Tora-san, the Intellectual (1975) Poster

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7/10
A step above the average Tora-san film
Jeremy_Urquhart9 March 2021
Clocking in at a lean 99 minutes (an ideal length for a Tora San film imo), this one ended up being quite ambitious for the series. It balances a usual romance plot, a storyline where Tora wants to become a student, a romantic rival of sorts, and a subplot involving a girl who mistakenly believes Tora is her father. Oh, and it introduces a new townsperson character of the policeman (I don't think he's been in the series so far at least?)

This all means it jumps around a bit, but it comes together nicely by the end. I think it's a plot that I'll come to remember a little more vividly than the average Tora-san entry.

It's also a bit less emotionally intense than some of the sadder entries in the series, which I appreciated. Typically gentle humour and nice music, too, which is all but expected from these films at this point.
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The most popular Japanese movie series for half-a-century
harry_tk_yung2 May 2019
Warning: Spoilers
Director Yoji Yamada, quite similar to Kurosawa in this respect, is an expert in portraying the common folks. His style, however, is always lovingly gentle. He does employ absurdity-flavoured humour, as in this Tora-san series, but that is always poking fun in a good-natured manner.

If you think "Rocky" has gone far enough, "Tora-san" boasts of 49 movies which you can call "episodes", but not to be confused with episodes in a TV series. "Tora-san" episodes are full-lengths movies shot for the cinema. "The Intellectual" is episode 16.

The protagonist Torajiro Kuruma is an endearing buffoon and the episodes all follow a fixed formula, on his failed romances. He is a travelling salesman who is usually on the road where the romances occur, always with an attractive love object, showing promises and invariably ending up in failure. One can get mildly philosophical about these things.

When he comes home, he stays with his uncle and aunt who run a small but popular eatery famous particularly for their fish balls. Not living there but always present is his sister Sakura, a personification of kindness and common sense, who works with the uncle and aunt on this family business. Sakura has a model family of a good husband and a lively boy, both of whom we see a lot. Just as for TV series, the audiences will soon grow to be very familiar with the characters, and watching an episode gives one the feeling of spending time with family and friends.

This episode, entitled appropriately "The intellectual", is slightly different in that it happens at home during one of his sojourning. The love objects here is a university lecturer (archelogy) who happens to be renting the family's second floor room. There are two other characters particularly for this episode. There is a teenage girl who have just lost her mother, coming to seek his unknown father believed to be our protagonist but in fact is not. There is also his love object's professor who, aside from of being erudite in his field of archelogy and his gruffy appearance, is like a teenager. Smitten with his student all these years, he never has courage to express his feelings to her.

I am going to finish with a confession. This is the very first Tora-san movie I have watched, although I am a big fan of some of director Yamada's other work, particularly "Twilight Samurai" which is among the best Japanese movies in my book. I'll definitely try more of the Tora-san movies.
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