Directed by
| Peter Yates | ||
Writing Credits
| Stanley Shapiro | ... | (written by) and |
| Maurice Richlin | ... | (written by) |
Cast (in credits order) complete, awaiting verification
Produced by
| Martin Erlichman | ... | producer |
| Phil Feldman | ... | executive producer |
| Stanley Shapiro | ... | producer |
Music by
| Artie Butler | ||
Cinematography by
| László Kovács | ... | director of photography |
Editing by
| Frank P. Keller | ||
Casting By
| Marion Dougherty | ||
Production Design by
| Gene Callahan | ||
Set Decoration by
| James L. Berkey | ||
Costume Design by
| Frank L. Thompson | ... | (as Frank Thompson) |
Makeup Department
| Don L. Cash | ... | makeup artist (as Don Cash) |
| Jon Peters | ... | hair designer: Barbra Streisand |
| Kaye Pownall | ... | hair stylist |
Production Management
| Jim Di Gangi | ... | production manager |
Second Unit Director or Assistant Director
| Harry Caplan | ... | assistant director |
| Stuart Fleming | ... | second assistant director (as Stu Fleming) |
Art Department
| Mentor Huebner | ... | production illustrator |
| Richard M. Rubin | ... | properties |
| Stephen Myles Berger | ... | assistant art director (uncredited) |
| Fred Collins | ... | construction coordinator (uncredited) |
| Basil Lombardo | ... | painter (uncredited) |
| George Luxemberg | ... | second props (uncredited) |
Sound Department
| Jim Cook | ... | re-recording mixer (as James R. Cook) |
| Don Parker | ... | sound |
| Lou Williams | ... | boom operator (uncredited) |
| Paul Wolfe | ... | cable man (uncredited) |
Special Effects by
| Ira Anderson Jr. | ... | special effects |
Stunts
| Denny Arnold | ... | stunts (uncredited) |
| John Ashby | ... | stunts (uncredited) |
Camera and Electrical Department
| Richmond L. Aguilar | ... | gaffer |
| Holly Bower | ... | still photographer |
| Bobby Byrne | ... | camera operator (as Robert Byrne) |
| Paul Caven | ... | best boy |
| Gary Muller | ... | second assistant camera: New York |
| Ralph Carter | ... | second grip (uncredited) |
| Ray De La Motte | ... | first assistant camera (uncredited) |
| Romeo De Santis Jr. | ... | extra electrician (uncredited) |
| Leonard Lookabaugh | ... | key grip (uncredited) |
| Brian T. Maeda | ... | second assistant camera (uncredited) |
| Bill Record | ... | dolly grip (uncredited) |
| Frank Shugrue | ... | still photographer (uncredited) |
Casting Department
| Jennifer Shull | ... | additional casting |
Costume and Wardrobe Department
| Seth Banks | ... | wardrobe: men |
| Shirlee Strahm | ... | wardrobe: ladies |
Editorial Department
| Cliffe Oland | ... | assistant film editor |
Location Management
| Hal Fisher | ... | location coordinator (uncredited) |
| Howard 'Dutch' Horton | ... | location manager (uncredited) |
| Vince Martinez | ... | location auditor (uncredited) |
Music Department
| Milton Lustig | ... | music editor |
Script and Continuity Department
| Betty Crosby | ... | script supervisor |
Transportation Department
| Buddy White | ... | transportation co-captain (uncredited) |
Additional Crew
| Lew Burke | ... | dog trainer |
| Robert Davenport | ... | bull trainer (as Bobby J. Davenport) |
| Sandy Dvore | ... | title designer |
| Stephen A. Glanzrock | ... | production assistant: New York |
| Daniel Grodnik | ... | assistant to producer |
| David Horowitz | ... | unit publicist |
| Corky Randall | ... | livestock handler |
| Paul Coons | ... | auditor (uncredited) |
| Ben Douglas | ... | craft service (uncredited) |
| Hal Fisher | ... | travel coordinator (uncredited) |
| Monroe Friedman | ... | publicist (uncredited) |
| Cal Morse | ... | operations (uncredited) |
| Forrest Painter | ... | first aid (uncredited) |
| Connie Roth | ... | screening coordinator (uncredited) |
| Natalie C. Welton | ... | production secretary (uncredited) |
