A Rage to Live (1965)
Reference View | Change View
- Not Rated
- 1h 41min
- Drama
- 12 Nov 1965 (Sweden)
- Movie
- Nominated for 1 Oscar.
- See more »
Photos and Videos
Complete, Cast awaiting verification
Suzanne Pleshette | ... |
Grace Caldwell Tate
|
|
Bradford Dillman | ... |
Sidney Tate
|
|
Ben Gazzara | ... |
Roger Bannon
|
|
Peter Graves | ... |
Jack Hollister
|
|
Bethel Leslie | ... |
Amy Hollister
|
|
Carmen Mathews | ... |
Emily Caldwell
|
|
Linden Chiles | ... |
Brock Caldwell
|
|
James Gregory | ... |
Dr. O'Brien
|
|
Ruth White | ... |
Mrs. Bannon
|
|
Mark Goddard | ... |
Charlie Jay
|
|
Sarah Marshall | ... |
Connie
|
|
George Furth | ... |
Paul Rutherford
|
|
Virginia Christine | ... |
Emma
|
|
Rest of cast listed alphabetically: | |||
Eddie Baker | ... |
Restaurant Patron (uncredited)
|
|
Al Beaudine | ... |
Restaurant Patron (uncredited)
|
|
Paul Bradley | ... |
Restaurant Patron (uncredited)
|
|
Dick Cherney | ... |
Restaurant Patron (uncredited)
|
|
Aneta Corsaut | ... |
Mary (uncredited)
|
|
George DeNormand | ... |
Restaurant Patron (uncredited)
|
|
Ed Haskett | ... |
Restaurant Patron (uncredited)
|
|
Joseph La Cava | ... |
Waiter (uncredited)
|
|
Frank Maxwell | ... |
George Jay (uncredited)
|
|
Byron Morrow | ... |
Mr. Tate (uncredited)
|
|
Murray Pollack | ... |
Restaurant Patron (uncredited)
|
|
Christopher Riordan | ... |
Harvard Student (uncredited)
|
|
Myrna Ross | ... |
Girl t Motel with Roger (uncredited)
|
|
Bernard Sell | ... |
Restaurant Patron (uncredited)
|
|
Almira Sessions | ... |
Carnival Fortune Teller (uncredited)
|
|
Brett Somers | ... |
Jessie Jay (uncredited)
|
|
Bert Stevens | ... |
Restaurant Patron (uncredited)
|
|
Bob Whitney | ... |
Carnival Patron (uncredited)
|
|
Jason Wingreen | ... |
Jim (uncredited)
|
Directed by
Walter Grauman |
Written by
John T. Kelley | ... | (screenplay) |
John O'Hara | ... | (novel) |
Produced by
Lewis J. Rachmil | ... | producer |
Music by
Nelson Riddle |
Cinematography by
Charles Lawton Jr. | ... | director of photography (as Charles Lawton) |
Editing by
Stuart Gilmore |
Casting By
Lynn Stalmaster |
Art Direction by
James W. Sullivan | ... | (as James Sullivan) |
Set Decoration by
Raymond Boltz Jr. | ... | (as Ray Boltz) |
Costume Design by
Howard Shoup |
Makeup Department
Stanley E. Campbell | ... | makeup artist (as Stan Campbell) |
Doris Durkus | ... | hair stylist |
Production Management
Allen K. Wood | ... | production manager |
Second Unit Director or Assistant Director
Emmett Emerson | ... | assistant director |
Art Department
Arthur Friedrich | ... | property master |
Sound Department
Gilbert D. Marchant | ... | sound effects editor |
Al Overton | ... | sound (as Alfred J. Overton) |
Special Effects by
Norman Breedlove | ... | special effects |
Costume and Wardrobe Department
Paula Giokaris | ... | wardrobe |
Russell Hanlin | ... | wardrobe (as Russ Hanlin) |
Music Department
Richard Carruth | ... | music editor |
Gil Grau | ... | orchestrator |
Script and Continuity Department
Doris Grau | ... | script supervisor |
Additional Crew
Leon Charles | ... | dialogue supervisor |
Production Companies
Distributors
- United Artists (1965) (United States) (theatrical)
- Kommunenes Filmcentral (KF) (1965) (Norway) (theatrical)
- United Artists (1965) (Sweden) (theatrical)
- United Artists (1966) (United Kingdom) (theatrical)
- United Artists (1966) (Argentina) (theatrical) (as Artistas Unidos)
- United Artists (1966) (Japan) (theatrical)
- National Broadcasting Company (NBC) (1971) (United States) (tv) (pan/scan)
- Renaissance Content Group (2023) (World-wide)
- YouTube (United States) (video)
Special Effects
Other Companies
Storyline
Plot Summary |
Grace Caldwell, a young Pennsylvania newspaper heiress living with her widowed mother, has trouble restraining herself when it comes to the amorous attentions of young men. As word starts to spread about her behavior, Grace becomes a major source of heartache for her mother and a big source of concern to her brother Brock. One evening, at a Christmas party, Grace meets gentleman farmer Sidney Tate. They fall in love and he asks her to marry him. Grace accepts, but only after making clear that she isn't proud of some things in her past. Sidney is taken aback by Grace's candid admission, but still wants to marry her. Grace promises to be faithful to Sidney; it's a promise she has every intention of keeping, until a former casual acquaintance, Roger Bannon, re-enters her life.
Written by Eugene Kim |
Plot Keywords | |
Taglines | The names and places didn't matter . . . only when! See more » |
Genres | |
Parents Guide | View content advisory » |
Certification |
|
Additional Details
Also Known As |
|
Runtime |
|
Country | |
Language | |
Color | |
Aspect Ratio |
|
Sound Mix | |
Filming Locations |
Box Office
Budget | $3,000,000 (estimated) |
Did You Know?
Trivia | The on-screen epilogue is taken from Alexander Pope's "Epistle II --- To a Lady --- Of the Characters of Women" (1735): "Wise Wretch! with Pleasures too refin'd to please, With too much Spirit to be e'er at ease, With too much Quickness ever to be taught, With too much Thinking to have common Thought: You purchase Pain with all that Joy can give, And die of nothing but a Rage to live." See more » |
Goofs | No interior rear-view mirror in Suzanne Pleshette's estate car when she gives Ben Gazzara a lift in the rain. See more » |
Soundtracks | Rage To Live See more » |
Quotes |
Grace Caldwell:
I thought I loved him, and then I found I could feel the same way about someone else, someone different. Brock Caldwell: Grace, that isn't love. Grace Caldwell: No. But it's being wanted and needed and held close. It's almost love. Brock Caldwell: "Almost love"? You don't have to settle for that. Grace Caldwell: I'm not settling. Brock Caldwell: I just don't get this. You talk like a girl who's got nothing else in her life, who nobody cares about ... Grace Caldwell: No ... Brock Caldwell: Well, that's the way it sounds -- Grace Caldwell: I don't care how it sounds. When I feel that way, I can't think of anything else. Doesn't matter who I am or what I'm supposed to be. Nothing matters. I can't help it. See more » |