Rollerball (1975)

User Rating:

6.5/10   

Director:

Norman Jewison

Writers:

William Harrison (short story "Roller Ball Murder") &
William Harrison (screenplay)

Release Date:

25 June 1975 (USA)

Genre:

Action | Sci-Fi | Sport

Tagline:

In the not-too-distant future, wars will no longer exist...

Plot:

In a corporate controlled future, an ultra-violent sport known as Rollerball represents the world, and one of it's powerful athletes is out to defy those who want him out of the game.

Plot Keywords:

Computer | Fictitious Sport | Futuristic | Sports Arena | Bach Toccata And Fugue

Awards:

Won BAFTA Film Award. Another 3 wins & 5 nominations

Cast

James Caan	...	Jonathan E.
John Houseman	...	Bartholomew
Maud Adams	...	Ella
John Beck	...	Moonpie
Moses Gunn	...	Cletus
Pamela Hensley	...	Mackie
Barbara Trentham	...	Daphne
John Normington	...	Executive
Shane Rimmer	...	Rusty, Team Executive
Burt Kwouk	...	Japanese Doctor
Nancy Bleier	...	Girl in Library
Richard LeParmentier	...	Bartholomew's Aide
Robert Ito	...	Strategy Coach for Houston Team
Ralph Richardson	...	Librarian
rest of cast listed alphabetically:
Miquel Brown	...	(unconfirmed)

Runtime:

125 min

Country:

UK

Language:

English

Color:

Color (Technicolor)

Aspect Ratio:

1.85 : 1

Sound Mix:

4-Track Stereo (35 mm magnetic prints) | 70 mm 6-Track (70 mm prints)

Certification:

Finland:K-16 (cut) (1988) | Finland:K-16 (uncut) (2000) | Finland:K-18 (uncut) (1975) | New Zealand:M (re-rating) (2002) | New Zealand:R18 (orginal rating) (1976) | UK:15 (video rating) (1987) | Australia:M | Canada:13+ (Québec) | Canada:14A (Alberta) (re-rating) (1999) | Canada:AA (Ontario) | Germany:16 (2002) | Netherlands:18 | Norway:18 (1976) | Singapore:NC-16 | Sweden:15 | UK:AA (original rating) | USA:R | West Germany:18 (original rating) | Canada:PG (Manitoba) | Canada:A (Nova Scotia)

Filming Locations:

BMW Building, Munich, Bavaria, Germany

Company:

Algonquin

Trivia:

Some of the other "rollerball cities" mentioned in the movie: Madrid, Manila, Rome, Pittsburgh.

Goofs:

Factual errors: The chanting crowd in Tokyo, Japan mispronounces the name of their city. They chant "To-ki-o" instead of "Tô-kyô."

Quotes:

Bartholomew: You can be made to quit, you know. You can be forced.
Jonathan E.: You can't make me quit.
Bartholomew: Don't tell me I can't. Don't EVER say that. I can. YOU can be stopped.
[as Jonathan E. leaves the room, he turns up the volume of a TV set, as thousands are cheering his name]

Movie Connections:

Referenced in "NewsRadio: Movie Star (#3.8)" (1996)

Soundtrack:

Glass Sculpture

Controlling the beast within

Why some people have called this film shallow, I will never understand, considering it focuses on character more than most all sci-fi films, especially those action ones made today. Not surprisingly, the recent remake dwelt more on action than character, and perhaps it's significant that director Norman Jewison normally avoids making science-fiction films.

Also, I personally don't interpret ROLLERBALL as an anti-sport drama. It doesn't attack sports per se as much as violence. In his audio commentary to the DVD, Jewison, like many Canadians, admits he's a hockey fan, and once, while witnessing a game get bloodily out of hand, he was inspired to adapt Harrison's marvelous short story.

All in all, I think of the movie as a plea for all of us to find our own basic humanity (and those who say the film lacks humanity really baffle me). In our present competitive world, where the U.S. speed limit is 65 MPH but everyone drives 75 or faster, this motion picture reminds us to control the anarchistic, power-driven beast within.

To offer one example, in its final scene, Jonathan E is about to murder the last opposing team player...but relents. If the film were truly anti-sport,then I think Jonathan would drop the ball and leave; he would mock the game as Mandy Patinkin's character does hockey at the end of SLAPSHOT. Instead, Jonathan E still plays it: he baskets the ball to earn his point because, though he may have touched his humanity, he still retains the drive to win and the thrill of the game. Unlike other--often more sentimental and simple-minded--anti-sports dramas, ROLLERBALL represents the positive aspects of sports (such as ethical aspiration, etc.), while at the same time its negative aspects (such as triumphalist violence, etc.). Afterwards, as the crowd roars, the film might have concluded with a standard, comforting triumph-of-the-human-spirit message, but instead it freezes on a deliberately distorted shot of Jonathan with Bach's portentious music indicating what awaits. Yes, he may be a winner today, but in this world, where the corporation is everything and the individual nothing, his future is dim indeed.

A shallow film? Nonsense! I think this movie taps into ones humanity more than most of the sentimental tripe hyped as significant drama these days.