films such as Blazing Saddles and Anchorman.
- spookyrat1
- Feb 11, 2019
- Permalink
After their rendezvous in Silver Streak, Richard Pryor and Gene Wilder team up again. I heard Richard Pryor mentioning this movie in a stand-up routine. He didn't mention it by name because they'd just finished filming. He talked about doing a movie in an Arizona prison and how there were guys in there with triple life. Meaning, if they died and came back they'd still be in prison. LOL!
Harry Monroe (Richard Pryor) and Skip Donahue (Gene Wilder) are two friends who've been fired from their respective small-time jobs in New York. Skip is a playwright and Harry is an actor. They decided that their firings were signs, so they packed up and headed west to make their big break. Their big break came in Arizona-as in their van breaking down. Then, through some criminal deceit and judicial ineptness the two of them end up in prison with 125 year sentences.
This movie, as far as comedy, was better than Silver Streak. Pryor and Wilder both were in fine form. Not only that, prison just seems to make for such funny scenarios. I thoroughly enjoyed Stir Crazy.
Harry Monroe (Richard Pryor) and Skip Donahue (Gene Wilder) are two friends who've been fired from their respective small-time jobs in New York. Skip is a playwright and Harry is an actor. They decided that their firings were signs, so they packed up and headed west to make their big break. Their big break came in Arizona-as in their van breaking down. Then, through some criminal deceit and judicial ineptness the two of them end up in prison with 125 year sentences.
This movie, as far as comedy, was better than Silver Streak. Pryor and Wilder both were in fine form. Not only that, prison just seems to make for such funny scenarios. I thoroughly enjoyed Stir Crazy.
- view_and_review
- Jun 27, 2019
- Permalink
- barnabyrudge
- May 13, 2006
- Permalink
I first watched this movie as a kid in cinemas I had to go and watch it like 10 more times.my stomach was in cramps every time and tears were coming out of my eyes of laughter.Right from the beginning jokes and one liners.At the lunch when Henry finds out his drug was used as oregano.The Californian earthquake line as epic as any. But of course the most funny scenes are in prison,especially when they pretend the are bad.Unforgettable! I cannot analyse this movie or any other the way critics do.As long as I like it and entertains me or makes me thinking then it works for me. The only flaw of this one probably the last 10 minutes of it,when you don't get any more laughter only the outcome of their attempt to escape from prison.But even this works as the storyline requires an ending. The team of Wilder and Pryor at their very best.U wanna have a good time u must watch this!!!
- lacicalifornia
- Mar 19, 2012
- Permalink
Silly is not necessarily funny. It's only funny if it can really happen . Just a far fetched film contrived comedy that the public seemed to like.
Many people considers Silver Streak as the best Pryor-Wilder movie. I don't think so. Silver Streak is Gene Wilder's movie, Richard Pryor didn't get much of the show. In Stir Crazy both of them get equally of the show. Both of them were very funny, though (as I noticed) they were a little different from nowadays comedians, maybe that was even better. I think at that time comedy makers knew what they are doing, because all of the jokes worked, not like in most of the nowadays comedies. My favorite scene was where Gene Wilder's and Richard Pryor's characters where pretending that they are bad, you won't see such a funny stuff in nowadays movies.
- kurciasbezdalas
- Jan 10, 2009
- Permalink
- DogeGamer2015
- Jul 12, 2020
- Permalink
Don't get me wrong, I love the bromance between Wilder and Pryor. They were both very charismatic in their films together, their comedic chemistry was synced up like the periods in a women's barracks, and they didn't rely on their differences in race to establish a masterfully balanced contrast. But, over time, the jokes that used to kill back in the 70s and 80s just don't have the same impact anymore.
Also, is it just me, or is it a little unbelievable that a prison rodeo would draw the huge crowd seen in this film? I had similar thoughts during The Longest Yard, and I love football.
This movie is amusing, and it's not bad background, but it's not worth dedicating an exclusive 2 hours to. On the other hand, I'm definitely going to try to incorporate "kiss the baby" into a future conversation.
For more reviews and a kickass podcast, check out: www.livemancave.com
Also, is it just me, or is it a little unbelievable that a prison rodeo would draw the huge crowd seen in this film? I had similar thoughts during The Longest Yard, and I love football.
This movie is amusing, and it's not bad background, but it's not worth dedicating an exclusive 2 hours to. On the other hand, I'm definitely going to try to incorporate "kiss the baby" into a future conversation.
For more reviews and a kickass podcast, check out: www.livemancave.com
- SeriousJest
- Apr 12, 2014
- Permalink