Directed by
| George Miller | ||
Writing Credits
| James McCausland | ... | (screenplay) & |
| George Miller | ... | (screenplay) |
| George Miller | ... | (original story) and |
| Byron Kennedy | ... | (original story) |
Cast (in credits order) verified as complete
Produced by
| Byron Kennedy | ... | producer |
| Bill Miller | ... | associate producer |
Music by
| Brian May | ... | music composer |
Cinematography by
| David Eggby | ... | director of photography |
Editing by
| Cliff Hayes | ||
| Tony Paterson | ||
Art Direction by
| Jon Dowding | ||
Costume Design by
| Clare Griffin | ||
Makeup Department
| Vivien Mepham | ... | makeup artist (as Viv Mephan) |
| Ben Taylor | ... | hair dresser |
Production Management
| John Hipwell | ... | unit manager |
Second Unit Director or Assistant Director
| Steve Connard | ... | second assistant director |
| Ian Goddard | ... | first assistant director |
| Des Sheridan | ... | third assistant director |
| Alex Rappel | ... | first assistant director (uncredited) |
Art Department
| Steve Amezdroz | ... | assistant art director |
| Richard Francis | ... | props |
| Stuart Beatty | ... | sign painter (uncredited) |
| Rudy Mineur | ... | sculptor (uncredited) |
Sound Department
| Ned Dawson | ... | sound effects |
| Roger Savage | ... | post-production sound: A.A.V. Australia |
| Mark J. Wasiutak | ... | boom operator (as Mark Wasiutak) |
| Gary Wilkins | ... | sound recordist |
Special Effects by
| Chris Murray | ... | special effects |
Visual Effects by
| Roger Cowland | ... | visual effects (uncredited) |
| Richard Wilmot | ... | optical effects operator (uncredited) |
Stunts
| Chris Anderson | ... | stunts |
| Dale Bensch | ... | stunts |
| David Bracks | ... | stunts |
| Phil Brock | ... | stunts |
| Michael Daniels | ... | stunts |
| Gerry Gauslaa | ... | stunts |
| Terry Gibson | ... | stunts |
| George Novak | ... | stunts |
| Grant Page | ... | stunt coordinator / stunts |
Camera and Electrical Department
| David Cassar | ... | grip |
| Lindsay Foote | ... | gaffer |
| Harry Glynatsis | ... | camera assistant |
| Noel McDonald | ... | grip |
| Garry Plunkett | ... | best boy |
| Tim Smart | ... | clapper loader / photographer: second unit |
| Chic Stringer | ... | still photographer |
Costume and Wardrobe Department
| Merran Kingsford-Smith | ... | wardrobe |
Editorial Department
| Margaret Cardin | ... | negative cutter |
| Bill Gooley | ... | laboratory consultant: Colorfilm |
Music Department
| Nic Gazzana | ... | cabaret music |
| Brian May | ... | conductor |
| Mal Capewell | ... | musician (uncredited) |
| Gary Costello | ... | musician (uncredited) |
| Robert John | ... | musician (uncredited) |
Script and Continuity Department
| Shirley Ballard | ... | script supervisor |
| Steve Connard | ... | script editor |
| Alex Rappel | ... | script editor |
Additional Crew
| Stuart Beatty | ... | traffic supervisor |
| Ray Beckerley | ... | vehicle designer |
| Tom Broadbridge | ... | production assistant |
| Jenny Day | ... | production coordinator |
| Lex Glouchewera | ... | electronics |
| Noel L. Harman | ... | financial consultant |
| Andrew Jones | ... | traffic supervisor |
| Stephen O'Hare | ... | truck coordinator |
| Robert Orchard | ... | mechanic |
| Bill Owen | ... | titles |
| Clive Rowell | ... | mechanic |
| Murray Smith | ... | mechanic |
Thanks
| George Barbera | ... | the producer gratefully acknowledges the assistance of |
| Frank Matich | ... | the producer gratefully acknowledges the assistance of: Bell Helmets |
