| Photos (see all 6 | slideshow) |
| Elliott Gould | ... | Alfred Chamberlain | |
| Marcia Rodd | ... | Patsy Newquist | |
| Vincent Gardenia | ... | Mr. Newquist | |
| Elizabeth Wilson | ... | Mrs. Newquist | |
| Jon Korkes | ... | Kenny Newquist | |
| John Randolph | ... | Mr. Chamberlain | |
| Doris Roberts | ... | Mrs. Chamberlain | |
| Lou Jacobi | ... | Judge Stern | |
| Donald Sutherland | ... | Rev. Dupas | |
| Alan Arkin | ... | Lt. Practice | |
| rest of cast listed alphabetically: | |||
| Martin Kove | ... | (uncredited) | |
Directed by | |||
| Alan Arkin | |||
Writing credits | ||
| Jules Feiffer | (play) | |
| Jules Feiffer | (screenplay) | |
Produced by | |||
| Jack Brodsky | .... | producer | |
| Burtt Harris | .... | associate producer | |
Original Music by | |||
| Fred Kaz | |||
Cinematography by | |||
| Gordon Willis | |||
Film Editing by | |||
| Howard Kuperman | |||
Casting by | |||
| Vic Ramos | |||
Production Design by | |||
| Gene Rudolf | |||
Set Decoration by | |||
| Philip Smith | |||
Costume Design by | |||
| Albert Wolsky | |||
Makeup Department | |||
| John Alese | .... | makeup artist | |
| Philip Leto | .... | hair stylist | |
Second Unit Director or Assistant Director | |||
| Larry Y. Albucher | .... | second assistant director | |
| Peter R. Scoppa | .... | assistant director | |
Art Department | |||
| Stanley Cappiello | .... | scenic artist | |
| Joseph M. Caracciolo | .... | property master | |
| Robert H. Klatt | .... | set dresser | |
| Thomas C. Tonery | .... | second prop | |
| Walter Way | .... | constructor | |
Sound Department | |||
| Les Lazarowitz | .... | sound recordist | |
| Christopher Newman | .... | sound | |
| Pasquale Suraci | .... | boom operator | |
| Dick Vorisek | .... | sound mixer (as Richard Vorisek) | |
Camera and Electrical Department | |||
| Michael Chapman | .... | camera operator | |
| Bob Penn | .... | still photographer: special magazine assignment | |
| Ed Quinn | .... | dolly grip (as Edward Quinn) | |
| Peter Salim | .... | second assistant camera | |
| Tibor Sands | .... | assistant camera | |
| Edward Tonkin | .... | best boy | |
| Dusty Wallace | .... | chief electrician | |
| Robert Ward | .... | key grip (as Bob Ward) | |
| Josh Weiner | .... | still photographer | |
Costume and Wardrobe Department | |||
| George Newman | .... | wardrobe | |
| Marilyn Putnam | .... | wardrobe | |
Editorial Department | |||
| Geraldine Fabrikant | .... | assistant editor | |
| M. Edward Salier | .... | assistant editor (as Edward Salier) | |
Other crew | |||
| Cis Corman | .... | assistant to producer | |
| Anthony Dalvieri | .... | production assistant | |
| Barbara De Fina | .... | assistant production secretary | |
| Pearl Lavenberg | .... | production secretary | |
| Daniel Logan | .... | technical advisor | |
| Eileen Peterson | .... | unit publicist | |
| Peter A. Runfolo | .... | location coordinator | |
| Nicholas Sgarro | .... | script supervisor | |
| Recent Posts (updated daily) | User |
|---|---|
| For Those Who Liked This Movie... | randynuts |
| Jon Korkes as Kenny | harvemann |
| WOSRT PIECE OF NONSENSE | pijoaparte76 |
| DVD for European Players | tgiov |
| New DVD | wpbooks-1 |
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| Full cast and crew | Company credits | External reviews |
| IMDb Comedy section | IMDb USA section | Add this title to MyMovies |
When they were all in their heyday, Elliott Gould, Alan Arkin (who also directed) and Donald Sutherland collaborated on the over-the-top black comedy "Little Murders", in which Gould plays emotionally vacant New York photographer Alfred Chamberlain, hooking up with vivacious young Patsy Newquist (Marcia Rodd) in the midst of several hundred unsolved homicides in the Big Apple. In the process of everything, the series of events exposes the flaws in all the characters, especially Patsy's parents (Vincent Gardenia and Elizabeth Wilson).
I think that my two favorite scenes are the appearances of Sutherland and Arkin. Sutherland plays a priest who seems to be a cross between Sutherland's characters from "MASH" and "Kelly's Heroes"; Arkin plays a detective who spouts out the craziest monologue explaining why there's a conspiracy behind the murders. Overall, this is very much a New York kind of movie. I should identify that there are several very long scenes during the movie, but it's certainly not a flick that you'll forget anytime soon. Impressive.