The Grateful Dead (1977) User Reviews

I'm No Fan ...

[Saturday8pm · 8/10 · 22 November 2004]

... and I LOVE this movie! Now expanded on DVD, this movie is even better, and I consider it among the very best in rock'n'roll films. Why? First, the performances are good and capture The Dead at one of it's many creative peaks. But the real show is the audience, those lovable Deadheads who party as if it's their last night on earth. The movie shows the whole scene, warts and all, from tech support to the band backstage.

Now, I don't get into that scene, never did. We can have a good time without trendy chemical amusement aid. But it was a part of the peak years of stadium tours of the 1970s. The music was the catalyst and the fan support unwavering. That was the strength and weakness of the rock'n'roll scene of that time, which, while not void of trouble, certainly led to the tragedies of the late '70s that changed seating arrangements at large venues. Frankly, I have stopped going to large concerts where the cattle mentality is capable of violence. In contrast, I found my sole Grateful Dead show to be among the most peaceable shows I've ever attended, a testament to the music-loving crowd that has faithfully followed the band for generations.

That love of music comes through loud and clear on "The Grateful Dead Movie". Some of the fierce loyalties make for superior humor and the sole connection for many of the attendees at these shows.

At times there are sad undertones: some fans are getting their acts together and just spending some quality time with friends while others seem completely lost to the scene. For some show goers, drugs were the catalyst. But that's the way it was back then; and perhaps always will be. Some people are drawn into whatever their hearts desire and choose to make that obsession their lives, which is fine when that endeavor is a creation of their own, when it's not, that's a real loss. A groupie for life is not the life worth living, folks. Still, the love is mutual: the film clearly shows the love the band has for it's listeners. At one point, a shirtless fan is escorted onstage and presents drummer Bill Kreutzmann with a custom "California Dead" license plate. The two shake hands, and the plate is proudly displayed on the bass drum.

The first disc is the original movie with the usual DVD options. I chose to have subtitles activated to enjoy the lyrics as I watched the film. There are also several audio options for the listener to enjoy, which will really impress the true fans. The second disc features eleven songs left on the cutting floor the first time around and for me, it was overkill, truly for the fan. Still, I listened to two of them. Several documentaries round out the package, and I found them all truly fascinating, particularly the "Making of the Animation" sequence. The Photo Gallery was for the discriminating fan, I found endless shots of production papers overkill, though some of Garcia's notes fascinating. Which leads me to the only downer of the package: the documentaries don't interview the entire band. It's great to see Donna Jean again reminiscing with buddy Bill Kreutzmann, and Bob Weir's spacey recollections have a melancholic tone, but where's the rest? Phil Lesh has GREAT insight of the band and life philosophies in general, and he's missed. So is Mickey Hart. But the real cavity is Garcia's absence.

His recollections would have truly been the ace in the hole, particularly since "The Grateful Dead Movie" was his baby. The interviewees do the best they can to speak Garcia's piece but it's no substitute. Further, I'm sure if not for his death this project would have been hastened, as unrest hit The Grateful Dead camp upon Garcia's premature parting.

Part rock show, part documentary, 100% fun, "The Grateful Dead" movie will satisfy lifelong fans and surely convert new ones, as this is as close to the real thing as one can get, since the real thing is now a part of history. One thing is for sure, if you're not a fan, you may find yourself at least liking it by the end of the film.

After all, if you weren't interested, you wouldn't have picked it up, would you?

Cheers: The definitive time capsule of The Grateful Dead in it's prime; fantastic animated opener; great song selection; photo gallery has great shots of the band in the early days; great natural spontaneity; good flow from band to fan and back; records the dynamics of a rock show; good for any rock'n'roll listener, fan or not; multiple audio choices; very humorous; witty; engaging; lovingly produced; superb DVD interactivity.

Caveats: May be overindulgent for some; bass is muddy on some songs; some fans will disturb viewers; drug use aplenty; not all of the band is interviewed; photo gallery indulgent in places; NOT FOR KIDS!!! Let it roll!!!

Eyes of the World

[JackOrion · 9/10 · 17 September 2018]

Thanks to this film, we can pretend we are a curious "eye" at a Dead gig in 1974. We are free to reflect on many different types of concert goers, without other people's comments or moral judges. Here are common teens and youngsters, healthy, curious, seekers, and cracked. Of course, we'll also meet some hippies, a member of Hells Angels, policemen and sausage selling guys. All this alongside the bass show of Phil Lesh and the fragile voice and glittering guitar sounds of Jerry Garcia.

Of course, much of the repertoire is standards without any deeper meaning. With Dead, it's under the improvised parts that we'll experience something bigger, something that no other rock band I know of has been close to. To illustrate this, the "eye" chooses to enjoy free dance, a visual description of Dead's greatness. The rhythm section with Lesh, Bill Kreutzmann (drums) and Bob Weir (rhythm guitar) should be enough. But on top of that, Garcia's lead guitar takes us away from everyday life on trips that doesn't feel repetitive.

44 years afterwards, the music still inspires. Sadly, the time atmosphere can't be regained in real life - we are committed to the future. However, like the song "Eyes of the World", we can still look back at the seventies, at a time that sure was no utopia but a time where people still were searching for something new and original.

Live and in their prime

[wavecat13 · 8/10 · 11 April 2020]

This captures the GD in their prime and in front of a loving, hometown audience in 1974. There is concert footage mixed with some trippy animation, but the real time capsule is all the footage of their fans that is included. You get to see a lot of Deadheads grooving to the music, goofing around, dancing, and verbally expressing themselves. Apparently the post-production and editing were very expensive, time-consuming, and stressful. I don't think it was a big hit in the movie theatres, but like most of their music, it stands the test of time very well. There would be plenty more live GD videos in the years to come. The same group of shows also led to their "Steal Your Face" live album and its famous logo.

Too Cool For School

[dwade-5 · 10/10 · 16 February 2005]

I saw the Grateful Dead twice in my life, so I'm not a true Deadhead by Deadhead standards (ie: I didn't follow them around the USA) although I fell in love with "Morning Dew" at 15 years of age (I'm now 53) and listened to "Live In Europe" endlessly in my college years. The first time I saw them was in 1969 in a free concert and then several years later in a paid concert. This DVD represents in my mind, the free concert years. The free concert was totally free in mind and body. It lasted over four hours. Little children and mama's were on stage along with the musicians. The atmosphere was extremely laid back. I have attempted to describe the experience to friends and youth who never experienced a free concert of that magnitude. Thankfully, "The Movie" came along. Now I can only direct those who are inquisitive enough and wise enough to understand the ramifications of such a period in time to this DVD. One more comment: Garcia was an artist in more than musical terms as illustrated by his graphical and fine art and film sense of the movie. He produced this masterpiece. Enough said. You decide for yourself after viewing. One thing that I will state is this: You will never see anything similar in your entire lifetime. This is a totally unique experience of awesome creative magnitude. -Big Wave Dave

There is Nothing Like a Grateful Dead Concert

[harpua-3 · 31 March 1999]

Hey now,

I think I have watched this movie about 200 times. Really. But it's not just because I'm a Deadhead. It's not just because the time filmed is during one of my favorite GD years, 1974. And it's not just because they have full versions of Morning Dew and GDTRFB on it.

The reason I have watched this movie so many times is because it is food for your mind and soul. ( You can add body if you like to boogie during the film.) It weaves the many layers that make up a Dead show into a cohesive whole. Rather than just show concert footage, the movie dives into the hearts and lives of both the audience and the band members. We get to see pre, during, and post-show activities, as well as interesting insights from the band members.

The film also does the best attempt of all released Dead videos of capturing "it" -- that unexplainable, natural force at work which can make the experience transcedent for those in attendance. The mixture of five different cameras and how close they get to the band help aid in their attempt to "explain the unexplainable."

The highlight of the film is definitely the "Morning Dew", from 10-18-74, right out of a beautiful Dark Star. Jerry made a wonderful decision to have Morning Dew be shown in its entirety. To this day, I still get chills when listening to the climax of that piece.

For Deadheads, this film is essential...but what makes it so respected is that the "uninformed" consumer can just as easily access this movie and see what life was like for a bunch of beatniks from San Francisco.

Mike Hanley

They weren't the best at what they did...

[surbauer · 10/10 · 2 February 2005]

They were the ONLY ones who did what they did.

I think for people that don't know anything about The Grateful Dead (or but think they do, but their entire knowledge of the band consists of the songs they've heard on Classic Rock Radio, and that stoner kid in one of their classes) the hardest thing for them to grasp as they're watching this movie is that it Actually Happened.

This is not Fiction, and it ain't CGI. All of those speakers are not Props. None of those people are Extras.

The best part is - none of it was Planned. NOBODY in the Organization ever would have thought in 1965 that someday they would be as big as they were in 1974. At the time this movie was filmed, they (the Organization) were wildly out of control, and were needing to just STOP.

These concerts were the last ones before the band took a badly needed year and a half hiatus from touring. When they came back to the road in 1976, they assumed the form they would pretty much take until 1995. Up to October, 1974 - they were in a continual state of flux. This film documents one of their peaks, even it it is on the down-side of it.

What people who still believe in Corporate Media (older-type folks) and MTV (kids - most of whom believe the world MTV portrays is real) will never understand is that The Grateful Dead were so much bigger than all of that.

Forget 'Casey Jones' (although the version on this film is Smokin') and 'Touch of Grey'. If you want a peak into the most important social phenomenon of the Twentieth Century - this is a good place to start.

I've tailored this review towards people who don't know anything about the Dead, because those that do have already seen this film. I've watched this movie at least two hundred times since 1990. It hasn't bored me yet. It's a different film each time I watch it - much like the concerts I went to.

Last advice - if you don't have a good sound system, don't bother. Wait until you can watch the movie at your buddy's house with the killer system. Watching this movie with the sound coming out of a TV set speaker is like having sex without a partner.

TURN IT ON, TURN IT UP - and most importantly - RELAX! The worst thing that can happen to you is that two hours and twenty minutes after you push Play is that you'll like the Grateful Dead! (Imagine what your friends will think!) PEACE!

Always hits the spot! (I should have given that 2 explamation marks)

[pmtelefon · 10/10 · 4 July 2018]

Wow, what a movie. Not only is it filled with great music but it also is a great time capsule of the late '70s Dead scene. It's a movie that non-Dead fans will enjoy because it's truly a movie that brings you to another place and time but it never feels dated in it's presentation. A timeless classic. (Just for the record, I saw this movie in the theater. It was a midnight movie screening somewhere on Long Island, NY. I was in high school at the time. I'm guessing 1980.)

"Bottom line...

[longrifles · 10/10 · 31 August 2002]

...there is nothing like a Grateful Dead show." Truer words were never spoken. This film portrays as nearly as possible the concert experience of the Grateful Dead. Although it was shot in 74, it could as well have been 84 or 94, because things never changed that much. The music is as timeless as "Greensleeves" or "Amazing Grace", and therefore will never go out of style. (How hip do you think Eminem will seem in 25 years?) Like Levis, the Dead are forever, and this film catches them on a really good night, one of thousands, when heaven came down very close to earth, and if you reached up high over your head, you could brush it with your fingertips. If you never saw the Dead, that's too bad, but this movie is pretty damn close. 1974 - wow. Jerry looked so young then. But didn't we all?

Brings back memories

[gatorone1000 · 10/10 · 10 June 2012]

Hadn't watched it in 15 years. When it came out on Blu-Ray I had to get it - marvelous transfer. Wish I could say that I had seen them during this time period around '77. I was part of the crowd that jumped on the Dead bandwagon in the mid '80s. I was sixteen in '86 when 'In the Dark Came out'. The Dead were really popular at the high schools that I went to (Bullis, then George C. Marshall, VA) so I had been listening to bootlegs during the '84-'85 period when Jerry was in a coma and the band wasn't touring. Man, the day that the Dead were on the cover of Rolling Stone in '86 and they announced the Spring tour was one of the most exciting moments of my young life. I saw them probably 15 times over the next few years..

Time capsule film

[ANEWMAN67 · 8/10 · 21 February 2005]

I am and was a big fan of the dead but too young to have been a fan when this film was made. The film chronicles the 1974 4 night stint at the historic winterland in san francisco. at the time there were some that did not know whether or not the band would tour again. of course they did decide to hit the road again and the rest is history.

the movie shows the essence of the grateful dead experience from the fans to the crew to the band. it is a trip to look in on the scene as it truly was in 1974. i could think of no better way to show future generations what the early 70's rock scene and particularly the dead scence was like. the band footage is pretty good and is mixed in with great shots of the fans. additionally you get a look at the "wall of sound" which was the set up the band employed during the 1974 tour. donna jean describes the film as the good, the bad and the ugly of the dead experience. i think that is accurate.

the rest of the features on the DVD are great. the extra songs are awesome although they completely lack any flow. they could have formatted them in the same order as they were done. instead they are very random. the interviews are great and lend some light on the tremendous amount of work that has to go into bringing the extra material to the public.

if you like the dead and have been to a show (or 2 or 20) this is a must see. if you are younger and just want to see what all the fuss was about you should also get the movie.

The best rock concert movie ever made

[rphillips-10 · 17 June 2006]

I accidentally found this movie in Atlanta the last night it was in town and was bowled over by it. So, I think, were the half dozen others in the theater. All these years later, I have the DVD, of course.

No matter what anyone says about "The Last Waltz" being the best Rock Concert movie ever made, The Grateful Dead Movie is the best in the genre. It's a concert, it's a documentary with interviews, it uses all the gimmicks and techniques in the history of film from cartoons to flipping Fillmore posters like calendar pages in Citizen Kane(so it's a how-to-make-a-movie, movie too).

Every time I look at my copy of Gutierrez's skeleton poster, I think of the movie and thank Ben Friedman for insisting I buy it at the Postermat those years ago.

For heads only

[momohund · 10/10 · 28 March 2005]

Simply put, if you weren't there, you'll have more fun reading Sister Carrie. As Jerry said, "God we make sh***y albums." You really had to have seen and done it for it to be of any interest (and that's what is strange about the Dead legacy. It will be forever gone when the last person to have ever been to a show finally passes on). This was the last show at Winterland before the Dead broke up (the first time) and before Garcia started using hard drugs. It really captures the weirdness though. I don't know, people keep telling me they went to shows for the music and to see Jerry Garcia, but for me those extravaganzas were like a nice, evening stroll through a Turkish bazaar on Mars. Stone cold, unadulterated, pure weirdness. It was pure weirdness in all its form, weirdness as a force of nature and not something trivial and silly. When the Dead rolled through town, the real weirdos came out of the woodwork for a giant celebration of strangeness. "When the going gets weird..."

Dead Don't Die

[atlasmb · 8/10 · 30 October 2017]

In 1970, while a freshman in college, I purchased "Workingman's Dead", a studio album that was a snapshot of The Dead in that moment. Only recently did I learn that the album's sound was heavily influenced by CS&N. It's a great album, but it does little to help one understand the phenomenon that was The Grateful Dead.

If we go back to "the garden", Woodstock in 1969--their live performance that was uninspired but natural--it is a good starting point for understanding the Experience that became the band's trademark. Woodstock had a freewheelin' energy and it reflected the anarchistic vibe of the counterculture. Unfortunately, that performance was also a portent of the consequences that befall those who abandon reason for the sake of experimentation or pleasure; and the LSD-inspired sloppiness of their Woodstock set was indicative of the drug-fueled illnesses that would end Jerry Garcia's life in his fifties.

"The Grateful Dead" does a good job of making this a documentary by showing backstage scenes, the group interacting with fans inside and outside the venue (Winterland), the crews setting up and tearing down, etc.

But this film is about the legacy of a countercultural institution. And the live performances that were edited for this film shot in 1974 feel unself-conscious, organic and true to The Dead's oeuvre and style.

Their music is a blend of folk country and psychedelia, reflecting Garcia's many musical influences, his personal style, and perhaps even his early use of the banjo. As is to be expected in their concerts, extended solos and jams are de rigueur.

The film would get average marks if that was all it showed. But the fans, the Deadheads, were as much a part of the experience as the group they followed, so it is in showing the audiences that the film rises to more than a concert documentary. Shots of their lyrically dancing fans, and those possessed by frenetic intensity, are an integral part of the film. And they demonstrate how their performances were like a moveable Woodstock that continued for decades.

Each performance was a celebration of the Deadicated for whom concertgoing was a way of life, a calling. Other bands had their groupies, but The Dead inspired legions of faithful attendees. Fortunately, this film does a fairly solid job of depicting the obsessive and transformational commitment of their followers, the Deadheads. We see the nearly religious devotion that was a gift, not deserved, in exchange for the gift of the band's preservation of an eclectic ideal.

The photography is average, though comprehensive, but the sound is-- fortunately--quite good.

Near the end, we see a banner proclaiming "Dead Don't Die". It's a prayer, perhaps, that flies in the face of reality, but it somehow helps quantify the spirit of the group and this film.