Network (1976)

Director:

Sidney Lumet

Writer:

Paddy Chayefsky (written by)

Release Date:

29 January 1977 (Japan)

Genre:

Drama

Tagline:

Not since the dawn of time has America experienced a man like Howard Beale!

Plot:

A TV network cynically exploits a deranged ex-TV anchor's ravings and revelations about the media for their own profit.

Plot Keywords:

Murder On The Air | TV News | Murdered Journalist | News | Televised Killing

Awards:

Won 4 Oscars. Another 14 wins & 19 nominations

US TV Schedule:

Wed. May 28

3:30 AM

TCM

Cast

Faye Dunaway	...	Diana Christensen
William Holden	...	Max Schumacher
Peter Finch	...	Howard Beale
Robert Duvall	...	Frank Hackett
Wesley Addy	...	Nelson Chaney
Ned Beatty	...	Arthur Jensen
Arthur Burghardt	...	Great Ahmed Kahn
Bill Burrows	...	TV Director
John Carpenter	...	George Bosch
Jordan Charney	...	Harry Hunter
Kathy Cronkite	...	Mary Ann Gifford
Ed Crowley	...	Joe Donnelly
Jerome Dempsey	...	Walter C. Amundsen
Conchata Ferrell	...	Barbara Schlesinger
Gene Gross	...	Milton K. Steinman

Runtime:

121 min

Country:

USA

Language:

English

Color:

Color (Metrocolor)

Aspect Ratio:

1.85 : 1

Sound Mix:

Mono

Certification:

Iceland:12 | Canada:R (Nova Scotia/Ontario) | South Korea:15 | Argentina:16 | Australia:M | Canada:13+ (Quebec) | Canada:PG (Manitoba) | Finland:K-16 | Norway:16 | Singapore:M18 | Sweden:15 | UK:15 | USA:R | West Germany:16

Filming Locations:

CFTO-TV Studios, Scarborough, Toronto, Ontario, Canada

Company:

Metro-Goldwyn-Mayer (MGM)

Trivia:

The director and the screenwriter claimed that the film was not meant to be a satire but a reflection of what was really happening.

Goofs:

Anachronisms: Schumacher tells Beale that he was sent to cover the opening of the lower level of the George Washington Bridge in 1951. The lower level opened in 1962.

Quotes:

[first lines]
Narrator: This story is about Howard Beale, the acclaimed news anchorman on UBS T.V. In this time, however, he was a mandarin of television with a HUT rating of 16 and a 28 audience share. In 1969, however, his fortunes began to decline. He fell to a 22 share. The following year, his wife died, and he was left a childless widower with an 8 rating and a 12 share. He became morose and isolated, started to drink heavily, and on September 22, 1975, he was fired, effective in two weeks. The news was broken to him by Max Schumacher, who was the president of the news division at UBS. The two old friends got properly pissed.
Howard Beale: [on the street] I was at CBS with Ed Murrow in 1951.
Max Schumacher: Must've been 1950 then.
[Beale nods]
Max Schumacher: I was at NBC, uh, associate producer. Morning News. I was just a kid. 26 years old.
[Not interested, Beale wanders off, until Schumacher stops him]
Max Schumacher: Anyway... anyway... they're building a lower level of the George Washington Bridge.
[Interested, Beale listens]
Max Schumacher: We were doing a remote from there.
Howard Beale, Max Schumacher: [start to laugh and snicker in unison]
Max Schumacher: And nobody told me!
[Beale keeps laughing, very interested]
Max Schumacher: Next morning I get a call, "Where the hell are YOU? You're supposed to be in the George Washington Bridge!"
[Beale and Schumacher exchange laughs]
Max Schumacher: I jump outta bed, throw my raincoat over my pajamas, I run downstairs, I run into the street,
[Schumacher runs into the street]
Max Schumacher: SO I TAIL A CAB, AND I SAY TO THE CABBY, "TAKE ME TO THE MIDDLE OF THE GEORGE WASHINGTON BRIDGE!"
[Beale laughs]
Max Schumacher: And the cabby turns around and he says...
[giggles]
Max Schumacher: he says "Don't do it, buddy! You're a young man! Ya got your whole life ahead of ya!"
Howard Beale, Max Schumacher: [shriek in hysterics, as Beale gives Schumacher a hug]
Max Schumacher: Did I ever tell ya that one before?

Movie Connections:

Referenced in Fallout 2: A Post-Nuclear Role-Playing Game (1998) (VG)

One of the best of all time.

I can't put it more perfectly than Turner Classic Movies' Robert Osborne who said "What was originally a satire is a stinging mirror of television news today." I strain to think of a film that is a more brilliant take on society, and all of the flaws it has. It's obedience and entertainment by those who rebel, no matter how insane they are. The exploitation of those in peril for any kind of economic profit. And the fact that everything Beale preaches is completely true and completely bashes the people who are producing him. I was amazed by how much he sells out while continuing to rant about how terrible the people he works for are, and the fact that they just keep him on the air because they want ratings.

It couldn't be more related to today. Turn on the news and you see videos of how horrific the war on terror is and how horrific American society has become, but it stays on the air because people don't want to see the good things in life. They care about the bad and the corrupt. People must have laughed it off back then, but it was such a foreshadow to the near future. The performances are just as brilliant as the social commentary. Each actor becomes so absorbed into their characters that you can't even tell they're acting. It feels like you're watching these people in their daily lives, interacting and becoming more and more corrupt. Finch and Dunaway easily give two of the greatest performances of all time. I could write 20 more pages about it's brilliance, but I'll stop now to keep me from rating. I just have to say that it's so rare to find a film as incredibly flawless as this.