| Tomas Milian | ... | Provvidenza | |
| Gregg Palmer | ... | Hurricane Smith | |
| Janet Agren | ... | Stella | |
| Maurice Poli | ... | Sheriff Keensburg | |
| Giovanni Cianfriglia | ... | The Challenger (as Ken Wood) | |
| Carla Mancini | ... | (credit only) | |
| Paul Muller | ... | Mr. Summitt | |
| rest of cast listed alphabetically: | |||
| Artemio Antonini | |||
| Bruno Arié | |||
| Claude Berthy | |||
| Mike Bongiorno | ... | Mike Goodmorning | |
| Stelio Candelli | ... | Col. Arthur James | |
| Omero Capanna | ... | James Henchman | |
| Enrico Chiappafreddo | |||
| Domenico Cianfriglia | |||
| Arnaldo Dell'Acqua | ... | James Henchman | |
| Ottaviano Dell'Acqua | |||
| Roberto Dell'Acqua | ... | James Henchman | |
| Dieter Eppler | ... | Sheriff Howard Pendleton | |
| Paolo Figlia | |||
| Gilberto Galimberti | ... | The Challenger's henchman | |
| Gabriella Giorgelli | ... | Sister | |
| Luigi Antonio Guerra | ... | (credit only) | |
| Horst Janson | ... | Sheriff Villaggio | |
| Emilio Laguna | |||
| Rocco Lerro | |||
| Renzo Marignano | ... | The Priest | |
| Osiride Pevarello | ... | James Henchman | |
| Renzo Pevarello | |||
| Hans Terofal | ... | Horatius Timothy | |
| Bruno Ukmar | ... | James Henchman | |
| Franco Ukmar | ... | James Henchman | |
| Marcello Verziera | |||
| Fernando Cerulli | ... | Piano player (uncredited) | |
Directed by | |||
| Giulio Petroni | |||
Writing credits(in alphabetical order) | ||
| Franco Castellano | writer | |
| Günter Ebert | dialogue collaborator | |
| Antonino Marino | writer | |
| Giuseppe Moccia | writer | |
| Antoinette Pellevant | dialogue collaborator | |
| Giulio Petroni | writer | |
| Piero Regnoli | writer | |
Original Music by | |||
| Ennio Morricone | |||
Cinematography by | |||
| Alessandro D'Eva | |||
Film Editing by | |||
| Nino Baragli | |||
Production Design by | |||
| Sergio Canevari | |||
Costume Design by | |||
| Luciano Sagoni | |||
Makeup Department | |||
| Giuliano Laurenti | .... | makeup department head | |
| Elda Magnanti | .... | hair stylist | |
| Giovanni Morosi | .... | makeup artist | |
Production Management | |||
| Ennio Di Meo | .... | production supervisor | |
| Alfonso Donati | .... | production manager | |
| Peter Sczygiol | .... | production supervisor | |
Second Unit Director or Assistant Director | |||
| Stefano Sbarigia | .... | second assistant director | |
| Giorgio Ubaldi | .... | assistant director | |
Art Department | |||
| Giorgio Postiglione | .... | set dresser | |
| Angelo Santucci | .... | set dresser | |
Sound Department | |||
| Bruno Jaboni | .... | sound | |
Special Effects by | |||
| Luciano Byrd | .... | special effects | |
Editorial Department | |||
| Andreina Casini | .... | assistant editor | |
| Luciana Nusca | .... | second assistant editor | |
Music Department | |||
| Franco Tamponi | .... | conductor | |
Other crew | |||
| Dino Di Dionisio | .... | production secretary | |
| Maria Luisa Merci | .... | script supervisor | |
| Piero Speziali | .... | cashier | |
| Giorgio Ubaldi | .... | master of arms | |
| Gino Vagniluca | .... | firearms | |
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| Mio nome è Nessuno, Il | Genio, due compari, un pollo, Un | West ti va stretto, amico... è arrivato Alleluja, Il | Grande silenzio, Il | ...continuavano a chiamarlo Trinità |
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| Full cast and crew | Company credits | External reviews |
| IMDb Comedy section | IMDb Italy section | Add this title to MyMovies |
It is fair to say that Tomas Milan is one of the all time great Spaghetti Western stars (grasping frantically at the poncho of Eastwood, Cleef and Nero). And it is in such good faith that I got my hands on a copy of this movie.
And after watching it, it is fair to say that you could call me confused! Sometimes shockingly bad, othertimes really great fun, I couldn't make up my mind whether it had been 90 minutes well spent or an evening wasted. I think I'll opt for well spent. Just.
Certainly, it is not your average spaghetti western, with Milan a Charlie Chaplin-esq bounty hunter, with a bungling "chunky" sidekick. The character play is a passenger on the Trinity bandwagon, but with an even greater level of stupidity. The Big Gundown it certainly isn't! Nor is it in any way reminiscent of Director Petroni's classic Death Rides a Horse.
The story is not so much one story, as a number of episodes with a very loose link. Thankfully, the strong cast pulls it off, and although I nearly pressed eject several times I did see it through to the end. And was it worth it? Hmmmmm, I just can't seem to make up my mind. But I bet I watch the sequel!