Evel Knievel (1971) User Reviews

A Christmas Gift & My Belated Tribute To The Real Knievel

[happipuppi13 · 6/10 · 17 February 2008]

Was Evel Knievel the real deal? Of course he was.

Was his life as presented here the real deal? Not completely.

This is after all silly,1970s late night drive in hokum at it's best. As far as bad movies of the 1970s go,I have certainly seen worse. I received this as a "gag" gift this past Christmas and just watched it last night.

To me George Hamilton is the only "actor" famous for being famous,instead of for his movies. (Without peeking at the IMDb list,name another!) He's really funny here,intentional or not and just like I said about KISS Meets the Phantom or Gozilla Vs. Megalon,we shouldn't take this too seriously.

I don't believe he dynamited city hall either,I think someone behind the scenes wanted more action than just motorcycle jumping. There was also that anti-police feeling in the 70s too,which would explain Bobby Knievel making the police look stupid.

The funniest scene in this movie is when he drives his motorcycle through the front door of his girl's place and up the stairs to her room. After the landlady said "no men here after 10pm"!

It's just dumb fun to be had by all,who may once in awhile want to steer away (no joke intended) from "real" movies and just kick back and enjoy the ride. One day I'll find "Viva Knievel" but for now,with his passing not long ago,it's the only tribute I can pay the man.

Unless I go out and find a wind up motorcycle from my childhood. Here's to you Evel and a wink & nod to Mr. Hamilton for at least capturing Evel's crazy side. (END)

"I am the last gladiator in the New Rome."

[bensonmum2 · 5/10 · 6 February 2005]

• Evel Knievel purports to be a biography of the life of the real Evel Knievel. The movie presents stories and episodes from different periods throughout his life. We see Evel as a young boy in Butte, Montana. We see him grow to become a local hoodlum. We see him meet, date, kidnap, and marry his wife. We see him on his first paying job as a motorcycle daredevil. We see him in the hospital after his horrific crash at Ceasar's Palace. All of this is presented in a series of flashbacks as Evel prepares himself to make a jump over 19 cars.

• I have no idea how much of what is presented is true. I feel confident, however, that there are quite a few dramatic licenses taken with Evel's life. For example, I sincerely doubt someone could be responsible for two dynamite explosions in the City Hall on the same night and no one notice who was responsible. Don't you think the police might have asked the local dynamite dealer if anyone had recently made a purchase? I sincerely believe Evel would have spent a considerable amount of time in prison if this episode of his life, as presented, were true.

• The "Tan Man", George Hamilton (who also produced the movie), plays Evel. And while he may bear no resemblance to the real man, he does a decent job copying Evel's walk and speech pattern.

• While the movie is not great, there are a couple of moments in the film that make it worth watching at least once.

"The only choice left to us is our death...and mine will be glorious!"

[moonspinner55 · 4/10 · 17 July 2016]

George Hamilton is looser than usual portraying 20th century phenomenon Bobby "Evel" Knievel, a young hell-raiser from Butte, Montana who graduated from motorcycle stunts in front of small rodeo crowds to death-defying jumps in front of thousands. Written by Alan Caillou and John Milius, the high-flown 'humility' from Knievel is sometimes hard to swallow (particularly his lengthy speech at the picture's opening); however, the self-praise isn't damning in the rowdy flashbacks to Knievel's early years, which include cop-baiting chases and sorority-crashing adventures. The modern-day Evel is shown as a paranoid egomaniac with a short temper, and every segue back to the present day is a bummer. Not particularly well-directed or assembled, but produced handsomely (by Hamilton) and moderately engaging. ** from ****

Fun movie

[foxion · 20 February 2003]

This is really a fun movie. I have no idea if any of it remotely resembles the actual life of motorcycle showman Evel Knievel (I doubt it) but that does nothing to detract from the film. George Hamilton is great as Knievel. Both his performance and the film's script make you care about the character and that alone seperates it from most films. If you get a chance, watch it.

Can a dollar be too much?

[fletcher100 · 1/10 · 17 April 2006]

I paid one dollar for this DVD and at first I was feeling ripped off, but then I started thinking about it and I should be grateful. I have found a holy grail, a real touchstone of bad cinema. If you think the opening dramatic shots of an empty stadium successfully fizzle with Evel's awkward camera address monologue, then wait until the opening credits roll on the chauffeur's butt. The script seems to be pasted together from press clippings, and ESL textbooks. But..... I just can't believe how bad George Hamilton is. He seems to have absolutely no connection to anything he says, the only internal monologue I can detect is "gosh I bet they think I am cute. really cute!". This is an epiphany! I now know how bad it can get.

I did what I pleased and threw it away.

[mark.waltz · 2/10 · 8 March 2022]

A D grade movie about the famous stunt driver known for trying to surpass everything he'd done before, this was done during the time he was pushing the opportunity to jump over the Grand Canyon (in a rocket no less), this narcissistic account of his life is really pointless in retrospective of him basically being forgotten today outside of people who were around to watch him. The Grand Canyon stunt didn't go as planned, so this little bit of self promotion comes off as a cheap publicity stunt. Very cheap.

George Hamilton doesn't play a character with a beginning, a middle and an end. He really has no story other and then I did this jump and then I got injured and then I decided I'd tackle the longest jump ever attempted. It's as interesting as an episode of "That's Incredible!", that one season specialty show that ran out of ideas almost when the first episode aired. Sue Lyon is way past the Lolita stage to get the type of roles she had during the early to mid 60's so she comes off unflattering as his wife. Attempts at comedy fail because they make Evil look like an even bigger fool, and thus unlikable. Poorly done on every level, and too unimportant to be called a cinematic fiasco.

Watchable, nothing more.

[bombersflyup · 3/10 · 26 May 2019]

Evel Knievel isn't a great film or even a real biography, it does have its moments though.

The portrayal's that of a heartless, cold, smug, self-centered individual. Whether that's how he was or not I have no idea, but I certainly don't like Hamilton's portrayal. The majority of the humour's weak, but the monologues are decent. The jumps are dull, as there's no visual terror to be seen. The Grand Canyon jump, now that might have been a site to see. Linda likes the attention and thrill of being with Knievel, as she smiles the entire film, even while he's inconsiderate towards her.

Jumping for a livelihood and a legend

[SimonJack · 7/10 · 2 April 2014]

This biographical movie opened on Sept. 10, 1971. Evil Knievel was just 32 years old at the time, but already a legend in America and beyond. Just three years later, he would attempt his jump across the Snake River Canyon. More on that later.

In dissecting the movie and comparing it to Knievel's real life, most reviewers miss the real point of this film, I think. Knievel was at the peak of his popularity. Every stunt he did was to make money. He had a sense of showmanship about it. And, he had a huge ego. Already he had suffered many of the 300 plus broken bones in his life. He wouldn't be able to work as a daredevil much longer. So, the time was right for a movie on the legend.

I don't know how the Knievel and Hamilton connection came about. Surely, Knievel must have provided a lot of information for this film. His background and trouble with the law while growing up in Butte, MT, isn't ignored; but is treated lightly and with a sense of humor. Knievel was known to espouse some values for children – about keeping away from drugs. Whether or not that's how he truly felt, he did in fact issue his warnings in public. It may have been part of his showman persona, but it was effective in helping paint an image of a daredevil hero. Later in life, Knievel assaulted and badly beat an author with a baseball bat. The public soon learned that his private life was far different from his public persona.

But this movie is about Knievel's early life and rise to legend status. I think George Hamilton nailed the character in this film. He moves between deadpan seriousness, humor, and anxiety with ease. That must have been how the real Evel Knievel was – in the minds of viewers, but also in the glossy hype about the legend. Sue Lyon and Bert Freed do well in their roles. Most of the incidents in the film actually happened. But, how much of the details are fact or fiction – who knows?

Now, for the historic jump that took place three years after this film. I remember watching it on TV. I don't recall if it was live (closed circuit) or a news cast, but the program showed Knievel's jump across the Snake River Canyon about five miles east of Twin Falls, Idaho. His cycle looked more like a rocket ship than a motorcycle. It was built specifically for the jump. The canyon at that point was about 1,600 feet across – from edge to edge; but the jump trajectory was 3,500 feet. Kneivel rocketed from South to North and he actually made it across the canyon. But his safety parachute had opened right at lift off and the drag held him up enough that strong northwest winds carried him back over the canyon where he descended to the floor. He came to rest just outside the waters and walked out without a scratch.

I've been to the Snake River Canyon jump site. Today, a monument is located there. It's about five miles east of Twin Falls, ID. Take I-84 exit 173 and go south toward Idaho Falls about three miles. Watch for signs at the bridge over the Snake River Canyon. Follow the falls road to the jump site. While there, a visit to Shoshone Falls Park is a must. The falls are very impressive.

A Loose Biography On The Daredevil Evel Knievel

[Rainey-Dawn · 4/10 · 8 February 2017]

Apparently, from what I've read on it, George Hamilton ended up reading this script to the real Evel Knievel while he was in the hospital (again). And from what I've read, the real Evel Knievel ended up taking lines from this film and using them as his own, including him being the new gladiator of the new Rome.

I know I saw this movie sometime either in the late 1970s to early 1980s - as a kid to preteen. I also remember seeing him jump on TV - I'm sure it was some marketing thing going on and might have seen him on

when I was 5 (that would be about the right age that I started remembering things fairly well). Anyway, he was popular in the 1970s and early 80s and I do remember seeing his jumps on TV.

The movie is "OK" I guess. It's nothing to seek out as a biography on him, it's really only a loose biography when he and Linda met and married. Apparently the real Evel Knievel approved of the film when the script was read to him - that's just a guess because the film was made.

4/10

The charismatic Evel shares his humble beginnings.

[cgvsluis · 7/10 · 22 January 2022]

This is a biopic of Evel Knievel with George Harrison playing the larger than life stunt rider/dare devil Bobby Knievel.

The film is told through remembered highlights of his life while he is preparing for a big jump in front of thousands. He grew up in Butte, Montana which he described as being dangerous because there were mines ready to collapse every where. His inspiration may have come from his first daredevil show that his grandmother took him to in which one gentleman blew himself up with dynamite and another guy got smashend to death on a retaining wall. "I found it to be a very moving experience."-Bobby Knievel

It then goes on to show Bobby stealing in a very public way from the safe of a local store...then dynomiting through the wall of City Hall to steal tax money. Both of these were done in a way that showed just how charismatic he really was. Everyone seems to know him in his home town, including the police.

He meets his future wife, Linda, when she is still in high school and he is a bit of a show off hoodlum dropout. While showing off to Linda, he gets himself arrested and thrown in jail for reckless driving. While in jail it is discovered during role call that he is in the clink with a man nick-named "awful" knoffl and thus was born his moniker "Evel" Knievel.

Evel started motorcycle jumping at a rodeo as Bobby and his jumps just got more elaborate as Evel. They were performed in front of bigger and bigger audiences. They showed that he had a contentious relationship with his doctor who continued to reset all of the bones he broke in his daredevil stunt mishaps.

He was famous for saying repeatedly, "Fear is not a word in my vocabulary."

The movie all leads up to a big jump in front of a huge crowd and end with him driving his motorcycle up to the Grand Canyon, a jump he always wanted to make.

When I was a child in the 70's I actually had one of the Evel Knievel stunt bikes and I ran into Evel at a gas station in Post Falls, Idaho where we were both gassing up...of course he was in his sixties at the time and it would be close to the end of his life.

"The only choice left to us is death...and mine will be glorious!"-Evel Knievel.

This was actually a fun biopic. I appreciated George Hamilton's confident take on such a charismatic character.

This film is better than most of today's box office hits.

[hotfriend1 · 8/10 · 7 September 2006]

"Evel Knievel" doesn't pretend to be anything more than lightweight, escapist entertainment. If it takes liberties with Knievel's life, guess what--it's by no means the only such movie that's done so. Virtually every movie that's been made about an actual person(s) or historical event has taken liberties.

Most of the reviewers here seem to have taken a perverse satisfaction in beating up on a movie that Variety complimented for its "sheer comic relief." In fact, some of the reviews are so similar, it's difficult to believe that their authors have not taken "inspiration" from their predecessors, especially the first review, which offset every negative criticism with a positive one and made the word "mishmash" a must-use adjective for his successors.

This film is not a mishmash--it's a disappointment. Anyone who can't follow its storyline must still be reading the funny pages. The main problem is that half of this movie is good and the other half isn't. The good half is the flashbacks that deal with Knievel before he became the legend that he was when this film was released.

The film has its comedic moments, portraying Knievel as a man fearful of being hurt (he's afraid of needles, for instance) except when he's on a motorcycle. The filmmakers want us to like Knievel and realize that, in many ways, he's just like us. So, we end up with a semi-caricature, an ersatz imitation. But, this is most evident in the "present" time scenes, which are largely disposable, and serve no better purpose than filling gaps between flashbacks.

This was a low budget film, a quickie vehicle to make a quick buck, that has a movie-of-the-week quality at times. During the climactic jump, actual footage of the real Knievel is spliced with close-ups of extras turning their heads to watch the bike's trajectory, along with close-ups of what is supposed to be Knievel's bike suspended in air, are amateurishly staged. One particular highlight is a montage of Knievel stunt footage and, of course, the infamous Caesar's Palace jump.

Hamilton's performance is surprisingly good. In that sense, he is miscast but has a winning persona. The flashbacks are really not confusing. In fact, with few exceptions, they're the best parts of the movie. Perhaps it would have been better if the story had been told in a linear fashion. The biggest problem is when the flashbacks end and the movie returns to the present, where Knievel and his wife, Sue Lyons (who is basically window dressing and shares zero chemistry with Hamilton; and although the supporting cast contains a couple of familiar faces, they are lackluster) are spending the day behind-the-scenes at the Ontario Motor Speedway, where Knievel make a jump that evening.

Little of this material is good and is contrasts badly with the flashbacks. Hamilton's performance even suffers in the present-time scenes. He comes across as a stiff, pompous, bellyacher. Part of this is due to Knievel the iconic hero being portrayed as a high-maintenance griper, without the winning "bad boy" qualities Hamilton plays so well in the flashbacks, when he's a likable, non-dangerous hood.

His real private life became all-too-public and ugly at the height of his fame. A number of documentaries (with which Knievel cooperated) have shown about what the daredevil's private life was REALLY like, this is understandable (think of a boozing, out-of-control, sex-addicted rock star, besieged by groupies, enjoying a different woman every day and often more than one—his personal record for a single day was something like seven women). Unfortunately, the films suffers badly as a result.

This was another piece of merchandise cranked out when Knievel was a household name and an incredibly popular hero whose image was on posters, lunch boxes, his own cartoon series,and even an Evel Knievel, motorcycle-riding doll by Mattel. So we get a sanitized version of Knievel's life in keeping with the squeaky-clean public persona that never was. That's one reason why the flashbacks are probably more entertaining—they're closer to the truth.

Even so, Knievel is good, clean fun and I've always liked its theme song, although I don't know who sang it and it never charted.

The last gladiator

[BandSAboutMovies · 7/10 · 30 July 2019]

The film begins with Evel - played by George Hamilton - giving a speech directly to us, the viewer: "Ladies and gentlemen, you have no idea how good it makes me feel to be here today. It is truly an honor to risk my life for you. An honor. Before I jump this motorcycle over these 19 cars - and I want you to know there's not a Volkswagen or a Datsun in the row - before I sail cleanly over that last truck, I want to tell you that last night a kid came up to me and he said, "Mr. Knievel, are you crazy? That jump you're going to make is impossible, but I already have my tickets because I want to see you splatter." That's right, that's what he said. And I told that boy last night that nothing is impossible. Now they told Columbus to sail across the ocean was impossible. They told the settlers to live in a wild land was impossible. They told the Wright Brothers to fly was impossible. And they probably told Neil Armstrong a walk on the moon was impossible. They tell Evel Knievel to jump a motorcycle across the Grand Canyon is impossible, and they say that every day. A Roman General in the time of Caesar had the motto: "If it is possible, it is done. If it is impossible, it will be done." And that, ladies and gentlemen, is what I live by."

Then we get a movie version of Evel's life. It was originally written by Alan Caillou, who played King Sancho in The Sword and the Sorcerer. Hamilton wanted John Milius to rewrite it. Upon reading the original script, he launched it into Hamilton's pool and beat it with an oar. That meant that he was the new writer.

Milius would go on to say that he preferred the final product to many of the other films shot from his scripts. "They didn't restrain it or tone it down, they shot the script. The guy is just as obnoxious and full of hot air as he was in the script. Just as full of life and vitality too. He's Evel Knievel! He wouldn't take a dime off of anybody."

Hamilton would later tell Pop Entertainment, when asked about the film, "The thing about it is at that time Evel was not famous. When we made that movie he took a jump over the fountains and splattered. He had not become a Mattel toy at that time. I put a writer on it named John Milius - who laterwrote Apocalypse Now. He was the best of the writers of that era. I got him to write the script for me. Then Milius made me read the script to Evel. I realized he was kind of a sociopath and was totally messed. Then all of sudden Evel started to adopt lines out of the movie for himself. So his persona in the movie became more of his persona in real life. He would have been every kid's hero on one hand, but then he went and took that baseball bat and broke that guy's legs and that finished his career in the toy business. Evel was very, very difficult and he was jealous of anybody that was gonna play him. He wanted to portray himself and he did go and make his own movie later on. He had a great perception of this warrior that he thought he was and that was good. Then he had this other side of himself where he'd turn on you in a minute. Success is something that you have earn. You have to have a humility for it, because it can leave you in a second. It may remember you but it can sure leave you. I think if you don't get that and you don't have gratitude for what you are and where you are it doesn't come back and it goes away forever."

Evel Knievel ends with our hero successfully making a jump at the Ontario Motor Speedway and driving to a dirt road that leads to the Grand Canyon - which is about 456 miles if you take I-40. Again, he looks right at the camera and says, "Important people in this country, celebrities like myself - Elvis, Frank Sinatra, John Wayne - we have a responsibility. There are millions of people that look at our lives and it gives theirs some meaning. People come out from their jobs, most of which are meaningless to them, and they watch me jump 20 cars, maybe get splattered. It means something to them. They jump right alongside of me - they take the bars in their hands, and for one split second, they're all daredevils. I am the last gladiator in the new Rome. I go into the arena and I compete against destruction and I win. And next week, I go out there and I do it again. And this time - civilization being what it is and all - we have very little choice about our life. The only thing really left to us is a choice about our death. And mine will be - glorious."

Sue Lyon, who debuted as Lolita in the film of the same name, plays Evel's woman. She'd go on to be in all manner of movies that I could go on for hours about like End of the World and Alligator.

George Hamilton seems as far from the real Evel as you can get. But he was a carnie too, as Milius related that Hamilton was "A great con-man, that's what he really is. He always said, "I'll be remembered as a third-rate actor when in fact, I'm a first-rate con man."

This is a wonderful irresponsible bombastic backwards movie.

[kittysheba1 · 18 November 2006]

I saw this movie in the dollar bin of the grocery store and I couldn't help smiling. I had no idea if it would be worth a sitting, but I discovered to my joy that this film captures the energy and twisted, booze-fueled optimism of 1971 only too well. There is a senior thesis and a kitsch musical trapped in this time capsule. It is both a on-the-spot knowing parody of 70's machismo and a hapless apology for it, a living testimony to a living person.

George Hamilton in 1971 didn't seem to know how to act, he swaggered humorlessly and proclaimed, and chewed gum like Burt Reynolds. John Milius and a 90 year old Englishman scripted this, so Evel's lines are filled with references and heightened language that are quite outside the range of a dropout sociopath. And yet this movie isn't dead. It has an intentness, a brio, a sort of-- pertness. It deserves to have eyeballs given to it, over a few sittings, over a few lunch hours, using the DVD feature of your workstation in your cubicle. Go to your supermarket today!

Before safe spaces and P C!

[mm-39 · 6/10 · 26 June 2020]

Before safe spaces and P C cancel culture Evel Knievel was made. Today one would never make Evel Knievel with an outlaw anti hero. Knievel was a town trouble maker with dynamite who was in trouble with the law with a 50's greaser style biker bravado. As a kid Knievel was my hero. A guy who spent time in jail who decide to channel the restlessness into stunt shows. We see a time of town pranks/ stunts which would end one up with 5 years jail time now; along with people riding broncos drunk and wondering why the guy died. Knievel was right many people wanted to see the him splatter with each jump. But Knievel had to be Knievel. Not a great movies, probably with over exaggerations but don't let the truth get in the way of a good story. 6 stars.

dangerous to laugh at , but good-humored

[winner55 · 8/10 · 25 November 2007]

This film is a comedy and a satire, and as both, it is a double-edged sword - it laughs with it's target audience - 'good ol' boys' and wannabees along the drive-in circuit, primarily in the South - and at them. It is dangerous to laugh at this film, because you may find out you're laughing at yourself - but of course, it is so good-humored, you won't be able to avoid it.

This film is not really an Evel Knieval biopic; it is really a study in the culture that makes Knieval possible. The makers of this film - primarily producer-star Hamilton - understand that in the 20th century, Americans developed an unhealthy fascination for 'sports' wherein the performers flirted with death; this could only make sense if some of the performers actually did die. The performers themselves well understood that, but all believed they were invincible, that therefore they were manipulating the secret desire of the audience rather than satisfying it. However, inevitably some - like the rodeo bull-rider early in this film - just did die; no human is invincible, after all.

How do film-makers address such a culture without getting cynical or preachy about it? You take one such 'sports'-star and take him on face-value. The ground of this film is the Evel Knieval legend that Knieval himself was hyping at every opportunity - it is simply arraigned in a way that many of his tall-tales reveal themselves as just 'too much' for their own good - even if true, why would anybody do that? Finally, one has to note that this is a fine specimen of a film made specifically for the drive-in circuit: clearly enunciated dialog (those car-speakers), over-lit (has to play against moonlight), fast-paced, careful avoidance of close-ups (only Sergio Leone's were able to hold attention at the drive-in), sweeping scenery, episodic (plenty opportunities for couples to neck), and none too deep.

Bottom-line: I first saw this film 20 years ago and only recently saw it again; neither the film nor my opinion of it has changed much all those years - there must be something that still works here.

George Hamilton plays legendary stunt driver Evel Knievel in this preposterous mess of a movie. Awful, but still a real hoot!

[Infofreak · 4 February 2004]

Even though as a kid growing up in the 1970s I thought Evel Knievel was, along with Bruce Lee and Bill Bixby as "The Magician", one of the coolest guys on the planet, I'd for some reason never seen this biopic. Boy, watching this now is a trip! It's a mess of a movie really, but fascinating just the same. Firstly you have the oddball casting of George Hamilton as Knievel. Okay, it maybe isn't as left field as him playing Hank Williams, but it's still very odd. Secondly, Evel comes across as a real idiot, giving long winded egotistical speeches, slamming 'Easy Rider' and those "weirdos" for "giving bike riding a bad name". Thirdly, as an actual biography it's useless. We learn nothing about his life or how he became a stunt rider, let alone WHY he did what he did. Instead you get some utterly preposterous flash backs which include Evel kidnapping his future wife, robbing a store and even City Hall (with dynamite!), making you think you're watching some kind of proto-'Confessions Of A Dangerous Mind'! Hamilton gives a very unnatural, mannered performance, and the supporting cast includes Sue Lyon ('Lolita') as his wife Linda, Bert Freed, who was in everything from 'Paths Of Glory' to 'Whatever Happened To Baby Jane?' to 'Billy Jack', made the same year as this (he's the guy who says "We got the law here, Billy Jack"), plays his long suffering doctor, and Peckinpah regular Dub Taylor has a nice bit towards the beginning as the promoter who gives Evel his first break at a rodeo. 'Evel Knievel' is in many ways an awful movie but 1970s heads will get a kick out of it. You either dig these kind of Drive In exploitation movies or you don't. If you do, check this one out, it's a hoot!

Better than I remember!

[ronnybee2112 · 8/10 · 11 November 2020]

I first saw this movie on tv,in about 1975. I recently re-watched it,and I really enjoyed it! It is best described as a somewhat loose,partial biography of EK. George Hamilton did a great job portraying the energy and optimism of EK,because Mr Hamilton really took his part seriously and put an honest effort into it,and it shows! As to how close this movie is to EK's real life,who knows? I am sure there are some exaggerations,and probably a lot was left-out,too. I found this movie to be enjoyable and entertaining despite it's minor shortcomings. Check it out !

A Caesar's Palace suite for the king of the daredevils

[lemon993 · 13 June 2004]

Marvelous AND surreal biography of the craziest man ever to jump a phalanx of buses on "Wide World of Sports." When I was a kid I even had the Evel Knievel doll and revved-up bike--which could actually soar across the linoleum floor. Returning to the movie, you would be hard pressed to find a more carefree fellow than Evel. He prides himself on his plethora of broken bones and slipped disks. Actual footage of his real jumps is seamlessly cut into the film. It's truly amazing this man is still alive to this day. Remember, once he really did try to fly over a canyon named "Snake River." George Hamilton torpedoed his own career by making poor choices along the way--but this was his zenith. Sue Lyon lends a sympathetic ear and is easy on the eye. This movie promises even more when Mr. Knievel pops a wheelie across the Grand Canyon. Well, not really. But one can dream. Later on, Knievel would star in his own bio-pic called "Viva Knievel."

Brilliant Script...

[Smokemsj · 9/10 · 2 December 2020]

Seriously, watch this movie. The script vastly underrated... Found it based on QT's movie festival lineup in Austin in 1998. Same writer of Dirty Harry, Apocalypse Now, and Red Dawn. 9 star banger...

A delight for nostalgic Evel Knievel fans

[Hessian499 · 28 August 2004]

Anyone who remembers watching the exploits of Evel Knievel back in the late 1960s and 1970s will love this film! George Hamilton plays Evel Knievel as a confident, independent, and slightly foolhardy Knievel who tells his life story through flashbacks before a big jump at Ontario Speedway in California. The best parts are the flashbacks of his growing up in Butte, Montana, where much of the film was shot. It's hard to tell how many of the details of his years in Butte are accurate, but nonetheless they are entertaining to watch. Lots of good action scenes and chases through the streets keep the story moving well (SPOILER: watch for the scene where Evel rides his motorcycle through a sorority house to find his girlfriend - hilarious!). People who don't remember or were not fans of Evel Knievel may or may not like this film, but on its own merits it's an entertaining movie to watch. Rent it if you can find it, and happy landings!!!

The Evel Has Landed.

[Poseidon-3 · 4 October 2004]

Practically the only other actor who would be less likely to play Evel Knieval than Hamilton is Anthony Perkins, yet somehow Hamilton manages to turn in a reasonably effective portrayal (and as producer of the film, he wasn't likely to be fired or told he wasn't right for the part!) The early life of the daredevil motorcyclist is recounted here in multiple flashbacks. The film opens with a rather silly prologue with Hamilton in his white-leather, star-spangled gear spouting the world according to Knieval as if to say, "Don't worry. This film is about my youth, but I'll be back in my familiar costume by the end of the picture." Hamilton is preparing for a huge jump, yet is still licking his wounds from the previous one as devoted wife Lyon both supports and derides him. He recalls various vignettes of his childhood and delinquent teenage years along with his early days as a stunt rider and blossoming celebrity. This flip-flop approach is pretty abrupt and sometimes disjointed, but it does prevent the movie from sticking to one of its inexpensive sets for too long a time or from getting into a rut with the fairly pedestrian characters. Hamilton, usually a suave and debonair persona, does a very fine job of enacting the tiny details of his subject's mannerisms and demeanor including his walk. His hair is a shade lighter and longer and he works hard to give the right inflections in his speaking. (He even pays minor tribute to Knieval's many injuries by appearing in a skimpy towel while his shoulders are covered in "scars" from the multitudinous accidents.) Facially, he looks nothing like the real cyclist, but he does suggest him in his physical performance. Lyon is excellent at playing the young girl he loves and then the more worldly wife, though her 3-pack a day voice does threaten to give her away at any given moment. She and Hamilton strike up an easy chemistry which goes a long way in putting the film over. Other nice supporting turns are given by Freed as his jaded doctor, Cameron as an early influence and Taylor as a flea-bitten sideshow barker. The film was made on a low budget, but the story is a rather low rent one anyway, so that doesn't affect it too badly. The makers wisely used actual Butte, Montana locations to give the film a proper small town ambiance. Several of Hamilton's antics are amusing, though the character is certainly reckless and inconsiderate of other people's property! Some of the real Knieval's completed and failed stunts are included in some blurry footage, one of which features a mind-boggling "splatter" in which the man is rolled up and snapped around like a rag doll. Hamilton's then-wife (Stewart) appears briefly as a nurse.

Hamilton does a good job

[oscar-35 · 10 June 2008]

The legendary daredevil early life's story is told in flash-back. Stars; George Hamilton, Sue Lyon. An interesting film about the very early starting lawless young days of Knievel and girlfriend. This film does not cover much about the famous Evel the news media has shown to the public. A slow film to watch because of the plot and childish action scenes. Hamilton does a good job and casting was spot on. I have to think up more film review sentences. This stupid IMDb database has this ridiculous rule that concise reviewers have to come up with silly wordy and over think their reviews in order of this database keep their reviews to post. This phony posting requirement needs to be reviewed and changed by IMDb staff.

Sort Of Like Elvis On Wheels...

[azathothpwiggins · 4 July 2022]

When you think about it, the idea of someone risking their life for the sake of entertainment is obscene. So, let's not think about it. Watching EVEL KNIEVEL, we can say that he was a major adrenaline freak with a possible death wish, while still respecting his right to jump over things on his motorcycle.

George Hamilton is perfectly cast in the role of the titular daredevil. His smirking attitude toward danger, bodily injury, and dismemberment, breathes life into the legend that is Bobby "Evel" Knievel. We're treated to the story via flashbacks. Hamilton's Knievel is a man who knows his destiny lies in superstardom through increasingly hazardous risks. He lives to defy the fact that he could be obliterated into hamburger at any moment!

The actual footage of Knievel's stunts and crashes are spectacular. One in particular appears to be inescapably fatal. Yet, he somehow lived through it! Watch and believe!

Co-stars Sue Lyon as Evel's hopelessly beleaguered wife...