IMDb RATING
6.4/10
3.9K
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Raised in Harlem, Tommy Gibbs becomes a successful mob boss but he clashes with the rival Mafia and his old enemy, dirty cop McKinney.Raised in Harlem, Tommy Gibbs becomes a successful mob boss but he clashes with the rival Mafia and his old enemy, dirty cop McKinney.Raised in Harlem, Tommy Gibbs becomes a successful mob boss but he clashes with the rival Mafia and his old enemy, dirty cop McKinney.
Julius Harris
- Mr. Gibbs
- (as Julius W. Harris)
Allan Bailey
- 'Motor'
- (as Allen W. Bailey)
Francisco De Gracia
- Cab Driver
- (as Francisco DeGracia)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaWhile filming in Harlem, Larry Cohen was accosted by local gangsters who threatened to disrupt the shoot unless they were paid off. Instead, Cohen offered them small roles in the film. They helped so enthusiastically that they attended the premiere to sign autographs.
- GoofsTommy cuts off the left ear of the man in the barber's chair, but the ear he drops into the plate of spaghetti is a right ear.
- Quotes
Reverend Rufus: Mama! Does Tommy know you're here?
Mama Gibbs: Pray for him, Rufus... you were always a good boy, pray for him.
Reverend Rufus: Okay Mama, we'll pray for him.
- Alternate versionsThe European version included an additional scene before the end credits, where, after Tommy Gibbs is seen wandering in a neighborhood slum, a street gang robs him and fatally beats him up. This sequence was originally cut from U.S. prints, as AIP was already interested in making a sequel. However, in the late 1990s, when MGM bought the Orion Pictures library, the European cut made its way to home video, due to a mix-up on MGM's part. Therefore, all current video releases, to this day, feature this print.
- ConnectionsFeatured in Hell Up in Harlem (1973)
Featured review
More than exploitation!
As I watched this low budget film I came to realize that while it is exploitation, it's still a story of an angry man that deep down wanted respect from those close to him. The film starts out with a young kid in 1953 Harlem who makes money giving shoe shines and gets involved in a mob hit and is told to take a package to a building to a bad cop named McKinney (Art Lund). McKinney accuses the kid of stealing money from him and is beaten badly until he has a broken leg. Fast forward to the mid 60's and young Tommy Gibbs (Fred Williamson) is now a grown man and executes a mob hit on his own and tells a mafioso named Cardoza (Val Avery) that he's responsible and wants in with the mob and just wants to run an area in Harlem. He rises in power and has some important log books with all the information on important people on the take. He has a girl named Helen (Gloria Hendry) but doesn't have the sophistication to keep her. Finally the mob decides to get rid of him and now he's the target! This film was directed by Larry Cohen (It's Alive!) who is a veteran of low budget efforts and the film is benefited by his experience. The film is actually shot on location in Harlem and in several shots you can see people staring at the camera. Also, the Apollo Theater is seen as the camera pans the street. While this is another version of "Little Caesar" there is an aspect of the story that I found very well handled and it was the scenes where Tommy Gibbs is feeling betrayed and alone. One scene in particular that stands out is at his mothers funeral and he asks his father if he's all right. What adds to these scenes is the effective use of music that helps establish the mood of the film and these scenes in particular. The music is by James Brown and Barry DeVorzon. Even with limited funds and some poorly dubbed dialogue can't detract from the emotions in parts of this film. Fred Williamson is a former football player and his acting experience was very limited so his performance is even more impressive to watch. The guy has natural charisma on screen but he also shows that he can bare his emotions like any good actor. If you like these types of films than this is one of the classics of its genre. As much fun as it was to watch Williamson smear shoe polish on Lund and make him sing "Mammy" the film has more to offer than that. The scenes of Williamson's character feeling alone and betrayed along with the good music score are what make this film stand out from the others of its kind. Classic exploitation.
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- rosscinema
- Jun 16, 2003
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