So after a year of enduring a "long wait" listing on Netflix, I finally got FTA in the mail yesterday and just watched it on DVD. A chronicle of Jane Fonda and Donald Sutherland's travails through the Pacific Rim with their fellow players for the title tour during 1971, we not only see them performing their skits and songs, we also see the disillusioned soldiers commenting on how they don't really understand or like the orders they're having to take during the then-current events of the Vietnam War. I was especially fascinated by the Philippines segment as both of my parents are from there and had left it long before that time. I liked many of the songs that were performed. The skits, not as much, but there were some amusing ones like Sutherland and a fellow player's play-by-play commentary of war as if they're at a football game! It seemed to drag near the end but still, I'm glad I watched FTA. Update: 10/5/14-There's a nice extra of Ms. Fonda talking about her experiences during the FTA tour. Well worth seeking on the disc.
16 Reviews
Worth seeing, for Donald Sutherland's...
treesurgeon35129 July 2009
Warning: Spoilers
I didn't realize until quite recently that I was lucky to have seen this movie backintheday--it supposedly only appeared in theaters for a week or so. Caught up as I was in the anti-war movement of the day, I remember being impressed with the soldiers' reception of the show's songs and skits, and surprised by their own anti-Vietnam war sentiments.
Don't recall many details from the show, but as a 21-year-old 'hip-eye wieeerdo' I can remember revelling in the 'thumb-in-the-establishment's-eye' spirit and energy of the performances.
Mostly I remember that Donald Sutherland gave a harrowing, incredibly impressive dramatic performance of the final paragraphs from "Johhny Got His Gun."
Don't recall many details from the show, but as a 21-year-old 'hip-eye wieeerdo' I can remember revelling in the 'thumb-in-the-establishment's-eye' spirit and energy of the performances.
Mostly I remember that Donald Sutherland gave a harrowing, incredibly impressive dramatic performance of the final paragraphs from "Johhny Got His Gun."
The Army doesn't like questions because they don't have answers. They only have rulebooks.
mark.waltz10 September 2013
Warning: Spoilers
A handful of movie stars and musicians take the audience on a journey into their protest review which traveled the Pacific Rim during the Nixon era of the Vietnam war as well as just outside American local military bases. At first, this concert of songs and sketches seems half Hellzapoppin', half Springtime for Hitler for the modern era. In spite of the laughs, blues and military brass, there's a touching sentiment to it. Jane Fonda and Donald Sutherland represent Hollywood elite, hot off the trail of "Klute" even though much of this took place before the film was released. Anti-Fonda criticizers will most likely skip this, but this will remain her opportunity to speak her mind and even sing a bit.
I have no opinion on Hanoi Jane as her protest years referred to her as, with accusations of treason thrown at her, but I do admire her fight for freedom of speech. The songs do speak to peace lovers, an ironic view of the past considering our present. There's clever adaptions of famous American anthems with protest lyrics and a few heartbreaking solos which describe the agony of what the reluctant soldiers must have felt in battle. An interesting depiction of prostitutes protesting the war with their johns is an important issue made here, as is another issue of Puerto Ricans and blacks who fought at home yet pulled together during war time in peace. One number featuring Fonda seems like a spoof of Liza Minnelli in the same year's "Cabaret".
I have no opinion on Hanoi Jane as her protest years referred to her as, with accusations of treason thrown at her, but I do admire her fight for freedom of speech. The songs do speak to peace lovers, an ironic view of the past considering our present. There's clever adaptions of famous American anthems with protest lyrics and a few heartbreaking solos which describe the agony of what the reluctant soldiers must have felt in battle. An interesting depiction of prostitutes protesting the war with their johns is an important issue made here, as is another issue of Puerto Ricans and blacks who fought at home yet pulled together during war time in peace. One number featuring Fonda seems like a spoof of Liza Minnelli in the same year's "Cabaret".
what is a documentary?
anteye1 November 2004
unfortunately, in other reviews made about this film there is a lack of
understanding. The time and place of this movie are the two things that are of utmost importance to comprehend, only with the comforting feeling of ignorance can the point of this material be avoided. Being the residual of a post-Vietnam society that resides in the same state on this day of November 1st, 2004 as it did when this film was made, can we still be so blinded by the pure'ed peas of pride. I would hope, all attention deficits and outside influences aside that you would be capable of seeing this film with an open mind.
i applaud your effort. HL
understanding. The time and place of this movie are the two things that are of utmost importance to comprehend, only with the comforting feeling of ignorance can the point of this material be avoided. Being the residual of a post-Vietnam society that resides in the same state on this day of November 1st, 2004 as it did when this film was made, can we still be so blinded by the pure'ed peas of pride. I would hope, all attention deficits and outside influences aside that you would be capable of seeing this film with an open mind.
i applaud your effort. HL
time capsule
SnoopyStyle31 January 2022
Jane Fonda and Donald Sutherland headline an anti-war tour around military establishments. In the opening, Jane claims that there is a large contingent of military personnel opposed to the war. This is their response to the Bob Hope patriotism and pro-war USO tours. The film was pulled quickly after Jane's Hanoi visit and most copies destroyed. This is a very compelling time capsule. The anti-war movement can be portrayed as lamb to the slaughter. In this case, this group is quite confrontational. I am especially struck by the lyrics from the Okinawa singing group. This is unapologetically anti-Americanism. Some of this goes over the line for me but I didn't live through that time. As a film, it's a little rough technically at times. The filmmaking is not the best but that is not the most important.
A unique and important historical document
kalital2 April 2005
The point of viewing this film is not only to see the theatrical skits performed by young stars like Jane Fonda and Donald Sutherland, but to see those skits in context, filmed as they were performed on and near military bases around the world, to audiences of American troops, as the U.S. was in the midst of the Viet Nam war. Like most vaudeville, the skits were an excuse for political and social commentary, though some of them were funny and others were quite moving. The music was also excellent. What is most remarkable in the film, though, are the interviews with soldiers on active duty in wartime, and the camera pans of vast crowds of soldiers watching the stage performance avidly. It brings home the support that the peace movement had even with active duty troops in wartime. It's exceptionally difficult to get a copy of this film in the U.S., though there are some copies still in circulation in Europe. If you ever get a chance to see it, don't miss it--it's an important slice of U.S. history, long buried and forgotten. Today we remember (falsely) that peaceniks spat upon veterans. This gives the lie to that urban myth. In fact, the peace movement and veterans were often strongly aligned, as both groups were dedicated to "supporting the troops" by bringing them home.
Really interesting
BandSAboutMovies6 May 2021
Warning: Spoilers
In 1971, at the height of the Vietnam War, Jane Fonda and Donald Sutherland did more than just become part of an anti-war comedy tour across Southeast Asia. They also reached out directly to enlisted soldiers who were critical of the war.
The documentary of this tour, F. T. A., shows the tour as it goes to Hawaii, The Philippines, Okinawa and Japan. It was directed by Francine Parker, who was only the eleventh woman to join the Director's Guild.
In addition to Fonda and Sutherland, Paul Mooney, Peter Boyle, Steve Jaffe, Holly Near (The Magical Garden of Stanley Sweetheart), Pamela Donegan, Len Chandler, Michael Alaimo (Mr. Mom), Rita Martinson and Yale Zimmerson all appear.
While the tour was a success, the film was incredibly controversial and opened the same week that Fonda made her trip to Hanoi. Within a week of release, American-International Pictures withdrew it from circulation, with Parker saying that this was the result of "calls were made from high up in Washington, possibly from the Nixon White House, and the film just disappeared." David Ziegler, whose documentary Sir! No Sir! Appears on the blu ray of this movie and was part of the team that helped restore F. T. A. Said, "There's no proof, but I can't think of another reasonable explanation for Sam Arkoff, a man who knew how to wring every penny out of a film, yanking one starring Jane Fonda and Donald Sutherland from theaters at a big loss (and, apparently, destroying all of the prints, since none were ever found)."
Now, the film has now been fully restored by IndieCollect in 4K and is available from Kino Lorber, along with a new introduction by Fonda, a 2005 interview with the actress, the documentary Sir! No Sir! And a booklet with essays by historians David Cortight and Mark Shiel.
Regardless of your politics, this is a piece of history that I feel that everyone should watch.
The documentary of this tour, F. T. A., shows the tour as it goes to Hawaii, The Philippines, Okinawa and Japan. It was directed by Francine Parker, who was only the eleventh woman to join the Director's Guild.
In addition to Fonda and Sutherland, Paul Mooney, Peter Boyle, Steve Jaffe, Holly Near (The Magical Garden of Stanley Sweetheart), Pamela Donegan, Len Chandler, Michael Alaimo (Mr. Mom), Rita Martinson and Yale Zimmerson all appear.
While the tour was a success, the film was incredibly controversial and opened the same week that Fonda made her trip to Hanoi. Within a week of release, American-International Pictures withdrew it from circulation, with Parker saying that this was the result of "calls were made from high up in Washington, possibly from the Nixon White House, and the film just disappeared." David Ziegler, whose documentary Sir! No Sir! Appears on the blu ray of this movie and was part of the team that helped restore F. T. A. Said, "There's no proof, but I can't think of another reasonable explanation for Sam Arkoff, a man who knew how to wring every penny out of a film, yanking one starring Jane Fonda and Donald Sutherland from theaters at a big loss (and, apparently, destroying all of the prints, since none were ever found)."
Now, the film has now been fully restored by IndieCollect in 4K and is available from Kino Lorber, along with a new introduction by Fonda, a 2005 interview with the actress, the documentary Sir! No Sir! And a booklet with essays by historians David Cortight and Mark Shiel.
Regardless of your politics, this is a piece of history that I feel that everyone should watch.
Doesn't age well.
ghigau17 January 2022
Like Fonda's facelift(s) this film has aged poorly. Sutherland, a Canadian, never had any skin in the game. Fonda was (is) the definition of white privilege. It is hard to imagine the fate of a black man who climbed aboard an anti-aircraft gun in North Vietnam.
I headed for Vietnam in March 1972. I did not need this film to help me see the ethics of what I was doing. Fonda was preaching to the choir, so self-absorbed that she was oblivious to see that she was in it for the fame and Hollywood acceptance, not saving anyone else.
The film was egotistical when it was made, and it still is. It's restoration is another act of egotism. "look at me daddy; look at me."
Jane will always be Jane. I just wish she would stop trying to pull me into her entourage. I get to be both proud and ashamed of my Distinguished Flying Cross. She will never have one!! Even better, I don't want her in my fan club. I think I will die gracefully. I wish her the same.
I headed for Vietnam in March 1972. I did not need this film to help me see the ethics of what I was doing. Fonda was preaching to the choir, so self-absorbed that she was oblivious to see that she was in it for the fame and Hollywood acceptance, not saving anyone else.
The film was egotistical when it was made, and it still is. It's restoration is another act of egotism. "look at me daddy; look at me."
Jane will always be Jane. I just wish she would stop trying to pull me into her entourage. I get to be both proud and ashamed of my Distinguished Flying Cross. She will never have one!! Even better, I don't want her in my fan club. I think I will die gracefully. I wish her the same.
Pro Peace and Pro Troops
haildevilman3 May 2007
This is like those old CSO shows during world War II with Bob hope and the Andrews Sisters.
Trade Europe for Viet Nam and bring in Fonda, Sutherland, and Boyle and there's the diff.
While the social commentary between the acts was clearly against the war, no soldiers were catching heat for it. It was made clear that they deserved pity too. Despite Fonda's semi-traitorous politics, she never really was angry at the common men. It's the brass and the suits that catch it here.
And it's amusing seeing Donald Sutherland combine his 'Hawkeye' character from M*A*S*H and "Oddball" from Kelly's Heroes and throw in a dash of Ed Sullivan. He still sounds like he's got a mouth full of grits.
Rumors say that Peter Boyle's scenes were used against his will. But I'm not sure of the facts.
Hearts & Minds with humor. Worth a look...IF you can find it.
Trade Europe for Viet Nam and bring in Fonda, Sutherland, and Boyle and there's the diff.
While the social commentary between the acts was clearly against the war, no soldiers were catching heat for it. It was made clear that they deserved pity too. Despite Fonda's semi-traitorous politics, she never really was angry at the common men. It's the brass and the suits that catch it here.
And it's amusing seeing Donald Sutherland combine his 'Hawkeye' character from M*A*S*H and "Oddball" from Kelly's Heroes and throw in a dash of Ed Sullivan. He still sounds like he's got a mouth full of grits.
Rumors say that Peter Boyle's scenes were used against his will. But I'm not sure of the facts.
Hearts & Minds with humor. Worth a look...IF you can find it.
"Military law and the Constitution are two different things..."
moonspinner554 April 2011
Insubordination set to music. Occasionally incisive but fatally overlong documentary follows Jane Fonda and Donald Sutherland as they lead a merry group of "subversive radicals" to areas outside of military bases in the Pacific Rim during December 1971; their mission is to perform an anti-military vaudeville show for disgruntled American GIs, complete with skits and songs. Their amusing, bitter-tinged satirical protests aside, there is a genuine understanding here for the plight of soldiers caught in the web of Vietnam, conflicted over what they're ultimately fighting for. The film has been edited with canny precision in order to be both entertaining and enlightening, though it makes its points in the first hour and then runs an extra thirty minutes. The issues raised are heated (particularly the racial factor, as blacks felt they were unfairly being targeted by the military as easy prey), though the preaching on-stage has been kept to a relative minimum in order to give the soldiers a fun evening. Many of the young men and women who attended these shows (and those who participated) took a definite risk by being branded as communist sympathizers or undemocratic malcontents, making "FTA" an edgy, often uneasy experience in hindsight. ** from ****
The Film That The Nixon Administration Didn't Want You To See (and succeeded)
druid333-225 January 2010
In 1971,a troop of anti Vietnam war protesters,led by Jane Fonda & Donald Sutherland toured with an anti war review that they called 'F.T.A.',which could either mean free the Army (or even f**k the Army,depending). They traveled to military bases within the Pacific Rim,where they were welcomed by a then,rising tide of anti war activists in the Military. Hours of footage was filmed & assembled into the documentary film that was briefly released in 1972 as 'F.T.A.'. The week that the film was released by American International Films,Fonda made a controversial trip to South East Asia, and after one scant week,the film was pulled from distribution & was never heard from,again (rumour has it that the Nixon Administration had a lot to do with the film being yanked). Besides the afore mentioned Jane Fonda & Donald Sutherland (who just barely two years earlier acted in the penultimate anti war film,Robert Altman's 'M*A*S*H'),the performances also included the likes of folk singer,Holly Near,and even Peter Boyle (an unknown at the time who would gain fame a couple of years later in Mel Brooks''Young Frankenstein'). Besides the performance footage,we are also treated to interviews with members of the military who had their wits end of the senseless violence & destruction that was the American intervention in South East Asia,which in addition to Vietnam,also included Cambodia (some of the enlisted men would end up in the documentary film, 'Winter Soldiers'). All was not always rosy. We get to see a performance of F.T.A. being disrupted by a couple of pro war,right wing soldiers,voicing their disfavour of the whole production (they were peacefully shown the way out). Women's rights advocate,Francine Parker directs the film (she only directed one other project:an episode of 'Cagney & Lacey'). At times, the film's pacing starts to slack a bit,but doesn't manage to lessen the film's message at all. Well worth checking out if you're an advocate for peace,anti war activist,historical buff,or fancier of the documentary genre. Spoken (mostly)in English,and Okenowian,Tagalog & Japanese with English subtitles. Rated 'R' by the MPAA,this film has some outbursts of strong language & some disturbing images that the troupe got to see while visiting the Hiroshima/Nagasaki memorial sites,while on tour in Japan
Very dated documentary about protesting the Viet Nam war
dbborroughs10 November 2005
FTA is a time capsule that should only be opened by those who lived through it, and even then, maybe not...
This is the story of a group of actors and actresses who toured around the world playing near US military bases with a show called FTA for "Free" The Army. The acting troop is lead by Jane Fonda and Donald Sutherland. The film is a combination of performances and interviews with the GI's from the bases. Its nothing you probably haven't seen before in other ways, heart felt songs about how we love the soldiers but hate the war, general protest songs, skits about how absurd the war is and general silliness. Very little of it actually holds up as funny or touching, although some of the ideas work in structure if not execution, Donald Sutherland doing a play by play of a battle as a football game is very clever, but not very funny.
I completely understand why this film hasn't been seen in 30 years, it simply is not very good. I doubt highly that this film would have ever played well to any group other than those near the army bases at the time. Its a starry eyed version of a college frolic.
The naiveté of many of the actors is very hard to take. The "war is bad" attitude they have is nice and simple, but when mixed with the uncertainty expressed by the soldiers who are actually in harms way, the show comes off too sweet. The film shows clearly why Jane Fonda is hated by many people and still called "Hanoi Jane", since she comes off as a spoiled rich girl who doesn't really have a clue as to what is going on in reality. Donald Sutherland, for what ever reason, seems to carry a weight and understanding most of his fellow performers don't, and I felt he had a better grasp of what was going on.
I wanted to like this film, especially owing to some of the parallels with the present war in Iraq. I was hoping to find some kernel of truth to take away, some insight into a country at war with another country and itself, and instead I found just a quaint period piece that was never in touch with anytime, even its own.
I can't recommend anyone see this, unless you are a Fonda or Sutherland completest or if you are a student of the Viet Nam war and its effects on the home front.
This is the story of a group of actors and actresses who toured around the world playing near US military bases with a show called FTA for "Free" The Army. The acting troop is lead by Jane Fonda and Donald Sutherland. The film is a combination of performances and interviews with the GI's from the bases. Its nothing you probably haven't seen before in other ways, heart felt songs about how we love the soldiers but hate the war, general protest songs, skits about how absurd the war is and general silliness. Very little of it actually holds up as funny or touching, although some of the ideas work in structure if not execution, Donald Sutherland doing a play by play of a battle as a football game is very clever, but not very funny.
I completely understand why this film hasn't been seen in 30 years, it simply is not very good. I doubt highly that this film would have ever played well to any group other than those near the army bases at the time. Its a starry eyed version of a college frolic.
The naiveté of many of the actors is very hard to take. The "war is bad" attitude they have is nice and simple, but when mixed with the uncertainty expressed by the soldiers who are actually in harms way, the show comes off too sweet. The film shows clearly why Jane Fonda is hated by many people and still called "Hanoi Jane", since she comes off as a spoiled rich girl who doesn't really have a clue as to what is going on in reality. Donald Sutherland, for what ever reason, seems to carry a weight and understanding most of his fellow performers don't, and I felt he had a better grasp of what was going on.
I wanted to like this film, especially owing to some of the parallels with the present war in Iraq. I was hoping to find some kernel of truth to take away, some insight into a country at war with another country and itself, and instead I found just a quaint period piece that was never in touch with anytime, even its own.
I can't recommend anyone see this, unless you are a Fonda or Sutherland completest or if you are a student of the Viet Nam war and its effects on the home front.
FTA: Now more than ever!
jayroth61 April 2009
http://mrzine.monthlyreview.org/rothermel010409.html FTA -- Now More Than Ever by Jay Rothermel
FTA (Dir. Francine Parker, 1972).
Preamble: "This film was made in association with the servicewomen and men stationed on the United States bases of the Pacific Rim, together with their friends whose lands they presently occupy." Accepting his Oscar for Best Actor, Sean Penn jokingly referred to the Academy as lovers of "commies and homos." It's a tribute to the low level of politics among our cultural workers today that Sean Penn would be surprised at acknowledgement of his performance. The Academy loves movies about exceptional heroes, whether they are overcoming physical disabilities, sports team segregation, the Holocaust, or the Roman Empire.
The entertainment industrial complex also loves it when its celebrities serve as a prophylactic for US humanitarian imperialism in countries like Sudan or Tibet. (Poor Rose McGowan, conversely, hasn't been heard or seen since expressing understanding for what motivated men and women in Ireland to join the IRA.) All of which brings us to the opposite end of the movie food chain, far from the heights of Oscardom: FTA, Francine Parker's documentary about the "Free the Army" tour. Washington and Wall Street long ago erased this movie. The miracle of globalized media today, however, means we can sit at home and watch it on DVD or its showing on that greener-than-green parrot cage called the Sundance Channel.
What strikes the viewer first about FTA is the humility, sense of proportion, and optimism the film has about events it depicts. We are a long way here from the old Michael Moore bazooka and the longeurs of Ken Burns, Inc.
There are many similarities between FTA and the great rock concert documentaries of the same period: only a few lines of narration for context, and then getting out of the way of the performances.
FTA the movie was long ago blacklisted from theaters, just as FTA the traveling political musical extravaganza was blacklisted from history. A key part of the "culture war" trumpeted by media and academic hacks of the Bill Bennett-David Horowitz-Rush Limbaugh variety (and which is itself part of a larger 30 year war against the gains of the labor, civil rights, women's, and anti-war movements) is the depiction of the those opposed to the Vietnam War as "stabbing our troops in the back." One tonic effect of FTA's DVD release and Sundance showing is to put the lie to that libel. As Washington's invasion and war against the people of Vietnam proceeded, one of the greatest concentrations of anti-war sentiment and activism was found among GIs themselves. The script for the FTA revue itself was drawn exclusively from material GIs published in their own anti-war newspapers.
FTA was the product of a flourishing anti-war culture. Today we see this culture boiled down to a History Channel "flower power" documentary, histories like Tom Brokaw's Boom, and the memoirs of Senators and ex-Senators like John Kerry and Bob Kerry. But Vietnam's war of independence at its height inspired militants around the world, from Che Guevara's guerillas to the 1968 strikers in France.
One of the great pleasures of FTA is the forthright energy of the performers and their audience. The GIs heard their own thoughts -- salty, sarcastic, and full of gallows humor and solidarity at the same time -- repeated back to them. The leaps of consciousness over just a few years as they rejected each rationale of the Washington war machine confirmed the anti-war movement's strategy of orienting to these "workers in uniform." The cast of the FTA revue is filled with gifted performers. They continued with their artistic careers after the U.S. anti-war tide receded. It is a pleasure to see them in their youth, energized by work that gave shape to the feelings of the immense majority. Between concerts they marched in solidarity with local activists protesting Washington's devastating "military base colonialism" in the Philippines, Okinawa, and Japan.
Today one of the movie FTA's great strengths is its potential as a recruiting tool. It is the perfect length to have classes, meetings, and potlucks built around it. The moral authority of the movie is without equal: completely ignoring the pundits and the bi-partisan Wall Street war party in Washington, it lets the anti-war GIs speak for themselves.
Jay Rothermel lives in Cleveland, Ohio.
FTA (Dir. Francine Parker, 1972).
Preamble: "This film was made in association with the servicewomen and men stationed on the United States bases of the Pacific Rim, together with their friends whose lands they presently occupy." Accepting his Oscar for Best Actor, Sean Penn jokingly referred to the Academy as lovers of "commies and homos." It's a tribute to the low level of politics among our cultural workers today that Sean Penn would be surprised at acknowledgement of his performance. The Academy loves movies about exceptional heroes, whether they are overcoming physical disabilities, sports team segregation, the Holocaust, or the Roman Empire.
The entertainment industrial complex also loves it when its celebrities serve as a prophylactic for US humanitarian imperialism in countries like Sudan or Tibet. (Poor Rose McGowan, conversely, hasn't been heard or seen since expressing understanding for what motivated men and women in Ireland to join the IRA.) All of which brings us to the opposite end of the movie food chain, far from the heights of Oscardom: FTA, Francine Parker's documentary about the "Free the Army" tour. Washington and Wall Street long ago erased this movie. The miracle of globalized media today, however, means we can sit at home and watch it on DVD or its showing on that greener-than-green parrot cage called the Sundance Channel.
What strikes the viewer first about FTA is the humility, sense of proportion, and optimism the film has about events it depicts. We are a long way here from the old Michael Moore bazooka and the longeurs of Ken Burns, Inc.
There are many similarities between FTA and the great rock concert documentaries of the same period: only a few lines of narration for context, and then getting out of the way of the performances.
FTA the movie was long ago blacklisted from theaters, just as FTA the traveling political musical extravaganza was blacklisted from history. A key part of the "culture war" trumpeted by media and academic hacks of the Bill Bennett-David Horowitz-Rush Limbaugh variety (and which is itself part of a larger 30 year war against the gains of the labor, civil rights, women's, and anti-war movements) is the depiction of the those opposed to the Vietnam War as "stabbing our troops in the back." One tonic effect of FTA's DVD release and Sundance showing is to put the lie to that libel. As Washington's invasion and war against the people of Vietnam proceeded, one of the greatest concentrations of anti-war sentiment and activism was found among GIs themselves. The script for the FTA revue itself was drawn exclusively from material GIs published in their own anti-war newspapers.
FTA was the product of a flourishing anti-war culture. Today we see this culture boiled down to a History Channel "flower power" documentary, histories like Tom Brokaw's Boom, and the memoirs of Senators and ex-Senators like John Kerry and Bob Kerry. But Vietnam's war of independence at its height inspired militants around the world, from Che Guevara's guerillas to the 1968 strikers in France.
One of the great pleasures of FTA is the forthright energy of the performers and their audience. The GIs heard their own thoughts -- salty, sarcastic, and full of gallows humor and solidarity at the same time -- repeated back to them. The leaps of consciousness over just a few years as they rejected each rationale of the Washington war machine confirmed the anti-war movement's strategy of orienting to these "workers in uniform." The cast of the FTA revue is filled with gifted performers. They continued with their artistic careers after the U.S. anti-war tide receded. It is a pleasure to see them in their youth, energized by work that gave shape to the feelings of the immense majority. Between concerts they marched in solidarity with local activists protesting Washington's devastating "military base colonialism" in the Philippines, Okinawa, and Japan.
Today one of the movie FTA's great strengths is its potential as a recruiting tool. It is the perfect length to have classes, meetings, and potlucks built around it. The moral authority of the movie is without equal: completely ignoring the pundits and the bi-partisan Wall Street war party in Washington, it lets the anti-war GIs speak for themselves.
Jay Rothermel lives in Cleveland, Ohio.
More Informative Than Dated
dougdoepke13 March 2022
I'm glad the docu refrains from lengthy preachments against the Vietnam war. Instead the narrative's a mix of anti-war songs, dance numbers and comedy sketches, but most importantly are the revelatory comments from soldiers themselves about personal feelings toward the army and life stateside. Many are on the humorous side, yet short in length. Nonetheless, their overall impact remains unmistakable.
Fonda and Sutherland both sing and comment, each serving more as continuity between sections than as major spokespeople. That mainly allows the focus to be where it should be: namely, on the servicemen and women of all races and their anti-war, anti-army feelings. Perhaps unexpectedly, there are no stagings in Vietnam itself, probably because of Defense Department restrictions. (After all, this is not Bob Hope.) Instead the show travels across the Pacific ending in Japan and lingering images of 1945's a-bomb blasts. Still, the overlapping message remains basically the same across the changing locales and service-personnel.
Anyway, whether you agree or not with the anti-war stance, the docu's well worth catching up with. And though 50-years have passed, the underlying feelings are as relevant now as they were then.
Fonda and Sutherland both sing and comment, each serving more as continuity between sections than as major spokespeople. That mainly allows the focus to be where it should be: namely, on the servicemen and women of all races and their anti-war, anti-army feelings. Perhaps unexpectedly, there are no stagings in Vietnam itself, probably because of Defense Department restrictions. (After all, this is not Bob Hope.) Instead the show travels across the Pacific ending in Japan and lingering images of 1945's a-bomb blasts. Still, the overlapping message remains basically the same across the changing locales and service-personnel.
Anyway, whether you agree or not with the anti-war stance, the docu's well worth catching up with. And though 50-years have passed, the underlying feelings are as relevant now as they were then.
F*** The Army
jaiken00710 March 2001
This film doesn't seem to be in the official filmographies for either Jane Fonda or Donald Sutherland. It is easy to cast stones at the youthful excesses of the cast of this awful movie but I am glad that some of the theatre I was responsible for in college was not filmed. The ensemble filmed a series of sketches performed outside of army bases in the Pacific Rim and although I agree with the leftie politics espoused, there is nothing of interest here. I would rather watch Congress perform "Oh, Calcutta" WITH the nude scenes than sit through this mess again.
Vietnam era anti-war period piece
admelfo27 January 2014
When did they stop making period pieces? Judging by this little gem, they were still making them well into the 70's. It's not terrible, but it's not a movie (there is no plot), and it's not really a documentary -- more like an assemblage of footage taken during the tour of "F.T.A." -- a traveling stage show of vaudeville-esque anti-war songs and skits. You get to watch the rag-tag bunch of inspired then-hippies/now celebs (Michael Alaimo, Peter Boyle, Len Chandler, Pamela Donegan, Jane Fonda, Steve Jaffe, Rita Martinson, Paul Mooney, Holly Near, Donald Sutherland) as they travel around the war-torn regions entertaining the troops. Historically of some interest, as you see our then fighting boys and girls pretty much dissing the whole war effort (ie., they were over it at that point), yo get to see your Fearless Cavaliers shamelessly spin their anti-war message, and you get to see a bunch of then young people doing what young people do best -- including overacting, screwing around in-the-name-of-art and wearing their hearts on their sleeves, looking sloppy because they're too cool to care, and generally doing things more for effect than with any genuine intention of effecting change. Just my two cents.
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