An aging horror star questions his place in modern Hollywood, while a disturbed young man goes on a killing spree.
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Writers:
Stars:
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Complete, Cast awaiting verification
| Boris Karloff | ... |
Byron Orlok
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| Tim O'Kelly | ... |
Bobby Thompson
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| Nancy Hsueh | ... |
Jenny
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| James Brown | ... |
Robert Thompson Sr.
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| Arthur Peterson | ... |
Ed Loughlin
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Tanya Morgan | ... |
Ilene Thompson
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| Mary Jackson | ... |
Charlotte Thompson
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| Sandy Baron | ... |
Kip Larkin
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| Monte Landis | ... |
Marshall Smith
(as Monty Landis)
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Paul Condylis | ... |
Drive-In Manager
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Mark Dennis | ... |
Salesman (2nd Gunshop)
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| Stafford Morgan | ... |
Salesman (1st Gunshop)
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| Peter Bogdanovich | ... |
Sammy Michaels
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Daniel Ades | ... |
Chauffeur
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Timothy Burns | ... |
Waiter
(as Tim Burns)
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Warren White | ... |
Grocery Boy
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Geraldine Baron | ... |
Larkin's Girl
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| Gary Kent | ... |
Gas Tank Worker
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Ellie Wood Walker | ... |
Woman on Freeway
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| Frank Marshall | ... |
Ticket Boy
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Byron Betz | ... |
Projectionist
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| Mike Farrell | ... |
Man in Phonebooth
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Carol Samuels | ... |
Cashier
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Jay Daniel | ... |
Snack Bar Attendant
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James Morris | ... |
Man with Pistol
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| Elaine Partnow | ... |
Other at the Drive-In
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Pete Belcher | ... |
Other at the Drive-In
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James Bowie | ... |
Other at the Drive-In
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Anita Poree | ... |
Other at the Drive-In
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Robert Cleaves | ... |
Other at the Drive-In
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Kay Douglas | ... |
Other at the Drive-In
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Raymond Roy | ... |
Other at the Drive-In
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Diana Ashley | ... |
Other at the Drive-In
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| Kirk Scott | ... |
Other at the Drive-In
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| Susan Douglas Rubes | ... |
Other at the Drive-In
(as Susan Douglas)
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| Rest of cast listed alphabetically: | |||
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Chris Kent | ... |
Boy in Car at Drive-In (uncredited)
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Mike Kent | ... |
Baby in Car at Drive-In (uncredited)
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| Sandra Knight | ... |
Helene (uncredited) (archiveFootage)
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Git Luboviski | ... |
Woman in Car at Drive-In (uncredited)
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Milton Luboviski | ... |
Man in Car at Drive-In (uncredited)
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| Clark Marshall | ... |
Runch (uncredited) (archiveFootage)
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| Jack Marshall | ... |
Man in Car at Drive-In (uncredited)
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Eva Pellegrini | ... |
Woman in Car at Drive-In (uncredited)
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| Polly Platt | ... |
Passer-by at Drive-In (uncredited)
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Daniel Selznick | ... |
Shot Motorist (uncredited)
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| Don Steele | ... |
Deejay on Radio (uncredited) (voice)
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| Ethel Wales | ... |
Katie Ryan (uncredited) (archiveFootage)
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Directed by
| Peter Bogdanovich | ||
Written by
| Peter Bogdanovich | ... | (screenplay by) |
| Polly Platt | ... | (story by) and |
| Peter Bogdanovich | ... | (story by) |
| Samuel Fuller | ... | (co-screenwriter) (uncredited) |
Produced by
| Peter Bogdanovich | ... | producer (produced by) |
| Roger Corman | ... | executive producer (uncredited) |
| Daniel Selznick | ... | associate producer |
Cinematography by
| László Kovács | ... | director of photography (as Laszlo Kovacs) |
Editing by
| Peter Bogdanovich | ... | (uncredited) |
Editorial Department
| Mae Woods | ... | editorial assistant |
Production Design by
| Polly Platt | ||
Costume Design by
| Polly Platt | ... | (uncredited) |
Makeup Department
| Scott Hamilton | ... | makeup |
Production Management
| Paul Lewis | ... | production manager |
| Phil Miller | ... | production manager (uncredited) |
Second Unit Director or Assistant Director
| Gilles de Turenne | ... | assistant director (as Gilles De Turenne) |
Art Department
| James Campbell | ... | properties |
| Scott Fitzgerald | ... | assistant art director |
Sound Department
| Verna Fields | ... | sound editor |
| Sam Kopetzky | ... | sound |
Special Effects by
| Gary Kent | ... | special effects (uncredited) |
Camera and Electrical Department
| Richmond L. Aguilar | ... | gaffer (as Richmond Aguilar) |
| Tom Ramsey | ... | key grip |
| Peter Sorel | ... | assistant cameraman |
| Bill Pecchi | ... | grip (uncredited) |
Music Department
| Charles Greene | ... | producer: radio music |
| Brian Stone | ... | producer: radio music |
| Ronald Stein | ... | composer: stock music from "The Terror" (uncredited) |
Script and Continuity Department
| Joyce King | ... | continuity |
Additional Crew
| Frank Marshall | ... | assistant to the director |
| James Morris | ... | production assistant |
| Tamara Asseyev | ... | production assistant (uncredited) |
Thanks
| Howard Hawks | ... | acknowledgement: sequence from "The Criminal Code" |
Production Companies
Distributors
- Paramount Pictures (1968) (United States) (theatrical)
- Paramount British Pictures (1969) (United Kingdom) (theatrical)
- Film AB Paramount (1969) (Sweden) (theatrical)
- Paramount Film Service (1969) (Australia) (theatrical)
- Paramount-Film (1969) (West Germany) (theatrical)
- Kommunenes Filmcentral (KF) (1969) (Norway) (VHS)
- Paramount Pictures (1972) (Mexico) (theatrical)
- Obelisk Film (1974) (West Germany) (theatrical) (re-release)
- V.O. Films S.A. (1974) (Spain) (theatrical) (re-release)
- Paramount Home Entertainment (1982) (United States) (VHS) (pan and scan; as Paramount Gateway Video)
- Paramount Home Entertainment (2003) (United States) (DVD) (widescreen)
- Paramount Home Entertainment (2004) (Brazil) (DVD)
- Paramount Home Entertainment (2004) (Spain) (DVD)
- Terminal Video (2013) (Italy) (DVD)
- Warner Archive Collection (2013) (United States) (DVD)
- The Criterion Collection (2023) (United States) (Blu-ray)
- BFI Video (2023) (United Kingdom) (Blu-ray)
Special Effects
Other Companies
- International Alliance of Theatrical Stage Employees (IATSE) (this picture made under the jurisdiction of: affiliated with A.F. L.-C.I.O.)
- Cinema Research (titles)
- Ryder Sound Services (re-recording)
- Columbia Pictures (we thank: for permission to use a sequence from Howard Hawks' "The Criminal Code")
- Berkey Pathé (color by)
- Roundabout Entertainment (post-production facilities: restoration and HDR mastering)
Storyline
| Plot Summary |
Veteran actor Byron Orlok is in Los Angeles for the premier of his new movie. He has grown tired of the film industry and wants to retire. Meanwhile in suburbia gun-crazy Bobby Thompson is growing restless, wanting to take his gun obsession to the next level and having homicidal thoughts. Written by grantss |
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| Taglines | TARGETS are people...and you could be one of them! See more » |
| Genres | |
| Parents Guide | View content advisory » |
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Box Office
| Budget | $130,000 (estimated) |
Did You Know?
| Trivia | By the time this film was made (from November 1967 to December 1967), Boris Karloff was 80 years old and in very poor health, suffering from emphysema along with rheumatoid arthritis, had only half of one lung and spent the time between takes in a wheelchair with an oxygen mask on. He also wore braces on both legs and had difficulty standing or walking without his cane; the weakness of his legs is visible in some scenes in the film. Fortunately, Karloff lived long enough to view the completed film as well as enjoy the well-deserved accolades he received for this performance. See more » |
| Goofs | (at around 1h 28 mins) At the very end of the movie, the drive-in is empty the next day, except for the killer's car. This is illogical: the victims' cars should be there too. See more » |
| Movie Connections | Featured in Boris Karloff (1996). See more » |
| Soundtracks | Green Rocky Road See more » |
| Crazy Credits | The original theatrical prints begin with a title card reading: "Why gun control? Why did a lunatic sniper kill or maim 11 innocent victims in Texas on June 3, 1966? Why were over 7,000 Americans slain or wounded by gunfire in 1967? Why in 1968 after assassinations and thousands of more murders has our country no effective gun control law? This motion picture tells a story that sheds a little light on a very dark and a very deep topic." This text was added by Paramount Pictures in the wake of the assassinations of Martin Luther King and Robert F. Kennedy, but was not approved by director Peter Bogdanovich, and was removed from later releases of the film. See more » |
| Quotes |
Byron Orlok:
Ladies and gentlemen, boys and girls, I'd like to leave you with a little story to think about as you drive home through the darkness. Once upon a time, many, many years ago, a rich merchant in Baghdad sent his servant to the marketplace to buy provisions. And after a while, the servant came back, white-faced and trembling, and said, "Master, when I was in the marketplace, I was jostled by a woman in the crowd, and I turned to look, and I saw that it was Death that jostled me. And she looked at me and made a threatening gesture. Oh, Master, please, lend me your horse, that I may ride away from this city and escape my fate. I will ride to Samara, and Death will not find me there." So the merchant loaned him the horse, and the servant mounted it and dug his spurs into its flank, and as fast as the horse could gallop, he rode towards Samara. Then the merchant went to the marketplace, and he saw Death standing in the crowd, and he said to her, "Why did you make a threatening gesture to my servant when you saw him this morning?" And Death said, "I made no threatening gesture. That was only a start of surprise. I was astonished to see him here in Baghdad, for I have an appointment with him tonight in Samara." See more » |