Quasi-comedy biker flick with western-genre elements has motocross champ Jeremy Slate (as the one decent character, and convincingly so) plotting his vengeance on the Arizona biker gang who stole his prized cycle. He catches up to them but is beaten badly, and for compensation the scurrilous pack leaves him scowling chopper chick Jocelyn Lane (an attractive cross between Nancy Sinatra and a post-teenage Hayley Mills, but a bit too refined for this kind of movie). "Hell's Belles" isn't much, nor does it strive to be, but the desert locales are interesting, Les Baxter's score is campy, and the performances aren't bad. Adam Roarke, a fine actor who made more than his share of groaners, plays the leader with admirable finesse, and the growing relationship between Slate and Lane is intriguing. The final showdown is well done, as is the closing scene. American International Pictures, having had huge success with "The Wild Angels" in 1966, had a tough time getting out of the biker rut, and by 1970 it was all starting to look like rehashed goods, but this entry has some modest surprises up its sleeve, and leaves you with more than just a quick biker fix. ** from ****
13 Reviews
Hell's Belles
angelsunchained7 January 2005
Hell's Belles is nothing more than a story about one biker stealing a motorcycle from another, who in turn gets it stolen by a biker gang, who is turn is chased down by the biker who got his bike stolen in the first place! Sounds exciting right? Not really. grade-school fight scenes, a biker gang that doesn't smoke, drink, or even wear leather jackets! Biker-film pin-up boys Jeremy Slate and Adam Roarke are the leads, but their acting is cheesy and wooden. However, the bright spot of Hell's Belles is the beautiful Jocelyn Lane. Hubba! Hubba! Miss Lane runs, screams, cries, rides a motorcycle, falls off a motorcycle, wearing a mini-skirt and boots. Blonde, tan, and built! The biggest farce of this film is how both Slate and Roarke are more in love with a prize bike, then the shapely Lane. How unreal can you get. I'd rate this stinker a 2, but I'd rate Miss Lane a 10. Hell's Belles!
Maury Dexter stabs at bikerspoitation
TheFearmakers3 June 2022
The late-60's biker sub-genre take on the James Stewart Western, WINCHESTER '73, which is about a cherished gun, won in a contest then stolen from the winner before winding up in several different hands...
Only here it's a motorcycle that modern cowboy type Jeremy Slate loses the night of the race by his jealous rival, who then loses it to the token gang led by sixties' biker staple Adam Roarke, fresh from HELL'S ANGELS ON WHEELS and THE SAVAGE SEVEN...
So Roarke (with bulky sidekick William Lucking) is as comfortable in a biker flick as director Maury Dexter is at Westerns, since, earlier in the decade, he turned out a bunch for 20th Century Fox along with Neo Noir thrillers, and, like those entertaining and economical programmers, he moves an otherwise plodding exploitation decently enough for the viewer to remain semi-intrigued throughout...
But the true scene-stealer is the extremely gorgeous Jocelyn Lane, who Roarke trades Slate for the stolen vehicle and that he doesn't want (God knows why), and the title HELL'S BELLES is misleading since it's not about the other biker molls, all but passive commentators on their men, fighting with fists instead guns and riding bikes instead of horses, while Slate eventually thaws out from his initially reluctant relationship with Lane... Who wouldn't?
Only here it's a motorcycle that modern cowboy type Jeremy Slate loses the night of the race by his jealous rival, who then loses it to the token gang led by sixties' biker staple Adam Roarke, fresh from HELL'S ANGELS ON WHEELS and THE SAVAGE SEVEN...
So Roarke (with bulky sidekick William Lucking) is as comfortable in a biker flick as director Maury Dexter is at Westerns, since, earlier in the decade, he turned out a bunch for 20th Century Fox along with Neo Noir thrillers, and, like those entertaining and economical programmers, he moves an otherwise plodding exploitation decently enough for the viewer to remain semi-intrigued throughout...
But the true scene-stealer is the extremely gorgeous Jocelyn Lane, who Roarke trades Slate for the stolen vehicle and that he doesn't want (God knows why), and the title HELL'S BELLES is misleading since it's not about the other biker molls, all but passive commentators on their men, fighting with fists instead guns and riding bikes instead of horses, while Slate eventually thaws out from his initially reluctant relationship with Lane... Who wouldn't?
Exploitation was over by '70 (Thank God for Jocelyn Lane)!
shepardjessica-124 November 2004
Cruddy, innocent..no smoking, drinking or bikers, but Jeremy Slate (good actor) and Jocelyn Lane (good actress) make this moronically feasible for a bad biker flick, post-biker (exploit) time. They knew it, we knew it...Adam Roarke and Slate are wasted..but they lived on.
A 3 out of 10. Best performance = Jocelyn Lane. Lane is the ONLY really to catch the final exploit biker film after RUN, ANGEL, RUN (which also has good actors - like Don Stroud, etc.). It was over. They knew it. They were trying to make a living. But, Jocelyn Lane (from two Elvis bad flicks, TICKLE ME and something bad one) in yellow and leather is the modern hot chick with J. Slate fighting for honor. It's worth seeing, but it sucks. But check it out. Well worth non-biker, non-smoker, non-boozing, "biker" types with hot chicks.
A 3 out of 10. Best performance = Jocelyn Lane. Lane is the ONLY really to catch the final exploit biker film after RUN, ANGEL, RUN (which also has good actors - like Don Stroud, etc.). It was over. They knew it. They were trying to make a living. But, Jocelyn Lane (from two Elvis bad flicks, TICKLE ME and something bad one) in yellow and leather is the modern hot chick with J. Slate fighting for honor. It's worth seeing, but it sucks. But check it out. Well worth non-biker, non-smoker, non-boozing, "biker" types with hot chicks.
These belles hit sour notes.
mark.waltz31 December 2021
Warning: Spoilers
More rebels without causes in another 60's counterculture action film that for the most part features some genuinely lousy acting and cliched action sequences and violence that littered the screen in dozens of these biker films. I guess nobody really analyze them at the drive-ins, and with the exception of Jeremy Slate and possibly Jocelyn Lane, there's nothing to brag about in this film that has Slate desperate to get a bike that was stolen from him back.
It's another one of these bad biker films for Adam Roarke, going through the motions of the type of role that he is already played. After stealing Slate's bike, Michael Walker is beating up by Rourke and his gang who in turn steals the bike from him, and later on, Walker gets another beating from Slate when he catches up to him. The stunts are actually pretty good, and there's some nice desert footage that includes a nasty-looking lizard. But the dialogue is pretty dumb, and the film wears out its welcome long before the 90 minutes is up.
It's another one of these bad biker films for Adam Roarke, going through the motions of the type of role that he is already played. After stealing Slate's bike, Michael Walker is beating up by Rourke and his gang who in turn steals the bike from him, and later on, Walker gets another beating from Slate when he catches up to him. The stunts are actually pretty good, and there's some nice desert footage that includes a nasty-looking lizard. But the dialogue is pretty dumb, and the film wears out its welcome long before the 90 minutes is up.
I Want My Bike Back!
spaulson507 April 2024
A 1969 B remake of Winchester '73. Jeremy Slate wins a race and receives a new bike as the prize. He wants to sell it for cash but of course, it's stolen. His personal quest to "get my bike back so I can buy a ranch" is the plot.
3 reasons to watch this curio:
1) If you're into bikes.
2) Filming locations all in Arizona 3) Jocelyn Lane!
After Tickle Me with Elvis, I feel for Jocelyn having to put up with low grade projects. She's the best part of this film.
Film has its moments with some nice Arizona desert locations shots. Have I mentioned Jocelyn Lane though? My goodness she's easy on the eyes.
3 reasons to watch this curio:
1) If you're into bikes.
2) Filming locations all in Arizona 3) Jocelyn Lane!
After Tickle Me with Elvis, I feel for Jocelyn having to put up with low grade projects. She's the best part of this film.
Film has its moments with some nice Arizona desert locations shots. Have I mentioned Jocelyn Lane though? My goodness she's easy on the eyes.
Jocelyn Lane Makes This Watchable
waynewass42719 December 2022
If you're a guy, you watch this for Jocelyn Lane's "Cathy".
All of the biker guys treat her like garbage. They're too concerned with their dumb motorcycles. If just one of them showed some genuine kindness towards Cathy, she would've been been very affectionate & devoted to them.
How dumb do you have to be to care more for a machine than an insanely sexy woman?
Is it any wonder she has such an attitude towards the men?
The story & acting aren't that bad.
This could've been much better ...or worse. Depending upon your point of view.
The humor is okay at times.
Jocelyn Lane looks like she had the potential to be a huge star, if not for acting, then as a magazine cover girl.
Yes, she is THAT beautiful.
All of the biker guys treat her like garbage. They're too concerned with their dumb motorcycles. If just one of them showed some genuine kindness towards Cathy, she would've been been very affectionate & devoted to them.
How dumb do you have to be to care more for a machine than an insanely sexy woman?
Is it any wonder she has such an attitude towards the men?
The story & acting aren't that bad.
This could've been much better ...or worse. Depending upon your point of view.
The humor is okay at times.
Jocelyn Lane looks like she had the potential to be a huge star, if not for acting, then as a magazine cover girl.
Yes, she is THAT beautiful.
better than expected- a tale of two men's obsessions wrapped up in a B-biker movie
Quinoa198423 July 2006
Hells Belles started off pretty adequately, and as it went along it turned out to be one of the better biker pictures I've seen from AIP. It probably wont be remembered much years from now, and one reviewer who said it's much more like a B-western than anything else was correct (though I've yet to see Winchester 73), but it's a couple of notches above other fare that was offered during the period. It helps that the producer/director, Maury Dexter, was a professional at making this kind of picture, and is actually a pretty decent storyteller given the elements. That he boils everything down to mostly essentials makes the picture work, and while I wouldn't say his work rises the script above its more predictable territory, he does find what he needs to have it not go off the rails.
First of all, this is not some mindless film where the plot is buried under lots of scenes of partying and inane music. If anything, the kind of stubbornness on the part of the two main male characters- played perfectly to type by Jeremy Slate as the cowboy Dan and Adam Rourke as the lead biker Tampa- helps push the film along in a good direction, and rarely does the story flap around in the breeze. The soundtrack is also above average for this kind of ultra low-budget B-movie, where the repetition is neat and well played, with some good beats and rhythms put to the action scenes.
Granted, the viewer will know how this will boil down, in a Western-style show-down between two hard-pressed men wanting each by some kind of pre-destined movie-fate. But there are moments that come up that are unexpected too, little pieces of dialog that are not written poorly or to some low-common denominator. It's not that it's very realistic, either, but little passages are more believable than other AIP movies I've seen. One little moment I liked is right before said showdown, where Rourke has some last words with a fallen biker bitten by a rattlesnake. Or the typical but charming interplay between Slate and leading lady (less than great) Jocelyn Lake.
Hell's Belles, in the end, is really not totally the typical biker movie- there's not a lot of drugs, not much of the bikers hassling the locals (minus the gas station scene, one of the funniest in the film), no cops, and lots of open Arizona desert adding to the enclosed/open atmosphere. It doesn't really aim for much, but then the filmmakers and the cast now that well enough for it to be a good show, and a very respectable B-side to the Midnight double-feature DVD release (the A-side being the Wild Angels). Lots of bikes, cool fights, simple supporting cast, not bad at all.
First of all, this is not some mindless film where the plot is buried under lots of scenes of partying and inane music. If anything, the kind of stubbornness on the part of the two main male characters- played perfectly to type by Jeremy Slate as the cowboy Dan and Adam Rourke as the lead biker Tampa- helps push the film along in a good direction, and rarely does the story flap around in the breeze. The soundtrack is also above average for this kind of ultra low-budget B-movie, where the repetition is neat and well played, with some good beats and rhythms put to the action scenes.
Granted, the viewer will know how this will boil down, in a Western-style show-down between two hard-pressed men wanting each by some kind of pre-destined movie-fate. But there are moments that come up that are unexpected too, little pieces of dialog that are not written poorly or to some low-common denominator. It's not that it's very realistic, either, but little passages are more believable than other AIP movies I've seen. One little moment I liked is right before said showdown, where Rourke has some last words with a fallen biker bitten by a rattlesnake. Or the typical but charming interplay between Slate and leading lady (less than great) Jocelyn Lake.
Hell's Belles, in the end, is really not totally the typical biker movie- there's not a lot of drugs, not much of the bikers hassling the locals (minus the gas station scene, one of the funniest in the film), no cops, and lots of open Arizona desert adding to the enclosed/open atmosphere. It doesn't really aim for much, but then the filmmakers and the cast now that well enough for it to be a good show, and a very respectable B-side to the Midnight double-feature DVD release (the A-side being the Wild Angels). Lots of bikes, cool fights, simple supporting cast, not bad at all.
The Motorcycle Everybody Wants to Steal
Uriah4321 November 2016
After a grueling race with the grand prize being a beautiful motorcycle, one of the losers named "Tony" (Michael Walker) decides he is going to get that bike not matter what it takes. So that night he sets up a trap on the road which the winning racer, "Danny" (Jeremy Slate) has to take on his way home. Sure enough, as Danny gets to a certain point Tony and his friends ambush him and proceed to beat him into unconsciousness. A little later Danny wakes up and finds that his new motorcycle has been substituted for the one driven by Tony. But as it so happens, Tony makes a big mistake that same night when he drives up to a gas station where a motorcycle gang just happens to be frequenting. They beat up Tony and the leader of the gang by the name of "Tampa" (Adam Roarke) takes the motorcycle. Not long afterward Danny drives up and discovers from Tony what happened. Danny then proceeds to drive out to where the motorcycle gang is camping and then gets caught while attempting to steal it. After beating him up the Tampa decides to reimburse Danny by giving him one of their women in exchange--and subsequently knocks him out again. When he regains consciousness he finds the woman named "Cathy" (Jocelyn Lane) sitting around and the two of them set out to find the bikers. Now rather than reveal any more I will just say that, although it certainly had some good action here and there, it lacked the necessary realism for me to take it that seriously. Likewise, I didn't especially care for the ending that much either. For those reasons I have rated it accordingly. Average.
Bike Gang Update of Winchester '73
carolsco9 January 2000
This is one hell of a fun movie, and probably the best motorcycle flick of the '60s after Easy Rider. The is actually an update of the old Jimmy Stewart movie Winchester '73, except a motorcycle is used in place of the rifle. Jeremy Slate, always great in these '60s flicks, is the lead and is supported by a wonderful exploitation movie cast. Les Baxter's score, next to that of Easy Rider is about the best heard in a biker flick, a perfect artifact of the period, and lots of fun.
Excellent!!! A western in biker garb
django-12 January 2005
I missed this when it originally played, but 30+ years later seeing it for the first time I'm very impressed. This is a biker film that anyone could enjoy, despite one's feelings about that genre. Imagine an old western where Bob Steele or someone like that wins a horse race on a horse that he has raised from birth and devoted his life to. After the race, a crook with a lot of money who came in second in the race offers to buy Bob's horse, but Bob won't sell at the ridiculous price offered. So the crook steals Bob's horse, and then Bob goes on a mission to get the horse back (wait a minute, that IS the plot of an old western serial from 1934, LAW OF THE WILD, I thought is was familiar). Transplant that plot into a biker realm, with Jeremy Slate in the lead role, and you've got HELL'S BELLES. His nemesis is played by the late, great Adam Roarke (who actually steals the bike from the guy who stole it from Slate!). Slate is always convincing, here taking what could be a two-dimensional character and turning him into a complex, three dimensional man with a fascinating back-story, someone about whom we care. The same can be said for Jocelyn Lane, as the woman with whom he is involuntarily teamed. They hate each other for much of the film, so in a way you have a biker version of THE African QUEEN, but once her real story comes out she is quite fascinating. Ms. Lane made a number of fine films in the 60's--TICKLE ME with Elvis, BULLET FOR PRETTY BOY with Fabian Forte, and some European genre films (wow, until looking her up on the IMDb, I didn't even know she was European!!) I'll have to dig out my copy of WAR GODS OF BABYLON. The Arizona photography on this film is excellent, the shots are beautifully composed, and director Maury Dexter has an excellent sense of pacing. His work at AIP in the late 60s is much underrated. MARYJANE is excellent, and YOUNG ANIMALS was very much ahead of its time. I gave this film a "10" rating, which I hardly ever do, because it don't think it could be improved upon. It took me into its world and kept me captivated for 90 minutes. For me, HELL'S BELLES is one of the definitive biker films, even if it is basically a western in biker garb. Highly recommended!!
Entertaining biker flick full of action and humor
mlraymond11 June 2008
Warning: Spoilers
This movie manages to balance chase scenes and fights with quieter moments and a surprising amount of humor. It's pretty light hearted for the most part, and comes close to being a comedy, as the biker gang becomes increasingly unnerved by the relentless pursuit of their nemesis, a racer who wants his stolen motorcycle back.
The basic plot has been lifted from Winchester 73, and the hero is a lot like the stalwart good guys of old western movies. He observes a code of honor that includes treating vanquished enemies fairly, respecting women, and standing up alone against heavy odds. The biker gang members refer to him sarcastically as " cowboy", and his dress, manner and philosophy fit him squarely into the mold of western heroes like Audie Murphy and Jimmy Stewart. There's even a scene where he tells his new female acquaintance about his ranch.
Jeremy Slate is fine as the good guy Dan, with able support from Adam Roark as the leader of the gang, and Jocelyn Lane as the biker girl he gets stuck with, to their mutual annoyance. They bicker constantly, so you know they will fall in love before the movie is over. Jocelyn Lane is amazingly beautiful and a good enough actress to make her character believable, the outwardly tough girl who tries to hide an inner vulnerability and sadness. That these two people would bond with each other and fall in love is made totally believable and even touching.
The comic tone prevails throughout, even in fight scenes, with just enough seriousness to put the film across. There are some hilarious moments with William Lucking as a huge, dim witted biker. Adam Roark displays a good sense of comic timing in his growing exasperation with the hero's unceasing attempts to recover the stolen motorcycle. His serious scene at the end is surprising and effective, and the movie ends on an unexpected note. because of it.
Not a great movie, certainly, but a surprisingly good one, and very entertaining. Recommended.
The basic plot has been lifted from Winchester 73, and the hero is a lot like the stalwart good guys of old western movies. He observes a code of honor that includes treating vanquished enemies fairly, respecting women, and standing up alone against heavy odds. The biker gang members refer to him sarcastically as " cowboy", and his dress, manner and philosophy fit him squarely into the mold of western heroes like Audie Murphy and Jimmy Stewart. There's even a scene where he tells his new female acquaintance about his ranch.
Jeremy Slate is fine as the good guy Dan, with able support from Adam Roark as the leader of the gang, and Jocelyn Lane as the biker girl he gets stuck with, to their mutual annoyance. They bicker constantly, so you know they will fall in love before the movie is over. Jocelyn Lane is amazingly beautiful and a good enough actress to make her character believable, the outwardly tough girl who tries to hide an inner vulnerability and sadness. That these two people would bond with each other and fall in love is made totally believable and even touching.
The comic tone prevails throughout, even in fight scenes, with just enough seriousness to put the film across. There are some hilarious moments with William Lucking as a huge, dim witted biker. Adam Roark displays a good sense of comic timing in his growing exasperation with the hero's unceasing attempts to recover the stolen motorcycle. His serious scene at the end is surprising and effective, and the movie ends on an unexpected note. because of it.
Not a great movie, certainly, but a surprisingly good one, and very entertaining. Recommended.
The man just wants his bike back
Woodyanders28 March 2019
Warning: Spoilers
Tough rancher and motorcycle racer Dan (a sturdy portrayal by Jeremy Slate) goes after a biker gang led by the vicious Tampa (Adam Roarke in fine antagonistic form) when said gang steal his beloved chopper. Complications ensue when Dan winds up being saddled with brash motorcycle mama Cathy (sharply played by the ravishing Jocelyn Lane).
Director Maury Dexter keeps the enjoyable and engrossing story moving along at a steady pace, makes neat use of the dusty'n'desolate desert locations, and stages the rough'n'ready fights with aplomb. The smart script by James Gordon White and R.G. McMullen draws the characters with some depth, provides a plot that plays out like a revamped Western with motorcycles substituting for horses, and even offers an interesting subtext on the toxicity of male obsession gone amuck. Angelique Pettyjohn adds plenty of spark and sexiness as sassy biker babe Cherry while William Lucking amuses as hulking dolt Gippo. Les Baxter's funky-grinding score hits the right-on groovy spot. A worthwhile drive-in flick.
Director Maury Dexter keeps the enjoyable and engrossing story moving along at a steady pace, makes neat use of the dusty'n'desolate desert locations, and stages the rough'n'ready fights with aplomb. The smart script by James Gordon White and R.G. McMullen draws the characters with some depth, provides a plot that plays out like a revamped Western with motorcycles substituting for horses, and even offers an interesting subtext on the toxicity of male obsession gone amuck. Angelique Pettyjohn adds plenty of spark and sexiness as sassy biker babe Cherry while William Lucking amuses as hulking dolt Gippo. Les Baxter's funky-grinding score hits the right-on groovy spot. A worthwhile drive-in flick.
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