A bizarre yet watchable cross between a typical oater and a slasher film, KNIFE FOR THE LADIES (or better known as "Jack The Ripper Goes West" on DVD) is actually a fairly entertaining jumble of genres, aided by the one and only Jack "One-Eye" Elam as the town sheriff, a drunken, unwashed, temperamental SOB who loves his rotgut and loves to fight, all of which is exacerbated when a clean-cut private eye comes in from the big city to help the townsfolk stop an unknown murderer bumping off the women. Although the DVD version is obviously edited of some scenes, causing the story to leave gaps as big as the one in Terry-Thomas's smile,the film moves along at a good gallop until the somewhat predictable conclusion.
12 Reviews
Bringing A Knife To A Gunfight
FightingWesterner27 September 2016
City private investigator Jeff Cooper travels to frontier backwater in order to investigate the slasher murders of town matriarch Ruth Roman's son and a gaggle of local prostitutes. Things are complicated by the vigilante murder of a Mexican cowboy and brutish, old-school sheriff Jack Elam.
Mildly entertaining drive-in trash, this benefits from the old low-rent sets and ancient costumes that were pretty much a sign of the times in the early seventies. You can practically smell the mothballs, though they (the set-pieces not the mothballs) make this low, low-budget western/horror flick almost look like a million bucks. The weird, very exploitative climax is fun too, as are the presences of Elam and Roman.
For a better Jack-the-ripper-goes-west story, watch the Episode of Dead Man's Gun aptly titled "The Ripper".
Mildly entertaining drive-in trash, this benefits from the old low-rent sets and ancient costumes that were pretty much a sign of the times in the early seventies. You can practically smell the mothballs, though they (the set-pieces not the mothballs) make this low, low-budget western/horror flick almost look like a million bucks. The weird, very exploitative climax is fun too, as are the presences of Elam and Roman.
For a better Jack-the-ripper-goes-west story, watch the Episode of Dead Man's Gun aptly titled "The Ripper".
Good Western cast, disappointing mystery angle
kevinolzak24 March 2023
1973's "A Knife for the Ladies" starts out as a whodunit set in the Old West, but it's clearly no Jack the Ripper and its few murder scenes are devoid of both blood and suspense. Old Tuscon is the Arizona location used by screenwriter Seton I. Miller, whose career dates back to 1927, his best horror item the stunning Lionel Atwill vehicle "Murders in the Zoo," which was actually far more gruesome for 1933 than anything seen in this tame release. Jeff Cooper's Edward Burns is a private investigator out to solve a series of stabbings in which the victims are all young women of ill repute, at odds with town sheriff Jarrod Colcord (top billed Jack Elam) for accusing the wrong man of the most recent crime. The killer could be saloon owner Virgil Hooker (Gene Evans), perhaps eager to divert suspicion by lynching an innocent man, or nervous barber/undertaker Orville Ainslie (Richard Schaal), whose behavior puts Burns on the trail of town founder Elizabeth Mescal (Ruth Roman), her late son a former deputy with a passion for the ladies. The promised horror film just isn't here, while the veteran presence of Jack Elam offers an aging character holding on to past glories, finding kinship with Burns and redemption in their success, once they learn how arsenic is used in medication. As offbeat as a Western can be, but spotty distribution through short lived Bryanston Pictures kept it from being widely seen (better known releases were "The Texas Chain Saw Massacre" and "The Devil's Rain"). Director Larry G. Spangler was no stranger to casting NFL players, using Oakland Raiders wideout Fred Biletnikoff here, two years after working with Joe Namath on another Western, "The Last Rebel." Making her final screen appearance is Diana Ewing, one of STAR TREK's most intoxicating beauties in the 1969 episode "The Cloud Minders."
A weird mix of genres
bensonmum225 February 2008
A Knife for the Ladies (or Jack the Ripper Goes West) is a weird mix of genres. It's a Western with a slasher storyline running through it. A mad killer is slashing the necks of prostitutes in the town of Mescal. The sheriff, Jarrod (Jack Elam) seems incapable of finding the killer, so the town's leaders bring in a private detective named Burns (Jeff Cooper). Can Burns find the killer before Mescal's brothel is left vacant?
Overall, A Knife for the Ladies is one lousy movie. Neither the horror nor the Western elements work. Until the final scene, it's a total failure. Much of the problem comes from the fact that nothing looks real. The town is obviously a set - it doesn't feel "real". The people are obviously actors playing parts. They're not "real" either. Jack Elam's old grizzled hard-drinking sheriff is so over-the-top that he's ridiculous. And Jeff Cooper's Burns is too 1970s to be authentic. A Knife for the Ladies' lone highlight comes in its finale. It's actually a nice twist that I honestly didn't see coming. I could have never guessed the killer's identity. But as nice as the ending may have been, I still can't bring myself to rate A Knife for the Ladies any higher than a 3/10 - and that's being generous.
Finally, one especially annoying aspect A Knife for the Ladies is the way it tries to play the old-school sheriff against the more modern detective. But it's all talk. There's no evidence presented of any real clash between the old vs. new law enforcement techniques. It's as if someone involved with the movie's production thought this conflict would make a good storyline so they threw it into the movie without really adding it (if that makes any sense). Predictably, the old and new get into a completely unnecessary fistfight before they can work together. It's so forced it's painful.
Overall, A Knife for the Ladies is one lousy movie. Neither the horror nor the Western elements work. Until the final scene, it's a total failure. Much of the problem comes from the fact that nothing looks real. The town is obviously a set - it doesn't feel "real". The people are obviously actors playing parts. They're not "real" either. Jack Elam's old grizzled hard-drinking sheriff is so over-the-top that he's ridiculous. And Jeff Cooper's Burns is too 1970s to be authentic. A Knife for the Ladies' lone highlight comes in its finale. It's actually a nice twist that I honestly didn't see coming. I could have never guessed the killer's identity. But as nice as the ending may have been, I still can't bring myself to rate A Knife for the Ladies any higher than a 3/10 - and that's being generous.
Finally, one especially annoying aspect A Knife for the Ladies is the way it tries to play the old-school sheriff against the more modern detective. But it's all talk. There's no evidence presented of any real clash between the old vs. new law enforcement techniques. It's as if someone involved with the movie's production thought this conflict would make a good storyline so they threw it into the movie without really adding it (if that makes any sense). Predictably, the old and new get into a completely unnecessary fistfight before they can work together. It's so forced it's painful.
Really Lousy Mix of Genres
Michael_Elliott4 April 2018
A Knife for the Ladies (1974)
1/2 (out of 4)
Mescal is a small Southwest town where not too much happens, which keeps the local Sheriff (Jack Elam) happy. All of this changes when the local prostitutes turn up dead and the locals begin to fear that Jack the Ripper (or a copycat) might be committing the crimes.
This film is out there in two versions with the uncut one being the hardest to find, although it was released to Blu-ray by Code Red. This version here clocks in at 86-minutes and is the uncut theatrical version that went under the title of A KNIFE FOR THE LADIES. The film was much more widely available via countless public domain companies under the catchy title of JACK THE RIPPER GOES WEST but that version clocks in at just 51-minutes. After watching the uncut version I must admit that I would have given anything to see it cut down.
Man, where do you start with a film like this? This movie wants to be a Western, a horror picture, a murder-mystery and I think it also tries to have some black comedy as well. It tries to be a lot of things but sadly it doesn't do anything well and it in facts does nothing but waste the talents of Elam, Ruth Roman and Jeff Cooper. All three people are wasted in their rather silly roles, which is too bad because the idea behind the film is an interesting one and it should have made for a better picture.
The film really kills itself because it just doesn't do anything right. The horror elements are rather watered down and you never once care who the killer is. It also doesn't help that as a Western it feels a lot cheaper than those old B films from the 1930s. There's no sleaze or anything else to hold your attention and in fact the only thing that does hold your attention is just waiting to see how much worse it gets.
I'm not sure what all is missing in the cut version but I'd have to say it would be better to watch since the 86-minute cut just features non-stop dialogue scenes and is a real chore to sit through.
1/2 (out of 4)
Mescal is a small Southwest town where not too much happens, which keeps the local Sheriff (Jack Elam) happy. All of this changes when the local prostitutes turn up dead and the locals begin to fear that Jack the Ripper (or a copycat) might be committing the crimes.
This film is out there in two versions with the uncut one being the hardest to find, although it was released to Blu-ray by Code Red. This version here clocks in at 86-minutes and is the uncut theatrical version that went under the title of A KNIFE FOR THE LADIES. The film was much more widely available via countless public domain companies under the catchy title of JACK THE RIPPER GOES WEST but that version clocks in at just 51-minutes. After watching the uncut version I must admit that I would have given anything to see it cut down.
Man, where do you start with a film like this? This movie wants to be a Western, a horror picture, a murder-mystery and I think it also tries to have some black comedy as well. It tries to be a lot of things but sadly it doesn't do anything well and it in facts does nothing but waste the talents of Elam, Ruth Roman and Jeff Cooper. All three people are wasted in their rather silly roles, which is too bad because the idea behind the film is an interesting one and it should have made for a better picture.
The film really kills itself because it just doesn't do anything right. The horror elements are rather watered down and you never once care who the killer is. It also doesn't help that as a Western it feels a lot cheaper than those old B films from the 1930s. There's no sleaze or anything else to hold your attention and in fact the only thing that does hold your attention is just waiting to see how much worse it gets.
I'm not sure what all is missing in the cut version but I'd have to say it would be better to watch since the 86-minute cut just features non-stop dialogue scenes and is a real chore to sit through.
When slasher meets western
Leofwine_draca10 April 2018
Warning: Spoilers
A KNIFE FOR THE LADIES is a weird mix of a prototype slasher movie and a stable western, shot on a low budget and starring the inimitable Jack Elam as the town sheriff. Elam's very good, one of the best reasons to watch the film, but the rest of it is a bit of a jumbled mess and surprisingly tame given the genre; it feels more like a television movie than anything else. Elam's sheriff and a rival investigate a series of mysterious slayings in a small western town, but the mystery aspects of the story are limited and this takes an age to go anywhere. The ending is mildly effective but the two separate genres never really gel and there are only a few stand-out moments, Elam's tangling with a younger model in a jail cell being one of them.
What genre was this movie?
davannacarter29 May 2016
Does this movie wanna be a western, giallo, comedy, mystery, or what? This movie fails in every genre. If it's trying to be a western, it fails entirely because the detective's 70s hairstyle, clothes, and mannerisms will completely jar viewers out of the western setting. If it's trying to be a giallo, it failed because most of the movie is nonsensical filler that distracts from the killings. If it was trying to be comedy, I didn't find anything intentionally funny, even by 70s standards. If it's trying to be a mystery, it fails because the movie gets so boring by the halfway mark that I fell asleep. I woke up exactly when the killer was revealed, right at the end. When the killer was revealed, I thought, "This movie is still on?" because by that point I had lost so much interest in the movie I decided to go to bed rather than waste time rewatching scenes I fell asleep during. In fact, I turned it off before the credits rolled.
Boring, boring, boring, even by 70s standards. Boring characters where I didn't care who lived and who died. A western setting that is painfully obvious it's a movie set. And decided lack of tension or suspense in a movie that touts itself as a murder mystery. All in all, if you wanna fall asleep, put this crap on. If you wanna watch something even the tiniest bit memorable, don't bother with this.
Boring, boring, boring, even by 70s standards. Boring characters where I didn't care who lived and who died. A western setting that is painfully obvious it's a movie set. And decided lack of tension or suspense in a movie that touts itself as a murder mystery. All in all, if you wanna fall asleep, put this crap on. If you wanna watch something even the tiniest bit memorable, don't bother with this.
Horror Western, yet boring
BandSAboutMovies27 February 2019
Warning: Spoilers
What if Jack the Ripper escaped and made it to the Wild West? Well, a knife-wielding killer has been slicing his way through the small desert town of Mescal. And while most of the victims have been prostitutes, the first was Travis Mescal, the only son of the town's richest family. The sheriff hasn't been able to solve matters, so the town's leaders bring in an investigator to get the job done.
Directed by Larry G. Spangler, who also produced and directed The Life and Times of the Happy Hooker, this is a rare horror Western.
It's got a great start and plenty of filler until the end. At least Jack Elam is in it as the sheriff. And Ruth Roman, who lights up The Baby. She's in this, too.
The hero detective - played by Jeff Cooper - has a 1970's haircut, which really makes no sense. Neither does this movie, which is unsure if it wants to be horror, proto-slasher, a Western or a giallo. It fails equally at each, providing ony boredom.
Directed by Larry G. Spangler, who also produced and directed The Life and Times of the Happy Hooker, this is a rare horror Western.
It's got a great start and plenty of filler until the end. At least Jack Elam is in it as the sheriff. And Ruth Roman, who lights up The Baby. She's in this, too.
The hero detective - played by Jeff Cooper - has a 1970's haircut, which really makes no sense. Neither does this movie, which is unsure if it wants to be horror, proto-slasher, a Western or a giallo. It fails equally at each, providing ony boredom.
No Edge to This Oater
zardoz-1328 December 2020
Warning: Spoilers
An abysmal western whodunit obviously indebted to the Jack the Ripper infamy, "A Knife for the Ladies" qualifies as a pathetic mystery. Some nefarious soul is carving up prostitutes in the mining town of Mescal, and the sheriff (Jack Elam of "Rio Lobo") isn't up to doing his job, so one of the citizens calls in a private detective (Jeff Cooper) to noodle around it and solve the crime. Red Herrings are as thick as fleas, but the dead giveaway is the fact that our murderer wears gloves. Ruth Roman plays the wife of a prominent citizen who is struggling to shield his past after he dies. Larry Spangler was a better producer than a director and it shows in this hokum that was produced on the legendary Old Tucson studios where many classic westerns were lensed. Performances are okay, but Jeff Cooper looks more like a rock star than a turn-of-the-century detective. Basically, "A Knife for the Ladies" lacks a fine, sharp, razor edge. Reportedly a harsher version was released in Europe. This oater comes up lame, and only an idiot will be baffled by the outline.
Stabbing westward.
BA_Harrison23 April 2019
A giallo-style murder mystery with a wild West setting, Knife For The Ladies stars Jeff Cooper as private detective Burns, who is hired to investigate the murder of several prostitutes in the once prosperous mining town of Mescal. Wild-eyed Jack Elam plays the town's gruff sheriff Jarrod, who initially isn't best pleased with Burn's appointment, but who eventually teams up with the private eye to find out who has been slicing up the working girls.
Knife For The Ladies has received some fairly scathing reviews here on IMDb, but I fail to understand why: fans of gialli should find plenty to enjoy about this murder mystery, the unseen killer wearing regulatory black gloves to kill the victims, with several deaths, and a suitably macabre revelation (I love the lurid ending!). The western setting is refreshingly different from the usual giallo Euro locale, and allows for a fun sub-plot with Burns and Jarrod having to contend with a lynch mob who wrongfully hanged a man for the murders.
Admittedly, the film isn't as stylish as many a giallo, director Larry G. Spangler failing to wow with the visuals, but on the whole I think this is a pretty entertaining movie with a decent plot and well-drawn characters - far better than the other reviews would have you believe.
Knife For The Ladies has received some fairly scathing reviews here on IMDb, but I fail to understand why: fans of gialli should find plenty to enjoy about this murder mystery, the unseen killer wearing regulatory black gloves to kill the victims, with several deaths, and a suitably macabre revelation (I love the lurid ending!). The western setting is refreshingly different from the usual giallo Euro locale, and allows for a fun sub-plot with Burns and Jarrod having to contend with a lynch mob who wrongfully hanged a man for the murders.
Admittedly, the film isn't as stylish as many a giallo, director Larry G. Spangler failing to wow with the visuals, but on the whole I think this is a pretty entertaining movie with a decent plot and well-drawn characters - far better than the other reviews would have you believe.
The Good detective, the Bad killer and the Ugly Sheriff
Coventry8 May 2019
Now here's something you don't encounter every day... "A Knife for the Ladies" is a genre hybrid between western and horror. No wait, let me specify that even more, it's a western mixed with strong and typical giallo trademarks! Of course, you can't really be sure if this was intentional. Was director Larry G. Sprangler even aware that overseas, in contemporary Italy, the giallo existed or was it just a lucky but coincidental choice to provide this film's killer with black leather gloves and make him/her hunt down lurid women with a sharp knife? It also doesn't matter that much, as the combo works quite effectively! "A Knife for the Ladies" is a heavily flawed film, mostly suffering from a pacing that is far too slow and a very poor use of western decors and set-pieces, but the plot is still an engaging whodunit and the murders are reasonably grisly. The town of Mescal is plagued by vicious murders and, so far, the bodies of three women have been discovered with their throats slit. The town council decides to hire private detective Burns to find the culprit, since Sheriff Jarrod is too incompetent to solve anything except for wrongly parked horses. Burns runs into a few suspects, including a morbid undertaker and the nasty saloon-owner who secretly aspires to become sheriff, but meanwhile the murders continue. "A Knife for the Ladies" is a recommendable effort, especially if you're into obscure and experimental 70s horror, but you'll have to accept the snail-pace, the lack of directorial style and the poorly created western setting. On the bright side, crazy-eyed Jack Elam is always a pleasure to watch and the denouement is vile and twisted in good old-fashioned Giallo tradition (albeit somewhat predictable if you look at the poster images)
"This Has Got To Be The Work Of A Madman!"...
azathothpwiggins24 January 2023
In A KNIFE FOR THE LADIES, a small, old-western town is plagued by a serial-killing maniac. When the hard-drinking sheriff (Jack Elam) fails to catch the perpetrator, a private detective (Jeff Cooper) is brought in to solve the case. Unfortunately, the town roustabouts, led by the saloon owner (Gene Evans), don't want to wait that long.
This movie is a murder mystery with heavy doses of gothic-like horror. In fact, if it had been set in Victorian England, it could have easily been a HAMMER film with the likes of Peter Cushing and Christopher Lee in the lead roles. As it stands, it's a respectable mixed genre effort. Both Cooper and Elam are believable in their roles.
Don't miss the twist finale, and be sure to stick around for the big rock song at the end. It's a hoot!...
This movie is a murder mystery with heavy doses of gothic-like horror. In fact, if it had been set in Victorian England, it could have easily been a HAMMER film with the likes of Peter Cushing and Christopher Lee in the lead roles. As it stands, it's a respectable mixed genre effort. Both Cooper and Elam are believable in their roles.
Don't miss the twist finale, and be sure to stick around for the big rock song at the end. It's a hoot!...
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