Confessions of a Pop Performer (1975) Poster

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5/10
The format's not great, but the slapstick's funny
Leofwine_draca26 February 2016
This is the slightly disappointing follow-up to the money-making CONFESSIONS OF A WINDOW CLEANER. POP PERFORMER tries to emulate the success and formula of that first film, but something about the set-up just doesn't ring true. These films work when they follow a straight forward, episodic format and this one is a satire of the pop scene, following the misadventures of a band whose music is appalling. There's no real reason for the characters to be involved in this stuff and it doesn't fit together too well, but it's still nice to see British actors working hard amidst all the boobs and bums.

There's less of the sex element here, although a handful of set pieces make sure it's still in your face! Robin Askwith once again beds a string of beautiful women in scenes that are generally played for laughs, but these seem to have been tacked-on rather than making up the central plot. One encounter in a music shop to the strains of Spike Milligan's 'Ning Nang Nong' is classic stuff. Instead of sex, the focus is on the accident-prone Askwith, with the laugher factor turned up so high that this resembles an episode of SOME MOTHERS DO 'AVE 'EM!

Still, there's something about watching the dated hijinks – especially in terms of the music – that make watching this film a lot of fun, and it's so light-hearted as to be completely inoffensive. Along with a string of beautiful, completely naked women (including TV star Jill Gascoine), there are turns from Benny Hill regular Bob Todd as a grumpy old boy; DAD'S ARMY's Bill Pertwee as a javelin-wielding cuckold; his co-star Ian Lavender as a randy copper; plus good turns for the regular Bill Maynard and Doris Hare, playing Askwith's mother and replacing the original actress. Director Norman Cohen takes over from the first film's Val Guest and he proves more than able to deliver a funny, fast-paced and chuckle-inducing romp.
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5/10
Timmy swaps cleaning windows for rock 'n' roll.
BA_Harrison2 March 2009
Confessions of a Pop Performer, the second film to star Robin Askwith as randy, accident prone fanny-magnet Timmy Lea, sees our clumsy hero trying to find fame and fortune as the drummer for up and coming band 'Kipper'.

Timmy's equally libidinous brother-in-law Sid (Anthony Booth) acts as manager for the group, successfully exploiting his showbiz contacts—including the sexy wife of a music mogul—and it's not long before Timmy is being mobbed by gorgeous groupies and banging much more than his drum kit!

Offering saucy soft-core sex (including frequent, full-frontal, female nudity) and smutty seaside humour, the Confessions series is aimed squarely at those who enjoy their comedy lewd, crude, and unsophisticated, but in an effort to be more outrageous than the first film, Pop Performer takes the crassness and stupidity a little too far and loses a fair amount of the original's charm in the process.

The basic plot is rather hard to swallow (Timmy's drumming skills are non-existent), the tried and tested 'Timmy meets a nice girl' subplot is used once again but goes nowhere, and whilst the first film did at least attempt to throw in some genuinely well written jokes and inventive innuendo along with the slapstick comedy and jiggery-pokery, Pop Performer doesn't try very hard in this department: the humour in this sequel gives new meaning to the word 'lowbrow' and the result just isn't very funny.

Still, even though the format is already beginning to look tired, and the laughs are few and far between, this chapter does deliver the goods when it comes to nudity, and fans of the female form will have much to enjoy: a sexy fan mistakes Timmy for Mick Jagger and tries to seduce him; a kinky S&M swinger gets nekkid at a party; Timmy has it off with a tasty record shop salesgirl; TV star Jill Gascoine gets the not-so-gentle touch from Anthony Booth; and curvy Carry On girl Diane Langton appears as one half of a singing act called The Climax Sisters.

Other familiar faces also appearing, but keeping their clothes on, include Dads Army stars Ian Lavender and Bill Pertwee, husky redhead Rula Lenska, DJ David 'Diddy' Hamilton, and Hi-De-Hi's Linda Regan.
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4/10
Rock And Roll Shagging
crossbow010622 May 2011
Robin Askwith was one of the most popular actors of the British sex comedy arc of the 70's and 80's, and there were four "Confessions" films. This one is about window cleaners (Robin and Anthony Booth) who stumble upon a band called "Kipper". Anthony's character Sid ends up managing the band, while Robin's character Timothy Lea (no pun intended, I'm sure!) ends up being the drummer. A clean comedy could have been light hearted fun, but this film is full of nudity and general mayhem. The dialouge is generally flat also. The very pretty Carol Hawkins is wasted here. I wouldn't call it an abomination, but there is a lot of sleazy stuff going on (I felt bad for the mom who discovers her daughter in the van with the band-surely the girl could have done better). This is recommended for fans of the genre mostly, and there is a 4 disc box of all of the Confessions films. Casual watchers beware.
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Great laugh!
dreamyyak16 January 2004
Why people insist on being so "holier than thou" about this genre escapes me. It's good escapist fun. Askwith and Booth are having a bit of fun with the girls and scoring a lot of laughs in the process. From an age of more innocent sensibilities, these films rank as some of the funniest ever made, alongside Carry On, Benny Hill, Are You Being Served etc., etc. And the girls!!!! WOW!

Stop analysing it and just enjoy! In the meantime, if anyone would like to re- open the series with "Confessions of a film reviewer", I'd love Askwith's role!!
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1/10
Candidate for the worst film ever!
Committed_to_nitrate21 March 2024
This can be summed up in three words: It's not funny.

The first of this series, WINDOW CLEANER was pretty atrocious but had a sort of cheeky originality to it. If you could barely tolerate that first one, avoid this, somehow they made it ten times worse. Whereas the first one was directed by Val Guest, someone who, having been involved with comedy from the days of Will Hay at least knew what comedy was. This one wasn't only not directed by him but seemingly not directed at all.

It is just staggeringly unfunny. Gormless Robin Askwith unconvincingly tripping up and dropping things does not constitute comedy. Slapstick, which is what I think this tries to convey requires acting not just messing about. Comedy requires either jokes, humour, amusing characters and a script, this drivel doesn't even have a story which can hold your attention for more than a couple of minutes. How it compensates for being extraordinarily boring is to have lots of naked ladies usually inexplicably cavorting with Robin Askwith. Amazingly the producers have managed to do the impossible: take a dozen stark naked attractive young ladies and make the most unsexy, unerotic and un-titillating film you're ever likely to see - and I'm including OPPENHEIMER in that. Without getting to know who they are first, however attractive they are, these girls you just come onto the screen, take off their clothes and ...come on the screen is not sexy. This feels as though it was made by a group of thirteen year old boys who had only just discovered that girls had strange wobbly bits that they didn't. The producers would probably argue that the tiresome inclusion of the wobbly bits wasn't meant to be sexy, it was meant to be funny. Well, it's not - for all their flaws, nudity in the CARRY ON FILMS was used for comedic effect.

It annoys me that some people describe these CONFESSIONS OF films as raunchier versions of the CARRY ON films. Although the CARRY ON films became tacky towards the end at least they were still sort of funny. They were proper films featuring professional comedy actors and were written by comedy scriptwriters. This waste of 8,000 feet of celluloid should not even be mentioned in the same breath as the CARRY ON films, which is saying something since a lot of them were dreadful.

And as for that so-called band - what the hell are they supposed to be doing? That's insulting to musicians.
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2/10
Oh England
BandSAboutMovies21 July 2020
Warning: Spoilers
Part of the four-part series of British Confessions sex farces, this installment focuses on Timothy Lea (Robin Askwith, Four Dimensions of Greta), who is trying to make it in the world of pop music as he joins the band Kipper while remaining a window washer.

Seriously - this movie is a Benny Hill-ish romp that I don't think would play well with today's audiences. You can guess how much I enjoyed it.

Keep an eye out for appearances by future Darth Vader David Prowse, Rula Lenska (Queen Kong), Benny Hill girl Helli Louise, Rita Webb (Frenzy), Richard Warwick (If....), Benny Hill and Spike Milligan straight man Bib Todd and a fake band called The Climax Sisters.

This was the only movie in the series to get a sound track record on Polydor, featuring songs from the first movie, Confessions of a Window Washer, as well as dialogue. It's also the only original script not based on one of Christopher Wood's books.

This movie tied another movie for Worst British Film of 1975 by Sight & Sound. That movie? The Rocky Horror Picture Show.

There was also a paperback, which has a great cover.

Norman Cohen took over for the first film's director Val Guest (The Quatermass Xperiment ) after Guest's wife wouldn't let him on set with all the near-nude women. Cohen was a great pick, as he'd already worked on two mondos, The London Nobody Knows and London In the Raw.
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1/10
Oh dear
mrbeasley18 May 2009
Some films are deliberately downbeat and depressing; this film achieves that by default. The mid seventies were a high point for British TV - The Sweeney, Fawlty Towers, Rising Damp, Morecambe and Wise, Are you Being Served and many others; in all other ways British culture was at a low point. This film more than demonstrates that. Glam Rock was over, Punk hadn't started. There were two choices, Bay City Rollers for the kids, or bloated (if you'll pardon the pun) prog rock and heavy metal for the adults. Really not a good time for cinema to make a sexploitation comedy concerning pop music then! In fact as welcome as wearing a West Ham shirt at Millwall was at that time.

A sex comedy that is neither sexy nor funny, and these days you won't even be able to go to a Berni Inn in your Austin Maxi to refresh your jaded palate after watching.

But I have to agree - the appearance of Liam Gallagher's doppleganger provides a jaw dropping moment!
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1/10
Confessions of a Pop Performer
jboothmillard5 August 2023
Warning: Spoilers
Confessions of a Window Cleaner was very dated, a smuttier version of a Carry On film, unbelievably, it was a big hit in the 1970s, so a sequel was made the following year, directed by Norman Cohen (Dad's Army: The Movie). Basically, optimistic but clumsy Timothy "Timmy" Lea (Robin Askwith) is still working as a window cleaner. Timmy narrates his day-to-day activities, and he is still irresistible to the ladies. He is having sex with housewife Sonia (Anita Kay) when her husband (Dad's Army's Bill Pertwee, Jon's brother) catches them in the bedroom. There is a fast-motion chase sequence with the husband chasing Timmy with his javelin until he goes out the window. Timmy and his brother-in-law Sidney "Sid" Noggett (Antony Booth, Cherie Blair's father) go to The Jester Room one night, where pop band Bloater is performing. The band members are Nutter Normington (Peter Cleall), Petal (Richard Warwick), Zombie (David Auker), Eric (Maynard Williams), and Blow (Mike King). Sid says that the big money is in pop groups and poses as a talent scout to sign a contract with the band to be their manager, little realising that they don't actually play their instruments. Timmy and Sid visit Timmy's parents, Mr. Lea (Bill Maynard) and Mrs. Lea (Dandy Nichols), Sid and his wife Rosie (Sheila White) are there with baby Jason (Lin Harris). They discuss the band and decide to change their name to Kipper. Timmy's father comes home dressed in a gorilla costume, another one of his many trinkets and junk he finds at the lost property office. Timmy meets with Mrs. Sherilyn Barnwell (Jill Gascoine), wife of talent representative Mr. Barnwell (Bob Todd), hoping to get Kipper a gig, and they end up having sex. Mr. Barnwell comes home to surprise his wife for her birthday, he spotted Timmy's jacket in the living room and searches for a man in the bedroom. Timmy manages to escape out the window but missed the opportunity to talk to Barnwell. Sid calls Barnwell while he and his wife have sex. After they have finished making love and Sid has rambled on about the potential of the band, Barnwell gives them a booking at the Civic Hall. The band members are in their van getting kinky with groupie Fanny (Andee Cromarty) when Timmy and Sid give them the good news. They drive away in a panic when Fanny's Mother (Rita Webb) catches them in the act. Timmy meets press woman Carol Hawkins (Jill Brown) in her office to talk about the band, but he cannot bring himself to admit that they do not play. Timmy causes a fire in Carol's wastepaper bin and havoc ensues as the fire extinguisher foam won't turn off. At the band's first gig, Timmy introduces himself to the other act of the evening, the Climax Sisters, Brenda (Linda Regan) and Ruby (Diane Langton), who are uninterested. When the drummer gets his hand stuck, Timmy takes his place. Kipper manage to play their instruments and perform a song called "The Clapper". The audience enjoy the performance and the band goes crazy with excitement rapidly playing the instruments until they explode. Mr. Barnwell is angry and tells them they will never work again. Sid tries to throttle Timmy but he flees and hides in a property room. Audience member Linda (Margaret Heald) has followed him into the property room and, mistaking him for Mick Jagger, undresses and they start to have sex. They are interrupted by two police officers, Rodney (Ian Lavender) and Penelope (Irene Gorst), who want to be intimate. Timmy and Linda leave the room together in a pantomime horse costume. Kipper make the newspaper with a positive review about the gig at the hall. Timmy meets Carol to talk about the band's first recording session and meets her father Augustus (Robert Dorning). Next, Kipper record their first single, "Kipper", in a studio. Sid and Timmy are sent by Barnwell to meet Maxy Naus aka "Mr. Fix-It" (Peter Jones) about the band being on television. At a party, Ruth (Maggie Wright) has sex with Timmy in a bedroom with a two-way mirror and they are seen by many guests. Timmy's family listens to Kipper's first record. Sid has the idea to buy all the Kipper records to get it into the charts. Timmy visits a record store and has sex with the store assistant Patsie (Sally Harrison) on a pile of fallen vinyls with the music player going crazy as they continuously press its buttons. Kipper is performing on Star Knockers, hosted by Maxy Naus, to be judged by an audience with the Applauseometer. Sid sounds the fire alarm to rig the machine and clapping frequency but breaks the machine. Meanwhile, Sid's son Jason celebrates his first birthday. Kipper is booked to perform for the royal family at the London Palladium. Before the show, Timmy falls down the hole in the stage. He crawls through the vents trying to find a way out. He ends up in the dressing room of dancer Eva (Helli Louise) who tries to seduce him. Her boyfriend interrupts them, and she throws him one of her sparkly dresses rather than his own clothes. Sid searches for Timmy throughout the theatre. The Climax Sisters are performing when Timmy accidentally comes up through the hole in the stage. Sid finds Timmy as Kipper start to play, Timmy walks on stage in the dress. The band gets a round of applause following their performance. The curtain is raised following a roller-skater's performance, with Timmy caught in the ropes and other performers scantily dressed. This embarrassment causes Timmy's career as a performer to be over. Timmy walks the streets as a one-man band looking for the next woman he can sleep with. Also starring Rula Lenska as Receptionist, Suzette St. Clair as Sharon, David Hamilton as TV Interviewer, and Star Wars' David Prowse as Man at Cinema. Askwith as the accident-prone lead is okay, Booth as his brother-in-law and Maynard as his father are mildly amusing, but British talents Lavender and Lenska are wasted in supporting roles. The script relies on obvious and ineffective innuendos, the visual jokes involving mishaps are just embarrassing, the high amount of nudity is too crude to find arousing or enjoyable, most of the time you are just left open-mouthed and almost nauseous, it is a highly dreadful, deplorable, unfunny sex comedy. Poor!
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4/10
Not great.
TomFarrell634 September 2023
One of those films I've had on a pile for ages, and got round to watching tonight.

The most positive thing I can say about it is it's nice to see 70's English shops and fashion.

Unfortunately, the films story and dialogue is poor, and worst of all for a comedy, it's just not funny for most of the time, and there's a lot of padding . It's not the actors at fault, they do the best they can with what's given to them, but it's a poor script that fails to raise many laughs. It has a few moments, but they're few and far between.

The band aren't really believable either, the music they play is no particular genre.

I'm surprised at how raunchy it is for the time, lots of flesh and hair on display, and I guess that's why it was popular.

Disappointing.
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7/10
Eye popping beauties in raunchy affair, with Confession style performers who know how to perform
videorama-759-85939130 June 2014
I'm a Confessions lover, yes. This second installment has just what you expect: Many Saucy hotties exposing their goods, and much laughter intermittently, courtesy of the bumbling Timmy Lea, that our unexceptional Askwith, plays it down to the T. He was born for this role. That's it. From the very start, he gets himself in strife, where as a window cleaner, he is doing a married woman, where husband comes home, and you can guess what happens. Finding a new career path, him and his enterprising brother in law, Sid (the much charming Booth) come across a fake rock band, and sigh em' up, Sid, the manager, Askwith, the promoter. Check out the lead's frizzy hair, the in thing those days. Hey all you need is that get up, and someone else's deafening singing voice, playing in the background on tape, and you've got one sweet set up. Though really, we wanna see what chaos our clumsy klutz, Askwith, will cause next, and like Alvin Purple, here's another enigma, to why hotties fall at his feet. He is Mick Jaggerish looking, one young, extra hot hottie/groupie, believing he is Mick Jagger. These two wind up in trouble, while horsieng around, one could say. Even if you're from a rock band, you'll laugh and identify, with this lightweight adult romp. Two of my favorite scenes are humping ones, that steal the movie. Too I guess it's kind of sexy to see drummer, Askwith, wearing just a dress, and the wheels are turning in your head to where his normal attire went. I loved the band's name. Kind of fishy. What I love too or respect about these Confessions films, are family time, shed, where Askwith's father Bill Maynard is classic as the grumpy hoarder. I can identify very much with these characters and the others of the Lea household. If nudity's your thing and you like laughs, you'll like this adult frolic caper, where if a Confessions fan, that is advantageous. Much an improvement on the first weak outing.
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10/10
"Kiss Me Where It Counts!"
ShadeGrenade11 June 2006
Warning: Spoilers
Timmy Lea ( Robin Askwith ) swaps his window cleaner's bucket for a microphone in this, the second of the money-spinning romps based on the novels of Christopher Wood.

Sid Noggett ( Tony Booth ) signs a pop group called 'Bloater' ( whom he renames 'Kipper' ), with a view to making a fortune as their manager. There's one problem - he has not heard them play. When he does, his worst fears are confirmed. They are terrible.

Nevertheless, by seducing the wife of a local theatre manager ( Bob Todd ) he is able to get them a booking. Mrs.Lea ( Doris Hare ) helps out by sending along an enthusiastic crowd composed of elderly women. One of the band is accidentally injured back stage, so Timmy goes on in his place. 'Kipper' go down a storm. Soon they are in the record studio, and appearing on the top-rated talent show 'Star Knockers'. Fame and fortune cannot be far away surely?

With Val Guest having declined the chance to direct the follow-up, the job went to Norman Cohen, whose other credits include the movie versions of 'Till Death Us Do Part' and 'Dad's Army', and 'Adolf Hitler My Part In His Downfall', based on Spike Milligan's war memoirs. He stayed on board for the next two pictures.

Doris Hare replaced Dandy Nichols as Timmy's mum. The use of sitcom actors was a major part of the 'Confessions' success story. It amused audiences to see 'Mrs.Butler' from 'On The Buses' and 'Pike' from 'Dad's Army' surrounded by bare bottoms and boobs. Three of the cast had previously appeared in 'Please Sir!/The Fenn Street Gang' - Peter Cleall, Carol Hawkins, and Richard Warwick. Two went on to sitcoms - Diane Langton in 'The Rag Trade' and Linda Regan in 'Hi-De-Hi'. Both were cast here as the nymphomaniac 'Climax Sisters'. Another - Jill Gascoigne - was to be found chasing criminals a few years later in the L.W.T. series 'The Gentle Touch'. I'm sure she is not proud of her role in this film. Peter Jones' 'Maxie Naus' looks suspiciously like Hughie Green of 'Opportunity Knocks!'.

A recent television documentary appeared to suggest that the main audience for the 'Confessions' films were old men in grubby macs. Not so. Do you know who were? Teenagers. When 'Pop Performer' came out, I was one of many youths loitering nervously outside the theatres where it played, fag in hand, trying to pluck up enough courage to go in and buy a ticket. The films might not have been well written or acted - no-one gave a stuff about that then - but if you were under eighteen and you'd seen a 'Confessions' film, you were a hero to your mates. They were also great 'date' movies. If you had been going out for a while and had not progressed beyond kissing, you took your girlfriend to a 'Confessions' film in the hope it would act as some kind of aphrodisiac. Of course you dare not let on it was a sex farce. "Its a comedy.", I remember telling my girl: "Bob Todd's in it. You know, him off 'Benny Hill'". She wasn't impressed. We saw 'Herbie Rides Again' for the second time instead. The relationship ended soon after.

Funniest moment? Timmy making love to a girl in a record shop while Spike Milligan can be heard reciting 'In The Ning Nang Nong' to music.
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6/10
Lowest common denominator strikes again
neil-47624 April 2010
Warning: Spoilers
The second Confessions film uses the world of small time 1970s glam rock pop as the background for the usual shenanigans involving nudity and sexual encounters in sub-Carry On style.

These films really are rubbish, yet they have a period quaintness and, perversely, an innocence belied by the smutty material. They also reflect the British self-consciousness and ineptitude over sex with alarming accuracy.

As usual, it is both entertaining and somewhat sad to see many stalwarts of British TV slumming it, although one must respect the way they approach the material with such commitment.
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Best of the "Confessions" series
jfm31 March 1999
I saw this 1975 British comedy classic the first time in 1982 on cable. I loved it. I've seen all the "Confessions" and this one I think is the best. I see that it is no longer available as well as the others. That is too bad. I searched high and low to get it on VHS and I finally got it. Simple story of Timmy Lea, an accident-proned blunderer and his brother-in law Sid Nogget a get-rich-quick schemer decide to manage a local pop band and try to get them off the ground. Of course Timmy runs in to his share of promiscuous women in the process. Very funny British humor.
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6/10
Kipper -- Kipper -- as mean as Jack the Ripper!
Pedro_H5 January 2006
Sex-comedy about a 15 minute pop wonder.

There has never been a great film about the groupie scene and this is a shame. Indeed such movies are so short on the ground this has to have some interest for this fact alone. Despite being made by dirty old men types whose only goal is an easy buck -- and some thing that sounds a lot like an easy buck.

This is just another product of the Confessions production line (a more blue version of Carry On) and suffers from that formula of getting a lot of "star" day performers in that add little to the plot but look good on the poster. If Rula Lenska is in it it must be kosher -- right? Wrong!

Gormless lead Robin Askwith is the drum basher in a rather talent less dance hall band called Kipper (who are -- so they boast -- "meaner than Jack the Ripper.") They are actually a total rabble with no talent above what you might find down the local youth club -- but they give it their all. Beer is drunk, stages are wrecked and girls are bedded (if there is one nearby) but it has nothing much to do with the real music scene. The straight ahead songs are actually OK on first hearing and Askwith gets as close to playing who he was born to play -- Mick Jagger -- as he ever would.

While cruelty and sexism have no place in this world -- you have to acknowledge that they look more at home in this world than they do in, say, a driving school or a holiday camp. Backdrops to other parts of this series.
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10/10
softcore porn or hard-core carry on?
scrumpybunny30 January 2004
If you are looking for hard-core porn then don't watch this film. If you are out to have a laugh at sex or the seventies then it's for you. I found the film very amusing, it is what it is, just a film on the same lines as Carry ons but it goes that extra step and contains sex and naked bodies. I was nothing more than a child when this film was released so have only discovered it thanks to channel 4 and the paramount channel since then I have made it my duty to collect these saucy seventies films, believe me there are hundreds of them out there and I think some of them are gems.
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has its moments
andyb-44 August 2000
I might agree that this is the best of the "Confessions" series, but I can't agree that its at all funny. There are long stretches of inane and completely boring 'plot' scenes. But by the end of the film some decent opportunities for 'kit-off' have been exploited, which at least makes it memorable. Not likely to feature in the top 100 films.
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It's only Rock 'n Roll.
BlackJack_B15 March 2006
It's apparent that the British love their sex comedies. The U.K. was a veritable hot-bed for the genre. The Confessions series, much like the Adventures Of series, was an R-Rated version of the Carry On movies. Same dated humor but with younger casts, nudity, and the swinging 70's as their setting. I've seen about 15-20 of these films and they all are the same middling British comedies that Canadians and Americans won't get.

This one stars Robin Askwith as Tim Lea, a clumsy young man who gets in cahoots with his brother-in-law over managing an unproven rock band called Kipper. Askwith's job is to get venues and record deals for them and all he does is get into a lot of crazy situations and into the bedroom of some fine women (for the 1970's).

Typically, the acting is filled with double entendres and British humor. Nothing awful but nothing spectacular, either. Interestingly, in this film, Askwith looks like a young Mick Jagger and two scenes in the film extenuate this. In one scene, Timothy needed to replace the drummer for their first gig and he does a pretty good job; enough that he is being chased by groupies. He goes into hiding but one of them finds him and seduces him because she thinks he's Jagger. In another scene, he is in the office of some woman. She asks for a light. Somehow later, the garbage can is on fire and he tries to fan the flames with ridiculous results. He finds an extinguisher and starts spraying this foamy white liquid all over the place and destroys the office. It reminded me of The Rolling Stones' video for "It's Only Rock 'N Roll" where tons of soap bubbles appear on the set. Funny.

It's an O.K. timewaster. I haven't seen the others but I'm guessing like the Carry On series, the Adventures Of series, or the Beach Party with Frankie and Annette if you've seen one, you've seen them all.
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Terrible, but consequently worth seeing
fromwithin13 December 2001
Usual ridiculous "Confessions" affair with some pretty funny moments.

Definitely worth seeing for the *incredible* look-alike of Liam Gallagher (singer from UK-band Oasis) on guitar in the band. This alone made me laugh more than the rest of the film. Seriously, it *is* him.

This film also turned a Japanese female into a big fan of Robin Askwith and the Confessions films, so there must be something good in it.
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Dire
Dodger-915 March 2000
No disrespect to the previous reviewer but this is one of the worst British comedies ever made. However, trivia fans may note that Star Wars was being made in the next studio at the time of shooting and during a love scene with Robin Askwith and Jill Gascoigne, both Darth Vader and Chewbacca looked on during a break from filming.

Not a bad punk song during the finale and plenty of kit offery but a gag-free zone.
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Peter Cleall didn't sing
LukieWukie13 January 2006
Peter Cleall who was made famous by the TV series "Please Sir" was an extremely good actor but for some reason the producers of the film "Confessions of a Pop Performer" decided in their better judgment to employ the services of a professional singer to dub his vocals. They chose Maynard Williams who was already contracted to play the part of "Eric" the Bass player of the group "Kipper". However,for some reason,he was never given any credit for his vocal work,but went on to tour the group "Kipper" in between various acting and singing projects. A note of interest:Maynard's son Jake(then known as Jake Cooper)appears as Jason Nogget in Confessions from a holiday camp.
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Connection with Gerry Anderson's UFO
gordon_leek4 March 2006
Has anyone got this on DVD do they can grab still frames?

I think some of the "hi-tech" seventies hardware in the record shop scene was scavenged/recycled from the Moonbase set used in Gerry Anderson's UFO.

This is only a supposition at the moment, can anyone help?

I think UFO was shot in the same location only a few years earlier.

Please ignore this sentence. IMDb require all comments to be a least ten lines but I can't think of anything else to add so.. To be or not to be that is the question. Whether 'tis nobler in the mind to suffer the
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