Quatermass and the Pit (1967)

User Rating:

7.4/10   

Director:

Roy Ward Baker

Writer:

Nigel Kneale (original story and screenplay)

Release Date:

16 February 1968 (USA)

Genre:

Sci-Fi | Horror

Tagline:

All Earth Stands Helpless! Spawned in the depths of outer space -- a monster so horrible, so vicious, so incredible -- even when you see it you won't believe it could be! (U.S. poster)

Plot:

An ancient Martian spaceship is unearthed in London, and proves to have powerful psychic effects on the people around.

Plot Keywords:

Church | London | London Underground | Burned Body | News Reporter

Cast

James Donald	...	Dr. Mathew Roney
Andrew Keir	...	Prof. Bernard Quatermass
Barbara Shelley	...	Barbara Judd
Julian Glover	...	Colonel Breen
Duncan Lamont	...	Sladden
Bryan Marshall	...	Captain Potter
Peter Copley	...	Howell
Edwin Richfield	...	Minister
Grant Taylor	...	Police Sergeant Ellis
Maurice Good	...	Sergeant Cleghorn
Robert Morris	...	Jerry Watson
Sheila Steafel	...	Journalist
Hugh Futcher	...	Sapper West
Hugh Morton	...	Elderly Journalist
Thomas Heathcote	...	Vicar

Also Known As:

Five Million Years to Earth (USA)
The Mind Benders

Runtime:

97 min

Country:

UK

Language:

English

Color:

Color

Aspect Ratio:

1.66 : 1

Sound Mix:

Mono (RCA Sound Recording)

Certification:

Italy:T | UK:15 | USA:Approved (PCA #21860) | West Germany:16 | Australia:PG

Filming Locations:

London, England, UK

Company:

Associated British-Pathé

Trivia:

If you look closely at the London Underground station walls, you can see quite a few posters from other Hammer projects such as The Reptile (1966), Dracula: Prince of Darkness (1966) and The Witches (1966).

Goofs:

Crew or equipment visible: A minute or so before the end credits roll, as Quatermass is walking away from the devastation, a crew member's hand swings into the right-hand side of the frame and back out again.

Quotes:

Sladden: [Preparing his drill] I did steel armour plating within six inches thick. Swish - just like that. Oh, it was legal. A bloke got shut in a strong room. But I got him out. It was a secret job like this one.
Col. Breen: Then I'm glad you don't talk about it.

Movie Connections:

Featured in "The World of Hammer: Sci-Fi (#1.7)" (1994)

A great Hammer film

A lot of nonsense is written about the significance and meaning and quality of Hammer Films, whereas mostly they were pedestrian and derivative. There were some gems in their output and this film is one of them. The science may be wayward but it unfolds plausibly from the initial discovery of the thing in the pit to mayhem and madness in the streets of London. The opening credits are sparse and it goes straight into the story and never lets up.

It has a clear narrative and each new discovery pushes the envelope of fear and amazement further out. There is no romantic interest (though I must declare the Miss Judd character is pretty darn attractive) to hold up the driving plot. If there is a fault it is that the story can scarcely contain the wealth of material that Nigel Kneale puts in the script. Presumably there isn't a longer director's cut in some film archive!

With limited resources at hand the director, Roy Ward Baker, directs some great scenes, weird and strange and scary. He is served well by the acting of James Donald, Andrew Keir and Barbara Shelley, which is perfect for their roles. As the alien presence become stronger you believe it when it affects the characters. The scene at the pit where Miss Judd has her visions recorded is excellent. The special effects are varied but the green arthropods and the space ship look quite malevolent. The ending is great and somehow disquieting as the closing credits slowly roll.

This is a good example of an interesting intelligent film, costing less than the catering budget of the elephantine mega-budget film we have these days, but much more effective and memorable.