Despite some weaknesses, the film remains a bold and challenging work, one that flies in the face of the conventional spy thrillers of its day.
70
Chicago ReaderDave Kehr
Chicago ReaderDave Kehr
Hitchcock was incapable of making an uninteresting film, even when burdened with unsympathetic stars like Julie Andrews and Paul Newman, and Torn Curtain has its moments.
In these times, with James Bonds cutting capers and pallid spies coming in out of the cold, Mr. Hitchcock will have to give us something a good bit brighter to keep us amused.
50
Slant Magazine
Slant Magazine
Torn Curtain, which was a commercial success because of the drawing power of its stars, is an artistic flop.
50
Time Out
Time Out
Hitchcock, seemingly too dour or too uninterested to turn in the title's promise of a Cold War ripping yarn, settles instead for a dissection of the limits of domestic trust.
50
TV Guide Magazine
TV Guide Magazine
Putting Julie Andrews in a Hitchcock film at all, meanwhile, proves that a spoonful of sugar doesn't help the medicine go down...in the most de-light-ful way. Dull and way too long.
Alfred Hitchcock's direction emphasizes suspense and ironic comedy flair but some good plot ideas are marred by routine dialog, and a too relaxed pace contributes to a dull overlength.
40
The New YorkerPauline Kael
The New YorkerPauline Kael
Sloppy, clumsy Hitchcock thriller. Brian Moore is credited with the original screenplay, but probably his friends don't mention it.