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22 November 2006 | From wenn.com | See recent WENN news

Legendary director Robert Altman has died in a Los Angeles hospital. He was 81. The seven-time Oscar nominee, who picked up an honorary Academy Award earlier this year, passed away Monday night. No cause of death has yet been given. Born in Kansas City, Missouri on February 25, 1925, Altman had a successful career in television before his movie MASH became a box office phenomenon in 1970, spawning the long-running TV series of the same name. Throughout the 1970s, the prolific filmmaker delivered a string of critically acclaimed movies including McCabe & Mrs. Miller, The Long Goodbye, California Split and Nashville. Altman's career waned in the 1980s, before re-surging in the early 1990s with the huge ensemble casts of The Player and Short Cuts, a style he pioneered with Nashville in 1975 and A Wedding three years later. The 2001 movie Gosford Park was both a critical and commercial success; his most recent film, A Prairie Home Companion, was released earlier this year. Altman made his London theatrical debut in early 2006, directing Arthur Miller's play Resurrection Blues at the Old Vic in London under artistic director Kevin Spacey. Altman once vowed he would work for the rest of his life: "Retirement? You're talking about death, right?" Twice divorced, Altman is survived by his third wife Kathryn Reed, who he married in 1959, and five children including his son Stephen Altman, who has worked as a production designer on many of his movies.

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21 November 2006 | From IMDb News

<N N="0000265">Robert Altman</N>, the legendary director behind such modern classics as <T T="0066026">MASH</T>, <T T="0073440">Nashville</T>, <T T="0105151">The Player</T>, and <T T="0280707">Gosford Park</T>, died Monday night in Los Angeles; he was 81. The cause of death was not immediately disclosed, and a statement released Tuesday afternoon stated that Altman died from complications due to cancer; the news release also said that Altman had been in pre-production for a film he was slated to start shooting in February. When he was presented with an honorary Academy Award just last year, Altman revealed that he had been the recipient of a heart transplant within the past ten years, a fact he hadn't made public because he feared it would hinder his ability to get work. One of the most influential and well-respected directors of modern cinema, Altman's work was marked by a naturalistic approach that favored long, unbroken tracking shots and overlapping dialogue (as well as storylines), as well as improvisation, usually among a large ensemble cast. Though now regarded as one of the premier American filmmakers, Altman had a career that reached both popular and critical highs as well as lows, as he burst onto the scene in the early '70s with very acclaimed films, but had a string of commercial and critical failures as well. All told, he received five Oscar nominations for directing <T T="0066026">MASH</T>, <T T="0073440">Nashville</T>, <T T="0105151">The Player</T>, <T T="0108122">Short Cuts</T> and most recently <T T="0280707">Gosford Park</T>. Other numerous awards include two Cannes Film Festival wins (for <T T="0105151">The Player</T> and <T T="0066026">MASH</T>), a Golden Globe (for <T T="0280707">Gosford Park</T>) and an Emmy (for the TV series <T T="0094562">Tanner 88</T>). <p> Born in Kansas City, Altman attended Catholic schools as well as a military academy before enlisting in the Air Force in 1945. After being discharged, Altman tried his hand at acting and writing in both Los Angeles and New York before returning home to Kansas City, where he started making industrial films for the Calvin Company. After numerous false starts, Altman finally made the full move to Hollywood, and in 1957 directed his first theatrical film, <T T="0050302">The Delinquents</T>. Though it didn't start him on the road to fame, the film was good enough to secure Altman work in television, particularly for <N N="0000033">Alfred Hitchcock</N> and his <T T="0047708">Alfred Hitchcock Presents</T> television series. In 1969, Altman was offered the script for <T T="0066026">MASH</T>, which had been rejected by numerous other filmmakers. The movie, a black comedy set during the Korean War (and a thinly veiled attack on the then-raging Vietnam War), was a rousing commercial and critical success, scoring Oscar nominations for Best Picture and Director and, most famously, inspiring the successful TV sitcom, which took on a very different tone. His films after <T T="0066026">MASH</T> included the revisionist western <T T="0067411">McCabe and Mrs. Miller</T> and the updated California noir <T T="0070334">The Long Goodbye</T>, but it was 1975's <T T="0073440">Nashville</T>, a multi-layered film centered around the country music capital and the wildly divergent Americans who converged there, that would be his next major success, also receiving Oscar nominations for Best Picture and Director. <p> After <T T="0073440">Nashville</T>, Altman more often than not found himself on the opposite end of the spectrum, with films such as the acclaimed but sometimes puzzling <T T="0075612">3 Women</T> as well as the commercial flop <T T="0078481">A Wedding</T> and, most notoriously, the <N N="0000245">Robin Williams</N> version of <T T="0081353">Popeye</T>, which was technically a hit but seen as an artistic failure. Altman worked constantly through the '80s - his films included <T T="0083745">Come Back to the Five and Dime, Jimmy Dean, Jimmy Dean</T>, <T T="0086377">Streamers</T>, <T T="0088074">Secret Honor</T>, and <T T="0089160">Fool for Love</T> - but it wasn't until the HBO series <T T="0094562">Tanner 88</T>, about a fictional candidate's run for the presidency, that he found favor again. In the early '90s, the one-two punch of <T T="0105151">The Player</T> (a biting Hollywood satire) and <T T="0108122">Short Cuts</T> (based on the stories of <N N="0142577">Raymond Carver</N>) put him back on the map, but he followed those with the less well-received <T T="0110907">Pret-a-Porter</T>, <T T="0119196">The Gingerbread Man</T>, and <T T="0126250">Cookie's Fortune</T>. True to the ups-and-downs of his career, Altman was back on top with <T T="0280707">Gosford Park</T>, a British-set ensemble film that combined comedy, drama and mystery, and marked his first Best Picture nominee since <T T="0073440">Nashville</T>. His last films included a revisit to the world of <T T="0094562">Tanner 88</T> with <T T="0420457">Tanner on Tanner</T>, and just this year, <T T="0420087">A Prairie Home Companion</T>, based on the radio show by <N N="0445087">Garrison Keillor</N>. Upon receiving his honorary Oscar last year, Altman appeared to be in fine health, but reportedly directed most of <T T="0420087">A Prairie Home Companion</T> from a wheelchair, with the Altman-influenced director <N N="0000759">Paul Thomas Anderson</N> on hand. <p> Altman is survived by his third wife, Kathryn, their two sons, and a daughter and two other sons from two previous marriages. <I>--Mark Englehart, IMDb staff</I> <br><br>

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2 articles from 2006