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The Homecoming (1973) More at IMDb Pro »

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Overview

User Rating:
7.9/10   199 votes
Director:
Peter Hall
Writers:
Harold Pinter (play)
Harold Pinter (screenplay)
Genre:
Drama more
Tagline:
The share the house. They share the food. They share Teddy's wife. Such a nice happy family.
Awards:
Nominated for BAFTA Film Award. more
NewsDesk:
(2 articles)
Dyer's Struggle On Stage Wage (From WENN. 18 March 2008, 12:17 AM, PDT)
Harold Pinter Wins Nobel Prize (From Studio Briefing. 14 October 2005)
User Comments:
does it work as a film? more

Cast

 (Credited cast)
Cyril Cusack ... Sam, brother of Max

Ian Holm ... Lenny
Michael Jayston ... Teddy
Vivien Merchant ... Ruth
Terence Rigby ... Joey
Paul Rogers ... Max, father of Lenny, Teddy, and Joey

Jonathan Sachar ... Brian
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Additional Details

Also Known As:
Harold Pinter's The Homecoming (Australia) (DVD box title) (USA) (poster title)
more
Runtime:
111 min
Country:
UK | USA
Language:
English
Color:
Color (Eastmancolor)
Sound Mix:
Mono
Certification:
Singapore:NC-16 | USA:PG
MOVIEmeter: ?
^ 13% since last week why?

Fun Stuff

Quotes:
Max, father of Lenny, Teddy, and Joey: Look what I'm lumbered with. One cast-iron bunch of crap after another. One flow of stinking pus after another. more

FAQ

This FAQ is empty. Add the first question.
4 out of 4 people found the following comment useful:-
does it work as a film?, 1 December 2003
Author: Fiona-39 from Belfast, N.I

As the above comments reveal, this is a wonderful, deeply disturbing, but also riotously comic play. I did it for English 'A' level which was pure madness - difficult enough getting my head round it at my now considerably more advanced age. Having seen Ian Holm give a riveting performance in London as Max, I really leapt at the chance to see this as the local arts cinema and it was gripping. Ian Holm was fantastic, with more than a touch of the Del Boy about him (re-watch the play and see its Only Fools and Horses connections- the grotty flat, the brother-uncle-father dynamic, the dead worshipped prostitute mother etc) and Teddy was played with a wonderful swagger. The scene where all four of them stand in a corridor lighting their cigars was comic and tragic and menacing in the best way. But I really wonder how cinematic any of this was? You have the feeling of watching theatrical performance preserved in aspic rather than a film. The scene outside the flat was contrived and unnecessary and other than that pretty much all the action took place in one room. I feel we lost rather than gained from the live experience of watching a play. But, not having been alive when this film was made, it does mean I get to get a glimpse of a towering production of an amazing play. And that can't be a bad thing.

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