| Photos (see all 7 | slideshow) |
| Nick Nolte | ... | Ray Hicks | |
| Tuesday Weld | ... | Marge Converse | |
| Michael Moriarty | ... | John Converse | |
| Anthony Zerbe | ... | Antheil | |
| Richard Masur | ... | Danskin | |
| Ray Sharkey | ... | Smitty | |
| Gail Strickland | ... | Charmian | |
| Charles Haid | ... | Eddie Peace | |
| David Opatoshu | ... | Bender | |
| Joaquín Martínez | ... | Angel (as Joaquin Martinez) | |
| James Cranna | ... | Gerald | |
| Timothy Blake | ... | Jody | |
| Shelby Balik | ... | Janey | |
| Jean Howell | ... | Edna | |
| José Carlos Ruiz | ... | Galindez (as Jose Carlos Ruiz) | |
| Bill Cross | ... | Radio Operator | |
| John Durren | ... | Alex | |
| Bobby Kosser | ... | Hippie | |
| Wings Hauser | ... | Marine Driver | |
| Jonathan Banks | ... | Marine | |
| Michael Bair | ... | Blinded Man | |
| Derrel Maury | ... | Soldier | |
| Jan Burrell | ... | Mother | |
| Stuart Wilson | ... | Father | |
| James W. Gavin | ... | Helicopter Pilot (as James Gavin) |
Directed by | |||
| Karel Reisz | |||
Writing credits | ||
| Robert Stone | (novel "Dog Soldiers") | |
| Judith Rascoe | (screenplay) and | |
| Robert Stone | (screenplay) | |
Produced by | |||
| Herb Jaffe | .... | producer | |
| Gabriel Katzka | .... | producer | |
| Sheldon Schrager | .... | associate producer | |
| Roger Spottiswoode | .... | associate producer | |
Original Music by | |||
| Laurence Rosenthal | |||
Cinematography by | |||
| Richard H. Kline | (director of photography) | ||
Casting by | |||
| Jennifer Shull | |||
Production Design by | |||
| Dale Hennesy | |||
Set Decoration by | |||
| Robert De Vestel | |||
Costume Design by | |||
| William Ware Theiss | (as William Theiss) | ||
Makeup Department | |||
| Sugar Blymyer | .... | hair stylist | |
| Edouard F. Henriques | .... | makeup artist (as Edouard Henriques) | |
Production Management | |||
| Alberto A. Ferrer | .... | production manager: Mexico (as Alberto Ferrer) | |
| Sheldon Schrager | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Jesús Marín | .... | assistant director: Mexico (as Jesus Marin) | |
| Arne Schmidt | .... | assistant director | |
| Jerry Sobul | .... | second assistant director | |
Art Department | |||
| Enrique Estévez | .... | set decorator: Mexico (as Enrique Estevez) | |
| Agustín Ituarte | .... | art director: Mexico (as Agustin Ytuarte) | |
| Antonio Mata | .... | property master: Mexico | |
| Richard M. Rubin | .... | properties | |
| Ed Shanley | .... | construction coordinator | |
| Dianne Wager | .... | set designer | |
| Stan Cockerell | .... | set dresser (uncredited) | |
| Douglas Forsmith | .... | assistant property master (uncredited) | |
Sound Department | |||
| José B. Carles | .... | production sound mixer: Mexico (as Jose B. Carles) | |
| Morris Feingold | .... | boom operator | |
| Christopher Newman | .... | production sound mixer (as Chris Newman) | |
| Bill Rowe | .... | sound re-recording mixer | |
| Don Sharpe | .... | sound editor | |
Special Effects by | |||
| Paul Stewart | .... | special effects | |
| Charles E. Dolan | .... | special effects (uncredited) | |
Stunts | |||
| Bobby Bass | .... | stunt coordinator | |
| Mickey Gilbert | .... | stunt coordinator | |
| Chuck Hayward | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Albert Bettcher | .... | camera operator | |
| Ed Carlin | .... | gaffer | |
| Eddie Collins | .... | assistant camera: Mexico | |
| Robert Edesa | .... | assistant camera | |
| Luis García | .... | gaffer: Mexico (as Luis Garcia) | |
| Bruce McBroom | .... | still photographer | |
| Graciano Perez | .... | key grip: Mexico | |
| Fernando Robles | .... | assistant camera: Mexico | |
| Manuel Santaella | .... | camera operator: Mexico | |
| Herbert Smith | .... | camera operator: Mexico (as Herbie Smith) | |
| Robert Sordal | .... | key grip | |
| Ronnie Taylor | .... | additional photographer (as Ron Taylor) | |
Costume and Wardrobe Department | |||
| Tom Bronson | .... | costumer: men | |
| Aida Swinson | .... | costumer: women | |
| Donfeld | .... | costumes: Ms. Weld (uncredited) | |
Editorial Department | |||
| John Bloom | .... | supervising editor | |
| Peter Boyle | .... | assistant film editor | |
| Mark Conte | .... | assistant film editor | |
| Carlos Puente | .... | assistant film editor: Mexico (as Carlos Puente Portillo) | |
| Chris Ridsdale | .... | assistant film editor | |
Music Department | |||
| Tom Nolan | .... | music advisor | |
Other crew | |||
| Ricardo Frera | .... | accountant: Mexico | |
| Clifford Green | .... | production assistant | |
| Herb Jaffe | .... | presenter | |
| Mari-Carmen Jaffe | .... | production coordinator | |
| Steven-Charles Jaffe | .... | location manager (as Steven C. Jaffe) | |
| Gabriel Katzka | .... | presenter | |
| Larry Luttrell | .... | production assistant | |
| Barbara Persons | .... | production accountant | |
| Ana Maria Quintana | .... | script supervisor: Mexico | |
| Carlos Reyes | .... | production liaison: Mexico | |
| Kathy Thomas | .... | script supervisor | |
| Earl Wingard | .... | publicist | |
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Nick Nolte is dead-solid perfect here as Vietnam-vet Marine Ray Hicks, the ultimate 70's zen anti-hero. It's shocking to see him so young and muscular after the sheer variety of roles and physical embodiments he has taken on since. Here he's tough, flawed, and jaded, a once-idealistic cynic who has gotten himself into a bad situation but whose instinct for survival takes over. One of his first lines in the film is, "Self defense is an art I cultivate.", and he doesn't let down. It's a Steve McQueen-cool kind of role, and Nolte's wonderfully cinematic throughout; whether it's smoking a cigarette, drinking a beer, cleaning a weapon, kicking bad-guy butt with some quick martial arts moves, or putting a supportive arm around Tuesday Weld.
The story comes from Robert Stone's National Book Award winning "Dog Soldiers" which is a better if less marketable title. The title refers to those mercenary soldiers who would hire on and die for someone else's cause as surely as if it was their own. Much of the dialogue comes verbatim from Stone's book, and it's rare that the translation is so perfectly realized as it is by director Karel Reisz and his actors. The characters seem to be saying these words for the first time in the situation they're in, and what's more, much of the dialogue is endlessly quotable. Nolte in particular builds a tough-guy philosophy throughout snarling lines like, "I'm tired of taking s**t from inferior people."
He's perfectly paired on the road from Oakland to New Mexico with Weld, in one of her best performances as Michael Moriarty's pill-popping wife. Also well-cast are Anthony Zerbe, Richard Masur, and Ray Sharkey, who add plenty of menace and dark humor as a trio of shady feds after the heroin Nolte has ill-advisedly brought back from Vietnam for one-time pal Moriarty. Also standing out is Charles Haid as a small-time Hollywood hustler Nolte tries to have move the heroin. Look fast for Wings Hauser in the opening scenes as a Marine jeep driver. The film's tone may be too violent and downbeat for some tastes, but it captures the feeling of cynicism and disillusion stateside during the Vietnam War in an appropriately harrowing manner.
The climactic shootout is ingeniously staged at night on a mountain commune with strobes flashing and Hank Snow/CCR music blaring. The final shots of the film are striking and memorable, particularly the stark image of a battered and worn but still not beaten Nolte marching along an endless set of railroad tracks in the New Mexico desert. It's only a shame Nolte didn't attempt a few more roles in this action vein while he was still young.
The film is available on DVD, though there are no extras. It would have been nice to have interviews, commentary, and deleted scenes (particularly the pivotal Nolte/Weld love scene, which was reportedly filmed but wound up being only implied in the final cut).