Non-English-language movies stormed the Oscars this year, with five films taking home statuettes — the most ever in one ceremony.
Justine Triet and Arthur Harari’s Best Screenplay Academy Award for French-language courtroom drama Anatomy of a Fall followed three past non-English-language winners: Bong Joon-ho’s Parasite (2019), Pedro Almodóvar’s Talk To Her (2002) and A Man and a Woman by Claude Lelouch and Pierre Uytterhoeven (1966).
The Best Sound Academy Award for Jonathan Glazer’s German-language Holocaust drama The Zone of Interest marked a first for a non-English-language film. The pic also clinched Best International Feature Film.
Related: ‘Oppenheimer’, ‘The Zone Of Interest’ & ‘Poor Things’ Wins Cap Good Night For Brits At The Oscars
The Best Animation Oscar for The Boy and the Heron marked a second Academy Award for Japanese animation maestro Hayao Miyazaki, who took co-directing credits with Toshio Suzuki.
Miyazaki previously triumphed in the category in its second year...
Justine Triet and Arthur Harari’s Best Screenplay Academy Award for French-language courtroom drama Anatomy of a Fall followed three past non-English-language winners: Bong Joon-ho’s Parasite (2019), Pedro Almodóvar’s Talk To Her (2002) and A Man and a Woman by Claude Lelouch and Pierre Uytterhoeven (1966).
The Best Sound Academy Award for Jonathan Glazer’s German-language Holocaust drama The Zone of Interest marked a first for a non-English-language film. The pic also clinched Best International Feature Film.
Related: ‘Oppenheimer’, ‘The Zone Of Interest’ & ‘Poor Things’ Wins Cap Good Night For Brits At The Oscars
The Best Animation Oscar for The Boy and the Heron marked a second Academy Award for Japanese animation maestro Hayao Miyazaki, who took co-directing credits with Toshio Suzuki.
Miyazaki previously triumphed in the category in its second year...
- 3/11/2024
- by Melanie Goodfellow
- Deadline Film + TV
Gigi Hadid walked the runway in front of a star-studded crowd at the Chanel show during Paris Fashion Week.
Penelope Cruz and Margaret Qualley were among the stars who sat in the front row at the fashion show on Tuesday (March 5) in Paris, France.
More stars in attendance included Riley Keough, Zazie Beetz, Zoey Deutch, Vanessa Paradis, Camille Rowe, Gracie Abrams, Angele, and Dree Hemingway.
Penelope stars in a new Chanel short film alongside Brad Pitt and the one-minute clip was shown at the top of the show. The brand notes, “A tribute to the film A Man and a Woman by French director Claude Lelouch, it captures the beginning of a love story in Deauville, a place dear to the House and the inspiration behind the collection imagined by Virginie Viard.”
Browse through the gallery for 25+ photos from the Chanel show…...
Penelope Cruz and Margaret Qualley were among the stars who sat in the front row at the fashion show on Tuesday (March 5) in Paris, France.
More stars in attendance included Riley Keough, Zazie Beetz, Zoey Deutch, Vanessa Paradis, Camille Rowe, Gracie Abrams, Angele, and Dree Hemingway.
Penelope stars in a new Chanel short film alongside Brad Pitt and the one-minute clip was shown at the top of the show. The brand notes, “A tribute to the film A Man and a Woman by French director Claude Lelouch, it captures the beginning of a love story in Deauville, a place dear to the House and the inspiration behind the collection imagined by Virginie Viard.”
Browse through the gallery for 25+ photos from the Chanel show…...
- 3/5/2024
- by Just Jared
- Just Jared
As 2023 draws to a close, Deadline’s film critics have each chosen their top three movies of the year to hail from abroad. Some were festival world premieres, some have made the International Feature Oscar shortlist — and some have not.
Overall, it has been another banner year for international cinema – right from 2023’s earliest festivals, through to the spring and fall circuits, and including some local productions that also hit outside their home markets.
Here are the top international films of 2023, according to Pete Hammond, Damon Wise, Valerie Complex and Stephanie Bunbury, based on their respected individual opinions and listed in alphabetical order under their names.
Pete Hammond’S Picks:
Godzilla Minus One,, Minami Hamabe, 2023. © Toho International / Courtesy Everett Collection
Godzilla Minus One
This one snuck up on me right at the...
Overall, it has been another banner year for international cinema – right from 2023’s earliest festivals, through to the spring and fall circuits, and including some local productions that also hit outside their home markets.
Here are the top international films of 2023, according to Pete Hammond, Damon Wise, Valerie Complex and Stephanie Bunbury, based on their respected individual opinions and listed in alphabetical order under their names.
Pete Hammond’S Picks:
Godzilla Minus One,, Minami Hamabe, 2023. © Toho International / Courtesy Everett Collection
Godzilla Minus One
This one snuck up on me right at the...
- 12/28/2023
- by Pete Hammond, Damon Wise, Valerie Complex and Stephanie Bunbury
- Deadline Film + TV
In the article series Sound and Vision we take a look at music videos from notable directors. This week we take a look at Françoise Hardy's Tous les Garçons et les Filles, directed by Claude Lelouch. I have to admit something: I am not that familiar with the works of Claude Lelouch, even if he made several bonafide classics. Les Uns et Les Autres and A Man and a Woman (Un Homme et Une Femme) are considered major works of French cinema, both of which I have not seen yet. In fact, as far as I know, the only thing that Claude Lelouch directed that I have seen was the music video for the Sound and Vision of this week, for Françoise Hardy's Tous Les...
[Read the whole post on screenanarchy.com...]...
[Read the whole post on screenanarchy.com...]...
- 8/21/2023
- Screen Anarchy
The 76th edition of the Cannes Film Festival came to a close on Saturday, May 27 after two weeks of films, celebrities, parties and interviews in the small city on the French Riviera. Now that the prizes have been given out, we can start looking at what could be top contenders for next year’s Oscars. Let’s analyze the results from this year’s festival and see this history that each category has when it comes to the Academy Awards.
Over the past several years the festival has been a springboard for major players in the Oscar derby. We’ve really seen it be an influence in the International Feature category where in-competition films have been nominated a regular basis. Recent Cannes films that ended up being top awards contenders in above the line categories include “Triangle of Sadness,” “Drive My Car,” “Parasite,” “Once Upon a Time in Hollywood” and “BlacKkKlansman.
Over the past several years the festival has been a springboard for major players in the Oscar derby. We’ve really seen it be an influence in the International Feature category where in-competition films have been nominated a regular basis. Recent Cannes films that ended up being top awards contenders in above the line categories include “Triangle of Sadness,” “Drive My Car,” “Parasite,” “Once Upon a Time in Hollywood” and “BlacKkKlansman.
- 5/28/2023
- by Charles Bright
- Gold Derby
Studiocanal has signed a deal with Metropolitan Filmexport for worldwide rights to the entire film catalog of acclaimed French director Claude Lelouch.
The deal, announced at the Cannes Film Market on Saturday, includes more than 40 films, among them such French classics as A Man and a Woman (1966) — winner of the 1966 Palme d’Or, as well as two Oscars, for best international film and best original screenplay — Live for Life (1967), Love Is a Funny Thing (1969), The Crook (1970), Money Money Money (1972), Happy New Year (1973), Bolero (1981), Itinerary of a Spoilt Child (1988) and Les Misérables (1995).
Studiocanal has been handling French TV rights for the Lelouch catalog for the past seven years. The new deal will give the group exclusive worldwide distribution rights to the director’s vast catalog, as well as SVOD, free-on-demand and AVOD rights in France. Metropolitan will continue to distribute Lelouch’s films in theaters, on video and through transactional video-on-demand (Tvod) in France.
The deal, announced at the Cannes Film Market on Saturday, includes more than 40 films, among them such French classics as A Man and a Woman (1966) — winner of the 1966 Palme d’Or, as well as two Oscars, for best international film and best original screenplay — Live for Life (1967), Love Is a Funny Thing (1969), The Crook (1970), Money Money Money (1972), Happy New Year (1973), Bolero (1981), Itinerary of a Spoilt Child (1988) and Les Misérables (1995).
Studiocanal has been handling French TV rights for the Lelouch catalog for the past seven years. The new deal will give the group exclusive worldwide distribution rights to the director’s vast catalog, as well as SVOD, free-on-demand and AVOD rights in France. Metropolitan will continue to distribute Lelouch’s films in theaters, on video and through transactional video-on-demand (Tvod) in France.
- 5/20/2023
- by Scott Roxborough
- The Hollywood Reporter - Movie News
Los Angeles – Raquel Welch never let anyone define who she was, despite being touted as a sex symbol in her early career. She defined sexy in films such as “One Million Years B.C.,” “Fantastic Voyage” and the 1970s Three Musketeers series. The movie star and entrepreneur died at age 82 at her home in Los Angeles.
She was born in Chicago as Jo Raquel Tejada (her father was Bolivian). Her family moved to California and she desired a theatrical and dance career, attending San Diego State College on a theater arts scholarship. After marrying her high school sweetheart James Welch – they separated after having two children together – she began her early career in film as Raquel Welch … her agent advised her against a Latina last name. Her first credited film role was in “A Swingin’ Summer” (1964).
Raquel Welch in Chicago circa 2010
Photo credit: Joe Arce of Starstruck Foto for HollywoodChicago.com...
She was born in Chicago as Jo Raquel Tejada (her father was Bolivian). Her family moved to California and she desired a theatrical and dance career, attending San Diego State College on a theater arts scholarship. After marrying her high school sweetheart James Welch – they separated after having two children together – she began her early career in film as Raquel Welch … her agent advised her against a Latina last name. Her first credited film role was in “A Swingin’ Summer” (1964).
Raquel Welch in Chicago circa 2010
Photo credit: Joe Arce of Starstruck Foto for HollywoodChicago.com...
- 2/16/2023
- by adam@hollywoodchicago.com (Adam Fendelman)
- HollywoodChicago.com
Media coverage of Jean-Luc Godard’s death will fall short of what he merits. He was a game-changing creator on the level of Sergei Eisenstein, Charlie Chaplin, D.W. Griffith, and others who changed the grammar of film forever, but his best-known films are from a half-century ago. And there’s this: Under the standards by which successful directors are judged today — box office and awards — Godard was strictly a minor-league player.
His lifelong regard as a master is a tribute to his films above all, but it also speaks to a cinephile culture that elevated and supported him for decades despite the general public’s disinterest.
In the U.S., Godard’s films initially received erratic distribution with short-run showings at a few big-city theaters; even his best-known titles like “Breathless” and “Week-end” received marginal releases. They appeared erratically, out of order, and sometimes not until two or three years after their public debuts.
His lifelong regard as a master is a tribute to his films above all, but it also speaks to a cinephile culture that elevated and supported him for decades despite the general public’s disinterest.
In the U.S., Godard’s films initially received erratic distribution with short-run showings at a few big-city theaters; even his best-known titles like “Breathless” and “Week-end” received marginal releases. They appeared erratically, out of order, and sometimes not until two or three years after their public debuts.
- 9/14/2022
- by Tom Brueggemann
- Indiewire
Celebrated actor was married three times, loved motor racing.
Jean-Louis Trintignant, a leading light of the French New Wave who broke out in Claude Lelouch’s A Man And A Woman and later in life starred in Michael Haneke’s Amour, has died. He was 91.
According to Agence France-Presse Trintignant died on Friday (June 17) at his home in the southern region of Gard. His wife Marianne Hoepfner was with him.
Trintignant was born on December 11 1930 in the southern Vaucluse region to businessman Raoul and Claire. As a shy man in his 20s – his personality would inform a personal aversion to...
Jean-Louis Trintignant, a leading light of the French New Wave who broke out in Claude Lelouch’s A Man And A Woman and later in life starred in Michael Haneke’s Amour, has died. He was 91.
According to Agence France-Presse Trintignant died on Friday (June 17) at his home in the southern region of Gard. His wife Marianne Hoepfner was with him.
Trintignant was born on December 11 1930 in the southern Vaucluse region to businessman Raoul and Claire. As a shy man in his 20s – his personality would inform a personal aversion to...
- 6/17/2022
- by Jeremy Kay
- ScreenDaily
After two years of cancellations and delays, the Cannes Film Festival finally returned to the south of France during the month of May. The winners of this year’s festivities were announced on Saturday, May 25. How many of these will become major players in this year’s Oscar derby? Below let’s review the results from the 75th installment of the international festival and examine the history each serves as a forecaster for the Academy Awards.
In recent years, Cannes has served as a launching pad for films that have become major contenders in awards season. This is particularly true in the International Feature category which, for the past several years, has had several nominees that were screened in competition. It’s also been true in other categories, including several above the line races, with films like “Drive My Car,” “Parasite,” “Once Upon a Time in Hollywood” and “BlacKkKlansman” having their premieres on the Croissette.
In recent years, Cannes has served as a launching pad for films that have become major contenders in awards season. This is particularly true in the International Feature category which, for the past several years, has had several nominees that were screened in competition. It’s also been true in other categories, including several above the line races, with films like “Drive My Car,” “Parasite,” “Once Upon a Time in Hollywood” and “BlacKkKlansman” having their premieres on the Croissette.
- 6/6/2022
- by Charles Bright
- Gold Derby
Director Guillermo del Toro showed up at the Cannes Film Festival on Tuesday to lead a wide-ranging conversation with directors including Paolo Sorrentino, Claude Lelouch, Costa-Gavras, Michel Hazanavicius and Gaspar Noe, and he sounded the alarm from his opening comments that the film business was dramatically changing in the wake of the Covid-19 pandemic and the rise of streaming services over movie theaters.
“What we have right now is unsustainable,” del Toro said at the beginning of the “Filmmaking: What Now?” symposium, a two-day event to mark the 75th Cannes. “In so many ways, what we have belongs to an older structure. Whether we want it to or not, the future will show up.”
But, he added, the change in the movie business is only part of a wider change across society. “When we look at the entire structure of how we are as a race, a community, it is shifting,...
“What we have right now is unsustainable,” del Toro said at the beginning of the “Filmmaking: What Now?” symposium, a two-day event to mark the 75th Cannes. “In so many ways, what we have belongs to an older structure. Whether we want it to or not, the future will show up.”
But, he added, the change in the movie business is only part of a wider change across society. “When we look at the entire structure of how we are as a race, a community, it is shifting,...
- 5/24/2022
- by Steve Pond
- The Wrap
Veteran producer has signed up for three years.
In South Korea, Gangneung International Film Festival (Giff) has appointed veteran producer Oh Jung-wan its new festival director.
Her three-year term is effective from today (April 12) and will run until March 2025.
An important figure in the renaissance of Korean cinema in the 1990s, Oh’s early executive producer credits include seminal films such as The Marriage Life (1992), The Gingko Bed (1996) and An Affair (1998).
She founded Bom Film Productions in 1999 and went on to produce titles such as Kim Jee-woon’s The Foul King (2000), A Tale Of Two Sisters (2003) and A Bittersweet Life...
In South Korea, Gangneung International Film Festival (Giff) has appointed veteran producer Oh Jung-wan its new festival director.
Her three-year term is effective from today (April 12) and will run until March 2025.
An important figure in the renaissance of Korean cinema in the 1990s, Oh’s early executive producer credits include seminal films such as The Marriage Life (1992), The Gingko Bed (1996) and An Affair (1998).
She founded Bom Film Productions in 1999 and went on to produce titles such as Kim Jee-woon’s The Foul King (2000), A Tale Of Two Sisters (2003) and A Bittersweet Life...
- 4/12/2022
- by Jean Noh
- ScreenDaily
The films in contention for the 2022 Best Original Screenplay Oscar are “Belfast,” “Don’t Look Up,” “King Richard,” “Licorice Pizza,” and “The Worst Person in the World.” Our odds currently indicate that “Licorice Pizza” (10/3) will take the prize, followed in order of likelihood by “Belfast” (18/5), “Don’t Look Up” (9/2), “King Richard” (9/2), and “The Worst Person in the World” (9/2).
For the fifth time in eight years, multiple original writing nominees – namely, Paul Thomas Anderson (“Licorice Pizza”) and Kenneth Branagh (“Belfast”) – also picked up bids for directing and producing their films. Best Picture and Best Original Screenplay are now the sixth and seventh unique categories that Branagh has earned notices in after Best Actor, Best Director (“Henry V” and “Belfast”), Best Live Action Short, Best Adapted Screenplay, and Best Supporting Actor.
Anderson was previously recognized here for his “Boogie Nights” (1998) and “Magnolia” (2000) scripts. The 22-year gap between his “Magnolia” and “Licorice Pizza” nominations is...
For the fifth time in eight years, multiple original writing nominees – namely, Paul Thomas Anderson (“Licorice Pizza”) and Kenneth Branagh (“Belfast”) – also picked up bids for directing and producing their films. Best Picture and Best Original Screenplay are now the sixth and seventh unique categories that Branagh has earned notices in after Best Actor, Best Director (“Henry V” and “Belfast”), Best Live Action Short, Best Adapted Screenplay, and Best Supporting Actor.
Anderson was previously recognized here for his “Boogie Nights” (1998) and “Magnolia” (2000) scripts. The 22-year gap between his “Magnolia” and “Licorice Pizza” nominations is...
- 3/25/2022
- by Matthew Stewart
- Gold Derby
This year, Eskil Vogt and Joachim Trier are Oscar-nominated nominated for their original screenplay for the Norwegian hit “The Worst Person in the World.” Over the first 76 years of this category, only five films in languages other than English have taken home Oscar gold in this category.
So let’s test your Oscar history. Without hitting the Internet or your reference books, what was the first of these five to win in this category? Could it be Jacques Prevert’s script for Marcel Carne’s beloved French epic “Children of Paradise,” which opened here in 1946. Sorry, it wasn’t. Do you give up?
It was “Marie-Louise,” which won at the 18th Academy Awards on March 7, 1946 over the original scripts for “Dillinger,” “Music for Millions,” “Salty O’Rourke” and “What Next, Private Hargrove?”
Since then, only four more films in languages other than English took home the screenplay Oscar” the Italian...
So let’s test your Oscar history. Without hitting the Internet or your reference books, what was the first of these five to win in this category? Could it be Jacques Prevert’s script for Marcel Carne’s beloved French epic “Children of Paradise,” which opened here in 1946. Sorry, it wasn’t. Do you give up?
It was “Marie-Louise,” which won at the 18th Academy Awards on March 7, 1946 over the original scripts for “Dillinger,” “Music for Millions,” “Salty O’Rourke” and “What Next, Private Hargrove?”
Since then, only four more films in languages other than English took home the screenplay Oscar” the Italian...
- 3/21/2022
- by Susan King
- Gold Derby
Paris Theater
To mark their return, a frighteningly stacked weekend: Get Out Your Handkerchiefs and Mort Rifkin favorite A Man and a Woman on Friday; Buñuel double Viridiana and Belle de Jour, plus Emmanuelle on Saturday; then Merchant-Ivory’s Maurice and Howards End on Sunday.
Film at Lincoln Center
Wojciech Has’ amazing The Hourglass Sanatorium screens Saturday and Sunday.
Roxy Cinema
Naturally, Persona and Jackass both play this weekend.
Anthology Film Archives
A retrospective of Mark Rappaport is underway.
Museum of the Moving Image
2001 and Spartacus have 70mm showings.
Film Forum
Three films by Wayne Wang are screening while La Piscine continues.
IFC Center
World of Wong Kar-wai and Miyazaki’s debut Lupin the 3rd have kept going.
The post NYC Weekend Watch: Buñuel Double, The Hourglass Sanatorium, Persona & More first appeared on The Film Stage.
To mark their return, a frighteningly stacked weekend: Get Out Your Handkerchiefs and Mort Rifkin favorite A Man and a Woman on Friday; Buñuel double Viridiana and Belle de Jour, plus Emmanuelle on Saturday; then Merchant-Ivory’s Maurice and Howards End on Sunday.
Film at Lincoln Center
Wojciech Has’ amazing The Hourglass Sanatorium screens Saturday and Sunday.
Roxy Cinema
Naturally, Persona and Jackass both play this weekend.
Anthology Film Archives
A retrospective of Mark Rappaport is underway.
Museum of the Moving Image
2001 and Spartacus have 70mm showings.
Film Forum
Three films by Wayne Wang are screening while La Piscine continues.
IFC Center
World of Wong Kar-wai and Miyazaki’s debut Lupin the 3rd have kept going.
The post NYC Weekend Watch: Buñuel Double, The Hourglass Sanatorium, Persona & More first appeared on The Film Stage.
- 8/20/2021
- by Nick Newman
- The Film Stage
While Netflix is far from being a haven for admirers of classic cinema, they thankfully are backing strong repertory programming in New York City. After acquiring The Paris Theater, located on 58th Street in Manhattan, and briefly reopening with some runs of Netflix features and other specialty programming, they are now officially opening their doors again on August 6 with a more substantial slate of classic cinema.
Featuring two programs, one curated by Radha Blank and another by the theater’s programmer David Schwartz, the reopening lineup features work by John Cassavetes, Kathleen Collins, Luis Buñuel, Mira Nair, Jean-Pierre Jeunet, Ingmar Bergman, Terence Davies, and much more––with many on film prints.
One can also enter to win a pass for Schwartz’s series “The Paris is For Lovers,” with a newly-unveiled scavenger hunt tied to Ira Deutchman’s new documentary Searching for Mr. Rugoff, which opens on August 13 and is part of the lineup.
Featuring two programs, one curated by Radha Blank and another by the theater’s programmer David Schwartz, the reopening lineup features work by John Cassavetes, Kathleen Collins, Luis Buñuel, Mira Nair, Jean-Pierre Jeunet, Ingmar Bergman, Terence Davies, and much more––with many on film prints.
One can also enter to win a pass for Schwartz’s series “The Paris is For Lovers,” with a newly-unveiled scavenger hunt tied to Ira Deutchman’s new documentary Searching for Mr. Rugoff, which opens on August 13 and is part of the lineup.
- 7/28/2021
- by Leonard Pearce
- The Film Stage
The Paris Theater, a beloved arthouse cinema in New York City, is reopening its doors next month.
To celebrate its return on Aug. 6, filmmaker Radha Blank is curating a slate of repertory titles to screen alongside her directorial debut “The Forty-Year-Old Version.” Her movie, which premiered at Sundance Film Festival, is playing through Aug. 12.
The Paris opened in 1948 and is the only single-screen movie theater in Manhattan. Netflix acquired the 545-seat venue in 2019 and, prior to Covid-19, held premieres, special events and screenings of its films in the storied institution, which is just south of Central Park.
“I made ‘Forty-Year-Old Version’ in 35mm Black & White in the spirit of the many great films that informed my love of cinema,” says Blank. “I’m excited to show the film in 35mm as intended and alongside potent films by fearless filmmakers who inspired my development as a storyteller and expanded my vision...
To celebrate its return on Aug. 6, filmmaker Radha Blank is curating a slate of repertory titles to screen alongside her directorial debut “The Forty-Year-Old Version.” Her movie, which premiered at Sundance Film Festival, is playing through Aug. 12.
The Paris opened in 1948 and is the only single-screen movie theater in Manhattan. Netflix acquired the 545-seat venue in 2019 and, prior to Covid-19, held premieres, special events and screenings of its films in the storied institution, which is just south of Central Park.
“I made ‘Forty-Year-Old Version’ in 35mm Black & White in the spirit of the many great films that informed my love of cinema,” says Blank. “I’m excited to show the film in 35mm as intended and alongside potent films by fearless filmmakers who inspired my development as a storyteller and expanded my vision...
- 7/28/2021
- by Rebecca Rubin
- Variety Film + TV
The Paris Theater, an NYC cinematic landmark rescued by Netflix in 2019, will officially reopen August 6 with the streamer’s The Forty-Year-Old Version by Radha Blank and a week of repertory films programmed by the director.
The only single-screen movie theater in Manhattan and the borough’s largest, with 545 seats, has hosted limited theatrical engagements since March that included Netflix’ 17 Oscar-nominated films, retrospectives of Charlie Kaufman and Orson Wells, zombie movie classics and a Bob Dylan film series.
The Paris closed in August of 2019 after its lease with City Cinemas expired. That November, Netflix entered an extended lease agreement, said to be for ten years with owner the Solow Family, to keep the theater open and use it for events, screenings and theatrical releases of its films. The first was Noah Baumbach’s Marriage Story. The theater was shuttered by Covid-19 last spring.
(In May of 2020, Netflix acquired another storied theaters,...
The only single-screen movie theater in Manhattan and the borough’s largest, with 545 seats, has hosted limited theatrical engagements since March that included Netflix’ 17 Oscar-nominated films, retrospectives of Charlie Kaufman and Orson Wells, zombie movie classics and a Bob Dylan film series.
The Paris closed in August of 2019 after its lease with City Cinemas expired. That November, Netflix entered an extended lease agreement, said to be for ten years with owner the Solow Family, to keep the theater open and use it for events, screenings and theatrical releases of its films. The first was Noah Baumbach’s Marriage Story. The theater was shuttered by Covid-19 last spring.
(In May of 2020, Netflix acquired another storied theaters,...
- 7/28/2021
- by Jill Goldsmith
- Deadline Film + TV
After going virtual last year and not handing out any prizes due to the Covid pandemic, the 2021 Cannes Film Festival returned to form by announcing its winners on July 17. How many of these will figure in the upcoming Oscar race? We recap the results from the 74th edition of this foremost of film festivals and review its history as a forecaster of the Academy Awards.
The top award at Cannes is the Palme d’Or. Over the years, 40 winners of this prize have amassed 135 Academy Award nominations. Seventeen of these have claimed a combined 32 Oscars. This year, the Palme d’Or went to French filmmaker Julia Ducournau‘s “Titane.” Her dramatic thriller centers on a father reunited with his son who was missing for a decade during which several unexplained crimes were committed. Ducournau is the second woman to take this top prize following Jane Campion‘s breakthrough in 1993 with “The Piano.
The top award at Cannes is the Palme d’Or. Over the years, 40 winners of this prize have amassed 135 Academy Award nominations. Seventeen of these have claimed a combined 32 Oscars. This year, the Palme d’Or went to French filmmaker Julia Ducournau‘s “Titane.” Her dramatic thriller centers on a father reunited with his son who was missing for a decade during which several unexplained crimes were committed. Ducournau is the second woman to take this top prize following Jane Campion‘s breakthrough in 1993 with “The Piano.
- 7/18/2021
- by Charles Bright
- Gold Derby
The Animated World is a regular feature spotlighting animation from around the globe. Lewis Klahr's Circumstantial Pleasures is exclusively showing on Mubi starting June 23, 2021 in many countries in the Undiscovered series. Circumstantial Pleasures Collage refuses known systems of meaning, instead sifting through the detritus of cultural production in order to orchestrate accidental insights into human experience. Its heyday was the early 20th century when modernists and surrealists harnessed its power to manifest the unconscious and juxtapose familiar objects into strange new landscapes. Artists like Hannah Hoch, Joseph Cornell, Kurt Schwitters, John Heartfield, and Marcel Duchamp created unique and perplexing works that some found disturbing, or, as famously labeled by the Nazis, degenerate. Their work often unleashed new possibilities, visual puns, erotic undercurrents and hidden political realities. Collage has lost none of its relevance over the years and continues to resonate, with filmmakers joining in as well—especially animators like Larry Jordan,...
- 7/6/2021
- MUBI
Among the Oscar nominations surprises every year is the Best Director lineup. Remember when Steven Spielberg (“The Color Purple”), Ron Howard (“Apollo 13”) and Ben Affleck (“Argo”) all won at the Directors Guild of America Awards but were snubbed by the directors branch of the academy. This year DGA nominee Aaron Sorkin (“The Trial of the Chicago 7”) was likewise left off the list of Oscar contenders. He was replaced by Danish director Thomas Vinterberg for his superb “Another Round,” which also picked up a bid for Best International Feature. He joins a long roster of Best Director nominees for films other than in English.
The academy first embraced international filmmakers in the 1960s. Italian auteur Federico Fellini was nominated for his 1961 classic “La Dolce Vita.” He contended again two years later for “8 1/2.” He reaped two more bids for “Fellini Satyricon” (1970) and “Amarcord’ (1975).
Predict the 2021 Oscars winners through...
The academy first embraced international filmmakers in the 1960s. Italian auteur Federico Fellini was nominated for his 1961 classic “La Dolce Vita.” He contended again two years later for “8 1/2.” He reaped two more bids for “Fellini Satyricon” (1970) and “Amarcord’ (1975).
Predict the 2021 Oscars winners through...
- 3/18/2021
- by Susan King
- Gold Derby
Somewhere between a filmic exercise, an amateur video and a silent movie, “Bus Stop”, according to its two directors, is about stillness, infinite expectation and interwoven memories; that even with a loss of innocence, there is always hope.
The Bus Stop is screening at the Thessaloniki Documentary Festival
The 27-minute short interweaves just two settings. The first one is the titular bus stop, where a boy, a man, and an older man are waiting for a bus that never seems to arrive. The second one is across the bus stop, in a snowed area surrounded by trees, which seems to be in the outskirts of a city, as the road that is visible in the back is busy with cars and truck riding by. This second setting also functions as the medium for the coming of two more individuals to the bus stop, first a woman and then a drunken man,...
The Bus Stop is screening at the Thessaloniki Documentary Festival
The 27-minute short interweaves just two settings. The first one is the titular bus stop, where a boy, a man, and an older man are waiting for a bus that never seems to arrive. The second one is across the bus stop, in a snowed area surrounded by trees, which seems to be in the outskirts of a city, as the road that is visible in the back is busy with cars and truck riding by. This second setting also functions as the medium for the coming of two more individuals to the bus stop, first a woman and then a drunken man,...
- 3/13/2021
- by Panos Kotzathanasis
- AsianMoviePulse
The hearty applause from European journalists at the end of Woody Allen’s online/on-site press conference for “Rifkin’s Festival,” which world premiered on Friday at the San Sebastian Festival, was probably as much for Allen’s career at large as his latest movie in particular.
Opening the festival, and set at the San Sebastian Festival – with at least one scene set in the very Kursaal Center auditorium where the press then caught the film – the movie was received with genteel applause at its end, as well as guffaws at choice gags.
The most obvious delight for the mostly local audience at the Friday’s press screening was also the subject Allen warmed to most in a subsequent press conference: the homage paid by “Rifkin’s Festival” to San Sebastian at large and, more specifically, to its festival.
The Mediapro Studio, which financed much of “Rifkin’s Festival,” wanted...
Opening the festival, and set at the San Sebastian Festival – with at least one scene set in the very Kursaal Center auditorium where the press then caught the film – the movie was received with genteel applause at its end, as well as guffaws at choice gags.
The most obvious delight for the mostly local audience at the Friday’s press screening was also the subject Allen warmed to most in a subsequent press conference: the homage paid by “Rifkin’s Festival” to San Sebastian at large and, more specifically, to its festival.
The Mediapro Studio, which financed much of “Rifkin’s Festival,” wanted...
- 9/18/2020
- by John Hopewell and Jamie Lang
- Variety Film + TV
When I heard that Ennio Morricone had died, at 91, my first thought was that the cinema had lost one of the most romantic of all screen composers. Morricone, who worked with filmmakers from around the world but rarely left his native Rome (he insisted on not speaking in any language but Italian), wrote movie scores suffused with romance, with majestic waves of yearning and heartbreak and rapture and lyric melancholy. His most famous scores were the ones he composed for Sergio Leone’s spaghetti Westerns, and that music, so gorgeous and plaintive, with a kind of Grindhouse of the Old World incandescence, was the thing that elevated Leone’s grand, crude, stylized, nearly wordless hombre operas into a pulp dreamscape, a place where bursts of violence were set off by the lonely quavering sound of an ocarina, which seemed to be suspending time itself.
Yet when you think back on those films,...
Yet when you think back on those films,...
- 7/6/2020
- by Owen Gleiberman
- Variety Film + TV
“Parasite” became the first foreign language film to win Best Picture at the Oscars to go with three other victories for Best Director, Best Original Screenplay and Best International Feature Film. but that’s not the only history it made on Sunday. Here are all the barriers the South Korean hit has broken.
1. First foreign language film to win Best Picture
“Roma” came close, but “Parasite” crossed the line. “Parasite” was only the 12th film not in the English language to be nominated for Best Picture and the first from South Korea. Bong Joon Ho and Kwak Sin Ae are the first Asian producers to win Best Picture.
2. First South Korean film to win Best International Feature Film
Hard to believe, but no South Korean film had ever been nominated for Best International Feature Film, fka Best Foreign Language Film, until “Parasite.” And now the country is 1/1 in a category that historically favors European films.
1. First foreign language film to win Best Picture
“Roma” came close, but “Parasite” crossed the line. “Parasite” was only the 12th film not in the English language to be nominated for Best Picture and the first from South Korea. Bong Joon Ho and Kwak Sin Ae are the first Asian producers to win Best Picture.
2. First South Korean film to win Best International Feature Film
Hard to believe, but no South Korean film had ever been nominated for Best International Feature Film, fka Best Foreign Language Film, until “Parasite.” And now the country is 1/1 in a category that historically favors European films.
- 2/10/2020
- by Joyce Eng
- Gold Derby
Parasite won in the first of six Oscar categories it was nominated in, Best Original Screenplay, marking an important breakthrough.
“Writing a script is always such a lonely process,” director and co-writer Bong Joon-ho said through an interpreter. “We never write to represent our country.” Switching into English, he continued, “but this is very first Oscar to South Korea.”
In fact, Parasite is also the first film from anywhere in Asia to win in the category. Other foreign-language films, among them Talk to Her and A Man and a Woman, have pulled off the feat.
Han Jin Won, co-writer of the screenplay, spoke through an interpreter, thanking his wife and “all the actors for bringing this film to life.”
Parasite, released in the U.S. by Neon, has grossed nearly $36 million Stateside, one of the best tallies by any subtitled film, with critics saluting its deft blend of class commentary,...
“Writing a script is always such a lonely process,” director and co-writer Bong Joon-ho said through an interpreter. “We never write to represent our country.” Switching into English, he continued, “but this is very first Oscar to South Korea.”
In fact, Parasite is also the first film from anywhere in Asia to win in the category. Other foreign-language films, among them Talk to Her and A Man and a Woman, have pulled off the feat.
Han Jin Won, co-writer of the screenplay, spoke through an interpreter, thanking his wife and “all the actors for bringing this film to life.”
Parasite, released in the U.S. by Neon, has grossed nearly $36 million Stateside, one of the best tallies by any subtitled film, with critics saluting its deft blend of class commentary,...
- 2/10/2020
- by Dade Hayes
- Deadline Film + TV
“Parasite” had a big weekend, winning Best Original Screenplay at the Writers Guild of America Awards on Saturday and the BAFTAs on Sunday for Bong Joon Ho and Han Jin Won, setting it up nicely to claim the corresponding Oscar next weekend. Should that happen, the South Korean hit would be the sixth foreign language film to do so.
The first five are:
1. Switzerland’s “Marie-Louise” (1945), written by Richard Schweizer
2. France’s “The Red Ballon” (1956), written by Albert Lamorisse
3. Italy’s “Divorce Italian Style” (1962), written by Ennio de Concini, Alfredo Giannetti and Pietro Germi
4. France’s “A Man and a Woman” (1966), written by Claude Lelouch and Pierre Uytterhoeven
5. Spain’s “Talk to Her” (2002), written by Pedro Almodovar
Of these, “A Man and a Woman” is the only one to also take home Best International Feature Film, formerly known as Best Foreign Language Film, which “Parasite” is basically a lock to win.
The first five are:
1. Switzerland’s “Marie-Louise” (1945), written by Richard Schweizer
2. France’s “The Red Ballon” (1956), written by Albert Lamorisse
3. Italy’s “Divorce Italian Style” (1962), written by Ennio de Concini, Alfredo Giannetti and Pietro Germi
4. France’s “A Man and a Woman” (1966), written by Claude Lelouch and Pierre Uytterhoeven
5. Spain’s “Talk to Her” (2002), written by Pedro Almodovar
Of these, “A Man and a Woman” is the only one to also take home Best International Feature Film, formerly known as Best Foreign Language Film, which “Parasite” is basically a lock to win.
- 2/3/2020
- by Joyce Eng
- Gold Derby
Exclusive: UniFrance and Film at Lincoln Center have set the lineup for the 25th edition of Rendez-Vous with French Cinema (March 5–15), the annual New York mini-festival dedicated to French filmmaking. The event will open with Hirokazu Kore-eda’s drama The Truth, starring Juliette Binoche, Catherine Deneuve and Ethan Hawke.
For the first time, the festival is introducing an Audience Award. Additionally, the festival is expanding its industry-facing events with a day-long networking event to bring together French sales agents, French producers, and American industry on Friday, March 6.
Highlights of the 22-film lineup include Christophe Honoré’s On a Magical Night, for which Chiara Mastroianni won an award in Cannes’ Un Certain Regard section; Quentin Dupieux’s satire Deerskin, starring Oscar winner Jean Dujardin and Adèle Haenel; Bruno Dumont’s Joan of Arc, which received a Cannes Special Jury Mention; Mounia Meddour’s Papicha, the story of young women’s resistance...
For the first time, the festival is introducing an Audience Award. Additionally, the festival is expanding its industry-facing events with a day-long networking event to bring together French sales agents, French producers, and American industry on Friday, March 6.
Highlights of the 22-film lineup include Christophe Honoré’s On a Magical Night, for which Chiara Mastroianni won an award in Cannes’ Un Certain Regard section; Quentin Dupieux’s satire Deerskin, starring Oscar winner Jean Dujardin and Adèle Haenel; Bruno Dumont’s Joan of Arc, which received a Cannes Special Jury Mention; Mounia Meddour’s Papicha, the story of young women’s resistance...
- 1/23/2020
- by Andreas Wiseman
- Deadline Film + TV
With the six Oscar nominations Bong Joon Ho‘s “Parasite” scored on Monday morning, the film became the latest to have won the prestigious Palme d’Or at the Cannes Film Festival and score an Oscar nomination for Best Picture. Only one film has actually succeeded in winning both of those honors: Delbert Mann‘s “Marty,” which prevailed in 1955.
Since the Palme d’Or was established, 15 other films have managed to take the top prize at Cannes and make it into the Best Picture race: “Marty” (1955), “Friendly Persuasion” (1957), “M*A*S*H” (1970), “The Conversation” (1974), “Taxi Driver” (1976), “Apocalypse Now” (1979), “All That Jazz” (1979), “Missing” (1982), “The Mission” (1986), “The Piano” (1993), “Pulp Fiction” (1994), “Secrets & Lies” (1996), “The Pianist” (2002), “The Tree of Life” (2011) and “Amour” (2012).
See 2020 Oscar nominations: Full list of Academy Awards nominees in all 24 categories
The top prize from the French film festival is not always a reliable barometer for what will get in at the Oscars.
Since the Palme d’Or was established, 15 other films have managed to take the top prize at Cannes and make it into the Best Picture race: “Marty” (1955), “Friendly Persuasion” (1957), “M*A*S*H” (1970), “The Conversation” (1974), “Taxi Driver” (1976), “Apocalypse Now” (1979), “All That Jazz” (1979), “Missing” (1982), “The Mission” (1986), “The Piano” (1993), “Pulp Fiction” (1994), “Secrets & Lies” (1996), “The Pianist” (2002), “The Tree of Life” (2011) and “Amour” (2012).
See 2020 Oscar nominations: Full list of Academy Awards nominees in all 24 categories
The top prize from the French film festival is not always a reliable barometer for what will get in at the Oscars.
- 1/16/2020
- by Charles Bright
- Gold Derby
The Academy of Motion Picture Arts & Sciences set a precedent in 1938 by nominating the French-language “Grand Illusion,” directed by Jean Renoir, as best picture. After that, Oscar voters’ enthusiasm for foreign-language films in that category was pretty subdued for decades.
Happily, that’s changing.
Last year, two foreign-language films were nominated for best picture, “Roma” and “Cold War.” It could happen this year, with “Pain and Glory” and “Parasite” likely, and “The Farewell” also possible; three in one year would be an Oscar record. And don’t overlook France’s “Les Miserables.”
As the world has gotten smaller, the role of foreign-language films has gotten bigger. The Academy is increasingly nominating foreign-language reps in other categories, such as the 30 times a director has been nominated, from Federico Fellini in 1961 (“La Dolce Vita”) to Alfonso Cuaron (“Roma”) and Pawel Pawlikowski (“Cold War”) last year.
Only five foreign-language pics have ever won...
Happily, that’s changing.
Last year, two foreign-language films were nominated for best picture, “Roma” and “Cold War.” It could happen this year, with “Pain and Glory” and “Parasite” likely, and “The Farewell” also possible; three in one year would be an Oscar record. And don’t overlook France’s “Les Miserables.”
As the world has gotten smaller, the role of foreign-language films has gotten bigger. The Academy is increasingly nominating foreign-language reps in other categories, such as the 30 times a director has been nominated, from Federico Fellini in 1961 (“La Dolce Vita”) to Alfonso Cuaron (“Roma”) and Pawel Pawlikowski (“Cold War”) last year.
Only five foreign-language pics have ever won...
- 12/19/2019
- by Tim Gray
- Variety Film + TV
Netflix has announced that it will keep the New York City’s Paris Theater open through a lease agreement.
The venue, one of the oldest art movie houses in the United States and the last single-screen theater in New York, was shuttered earlier this year. It was re-opened earlier this month for a run of “Marriage Story” by New York filmmaker Noah Baumbach.
Netflix announced Monday a lease agreement to keep the theater open. The streaming giant said it plans to use the theater for special events, screenings and theatrical releases of its films. Terms of the lease were not disclosed.
“After 71 years, the Paris Theatre has an enduring legacy, and remains the destination for a one-of-a kind movie-going experience,” said Ted Sarandos, Netflix’s chief content officer. “We are incredibly proud to preserve this historic New York institution so it can continue to be a cinematic home for film lovers.
The venue, one of the oldest art movie houses in the United States and the last single-screen theater in New York, was shuttered earlier this year. It was re-opened earlier this month for a run of “Marriage Story” by New York filmmaker Noah Baumbach.
Netflix announced Monday a lease agreement to keep the theater open. The streaming giant said it plans to use the theater for special events, screenings and theatrical releases of its films. Terms of the lease were not disclosed.
“After 71 years, the Paris Theatre has an enduring legacy, and remains the destination for a one-of-a kind movie-going experience,” said Ted Sarandos, Netflix’s chief content officer. “We are incredibly proud to preserve this historic New York institution so it can continue to be a cinematic home for film lovers.
- 11/25/2019
- by Dave McNary
- Variety Film + TV
Exclusive: It’s official. New York’s iconic Paris Theatre will remain Manhattan’s last single-screen movie palace for a long time to come. Netflix has confirmed that it has closed an extended lease agreement to keep the theater open. Netflix would not disclose the length of the agreement; Deadline revealed on November 14 that the deal it was signing with the Solow Family that owns the prime real estate is for 10 years. The theater shuttered in August when the lease with City Cinemas expired, and Netflix surprisingly drew a temporary reprieve to show its awards season film Marriage Story by New York director Noah Baumbach.
Netflix disclosed it will use the theater for special events, screenings, and theatrical releases of its films. Translation: Netflix has secured a prime and prestigious beach head theater in New York, as it continues to persuade elite filmmakers to make their prestige films for the streaming service,...
Netflix disclosed it will use the theater for special events, screenings, and theatrical releases of its films. Translation: Netflix has secured a prime and prestigious beach head theater in New York, as it continues to persuade elite filmmakers to make their prestige films for the streaming service,...
- 11/25/2019
- by Mike Fleming Jr
- Deadline Film + TV
Claude Lelouch on influencing Terrence Malick: "I'm happy that you say so." Photo: Anne-Katrin Titze
When I spoke with Claude Lelouch at his hotel in New York less than two years ago, he believed that The Best Years Of A Life (Les Plus Belles Années D'Une Vie), starring Jean-Louis Trintignant, Anouk Aimée, and Monica Bellucci would be his last.
Now he has La Vertu Des Impondérables with Elsa Zylberstein (Un + une with Jean Dujardin and Christopher Lambert), Marianne Denicourt, Ary Abittan, and Stéphane De Groodt (Israel Horovitz's My Old Lady) in the works.
Claude Lelouch: "In Un Homme Et Une Femme (A Man And A Woman), when Anouk Aimée arrives at the end on the train platform, she didn't know Jean-Louis Trintignant would be there."
In 1966, Un Homme Et Une Femme won the Cannes Palme d'Or, and in 1967 won the Best Foreign Language Film Oscar, and Claude Lelouch took Best Writing,...
When I spoke with Claude Lelouch at his hotel in New York less than two years ago, he believed that The Best Years Of A Life (Les Plus Belles Années D'Une Vie), starring Jean-Louis Trintignant, Anouk Aimée, and Monica Bellucci would be his last.
Now he has La Vertu Des Impondérables with Elsa Zylberstein (Un + une with Jean Dujardin and Christopher Lambert), Marianne Denicourt, Ary Abittan, and Stéphane De Groodt (Israel Horovitz's My Old Lady) in the works.
Claude Lelouch: "In Un Homme Et Une Femme (A Man And A Woman), when Anouk Aimée arrives at the end on the train platform, she didn't know Jean-Louis Trintignant would be there."
In 1966, Un Homme Et Une Femme won the Cannes Palme d'Or, and in 1967 won the Best Foreign Language Film Oscar, and Claude Lelouch took Best Writing,...
- 6/7/2019
- by Anne-Katrin Titze
- eyeforfilm.co.uk
Something unusual happened at the Cannes premiere of “The Best Years of a Life,” Claude Lelouch’s syrupy second sequel to his trend-setting 1966 global smash “A Man and a Woman.” Not the endless, roaring standing ovation that happened when the lights came up: That’s expected, even required, of the tuxed-up crowd at Grand Théâtre Lumière, for films far better and worse than this light fondant fancy. No, it came just after, as the applause eventually faded out and the vast audience harmonized in collective gibberish sing-song: Chaba-daba-da-daba-daba-da, da-da-da chaba-daba-da… — over and over, until beachside revelers some distance away could probably hear this mass karaoke spin on Francis Lai’s original 1966 love theme drifting on the breeze.
It was a sweet, decidedly uncool moment that emphasized what Lelouch’s sweet, decidedly uncool film really is: not so much a freestanding feature as an unadulterated nostalgia trip, its modest effect dependent...
It was a sweet, decidedly uncool moment that emphasized what Lelouch’s sweet, decidedly uncool film really is: not so much a freestanding feature as an unadulterated nostalgia trip, its modest effect dependent...
- 5/31/2019
- by Guy Lodge
- Variety Film + TV
The 72nd edition of the Cannes Film Festival has wrapped and the two films that looked well-positioned for this year’s Oscars (Quentin Tarantino’s “Once Upon a Time…in Hollywood” and Terrence Malick’s “A Hidden Life”) both went home empty-handed.
Cannes’ coveted Palme d’Or went to South Korean filmmaker Bong Joon-ho’s comedy-drama, “Parasite.” The film, about two families from different classes that find themselves on a collision course with each other, had the most glowing reviews of this year’s entries. Bong is now the first Korean director to win the top honor. The film’s win here could catapult it into serious Oscar consideration. Since 1955, 39 winners of this top honor have amassed a total of 129 Academy Award nominations, with 28 Oscar wins spanning 16 films. And 15 Palme d’Or champs scored Best Picture nominations: “Marty” (1955), “Friendly Persuasion” (1957), “M*A*S*H” (1970), “The Conversation” (1974), “Taxi Driver” (1976), “Apocalypse Now...
Cannes’ coveted Palme d’Or went to South Korean filmmaker Bong Joon-ho’s comedy-drama, “Parasite.” The film, about two families from different classes that find themselves on a collision course with each other, had the most glowing reviews of this year’s entries. Bong is now the first Korean director to win the top honor. The film’s win here could catapult it into serious Oscar consideration. Since 1955, 39 winners of this top honor have amassed a total of 129 Academy Award nominations, with 28 Oscar wins spanning 16 films. And 15 Palme d’Or champs scored Best Picture nominations: “Marty” (1955), “Friendly Persuasion” (1957), “M*A*S*H” (1970), “The Conversation” (1974), “Taxi Driver” (1976), “Apocalypse Now...
- 5/26/2019
- by Charles Bright
- Gold Derby
The film premiered Out of Competition at Cannes.
Paris-based Other Angle Pictures has unveiled a slew of sales on French director Claude Lelouch’s The Best Years Of A Life, following its Out of Competition premiere in Cannes.
The film reunites Lelouch with actors Anouk Aimée and Jean-Louis Trintignant in the follow-up to his Palme d’Or, Academy Award, and Golden Globe-winning 1966 romantic drama A Man And A Woman. The trio – all now in their 80s - hit Cannes’s red carpet together again some 52 years after the premiere of the original film.
In Europe, the film has sold to...
Paris-based Other Angle Pictures has unveiled a slew of sales on French director Claude Lelouch’s The Best Years Of A Life, following its Out of Competition premiere in Cannes.
The film reunites Lelouch with actors Anouk Aimée and Jean-Louis Trintignant in the follow-up to his Palme d’Or, Academy Award, and Golden Globe-winning 1966 romantic drama A Man And A Woman. The trio – all now in their 80s - hit Cannes’s red carpet together again some 52 years after the premiere of the original film.
In Europe, the film has sold to...
- 5/24/2019
- by Melanie Goodfellow
- ScreenDaily
Together again after all these years - Anouk Aimée and Claude Lelouch Photo: Richard Mowe There can be no doubting the waves of emotion that washed over director Claude Lelouch and his two actors Jean-Louis Trintignant and Anouk Aimée when they returned to the Cannes Film Festival with The Best Years Of A Life.
The new film - which also stars Monica Bellucci - picks up where the same characters left off their love story in A Man And A Woman some 53 years earlier and gives them a fresh start.
Lelouch confides that in those far-off days he did not really understand what was happening to him. He received the Palme d’Or and the film travelled around the world. It mixed black-and-white and colour images, hailed as a revolutionary technique but it was brought about by the exigencies of the budget.
Claude Lelouch: 'Every time I make a new...
The new film - which also stars Monica Bellucci - picks up where the same characters left off their love story in A Man And A Woman some 53 years earlier and gives them a fresh start.
Lelouch confides that in those far-off days he did not really understand what was happening to him. He received the Palme d’Or and the film travelled around the world. It mixed black-and-white and colour images, hailed as a revolutionary technique but it was brought about by the exigencies of the budget.
Claude Lelouch: 'Every time I make a new...
- 5/20/2019
- by Richard Mowe
- eyeforfilm.co.uk
In one of the more poignant moments from Richard Linklater’s “Before Midnight,” chatty couple Celine and Jesse imagine what it might be like to look back on their romance 80 years in the future. It’s a tantalizing speculation in a triptych rich with possibilities. Now, Claude Lelouch gets there with a trilogy of his own: In “The Best Years of a Life,” the 81-year-old French director revisits the swooning courtship from his Oscar-winning 1966 “A Man and a Woman,” concluding a cheesy opus that launched more than 50 years ago.
Decades before Celine and Jesse, there was the saga of Jean-Louis and Anne. With fellow octogenarians Jean-Louis Trintignant and Anouk Aimée reprising their roles as passionate lovers despite forces that pull them apart, “The Best Years of a Life” delivers a melancholic salute to the original movie. However, Lelouch’s obsession with his story’s legacy means that the movie often...
Decades before Celine and Jesse, there was the saga of Jean-Louis and Anne. With fellow octogenarians Jean-Louis Trintignant and Anouk Aimée reprising their roles as passionate lovers despite forces that pull them apart, “The Best Years of a Life” delivers a melancholic salute to the original movie. However, Lelouch’s obsession with his story’s legacy means that the movie often...
- 5/18/2019
- by Eric Kohn
- Indiewire
Palme d’Or winning director Claude Lelouch has unveiled the trailer for his latest film “The Best Years of A Life,” which will world premiere in the out-of-competition section at the Cannes Film Festival.
Sold by Other Angle, the movie marks Lelouch’s follow-up film to “A Man and A Woman,” the 1966 romantic drama which won the Palme d’Or, an Oscar and a Golden Globe. “The Best Years of A Life” was produced by the late Sammy Hadida and his brother Victor Hadida at Paris-based Metropolitan Filmexport, as well as Lelouch.
“The Best Years of A Life” brings back the characters of Anne Gauthier, a script girl, and Jean-Louis Duroc, a racing driver, who fell in love against all odds. More 50 years later, the former race car driver seems lost in the pathways of his memory. In order to help him, his son seeks out the woman his father...
Sold by Other Angle, the movie marks Lelouch’s follow-up film to “A Man and A Woman,” the 1966 romantic drama which won the Palme d’Or, an Oscar and a Golden Globe. “The Best Years of A Life” was produced by the late Sammy Hadida and his brother Victor Hadida at Paris-based Metropolitan Filmexport, as well as Lelouch.
“The Best Years of A Life” brings back the characters of Anne Gauthier, a script girl, and Jean-Louis Duroc, a racing driver, who fell in love against all odds. More 50 years later, the former race car driver seems lost in the pathways of his memory. In order to help him, his son seeks out the woman his father...
- 5/18/2019
- by Elsa Keslassy
- Variety Film + TV
The film premieres Out of Competition today (May 18).
Screen can exclusively reveal the first English-language trailer for Claude Lelouch’s The Best Years Of A Life ahead of its Out of Competition premiere at Cannes this evening (May 18).
The film reunites Lelouch with legendary actors Anouk Aimée and Jean-Louis Trintignant in the follow-up to his Palme d’Or, Academy Award, Golden Globe-winning 1966 romantic drama A Man And A Woman.
Speaking to Screen in Cannes ahead of Saturday’s premiere, Lelouch revealed it had been a challenge to convince Aimée and Trintignant, who are both now in their late 80s, to come on board the project.
Screen can exclusively reveal the first English-language trailer for Claude Lelouch’s The Best Years Of A Life ahead of its Out of Competition premiere at Cannes this evening (May 18).
The film reunites Lelouch with legendary actors Anouk Aimée and Jean-Louis Trintignant in the follow-up to his Palme d’Or, Academy Award, Golden Globe-winning 1966 romantic drama A Man And A Woman.
Speaking to Screen in Cannes ahead of Saturday’s premiere, Lelouch revealed it had been a challenge to convince Aimée and Trintignant, who are both now in their late 80s, to come on board the project.
- 5/18/2019
- by Melanie Goodfellow
- ScreenDaily
‘I was extraordinarily lucky to have waited fifty-two years to make this film.’
Paris-based Other Angle Pictures has boarded world sales on French director Claude Lelouch’s The Best Years Of A Life ahead of its Out of Competition premiere at the Cannes Film Festival.
The film reunites Lelouch with legendary actors Anouk Aimée and Jean-Louis Trintignant in the follow-up to his Palme d’Or, Academy Award, Golden Globe-winning 1966 romantic drama A Man And A Woman.
Its storyline revisits the original characters of Anne Gauthier and Jean-Louis Duroc – a script girl and a racing driver who embark on a hesitant...
Paris-based Other Angle Pictures has boarded world sales on French director Claude Lelouch’s The Best Years Of A Life ahead of its Out of Competition premiere at the Cannes Film Festival.
The film reunites Lelouch with legendary actors Anouk Aimée and Jean-Louis Trintignant in the follow-up to his Palme d’Or, Academy Award, Golden Globe-winning 1966 romantic drama A Man And A Woman.
Its storyline revisits the original characters of Anne Gauthier and Jean-Louis Duroc – a script girl and a racing driver who embark on a hesitant...
- 5/8/2019
- by Melanie Goodfellow
- ScreenDaily
We’re just a few weeks away from the annual unveiling of the Cannes Film Festival lineup, and, as ever, speculation is running high about what will and won’t strut down the Croisette from May 14-25. Also as usual, nothing is set in stone until fest chief Thierry Frémaux makes the announcement. However, we’ve been able to glean some intel into what’s likely to be in store for the official selection — and what is not.
Regarding the big-ticket titles, the one on everyone’s lips is Quentin Tarantino’s Once Upon A Time In Hollywood. While we’ve heard a possible May 21 date floated — which would slot in nicely given it would mark 25 years to the day that Tarantino debuted Pulp Fiction, going on to win the Palme d’Or — and sources have indicated the film is likely to make it, we also understand that no firm...
Regarding the big-ticket titles, the one on everyone’s lips is Quentin Tarantino’s Once Upon A Time In Hollywood. While we’ve heard a possible May 21 date floated — which would slot in nicely given it would mark 25 years to the day that Tarantino debuted Pulp Fiction, going on to win the Palme d’Or — and sources have indicated the film is likely to make it, we also understand that no firm...
- 3/20/2019
- by Nancy Tartaglione and Andreas Wiseman
- Deadline Film + TV
Jacques Audiard’s dark comedy western won best film and best director.
Jacques Audiard’s dark comedy western The Sisters Brothers, co-starring John C. Reilly and Joaquin Phoenix, won best film and best director at the 24th edition of France’s Lumière awards on Monday evening.
In a third prize for Audiard’s English-language debut, Benoît Debie, who was also nominated for his work on Gaspar Noé’s Climax, won best cinematography.
The Sisters Brothers was a front-runner at the nomination stage alongside comedy of manners Mademoiselle de Joncquières, adoption drama Pupille and Venice-winning divorce drama Custody although there were no stand-out favourites this year.
Jacques Audiard’s dark comedy western The Sisters Brothers, co-starring John C. Reilly and Joaquin Phoenix, won best film and best director at the 24th edition of France’s Lumière awards on Monday evening.
In a third prize for Audiard’s English-language debut, Benoît Debie, who was also nominated for his work on Gaspar Noé’s Climax, won best cinematography.
The Sisters Brothers was a front-runner at the nomination stage alongside comedy of manners Mademoiselle de Joncquières, adoption drama Pupille and Venice-winning divorce drama Custody although there were no stand-out favourites this year.
- 2/5/2019
- by Melanie Goodfellow
- ScreenDaily
French producer-distributor Samuel Hadida died unexpectedly on Nov. 26 at UCLA Santa Monica Hospital following a short illness, according to his brother Victor Hadida. He was 64.
For more than three decades, the Hadida brothers have owned and managed Paris-based Metropolitan FilmExport, a leading French distributor of American indie fare they had founded with their father David.
Samuel Hadida was known for his collaborations with director Tony Scott on “True Romance” and “Domino,” his collaboration with Constantin Film on the “Resident Evil” franchise, his work on the “Silent Hill” movies and with Claude Lelouch on “Un+Une” and “The Best Years,” the upcoming sequel to “A Man and a Woman.”
Samuel Hadida was also a fixture on the international film scene at film markets and festivals. He was a native of Morocco.
Victor Hadida said, “Sammy’s passion and humor were infectious and his larger than life presence will certainly be missed.
For more than three decades, the Hadida brothers have owned and managed Paris-based Metropolitan FilmExport, a leading French distributor of American indie fare they had founded with their father David.
Samuel Hadida was known for his collaborations with director Tony Scott on “True Romance” and “Domino,” his collaboration with Constantin Film on the “Resident Evil” franchise, his work on the “Silent Hill” movies and with Claude Lelouch on “Un+Une” and “The Best Years,” the upcoming sequel to “A Man and a Woman.”
Samuel Hadida was also a fixture on the international film scene at film markets and festivals. He was a native of Morocco.
Victor Hadida said, “Sammy’s passion and humor were infectious and his larger than life presence will certainly be missed.
- 11/27/2018
- by Dave McNary
- Variety Film + TV
Samuel Hadida, a French producer and distributor with over 70 producing credits including “True Romance,” the “Resident Evil” franchise and most recently as a co-executive producer on this year’s “Hunter Killer,” has died. He was 64.
Hadida died unexpectedly on Monday at UCLA Santa Monica Hospital following a short illness, his brother, Victor Hadida announced in a statement.
Hadida and his brother have owned and managed Metropolitan FilmExport, a French distributor of American indie fare, which they founded with their father, David.
Also Read: Stephen Hillenburg, 'SpongeBob SquarePants' Creator, Dies at 57
In addition to working with director Tony Scott on the 1993 film “True Romance” and “Domino” in 2005, Hadida also collaborated with Constantin Film on the “Resident Evil” series of film and the “Silent Hill” movies. More recently, he worked with Claude Lelouch on “Un+Une” and “The Best Years,” an upcoming sequel to the Oscar-winning “A Man and a Woman.
Hadida died unexpectedly on Monday at UCLA Santa Monica Hospital following a short illness, his brother, Victor Hadida announced in a statement.
Hadida and his brother have owned and managed Metropolitan FilmExport, a French distributor of American indie fare, which they founded with their father, David.
Also Read: Stephen Hillenburg, 'SpongeBob SquarePants' Creator, Dies at 57
In addition to working with director Tony Scott on the 1993 film “True Romance” and “Domino” in 2005, Hadida also collaborated with Constantin Film on the “Resident Evil” series of film and the “Silent Hill” movies. More recently, he worked with Claude Lelouch on “Un+Une” and “The Best Years,” an upcoming sequel to the Oscar-winning “A Man and a Woman.
- 11/27/2018
- by Brian Welk
- The Wrap
Samuel Hadida, the regarded indie French distributor and producer of films including the Resident Evil franchise and the Tony Scott-directed True Romance and Domino, has died at age 64. He passed away Monday at UCLA Santa Monica Hospital after a short illness, according to his brother Victor.
Hadida and Victor owned and managed Metropolitan FilmExport, a top French distributor of American indie films that they founded with their father David. A champion of indie cinema by bringing the likes of Quentin Tarantino’s Reservoir Dogs and David Fincher’s Seven to French screens, he was a staple at festivals and markets for the past 40 years.
“Sammy’s passion and humor were infectious and his larger than life presence will certainly be missed,” Victor Hadida said. “We are committed to honoring his life by bringing to fruition the numerous development projects under the Davis Films banner that Samuel so loved as...
Hadida and Victor owned and managed Metropolitan FilmExport, a top French distributor of American indie films that they founded with their father David. A champion of indie cinema by bringing the likes of Quentin Tarantino’s Reservoir Dogs and David Fincher’s Seven to French screens, he was a staple at festivals and markets for the past 40 years.
“Sammy’s passion and humor were infectious and his larger than life presence will certainly be missed,” Victor Hadida said. “We are committed to honoring his life by bringing to fruition the numerous development projects under the Davis Films banner that Samuel so loved as...
- 11/27/2018
- by Patrick Hipes
- Deadline Film + TV
French composer Francis Lai, who won an Oscar for “Love Story” and penned the beguiling theme for “A Man and a Woman,” has died at the age of 86, the mayor of Nice announced on Wednesday. No cause of death was reported.
Lai’s plaintive piano melody for “Love Story,” the 1970 tearjerker that made stars of Ryan O’Neal and Ali MacGraw, was his biggest hit, earning him an Oscar and a Golden Globe. His soundtrack recording was all over radio in early 1971, reaching no. 37 as a single and no. 2 as a soundtrack album. When lyrics were added to the melody, Andy Williams sang “Where Do I Begin” to no. 7 on the charts that same year.
The score almost didn’t happen. Lai initially turned down the assignment, he told the Los Angeles Times in 2001. But French actor Alain Delon, who had seen a cut of the film, called Lai and...
Lai’s plaintive piano melody for “Love Story,” the 1970 tearjerker that made stars of Ryan O’Neal and Ali MacGraw, was his biggest hit, earning him an Oscar and a Golden Globe. His soundtrack recording was all over radio in early 1971, reaching no. 37 as a single and no. 2 as a soundtrack album. When lyrics were added to the melody, Andy Williams sang “Where Do I Begin” to no. 7 on the charts that same year.
The score almost didn’t happen. Lai initially turned down the assignment, he told the Los Angeles Times in 2001. But French actor Alain Delon, who had seen a cut of the film, called Lai and...
- 11/8/2018
- by Jon Burlingame
- Variety Film + TV
Claude Lelouch Directing A Sequel To The Acclaimed 1966 Film ‘A Man And A Woman’ With Original Stars
The 1966 French classic “A Man and a Woman” is probably the best work to come from acclaimed director Claude Lelouch. Not only did the film win the coveted Palme d’Or at Cannes after its premiere, but the love story went on to be nominated for four Oscars (winning Best Writing and Best Foreign Language Film) and five Golden Globes (taking home Best Actress and Best Foreign Language Film).
Continue reading Claude Lelouch Directing A Sequel To The Acclaimed 1966 Film ‘A Man And A Woman’ With Original Stars at The Playlist.
Continue reading Claude Lelouch Directing A Sequel To The Acclaimed 1966 Film ‘A Man And A Woman’ With Original Stars at The Playlist.
- 9/26/2018
- by Charles Barfield
- The Playlist
The Cannes Film Festival just wrapped up its 71st edition and the film with the biggest Oscar potential got a big boost at the closing ceremony. Spike Lee’s, “BlacKkKlansman,” the true story of an African-American cop who infiltrated the Kkk, took home the Grand Prix, the second highest prize of the festival. It was Lee’s first time competing on the Croisette since 1991 when “Jungle Fever” was in competition and was a bit of retribution for Lee after his widely acclaimed 1989 film, “Do the Right Thing,” received nothing from the jury.
If “BlacKkKlansman” were to get nominated for Best Picture at the Oscars, it would be the second time a Grand Prix winner has gotten into the race for Oscar’s top honor. The first was “Life is Beautiful” in 1998. Thirteen past Grand Prix winners went on to earn 22 total Oscar nominations with five films scoring seven wins. Each...
If “BlacKkKlansman” were to get nominated for Best Picture at the Oscars, it would be the second time a Grand Prix winner has gotten into the race for Oscar’s top honor. The first was “Life is Beautiful” in 1998. Thirteen past Grand Prix winners went on to earn 22 total Oscar nominations with five films scoring seven wins. Each...
- 5/20/2018
- by Charles Bright
- Gold Derby
Columbia sets Jacques Demy loose on the streets of Los Angeles in the pivotal year of 1968. Although it puts a coda on the French director’s bundle of romantic films, with his special philosophical approach to Love, this starring picture for Anouk Aimée and Gary Lockwood doesn’t quite catch fire in the same way. If our City of the Angels indeed defeated Demy’s unstoppable knack for romantic delirium, we owe him an apology.
Model Shop
Blu-ray
Twilight Time
1969 / Color / 1:85 widescreen / 97 min. / Street Date April 17, 2018 / Available from the Twilight Time Movies Store / 29.95
Starring: Anouk Aimée, Gary Lockwood, Alexandra Hay, Carol Cole, Tom Holland, Severn Darden, Neil Elliot, Mille, Duke Hobbie, Anne Randall, Craig Littler, Hilarie Thompson, Jeanne Sorel, Fred Willard.
Cinematography: Michel Hugo
Film Editor: Walter Thompson
Shirley Ulmer: Script Supervisor!
Original Music: Spirit
Written by Jacques Demy, Carole Eastman
Produced and Directed by Jacques Demy
The...
Model Shop
Blu-ray
Twilight Time
1969 / Color / 1:85 widescreen / 97 min. / Street Date April 17, 2018 / Available from the Twilight Time Movies Store / 29.95
Starring: Anouk Aimée, Gary Lockwood, Alexandra Hay, Carol Cole, Tom Holland, Severn Darden, Neil Elliot, Mille, Duke Hobbie, Anne Randall, Craig Littler, Hilarie Thompson, Jeanne Sorel, Fred Willard.
Cinematography: Michel Hugo
Film Editor: Walter Thompson
Shirley Ulmer: Script Supervisor!
Original Music: Spirit
Written by Jacques Demy, Carole Eastman
Produced and Directed by Jacques Demy
The...
- 5/12/2018
- by Glenn Erickson
- Trailers from Hell
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