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Faccia a faccia (1967)
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Overview
Release Date:
23 November 1967 (Italy) morePlot:
History Professor Brad Fletcher heads west for his health, but falls in with Soloman Bennett's outlaw gang... more | add synopsisUser Comments:
All Star Spaghetti Classic moreCast
(Cast overview, first billed only)| Tomas Milian | ... | Solomon 'Beauregard' Bennet | |
| Gian Maria Volontè | ... | Professor Brett Fletcher | |
| William Berger | ... | Charley Siringo | |
| Jolanda Modio | ... | Maria | |
| Gianni Rizzo | ... | Williams | |
| Carole André | ... | Cattle Annie | |
| Ángel del Pozo | ... | Maximilian de Winton | |
| Aldo Sambrell | ... | Zachary Chase (as Aldo Sanbrell) | |
| Nello Pazzafini | ... | Vance | |
| José Torres | ... | Aaron Chase | |
| Federico Boido | ... | The sheriff of Purgatory City (as Rick Boyd) | |
| Guy Heron | |||
| Linda Veras | ... | Fair woman with Fletcher | |
| Antonio Casas | ... | Wild bunch member | |
| Frank Braña | ... | Jason |
Additional Details
Parents Guide:
Add content advisory for parentsRuntime:
108 min | Spain:100 minColor:
Color (Technicolor)Aspect Ratio:
2.35 : 1 moreSound Mix:
MonoMOVIEmeter: 
Fun Stuff
Trivia:
Charlie Siringo really existed and did what the character in the film does. He worked as an agent for Pinkerton. moreGoofs:
Anachronisms: Colt Single Action Army Revolvers (Peacemakers), and self-contained cartridges are used. Both did not make an appearance until after the Civil War, where the film takes place. moreFAQ
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| C'era una volta il West | Resa dei conti, La | Giù la testa | Da uomo a uomo | Per qualche dollaro in più |
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Take three of the finest Spaghetti Western actors (Gian Maria Volente, Tomas Milian and William Berger), the great direction of Sergio Sollima (The Big Gundown) and a gripping topsy turvey story of power and you get Face to Face.
Volente stars as Brad, a Professor that inadvertently becomes embroiled in Beau's (Milian) revolution when taken hostage by the bandit. It is not long before Brad becomes attracted to Beau's way of life, with the film superbly capturing his gradual corruption by power. Meanwhile, Beau's character develops an increasing compassion for his people and their life. The interplay between these two actors works brilliantly, and ably assisted by Berger as Siringo - a lawman disguised as one of Beau's gang.
Morricone's soundtrack is, as ever, fantastic. All in all, this is a true Spaghetti gem - Italian cinema at its near finest.