| John Cassavetes | ... | Hank McCain | |
| Britt Ekland | ... | Irene Tucker | |
| Peter Falk | ... | Charlie Adamo | |
| Gabriele Ferzetti | ... | Don Francesco DeMarco | |
| Luigi Pistilli | ... | Duke Mazzanga | |
| Margherita Guzzinati | ... | Margaret DeMarco | |
| Claudio Biava | ... | Barclay | |
| Steffen Zacharias | ... | Abe Stilberman | |
| James Morrison | ... | Joby Cuda | |
| Florinda Bolkan | ... | Joni Adamo | |
| Tony Kendall | ... | Pete Zacari | |
| Salvo Randone | ... | Don Salvatore | |
| Gena Rowlands | ... | Rosemary Scott | |
| Maria Mizar | |||
| Euplio Moscusu | |||
| Mirella Pamphili | |||
| Raffaele Triggia | |||
| Gaetano Imbró | |||
| Silvana Bacci | |||
| Franco Riti | |||
| rest of cast listed alphabetically: | |||
| Jack Ackerman | ... | Britten | |
| Annabella Andreoli | ... | Assunta Esposito | |
| Val Avery | ... | Chuck Regan | |
| Ennanno Consolazione | ... | Gennarino Esposito | |
| Billy Lee | ... | Pepe | |
| Dennis Sallas | ... | Fred Tecosky | |
| Pierluigi Aprà | ... | Jack McCain (uncredited) | |
Directed by | |||
| Giuliano Montaldo | |||
Writing credits(in alphabetical order) | ||
| Ovid Demaris | novel "Candyleg" | |
| Giuliano Montaldo | writer | |
| Mino Roli | writer | |
Produced by | |||
| Bino Cicogna | .... | producer | |
| Marco Vicario | .... | producer | |
Original Music by | |||
| Ennio Morricone | |||
Cinematography by | |||
| Erico Menczer | |||
Film Editing by | |||
| Franco Fraticelli | |||
Production Design by | |||
| Flavio Mogherini | |||
Art Direction by | |||
| Emilio Baldelli | |||
| Roberto Velocchio | |||
Set Decoration by | |||
| Ennio Michettoni | |||
| Flavio Mogherini | |||
Costume Design by | |||
| Enrico Sabbatini | |||
Makeup Department | |||
| Giancarlo De Leonardis | .... | hair stylist | |
| Michele Trimarchi | .... | makeup artist | |
Production Management | |||
| Romano Cardarelli | .... | production manager | |
| Agostino Pascatti | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Fabrizio Gianni | .... | assistant director | |
Sound Department | |||
| Giovanni Fratarcangeli | .... | boom operator | |
| Luciano Welisch | .... | sound editor | |
Costume and Wardrobe Department | |||
| Marcella Moretti | .... | wardrobe | |
| Nadia Vitali | .... | wardrobe | |
Editorial Department | |||
| Adriana Benedetti | .... | assistant editor | |
| Pierluigi Leonardi | .... | assistant editor | |
Music Department | |||
| Bruno Nicolai | .... | conductor | |
Other crew | |||
| Enrico Melonari | .... | production secretary | |
| Vittoria Vigorelli | .... | script supervisor | |
| Recent Posts (updated daily) | User |
|---|---|
| Ennio Morricone score - downolad it from here | chrishoward865 |
| filming location? | gardenby |
| Jim Morrison | jobycudo |
| Intoccabili, Gli (1968) | webillbradley |
| Jim Morrison | Jericho_One |
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| Full cast and crew | Company credits | External reviews |
| IMDb Crime section | IMDb Italy section | Add this title to MyMovies |
What do we have here folks? A Euro-crime movie that predates both "The Godfather" and "Dirty Harry"? Yes we do! As any fan of the genre can tell you, its mostly made up of rip offs of those two films, so to see one made in 1968 is pretty cool. Anyway, apart from pre-dating the genre's major influences, "Machine Gun McCain" is still a pretty cool movie with lots of outstanding action scenes. One of the things that stands out most about this film is the great acting from the solid cast that includes John Cassavetes, Britt Ekland and Peter Faulk. All do an excellent job, particularly Faulk in his role as the ruthless gangster Charlie. I also enjoyed Ekland's (one of my all time favorite 60's and 70's Euro-babes) quite a bit. Cassavetes likewise gives a nice performance in the title roll. To top it all off, this movie features an Ennio Morricone score. It's sparser than his better know Spaghetti western scores, but it works very well all the same. The title ballad was especially good. This film also has a good deal of violence for a late 60's movie featuring lots of gunshots and exploitations. This is a really cool film, but it could have used some nudity.