Partner (1968)
Partner. (original title)Reference View | Change View
- Not Rated
- 1h 45min
- Drama
- 25 Oct 1968 (Italy)
- Movie
Bernardo Bertolucci, along with co-scenarist Gianni Amico, used Dostoievski's 1846, pre-imprisonment novella The Double: A Petersburg Poem, which they moved to Italy and updated to the pro-Vietcong student-protest present.
Director:
Award:
- 1 nomination.
- See more »
Photos and Videos
Complete, Cast awaiting verification
Pierre Clémenti | ... |
Giacobbe I and II
|
|
Tina Aumont | ... |
Salesgirl
|
|
Sergio Tofano | ... |
Professor Petrushka
|
|
Giulio Cesare Castello | ... |
Professor Mozzoni
|
|
Romano Costa | ... |
Clara's father
|
|
Antonio Maestri | ... |
Professor 'Tre Zampe'
|
|
Mario Venturini | ... |
Professor
|
|
Alessandro Cane | ... |
Student
|
|
Gianpaolo Capovilla | ... |
Student
(as Gian Paolo Capovilla)
|
|
Ninetto Davoli | ... |
Student
|
|
Vittorio Fanfoni | ... |
Student
|
|
Luigi Antonio Guerra | ... |
Student
(as Luigi Guerra)
|
|
Giuseppe Mangano | ... |
Student
|
|
Giancarlo Nanni | ... |
Student
|
|
Stefano Oppedisano | ... |
Student
|
|
Salvatore Samperi | ... |
Student
|
|
Umberto Silva | ... |
Student
|
|
Stefania Sandrelli | ... |
Clara
|
|
Rest of cast listed alphabetically: | |||
Rosemary Dexter |
|
||
Gian Vittorio Baldi | ... |
Detectiv superintendant (uncredited)
|
|
Rochelle Barbieri | ... |
Student (uncredited)
|
|
Sandro Bernadone | ... |
Student (uncredited)
|
|
Jed Curtis | ... |
Traveler (uncredited)
|
|
David Grieco | ... |
Student (uncredited)
|
|
Nicole Laguigner | ... |
Student (uncredited)
|
|
Jean Robert Marquis | ... |
Student (uncredited)
|
|
Renato Marzano | ... |
Party Guest (uncredited)
|
|
John Ohettplace | ... |
Pianist (uncredited)
|
|
Sibilla Sedat | ... |
Student (uncredited)
|
Directed by
Bernardo Bertolucci |
Written by
Bernardo Bertolucci | ... | (story) & |
Gianni Amico | ... | (story) |
Bernardo Bertolucci | ... | (screenplay) & |
Gianni Amico | ... | (screenplay) |
Fyodor Dostoevsky | ... | (novel: "The Double") (uncredited) |
Produced by
Giovanni Bertolucci | ... | producer |
Music by
Ennio Morricone |
Cinematography by
Ugo Piccone |
Editing by
Roberto Perpignani |
Editorial Department
Maurizio Mangosi | ... | assistant editor |
Giancarlo Venarucci | ... | assistant editor |
Production Design by
Francesco Tullio Altan |
Costume Design by
Nicoletta Sivieri |
Makeup Department
Marcella De Marsi | ... | hair stylist |
Lamberto Marini | ... | makeup artist |
Production Management
Aldo U. Passalacqua | ... | unit manager |
Second Unit Director or Assistant Director
Gianluigi Calderone | ... | assistant director |
Sound Department
Manlio Magara | ... | sound |
Giorgio Minoprio | ... | boom operator |
Romano Pampaloni | ... | sound mixer |
Camera and Electrical Department
Giorgio Aureli | ... | assistant camera |
Saverio Diamante | ... | camera operator (as Saverio Diamanti) |
Marilù Parolini | ... | still photographer |
Music Department
Bruno Nicolai | ... | conductor |
Script and Continuity Department
Fabio Garriba | ... | continuity (as Fabio Garribba) |
Additional Crew
Marcello Papaleo | ... | assistant unit manager |
Pietro Sassaroli | ... | cashier |
Attilio Viti | ... | production secretary |
Production Companies
Distributors
- New Yorker Films (1974) (United States) (theatrical) (subtitled)
- Filmes Castello Lopes (1977) (Portugal) (theatrical)
- Musidora Films (1977) (Spain) (theatrical)
- Zazie Films (2013) (Japan) (theatrical)
- General Video (2009) (Italy) (DVD)
- King Records (2013) (Japan) (DVD)
- NoShame Films (2005) (United States) (DVD)
- Versátil Home Vídeo (2008) (Brazil) (DVD)
Special Effects
Other Companies
Storyline
Plot Keywords | |
Genres | |
Parents Guide | Add content advisory for parents » |
Certification |
Additional Details
Also Known As |
|
Runtime |
|
Country | |
Language | |
Color | |
Aspect Ratio |
|
Sound Mix | |
Filming Locations |
Did You Know?
Movie Connections | Featured in His Day of Glory (1969). See more » |
Soundtracks | Splash See more » |
Quotes |
Giacobbe I and II:
The things are not as we see, neither as we feel them generally. But it is as the theater shows us. The things are receptacles of evil, which is, of irreality. The theater is one of the ways that conduct men to reality. In the beginning, things were real, the world in its childhood was real, there was a ressonance on men. To look to the world at that time was to see the infinite. Now, something is growing inside of me, that doesn't come from me but it comes from the darkness inside of me. And soon there'll be nothing. Except our obscene masks that imitate reality in between the sputum and the manure of the world. See more » |