Dante no es únicamente severo (1967) Poster

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9/10
Surrealism in Barcelona
davidcarbajales27 November 2003
"Dante no es únicamente severo" ("Dante is not only rigorous") is the manifesto film of "La escuela de Barcelona" ("Barcelona's Film School").

There is no plot, the movie is just one story after another that a woman is telling to her lover, like a modern Sherezade. There's experiments with the light, the colors, the sound forwards and backwards. Stories of a time that never comes, of princes in blue, of loneliness and desire,... Extremely funny, but ¡beware! don't even try to get a meaning of this movie, just watch it and enjoy it as much as you can I could watch it during the 41th Gijón International Film Festival, as part of a retrospective about the cinema movement which was known as "Spanish New Cinema".

A must see!
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10/10
"I must feel free of my face."
morrison-dylan-fan14 May 2020
Warning: Spoilers
After viewing the slick Horror Comedy Mayhem (2017-also reviewed) for the Comedy viewing challenge on ICM, I started looking for a title to view for the Cinema of Spain challenge also happening on ICM. Checking my unplayed downloads of films from Spain,this title caught my eye.

View on the film:

Teaming up together after having each separately made documentary shorts, co-writers/co-directors Jacinto Esteva & Joaquim Jorda bring the capturing the moment of documentaries, into their incredible fragmented surreal creation.

Splashing stories a woman (played the enticingly mysterious Serena Vergano) tells a disinterested man across the screen which visibly displays a poster for Jean-Luc Godard's Pierrot le Fou (1965), the co-directors bring the fluidity of the French New Wave to each story, with the airless state of the camera flying on a atmosphere of it dovetailing each tale.

Along with eyeing enough eye surgery footage to make Lucio Fulci giddy, the directors make the 75 minutes move at the blink of a eye,thanks to a astonishing flow of multiple filming styles crystallising a surreal atmosphere of fading changes in colour tinting, abrasive altering of film stock and freeze frame photographs, all turning on in-camera tricks that turn time back three minutes before the world ends.
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