Santo contra Blue Demon en la Atlántida (1970) User Reviews

Wow!

[BandSAboutMovies · 6/10 · 28 July 2021]

To enjoy a Santo movie, you must just say, "Well, yes, alright" to all manner of statements. For example, you must realize that Santo is the equal of Batman, a scientific genius who is also a millionaire playboy who the cops rely on to solve all manner of cases but he also wrestles and unlike Bruce Wayne, he never shows up without his mask. Also, his greatest enemies are ersatz Universal Monsters that avoid lawsuits with the way they appear, aliens, demons, witches and, finally, a Nazi scientist who lives in Atlantis and is ready to nuke the world to prepare for the Cuatro Reich.

You know what makes my like for this movie transform into mad obsessive love? The fact that it outright steals footage from Invasion of Astro Monster, Atragon and Ebirah Horror of the Deep.

For some reason, Blue Demon always gets hypnotized and sent after Santo. I much prefer the movies where Leyenda de Azul gets to be his own man or even leads a team of luchadors.

That said, I love any movie where bad guys get speared with javelins, then wither away and die. Oh Aquiles and Juno, Hope Sandoval may have written about you when she sang, "It was you, breathless and tall. I could feel my eyes turning into dust. And two strangers turning into dust. Turning into dust."

Neo-Nazis, Atlantis and Conquest from Space

[kikaidar · 16 May 2000]

Blue Demon (Alejandro Munoz) was already a popular wrestler and ring rival of El Santo, by the time he was drafted into the Mexican lucha film genre. By the time this entry into the Blue Demon series was lensed, the Demon had appeared in 13 other wrestler hero titles.

ATLANTIS was made during the heyday of the lucha film -- the late 1960s where color photography and exotic enemies and locales were the new standard for these films. Equally importantly, it was one of several films (beginning with THE SATANIC POWER) to team Santo and Blue Demon as allies against evil.

The film begins with footage cobbled together from the Japanese film INVASION OF ASTRO MONSTER (aka MONSTER ZERO) and a couple of other fantasy films. A mysterious power broadcasting from the hidden ruins of lost Atlantis is threatening the world with an atomic attack from space.

Investing in a little legwork, the authorities have connected this new foe, Achilles, with a WWII Nazi scientist who had worked on the theories of perfecting a master race. It seems that Achilles (who looks to be in his 40s) and this scientist, who had vanished decades before, may be one and the same. Now, "Achilles" threatens the world with destruction if it doesn't agree to his rule and the installation of this uber-race as the new overlords.

The one hope of defeating this madman is a second researcher who knows enough about the Nazi scientist's plans to nullify them. Santo, both a wrestler and an agent in this entry, is already working with the scientist -- though he's never yet met the man. They agree to meet at an upcoming match between the Man In The Silver Mask and Blue Demon.

During the match, Achilles' men swap both wrestlers' water bottles for new ones containing a drug. The idea being to capture one or the other and make use of their power and skills. Santo waves his bottle aside, but the Demon drinks the drug and collapses.

The agents kidnap the unconscious wrestler in an ambulance and Santo "borrows" a car and races in pursuit. When he crashes on a hairpin curve, the enemy escapes. They take the Demon to Atlantis (evidently under a large rock some yards from the cost), where he fights one of Achilles' men. Impressed at the Demon's skill, Achilles offers him a place in his master plan. The Demon naturally refuses and is promptly placed under total hypnotic control.

After eliminating a double agent, Santo gets a call from the Demon. They drive out into the countryside, where the hypnotized Demon attacks Santo. A blonde female agent kills one of Achilles' agents, but the Demon escapes. After a duel of helicopters, the Demon parachutes to safety. Santo is captured and hypnotized. He's sent after the good scientist.

In a surprise twist, as this "Santo" wrecks the lab, another appears and kills the first. Santo had been saved from being hypnotized, and had arrived to save the researcher. The Demon, showing up at the lab, is captured and deprogrammed with a strobe gun. He and Santo, working with one of Achilles' agents, who's switched sides, go to plant explosives in the Atlantis base. At the same time, Achilles is readying his missiles.

Captured, Santo is confronted by the blonde agent, who is in reality one of Achilles' minions. A fight breaks out, during which the Demon saves Santo's life.

During the skirmish, Achilles is killed and instantly ages. He had succeeded in finding the secret of eternal youth. The turncoat agent is also killed and ages as well. Santo and the Demon escape as the enemy base is blown to atoms.

Overall, it's an enjoyable spy romp, though there are a few slight slips. Most notably the scene in which the Demon is driving Santo along a coastal highway, and the shadow of the camera mounted on the back of their red Thunderbird periodically sways into the shot. Still, anything but drek.

Pure cheese....but quite entertaining cheese.

[planktonrules · 3/10 · 8 January 2021]

One of my guilty pleasures is watching Mexican luchador (wrestling) movies. They are pretty much all poorly made and with mega-weird plots...but they also are entertaining and one-of-a-kind viewing experiences!

Now these films are not just about wrestling. While all of them contain a few abbreviated wrestling matches in them, they also involve the heroic wrestlers taking on some of the strangest villains imaginable, such as Dracula, aliens or zombies! To make it all stranger, on their off hours, these masked men keep their masks on and go about their everyday lives this way....as well as when they respond to crime fighting! I saw one Santo film where he even showered with his mask on and then went out on a date wearing the thing!

In "Santo Contra Blue Demon en la Atlantida" ("The Saint versus Blue Demon in Atlantis), we have an even more bizarre plot than usual. It seems a Nazi scientist is trying to revive the Third Reich and he's planning on launching a nuclear attack on the Earth from space!! So, it's up to Santo and Blue Demon to somehow stop him...as well as possibly going into space! But before Blue Demon can help his friend, he's drugged and kidnapped and made a pawn of the evil scientist!! Can Santo, on his own, take on the Nazis AND his buddy, Blue Demon and have any chance of success??

This film features what you'd expect....relatively low production values, cheesy acting, silly villains and lots of grappling. But despite being downright ridiculous, it's also very fun to watch...in a turn off your brain and just enjoy sort of way. Well worth seeing...provided you occasionally like a cheesy film. It's also great fun to watch along with like-minded friends.

Patchwork picture...

[poe426 · 7/10 · 25 May 2010]

As with many of the Poverty Row productions that featured El Santo (not to mention Blue Demon or Mil Mascaras, among many others), SANTO VS. BLUE DEMON IN ATLANTIS makes extensive use of "stock footage" from bigger budget films (in this case, at least one Japanese kaiju classic and an Italian muscleman movie or two). This one's actually more of a showcase for Blue Demon than anything else and it's the action throughout that makes it worth watching (Blue is shown beating Santo in one out of two falls, though he conveniently falls flat on his face- after being drugged- before the tiebreaker can be decided). While this is yet another of those patchwork pictures that rely solely on the good graces of those who have come before for their "higher production values," it's fun and boasts enough action to overcome its deficits.

Not perfect, but entertaining

[alucinecinefago · 15 May 2020]

The following review is an extract from the book "Santo, the Wrestler with the Silver Mask: A guide to all his films", which is now available on Amazon.

"Dr. Hugo Olvritch, aka Achilles, is a mad scientist with the intention of subjugating the world. The great powers are worried after two strange events: The launch of a rocket and the explosion of a hydrogen bomb on an island. The US, the USSR and other powerful states deny having anything to do with it. International representatives are meeting in a security council with the intention of preventing the outbreak of World War III.

(...)

On this occasion, the Saint plays a role as an international secret agent, in a film that combines the intrigue of the spy genre with science fiction.

At the beginning there is a very long prologue, reminiscent of the one in "Who Can Kill a Child?" (Narciso Ibáñez Serrador, 1977), where a voice-over narrator warns of the dire consequences of the wars, violence and conflicts that have wounded mankind since the beginning of time. The prologue becomes even longer, and numerous inserts, archive scenes about rocket launches, nuclear bomb detonations, etc., are paraded before our eyes.

Santo, the supposed protagonist, takes 20 minutes to appear. He does so in a ring fight against Blue Demon. He must then collaborate with Professor Gerard (and the "world security control") in locating Olvritch's hideout and neutralizing him.

The film was directed by Julián Soler, a director who is extremely interesting for having made two memorable films: "Si usted no puede, yo sí" (1951), a comedy with a script by Luis Buñuel and Luis Alcoriza; and the excellent "Pánico" (1966), a psychological horror triptych (not exempt from black humor in its last segment). On the other hand, this "Santo contra Blue Demon en la Atántida" is predictable and dispensable."