Directed by
| Eddie Romero | ||
Writing Credits (in alphabetical order)
| Beverly Miller | ... | (story) |
| Eddie Romero | ... | (screenplay) |
Cast (in credits order)
Produced by
| Kane W. Lynn | ... | executive producer |
| Eddie Romero | ... | producer |
Music by
| Tito Arevalo | ||
Cinematography by
| Justo Paulino | ||
Art Direction by
| Ben Otico | ||
Set Decoration by
| Bobby Bautista | ||
Makeup Department
| Tony Artieda | ... | makeup supervisor |
Production Management
| Mario David | ... | production manager |
| Cenón González | ... | unit manager |
Second Unit Director or Assistant Director
| Maria Saret | ... | assistant director (as María Abelardo) |
Sound Department
| Ernesto Cajucom | ... | sound recordist |
| Tony Gosalvez | ... | sound effects |
| Tommy Santos | ... | sound director |
Special Effects by
| Teofilo Hilario | ... | special effects |
Camera and Electrical Department
| Edmund Cupcupin | ... | second unit camera |
| Ernesto López | ... | head gaffer (as Fausto Lopez) |
| Bobby Ongleo | ... | assistant camera |
| Isagani Sioson | ... | assistant camera |
| Jose Totanis | ... | assistant camera |
Costume and Wardrobe Department
| Paquito Salcedo | ... | wardrobe |
Editorial Department
| Ben Barcelon | ... | supervising editor |
Music Department
| Tito Arevalo | ... | conductor |
Additional Crew
| Bienvenido Aldanese | ... | medical consultant |
| Johnny Fornoles | ... | color negative processing |
| Armando A. Herrera | ... | associate director (as Armando Herrera) |
| Bob Le Bar | ... | title designer |
| Tita Muñoz | ... | dialogue supervisor |
| Samuel M. Sherman | ... | production consultant (uncredited) |
