This was a funny show that had Dom DeLuise as Stanley, a bus driver who lives at home with his mother (Iris), sister (Olive) and brother-in-law (Arthur). His best friend was Bummy, another bus driver. Stanley was the only breadwinner in the family as Olive and Arthur, did not work. In fact, Arthur did not want to work, and was happy to stay at home. Kathleen Freeman played the mother, Beverly Sanders played the sister, Wynn Irwin played the brother-in-law and Jack Knight played the best friend. Everyone was hilarious in their roles and played off of each other beautifully. It was too bad that NBC did not give this show a bit more time to grow and find an audience, but at least this show has found its way onto DVD.
12 Reviews
Great Casting Underrated Show
Greatornot3 January 2009
First thing that strikes me is how well this cast meshes . It kind of reminds me of All In The Family in many ways yet very different. Like the early years of AITF you had a bread winner in a family of 4. You had an unwelcome in law but in this case it was a brother in law not a son in law. Where as AITF hit across racial lines and went to the brink... this show was ahead of the times as far as sexual innuendo. The 4 people living in the abode were a working class brother , his mother, his dowdy sister and her free loading husband , that basically sat around wearing a robe all day. Perhaps of the 4 characters, none were all that endowed in the brain department. However, the lazy brother in law , seemed to be the smartest of this pathetic yet lovable clan. He was smart as a fox. Throw in a womanizing friend and coworker of Stan, and you had fodder for many wonderful, comical episodes. Incidentally, Dom Deluise was great as Stanley Belmont as were all the other actors that rounded out this sitcom. Look for guest appearances from Ruth Buzzi, Harold Gould and Suzanne Somers and you have a nice season to be cherished ala unfortunately the only season. The show might be a bit corny at times but definitely good for some laughs.
No Luck
hectorsector23 January 2015
I was curious to see if anyone remembered this flop and surprised to find five reviews on file. The only reason the show is fresh in my mind is that I happened to attend the pilot taping in Los Angeles in 1973. I was no Dom Deluise fan, but like almost any other TV viewer of that time, I was an admirer of Carl Reiner and his creative team from the "Dick Van Dyke" show.
So it came as a considerable shock and disappointment to see how bad "Lotsa Luck" turned out to be. I was not alone in my opinion, and I don't think the taping audience and I managed more than two unforced laughs during the entire ordeal. Believe me, the common conception that laugh tracks are frequently used to cover bad writing was entirely accurate in that case. The pilot, as reviewer "Aldanoli" mentions, turned entirely on the purchase of a new toilet. There was exactly none of the warmth that had underlain even the most caustic "Van Dyke" humor. It was just a bunch of unpleasant people screaming at each other.
I can well remember Persky and Denoff pleading with the audience prior to the taping to give the characters a chance to win us over. It didn't happen, and obviously didn't happen when the thing went on the air either. One curious point was that Carl Reiner was nowhere to be seen that night. Perhaps he had an inkling of how hopeless it was.
So it came as a considerable shock and disappointment to see how bad "Lotsa Luck" turned out to be. I was not alone in my opinion, and I don't think the taping audience and I managed more than two unforced laughs during the entire ordeal. Believe me, the common conception that laugh tracks are frequently used to cover bad writing was entirely accurate in that case. The pilot, as reviewer "Aldanoli" mentions, turned entirely on the purchase of a new toilet. There was exactly none of the warmth that had underlain even the most caustic "Van Dyke" humor. It was just a bunch of unpleasant people screaming at each other.
I can well remember Persky and Denoff pleading with the audience prior to the taping to give the characters a chance to win us over. It didn't happen, and obviously didn't happen when the thing went on the air either. One curious point was that Carl Reiner was nowhere to be seen that night. Perhaps he had an inkling of how hopeless it was.
One of the Best One Season Shows
dsnyder16 May 2009
I'm glad to see this show is now out on DVD.I never thought NBC gave it a chance.Even though it only ran one full year,it was canceled in November or December of 1973.I thought maybe it was given a reprieve when didn't go off in January 1974,but it did only last one season.Three top-notch comedy players made up the cast in the late,great Kathleen Freeman,the recently departed Dom Deluise,& the always delightful Beverly Sanders,who made a very successful career in ads for Arm & Hammer Baking Soda & Hunt's Tomato Sauce after this program's demise.Wynn Irwin was so wonderfully obnoxious as the deadbeat brother-in-law,I suspect he really caught hell from fans who saw him on the streets.RIP,Mr.Deluise.
Ruined by the laugh track alone!
planktonrules17 December 2023
I tried watching reruns of "Lotsa Luck!" on YouTube. After all, I've enjoyed watching reruns of "The Dick Van Dyke Show" and three of the folks responsible for that show created "Lotsa Luck!". However, the main one responsible for the success of "The Dick Van Dyke Show", Carl Reiner, only helped create "Lotsa Luck!" and Bill Persky and Sam Denoff (who wrote and produced some of the episodes of "The Dick Van Dyke Show") were in charge of "Lotsa Luck!".
After seeing it, I wonder if any of these three gifted men or someone was responsible for the laugh track on "Lotsa Luck!". It was godawful, very invasive and unwanted. This is odd, as all but two of the episodes of "The Dick Van Dyke Show" were filmed before a live audience with no obvious tampering by adding a laugh track. But here, with the newer series, you hear guffaws at EVERYTHING...often things that aren't the least bit funny and were never meant to be. In my opinion, this completely destroyed "Lotsa Luck!" and the show might have worked and gone beyond one season without having one of the most invasive laugh tracks I've ever heard. Heck...it's so bad that when folks say other folks' names, you hear laughter! Uggh! Ruined by an idiot with a laugh track obsession!
It's really a shame, as Dom DeLuise starred in this show and his performance was surprisingly restrained and decent. Overall, a show long forgotten...and best to stay that way. As for the rest of the cast, however, they were BRASH and LOUD...too much so.
After seeing it, I wonder if any of these three gifted men or someone was responsible for the laugh track on "Lotsa Luck!". It was godawful, very invasive and unwanted. This is odd, as all but two of the episodes of "The Dick Van Dyke Show" were filmed before a live audience with no obvious tampering by adding a laugh track. But here, with the newer series, you hear guffaws at EVERYTHING...often things that aren't the least bit funny and were never meant to be. In my opinion, this completely destroyed "Lotsa Luck!" and the show might have worked and gone beyond one season without having one of the most invasive laugh tracks I've ever heard. Heck...it's so bad that when folks say other folks' names, you hear laughter! Uggh! Ruined by an idiot with a laugh track obsession!
It's really a shame, as Dom DeLuise starred in this show and his performance was surprisingly restrained and decent. Overall, a show long forgotten...and best to stay that way. As for the rest of the cast, however, they were BRASH and LOUD...too much so.
Hilarious! Amazing Cast!
shominy-491-65235515 November 2015
We bought this DVD set last year and have thoroughly enjoyed watching the entire set more than once. The entire cast is excellent and top notch! We absolutely love Dom DeLuise, Beverly Sanders, and Jack Knight! The plots are great! If you love great comedy and clever one- liners, you will find this series timeless (there are so many lines we quote from this series in our daily lives). Dom (Stanley) and Jack (Bummy) have an amazing camaraderie (like Ralph Kramden & Ed Norton, Gilligan & Skipper) Beverly Sanders is outstandingly funny and naive! The only negative aspect of this series is that it was canceled after one season. (The handful of Nielsen families messed up yet again.) If you love great comedy (like "The Honeymoooners") and are sick of the awful faux reality shows that air on every channel 24/7 these days, check out "Lotsa Luck"! You'll be glad you did! We will continue to enjoy this series again and again!
Family Strife Outlives Topical Humor
Aldanoli31 October 2010
"Lotsa Luck" is a well-remembered, but sadly failed series from NBC's 1973-1974 television season. It had an extraordinary pedigree, having been created by three of the most respected writers and producers of its day, yet it only lasted a single season. It left behind 22 episodes and what was perhaps Dom DeLuise's best effort at a television series, cut down before its time.
The series was created by Carl Reiner, Bill Persky, and Sam Denoff. Reiner was the creator and producer of "The Dick Van Dyke Show," which arguably was the best comedy series of all time. Reiner decided to take that show off the air in 1966 when it was still getting good ratings and the writing still seemed as fresh and unforced as it had during its early days. Persky and Denoff had started out as a writing team and were, according to one account, the "unlikely saviors" of Reiner, who was facing serious burnout as the end of the second season of "Van Dyke" approached, having not only produced the show but written about two-thirds of its episodes.
Persky and Denoff took on an increasing share of the writing as their tenure on the Van Dyke show went on, and eventually stepped into Reiner's shoes as producers in its final season while Reiner was off making a motion picture. When the Van Dyke show ended, the duo went on to produce other shows themselves, including Marlo Thomas' "That Girl" from 1966-1971.
What had made the Van Dyke show special, as Reiner liked to say, was that he looked for humor in "real life" situations, consciously avoiding the "battle of the sexes" between spouses that had been the staple of so many other domestic comedies, whether on "The Honeymooners" or even "I Love Lucy." When the three of them reunited in 1973, however, television had changed -- it was now dominated by comedies coming out of Norman Lear's stable, including "Sanford and Son," "Maude," and, of course, "All in the Family." Lear's shows were about a different kind of domestic disharmony compared to the shows of the 1950s and 60s, and they also had louder voices than much of what had been on the air a decade earlier. So Reiner, Persky, and Denoff also created what was perhaps a more deliberately dysfunctional situation than they had in their past collaboration.
Like both "Sanford" and "All in the Family," "Lotsa Luck" was borrowed from a British television series, this one called "On the Buses." Dom DeLuise was Stanley Belmont, an unmarried man of about 40 who still lived with his mother, and who indeed worked for a bus company. But Stanley had been promoted off the streets and into the lost-and-found department, the better to build plots around the sometimes crazy things people would leave on New York City's buses -- and occasionally around Stanley's need to "borrow" items from the lost-and-found, usually with predictable, chaotic results.
Rounding out the cast were Kathleen Freeman as Stanley's "Ma," Beverly Sanders as his myopic, slightly overweight sister Olive, and Wynn Irwin as her ne'er-do-well husband Arthur -- or as the other characters put it with a New York accent, "Ahthuh." Freeman had one particular bit that she used at least once per show -- asking Stanley (when he would refuse to do something she wanted him to do), "Do I have a son, or do I not have a son?" Stanley would then respond, in a weary tone of defeat, "You have a son," bringing the follow-up, "You're a good son, Stanley" and a final retort, "You're a real pain in the neck, Ma" from him. Arthur was content to hang around the house all day in his bathrobe, unshaven, still recovering from an otherwise unexplained "operation" -- which had taken place four years before -- while occasionally applying "salve" to ameliorate his unnamed complaint.
The topics the show delved into were certainly more tilted toward bathroom humor than they had been in the "Van Dyke Show" or "That Girl" -- literally so in the case of the show's pilot, in which Olive manages to get her foot caught in the toilet tank (don't ask), and which Stanley then breaks in his attempt to free her. The replacement toilet they purchase is an "orange sherbet" color -- with a purple lid. And further complications, naturally, arise.
As the saying goes, Robert Benchley it ain't -- but the show was frequently hilarious, particularly the verbal battles between Arthur and Stanley, a working stiff who supports three people and resents the real stiff -- his good-for-nothing brother-in-law. All four of the regulars -- especially, of course, DeLuise -- had terrific comedic timing, and all performed well despite the demands of putting the show on before a live audience.
Unfortunately, the three creators also borrowed another conceit from Norman Lear, choosing to shoot the show not on film but videotape, which despite being a "newer" technology (and undoubtedly a cost savings for the show) neither looks as good nor ages as well as film stock. The pilot episode in particular looks terrible, but many of the other episodes have held up reasonably well.
Sadly, the show was canceled after only one season, but happily, the complete series has been available on DVD for several years. For those who were able to see it at the time, it's a fondly-recalled tidbit from an era of the winding down of Vietnam, stagflation in the economy, and something brewing in the newspapers called "Watergate." Of course, none of those things had any bearing on the battle of wits among Arthur, Stanley, and the rest of the Belmont household. In that sense, "Lotsa Luck" holds up better than a topical show like "All in the Family" -- because family strife is always good for laughs even when the political and social concerns of those days have gone forever.
The series was created by Carl Reiner, Bill Persky, and Sam Denoff. Reiner was the creator and producer of "The Dick Van Dyke Show," which arguably was the best comedy series of all time. Reiner decided to take that show off the air in 1966 when it was still getting good ratings and the writing still seemed as fresh and unforced as it had during its early days. Persky and Denoff had started out as a writing team and were, according to one account, the "unlikely saviors" of Reiner, who was facing serious burnout as the end of the second season of "Van Dyke" approached, having not only produced the show but written about two-thirds of its episodes.
Persky and Denoff took on an increasing share of the writing as their tenure on the Van Dyke show went on, and eventually stepped into Reiner's shoes as producers in its final season while Reiner was off making a motion picture. When the Van Dyke show ended, the duo went on to produce other shows themselves, including Marlo Thomas' "That Girl" from 1966-1971.
What had made the Van Dyke show special, as Reiner liked to say, was that he looked for humor in "real life" situations, consciously avoiding the "battle of the sexes" between spouses that had been the staple of so many other domestic comedies, whether on "The Honeymooners" or even "I Love Lucy." When the three of them reunited in 1973, however, television had changed -- it was now dominated by comedies coming out of Norman Lear's stable, including "Sanford and Son," "Maude," and, of course, "All in the Family." Lear's shows were about a different kind of domestic disharmony compared to the shows of the 1950s and 60s, and they also had louder voices than much of what had been on the air a decade earlier. So Reiner, Persky, and Denoff also created what was perhaps a more deliberately dysfunctional situation than they had in their past collaboration.
Like both "Sanford" and "All in the Family," "Lotsa Luck" was borrowed from a British television series, this one called "On the Buses." Dom DeLuise was Stanley Belmont, an unmarried man of about 40 who still lived with his mother, and who indeed worked for a bus company. But Stanley had been promoted off the streets and into the lost-and-found department, the better to build plots around the sometimes crazy things people would leave on New York City's buses -- and occasionally around Stanley's need to "borrow" items from the lost-and-found, usually with predictable, chaotic results.
Rounding out the cast were Kathleen Freeman as Stanley's "Ma," Beverly Sanders as his myopic, slightly overweight sister Olive, and Wynn Irwin as her ne'er-do-well husband Arthur -- or as the other characters put it with a New York accent, "Ahthuh." Freeman had one particular bit that she used at least once per show -- asking Stanley (when he would refuse to do something she wanted him to do), "Do I have a son, or do I not have a son?" Stanley would then respond, in a weary tone of defeat, "You have a son," bringing the follow-up, "You're a good son, Stanley" and a final retort, "You're a real pain in the neck, Ma" from him. Arthur was content to hang around the house all day in his bathrobe, unshaven, still recovering from an otherwise unexplained "operation" -- which had taken place four years before -- while occasionally applying "salve" to ameliorate his unnamed complaint.
The topics the show delved into were certainly more tilted toward bathroom humor than they had been in the "Van Dyke Show" or "That Girl" -- literally so in the case of the show's pilot, in which Olive manages to get her foot caught in the toilet tank (don't ask), and which Stanley then breaks in his attempt to free her. The replacement toilet they purchase is an "orange sherbet" color -- with a purple lid. And further complications, naturally, arise.
As the saying goes, Robert Benchley it ain't -- but the show was frequently hilarious, particularly the verbal battles between Arthur and Stanley, a working stiff who supports three people and resents the real stiff -- his good-for-nothing brother-in-law. All four of the regulars -- especially, of course, DeLuise -- had terrific comedic timing, and all performed well despite the demands of putting the show on before a live audience.
Unfortunately, the three creators also borrowed another conceit from Norman Lear, choosing to shoot the show not on film but videotape, which despite being a "newer" technology (and undoubtedly a cost savings for the show) neither looks as good nor ages as well as film stock. The pilot episode in particular looks terrible, but many of the other episodes have held up reasonably well.
Sadly, the show was canceled after only one season, but happily, the complete series has been available on DVD for several years. For those who were able to see it at the time, it's a fondly-recalled tidbit from an era of the winding down of Vietnam, stagflation in the economy, and something brewing in the newspapers called "Watergate." Of course, none of those things had any bearing on the battle of wits among Arthur, Stanley, and the rest of the Belmont household. In that sense, "Lotsa Luck" holds up better than a topical show like "All in the Family" -- because family strife is always good for laughs even when the political and social concerns of those days have gone forever.
One of the best of the '73 season
itsbarrie17 February 2006
I was just a kid at the time, but I remember this show as being hilarious. The cast was SUPER, and you simply can't do better than Kathleen Freeman if a script needs a loud, frumpy pain-in-the-A. I once remember reading a description of her as being someone particularly adept at opening doors rudely. The show revolved around her and her ever-bathrobed husband versus Dom DeLuise as the bus company lost-&-found department employee who supports them.
Dom DeLuise has never been better - he's sadly underused, considering there's a lot more to him than being a professional cuddly Italian.
What probably killed this show was that everybody was trying to get their noisy urban sitcom on the air ("The Montefuscos" anyone?) in the wake of All in the Family, and this -- DEFINITELY one of the best -- somehow got lost in the shuffle. Sad. It was just as funny as All the the Family, but without the occasional tastelessness and Norman Lear's annoying politics.
Dom DeLuise has never been better - he's sadly underused, considering there's a lot more to him than being a professional cuddly Italian.
What probably killed this show was that everybody was trying to get their noisy urban sitcom on the air ("The Montefuscos" anyone?) in the wake of All in the Family, and this -- DEFINITELY one of the best -- somehow got lost in the shuffle. Sad. It was just as funny as All the the Family, but without the occasional tastelessness and Norman Lear's annoying politics.
A True One Season Wonder
hfan7714 May 2020
Poor Stanley Belmont. He's a clerk in the lost and found department of a New York bus line and has to support his bossy and overprotective mother, his married sister Olive and her husband Arthur.
To make matters worse, he's the only family member with a job since his brother in law Arthur is unemployed and seems to be content staying home in his bathrobe and constantly smoking cigars.
But Stanley has some relief. He has a friend and co-worker named Bummy, played by Jack Knight who is a bus driver.
All of this adds up to what could have been a successful long running sitcom that was created and produced by three veterans of the classic Dick Van dyke Show, Carl Reiner, Bill Persky and Sam Denoff. But NBC put the show opposite CBS's long running western Gunsmoke and moved the show to Friday after Sanford and Son and it was canceled after one season and replaced by a new hit show Chico and the Man.
Now more than 45 years later, the show is rerun on Antenna TV late Saturday night and it is still hilarious. Dom Deluise in his first starring role is outstanding as Stanley, Kathleen Freeman as his mom frequently asks him "Do I have a son or don't I have a son when things don't work out. Beverly Sanders, who later went on to numerous commercials frequently appeared in hair curlers as Olive and Wynn Irwin as her husband Arthur.
What made the show stand out was the byplay between Stanley and Arthur since his brother in law lives off Stanley's earnings and eats a lot. It's the best part of the show and that's probably another reason why the show was canceled, the writers were running out of exchanges between Stanley and Arthur.
I should also note that Lotsa Luck was based on the British sitcom On the Buses. Be sure and watch the opening titles since the theme song is not only funny, it shows scenes of New York. If you haven't see this true one season wonder, do so. You'll be impressed. Lotsa Luck.
To make matters worse, he's the only family member with a job since his brother in law Arthur is unemployed and seems to be content staying home in his bathrobe and constantly smoking cigars.
But Stanley has some relief. He has a friend and co-worker named Bummy, played by Jack Knight who is a bus driver.
All of this adds up to what could have been a successful long running sitcom that was created and produced by three veterans of the classic Dick Van dyke Show, Carl Reiner, Bill Persky and Sam Denoff. But NBC put the show opposite CBS's long running western Gunsmoke and moved the show to Friday after Sanford and Son and it was canceled after one season and replaced by a new hit show Chico and the Man.
Now more than 45 years later, the show is rerun on Antenna TV late Saturday night and it is still hilarious. Dom Deluise in his first starring role is outstanding as Stanley, Kathleen Freeman as his mom frequently asks him "Do I have a son or don't I have a son when things don't work out. Beverly Sanders, who later went on to numerous commercials frequently appeared in hair curlers as Olive and Wynn Irwin as her husband Arthur.
What made the show stand out was the byplay between Stanley and Arthur since his brother in law lives off Stanley's earnings and eats a lot. It's the best part of the show and that's probably another reason why the show was canceled, the writers were running out of exchanges between Stanley and Arthur.
I should also note that Lotsa Luck was based on the British sitcom On the Buses. Be sure and watch the opening titles since the theme song is not only funny, it shows scenes of New York. If you haven't see this true one season wonder, do so. You'll be impressed. Lotsa Luck.
Great Show
robert-dodge18 August 2019
Best one season show
marleyandmemovie6 December 2020
Complete episodes NOT
cross-349448 July 2022
See also
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