Black Christmas (1974)

Director:

Bob Clark

Writer:

Roy Moore (writer)

Release Date:

20 December 1974 (USA)

Genre:

Horror | Mystery | Thriller

Tagline:

If this movie doesn't make your skin crawl... It's On Too Tight!

Plot:

A sorority house is terrorized by a stranger who makes frightening phone calls and then murders the sorority sisters during Christmas break.

Plot Keywords:

Anonymous Phone Call | Stabbed To Death | Carolers | Christmas Gift | Christmas Carol

Awards:

2 wins & 2 nominations

Cast

Olivia Hussey	...	Jessica Bradford
Keir Dullea	...	Peter Smythe
Margot Kidder	...	Barbie Coard
John Saxon	...	Lieutenant Kenneth Fuller
Marian Waldman	...	Mrs. Mac
Andrea Martin	...	Phyllis Carlson
James Edmond	...	Mr. Harrison
Doug McGrath	...	Sergeant Nash (as Douglas McGrath)
Art Hindle	...	Chris Hayden
Lynne Griffin	...	Clare Harrison
Michael Rapport	...	Patrick
Leslie Carlson	...	Graham (as Les Carlson)
Martha Gibson	...	Mrs. Quaife
John Rutter	...	Detective Wynman
Robert Warner	...	Doctor

Also Known As:

Noël tragique (Canada: French title)
Silent Night, Evil Night
Stranger in the House (USA) (TV title)

Runtime:

98 min

Country:

Canada

Language:

English

Color:

Color (Technicolor)

Aspect Ratio:

1.85 : 1

Sound Mix:

Mono

Certification:

USA:TV-MA | Singapore:NC-16 | Canada:PA (Manitoba) | Canada:R (Nova Scotia) | Finland:K-18 (DVD) (self applied) (2004) (2007) | Netherlands:12 | Argentina:18 | Iceland:16 | Australia:R | Norway:16 (1976) | Sweden:15 | UK:18 | USA:R | Canada:13+ (Quebec) | Canada:A (Ontario)

Filming Locations:

Grenadier Lake, Toronto, Ontario, Canada

Company:

Film Funding Ltd. of Canada

Trivia:

The role of Peter was originally offered to Malcolm McDowell, but he turned it down.

Goofs:

Boom mic visible: About seven minutes into the film, when "the moaner" calls, you can very clearly see the boom mike at the top of the frame as everyone gathers around the phone to listen.

Quotes:

Mrs. MacHenry: [singing as she packs her suitcase] Alligators come through the gate, but goodbye leg if ya get away late! Lollies love to pop!

Movie Connections:

Featured in Nightmare in Canada: Canadian Horror on Film (2004) (TV)

Soundtrack:

Tubular Bells

The original and perhaps the best slasher film ever made.

The girls of a sorority house are being tormented by a twisted prank caller who continually calls to convey increasingly vile and abusive sentiments. What at first appears to be a sick joke eventually turns violent for the girls during the season of supposed goodwill and merriment.

The original and maybe even the best, ‘Black Christmas' set the ball rolling for the slasher genre and was the biggest influence for the phenomenally successful John Carpenter classic, ‘Halloween' (1978), which was, in fact, originally conceived as a sequel. Although Italian director, Mario Bava, had previously created what some see as the first slasher movie, ‘Bay of Blood' (1971), it was ‘Black Christmas' that was to become recognised as the catalyst for one of the most lucrative sub-genres of horror cinema. Bob Clark (who previously made the kooky, enjoyable, low-budget zombie film ‘Children Shouldn't Play With Dead Things' (1972)), still at this point something of an amateur director, took a simple yet naturally frightening concept and turned it into one of the most unsettling and nerve-wracking one hundred minutes in cinematic history. Only a select few films such as ‘The Haunting' (1963) and ‘Alien' (1979) are atmospheric enough to truly equate to the eeriness and feelings of apprehension that are to be induced by ‘Black Christmas'.

The simplicity of the production is what makes it so endearing. There are no overly bloody death sequences or unlikely, comic-book style events; the viewer is just presented with an unnerving tale which could easily have a strong basis in reality. Inventive camerawork and POV shots as well as a superlative use of lighting are the elements that combine to achieve the desired results. The often pseudo-claustrophobic environment of the sorority house, from where the vast majority of events occur, offers the perfect, vulnerable and unguarded location susceptible to intrusion and thus attributes to the continual foreboding atmosphere. Clark was not afraid to take time building both the story and characterisation as well as introduce the viewer to the aspects that he would use to build the suspense. This is prepared before plunging the viewer into a seemingly uncontrolled nightmare that one experiences along with the protagonists. Another aspect that firmly stands out is the mysterious way that everything is presented; even at the very end, very little has truly been explained yet everything seems like it should have an obvious explanation. Even in its undoubted simplicity, ‘Black Christmas' has complicated facets that require thought from the viewer to entirely comprehend the film. In some ways, the concealing of several key points puts the viewer's knowledge of events on a par with the actual characters.

‘Black Christmas' is also complimented wonderfully by strong acting performances from Olivia Hussey, Margot Kidder, John Saxon and a highly pleasant and amusing turn from Marian Waldman. Despite the tiny budget, this is a highly polished horror film that genuinely belongs among the elite of the genre. This is where it all started and those familiar with later slasher films such as ‘Halloween', ‘Friday the 13th' (1980), Slumber Party Massacre (1982) and ‘The House on Sorority Row' (1983) should be able to spot several of the now-clichés that first materialized in ‘Black Christmas'. My rating for ‘Black Christmas' - 8½/10.