This is an action musical and I doubt there is any other "action musical" in existence (outside of Bollywood). It starts out singing with the fabulous 1960s clothes and set design. Our singing star, Lam Chung, was a genuine Taiwan singer. When the opening tune ends he is chased by the police and escapes by a taxi that turns out to be a police car. He easily escapes when the driver has to hit the brakes.
He goes to his friend's house and they discuss the plot. Another jewel thief known as "The Flying Thief" seems to be ruining his reputation so he decides he will capture the imposter.
My copy is a VCD. That means "video compact disk" which is an extinct format with the movie on two disks. I found my copy covered in dust on the back shelf of a music/movie store in China Town Los Angeles. It wide screen with dual Chinese/English subtitles.
Overall, if you are looking for an action musical, this will fill the missing hole in your life for 87 minutes. As a fan of martial arts movies of the golden age 1967 to 1984 I can only rate this as a tad less than average. The best action director duo ever, Tong Kai and Liu Chia-Liang, didn't seen to have enough work to do here. There just isn't enough action for me.
3 Reviews
The Flying Thief.
morrison-dylan-fan5 February 2019
Warning: Spoilers
After recently viewing the superb Zhan shi yan dao/ The Venus Tear Diamond(1971) (that I also reviewed) I looked around online for trivia. From the few spots of info around on the flick,I saw comparisons made to another rare Shaw Brothers Musical Caper. Getting very lucky and guided towards this title, (with Eng Subs!) I sat down to hear the thief sing.
View on the film:
Swooning round the opening music number like a Pop-star pin-up,Jimmy Lin Chong gives a sparkling turn as 'Diamond' Pan,thanks to Chong's slick charisma fitting that of a gentlemen thief, while offering a believability to "Diamond" putting his thieving days behind and becoming a singer. Suspecting he still has a sparkle in his eyes for robbery, pretty Lily Ho gives an elegant twist as heiress Darling Fang, who is unable to resist the temptation of "Diamond" being a dangerous thief.Departing from the Martial Arts creations they had done for Shaw Brothers in the past, director Cheh Chang & cinematographer Mu-To Kung wonderfully criss-cross Musical numbers with spy Caper thrills and scatter-gun Kung-Fu action.
Keeping "Diamond's" robbery past an open secret, Chang shines an ultra-stylised light over the jewels in Diamond's life which shimmer in glittery kitsch yellows, greens and pinks being sprayed on the dance floor and his bedroom wall, along with distorted corner shots tracking a copycat thief from Diamond's view. Holding the hearts and diamonds that he has stolen, the screenplay by Kang Chien Chiu spins a comedic playfulness from Diamond being a charmer who outwits the police at every turn. Rolling in double crosses as Diamond tries to catch a copycat thief, Chiu loses focus by trying to to bring gangs into the action, which leads to a final where the motives remain somewhat vague, yet can't take the shine off a Diamond geezer.
View on the film:
Swooning round the opening music number like a Pop-star pin-up,Jimmy Lin Chong gives a sparkling turn as 'Diamond' Pan,thanks to Chong's slick charisma fitting that of a gentlemen thief, while offering a believability to "Diamond" putting his thieving days behind and becoming a singer. Suspecting he still has a sparkle in his eyes for robbery, pretty Lily Ho gives an elegant twist as heiress Darling Fang, who is unable to resist the temptation of "Diamond" being a dangerous thief.Departing from the Martial Arts creations they had done for Shaw Brothers in the past, director Cheh Chang & cinematographer Mu-To Kung wonderfully criss-cross Musical numbers with spy Caper thrills and scatter-gun Kung-Fu action.
Keeping "Diamond's" robbery past an open secret, Chang shines an ultra-stylised light over the jewels in Diamond's life which shimmer in glittery kitsch yellows, greens and pinks being sprayed on the dance floor and his bedroom wall, along with distorted corner shots tracking a copycat thief from Diamond's view. Holding the hearts and diamonds that he has stolen, the screenplay by Kang Chien Chiu spins a comedic playfulness from Diamond being a charmer who outwits the police at every turn. Rolling in double crosses as Diamond tries to catch a copycat thief, Chiu loses focus by trying to to bring gangs into the action, which leads to a final where the motives remain somewhat vague, yet can't take the shine off a Diamond geezer.
THE SINGING THIEF - awkward mix of music, comedy, and kung fu
BrianDanaCamp10 May 2008
THE SINGING THIEF is a 1960s caper film from Hong Kong's Shaw Bros. studio with an emphasis on romantic comedy until an hour into the film when thriller elements are added to a very slight tale about "Diamond" Poon (Lin Chong), a jewel thief-turned-nightclub singer who is wanted by the police after a copycat thief undertakes a series of robberies designed to implicate the singer. A pretty young heiress, Darling Fang (Lily Ho), insists to the police that she wants to direct the case herself, in order to protect her own collection of jewels, so she has them deliver Poon to her sprawling estate and lets him live with her! (These astoundingly compliant- and consistently bumbling -cops are a far cry from the hard-nosed Hong Kong detectives we'd come to appreciate in THE BIG HEAT, CITY ON FIRE, and HARD-BOILED, all made 20 years later.) The film opens with two songs sung by Poon, one, where he's dressed as a pirate, about stealing jewels and one on a diamond-bedecked nightclub set about how he loves diamonds ("cold as ice, hard as steel").
Things turn violent in the film's final half-hour as our hero suddenly knows kung fu and fights off a small army of thugs, mostly in near-total darkness, no doubt to hide the lead actor's lack of fighting skill. The final setpiece takes place in a movie studio (presumably Shaw's) at night and is shot against a backdrop of sets that would probably look familiar if we could only see them. For most of the fights, it was never quite clear exactly who the hero was fighting or why.
The most remarkable thing about the film is the powerful resemblance of the lead actor, Lin Chong (aka Jimmy Lin Chung, as he's billed), to Chow Yun-Fat, a major Hong Kong star of 20 years later. It's like watching an alternate Hong Kong cinema universe where Chow was born a generation sooner and became a movie star in the 1960s, not the '80s, but in much less interesting films. Lily Ho is cute and changes fashions and hairstyles (and hair lengths) in every scene, but her character is somewhat nonsensical. Lo Lieh is on hand as one of the lead villains.
The film was directed by Shaw Bros. workhorse Chang Cheh, with fight choreography by Tang Chia and Liu Chia Liang. All three were working together on far superior martial arts films at the time, including GOLDEN SWALLOW, RETURN OF THE ONE-ARMED SWORDSMAN, and HAVE SWORD WILL TRAVEL. As a team, they'd go on to create some of the greatest kung fu films of the early 1970s (e.g. HEROES TWO, MEN FROM THE MONASTERY, and SHAOLIN MARTIAL ARTS). THE SINGING THIEF was clearly not one of their finest moments.
Things turn violent in the film's final half-hour as our hero suddenly knows kung fu and fights off a small army of thugs, mostly in near-total darkness, no doubt to hide the lead actor's lack of fighting skill. The final setpiece takes place in a movie studio (presumably Shaw's) at night and is shot against a backdrop of sets that would probably look familiar if we could only see them. For most of the fights, it was never quite clear exactly who the hero was fighting or why.
The most remarkable thing about the film is the powerful resemblance of the lead actor, Lin Chong (aka Jimmy Lin Chung, as he's billed), to Chow Yun-Fat, a major Hong Kong star of 20 years later. It's like watching an alternate Hong Kong cinema universe where Chow was born a generation sooner and became a movie star in the 1960s, not the '80s, but in much less interesting films. Lily Ho is cute and changes fashions and hairstyles (and hair lengths) in every scene, but her character is somewhat nonsensical. Lo Lieh is on hand as one of the lead villains.
The film was directed by Shaw Bros. workhorse Chang Cheh, with fight choreography by Tang Chia and Liu Chia Liang. All three were working together on far superior martial arts films at the time, including GOLDEN SWALLOW, RETURN OF THE ONE-ARMED SWORDSMAN, and HAVE SWORD WILL TRAVEL. As a team, they'd go on to create some of the greatest kung fu films of the early 1970s (e.g. HEROES TWO, MEN FROM THE MONASTERY, and SHAOLIN MARTIAL ARTS). THE SINGING THIEF was clearly not one of their finest moments.
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