Black Sunday

"Black Sunday" is a flat out exciting motion picture about the planning and execution of a terrorist attack during the Super Bowl. Robert Shaw plays the head of an agency trying to prevent the attack. Bruce Dern is at his creepy best as a brainwashed Vietnam vet enlisted by the lovely Marthe Keller to help carry out the sinister plan. Dern is a blimp pilot and the perfect person to help detonate a contraption that will send thousands of deadly needles into the unsuspecting crowd. Dern was born to play parts like this and it's a reminder of how terrific an actor he is and how sad it is that he doesn't work as much as he used to.

The final 40 minutes is intercut between the game (actually shot during the real Cowboys-Steelers Super Bowl game of 76) and the unfolding of the final stages of the plot. It's tense and exciting as Shaw and cohorts commandeer helicopters to try to catch the blimp heading to the big game to unleash its deadly attack.

Kudos to director John Frankheimer for keeping the pacing on this 2 hour 25 minute thriller moving. The editing is first rate and the music score by John Williams is one of his best though it is never mentioned when his name comes up.

If you like a good thriller that is never boring and will keep you on the edge of your seat, I highly recommend "Black Sunday."

There are a number of good things going for this film, among them two things you learn right from the opening credits: (1) John Frankenheimer is the director and (2) it's based on a book by Thomas Harris, the man who created "Hannibal Lechter."

Throw in two intense always-interesting actors, Bruce Dern and Marthe Keller, and you now have a good, no-nonsense story translated to the screen. By that, I mean that when people are shot, that's it, no questions asked, no stupid talking.

Even the football scenes were real-life with actual footage of the Cowboys and Steelers playing in a past Super Bowl.

The suspense was done well, although a bit hokey at the very end (can't say more without spoiling it) but it can't take away from the previous two-plus hours of credibility.

Dern also makes for a good "psycho" (he's almost made a career of it) and Keller is convincing as a villain, too, as she was in a film from the previous year: Marathon Man. Two other consistently- good actors also help make this an interesting film: Robert Shaw and Fritz Weaver.

It was nice to see this film on a widescreen DVD but the picture was a bit grainy. The transfer was okay, but could have been better. The film is worthy of a top- notch print.

"Black Sunday" is a nice example of how good action films used to be, before the 80s and 90s saw dumb scripts and dumb characters undermine the genre forever (films like "The Rock" for example). Instead of going for non-stop pyrotechnics, John Frankenheimer and Ernest Lehman serve up a tense, exciting build-up with interesting characters along the way that culminates in a grand finale that was partly filmed during Super Bowl X between Dallas and Pittsburgh. Robert Shaw, at long last given the chance to play the hero in a movie, is quite good as the weary Israeli agent and Bruce Dern is at his psychotic best as the deranged blimp pilot.

While Black Sunday may not be considered an actual classic, it's still the most edge of your seat movie I've ever seen! I was definetly glued to the TV the first time that I saw this film. It's a shame this movie didn't turn out to be a huge success, because I think it's very underrated. Next to Jaws and From Russia With Love, this is one of Robert Shaw's finest performances. It's too bad he passed away while he was probably in the heyday of his film career. Bruce Dern also gives a great performance as a disturbed Vietnam Vet turned blimp pilot who becomes an aid for the terrorist plot on the Super Bowl. The film should be considered very well-maid for it's time when they didn't have the special effects like they do today. The aerial shots were fantastic as was the ability to combine the football scenes in the movie. I recommend this thriller even though the first hour had it's share of dull moments, but you can't deny that the climax was a nailbiter.

The late John Frankenheimer was one of our greatest movie directors and Black Sunday was one of his greatest films that showed him as a true master of suspense. I recently bought the DVD for the film and it still "holds up" today as well as ever. There isn't a suspense film today that can hold a candle to it just like Frankenheimer's other great film The Manchurian Candidate (I cannot believe that they are re-making it with Denzel Washington!). Robert Shaw was a truly overlooked and underused talent. He was a true Renaissance man in every sense of the word. People don't realize that he wasn't only a great actor but a playwright and novelist as well. He wrote the Broadway play The Man In The Glass Booth. He is best remembered for his role as Quint in Jaws but he gave many other fine performances as well and this is surely one as the heroic Israeli agent who has to stop a terrorist threat to kill 80,000 Superbowl fans. Watching this film in 1977 was chilling when you saw what the psychotic Vietnam vet Bruce Dern and Martha Keller were going to do. These were two terrorists who were willing to die for their cause and take thousands of innocent people with them. Watching this film today is even MORE chilling! Back when it was released, most probably thought it was too farfetched. These two terrorists were going to use an "aircraft" (in this case a Goodyear blimp) as a weapon of mass murder. DOES THIS SEEM FARFETCHED TODAY!!!!Black Sunday was made a quarter century before 9/11. As a matter of fact, when the Oklahoma City Bombing happened, CNN showed a clip of Black Sunday as an example of how Hollywood has treated the subject of domestic terrorism. It is chiling that Frankenheimer and Thoams Harris (the author of the novel who later wrote the Hannibal Lecter trilogy) could have that much foresight. All the actors in this film are awesome and what really shocked me was Fritz Weaver's heroic FBI agent (usually movies show the FBI as stupid and corrupt) Critics have often commented on the climax of the film where Lander and her take off in the blimp to set the bomb off and Kabakov and Corley try to stop them. It is the most intense and suspenseful ending you can possibly imagine and the music is awesome. The stunt people must have had a field day doing the climax where they haul the blimp out of the stadium.