Day of the Nightmare (1965) Poster

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6/10
Impotent, transvestite chihuahua killer!
capkronos22 January 2009
Warning: Spoilers
It could only be DAY OF THE NIGHTMARE (1965); a mix between a nudie and PSYCHO, with a pinch of HOMICIDAL thrown in for good measure. I think it's a bit better and more entertaining than the 4.1 rating on IMDb might suggest. I liked it.

The unknown Cliff Fields delivers an outrageously OTT performance as deranged painter Jonathan Crane. He's impotent because his parents were swingers and as a child he walked in on mom doing one of her lovers, who then spanked the voyeuristic little weirdo. Now Johnny gets his jollies by tying up topless models and smacking their bums with a belt until he, uh, well you know. If that isn't entertaining enough, Jonathan is also a schizo who slaps on a cone bra, trench-coat, pageboy wig and sunglasses and goes on a murder spree under his secondary persona, "Doris Mays." Neighbors who spot Doris leaving her apartment think she's just your run-of-the-mill "bull d**e" but no one seems to be able to put two and two together that Cliff and Doris are actually the same person.

Jonathan is married to the sweet but very naive Barbara (Barbara Bain) and she tries to be understanding that her husband is always away on "business." Little does she know, but "business" equals putting on ladies underthings, hiring lesbian prostitutes and murdering women who remind him of his impotence! Sometimes when hubby is gone, Barbara is stalked by "Doris," who hangs around outside the home spying on her and eventually sneaks inside her home, attacks her with a knife and chases her around in the woods for about five minutes. Here and there, the film throws in a gratuitous nude scene, such as when three swinger couples put on blindfolds, spin around until they're disoriented and then feel/crawl around the room looking for members of the opposite sex they can start groping (!) Oh yeah, and for some reason "Doris" slays a chihuahua because its barking is annoying her. I can't stand yippy little ankle biters either, so this didn't bother me. The movie is very funny at times and seems just as confused about what it wants to be as Jonathan. There are lots of crazy flashbacks attempting to explain Jonathan's behavior, obligatory psycho-babble, several surprisingly creepy moments and even a bit of suspense. I'm convinced Brian De Palma watched this before he made DRESSED TO KILL. Both obviously take their cue from PSYCHO, but have a lot in common otherwise, right down to the killer's disguise (the wig, trench coat and sunglasses).

Top-billed John Ireland (an Oscar nominee just fifteen years earlier) "stars" as the lead detective on the case, but his performance is forgettable, and his scenes are boring. John Hart (BLACKENSTEIN) is pretty awful as Jonathan's self-centered psychiatrist father, who sleeps with his female patients. Legendary Liz Renay (of John Waters' DESPERATE LIVING fame) has an uncredited one-scene cameo as one of the dad's lascivious patients. Bette Treadville (who looks like she belongs in a Waters movie) is the 300-pound black maid. And Elena Verdugo (HOUSE OF FRANKENSTEIN) has just one scene as an art agent. Bain was pretty good as the female lead, but the movie is dominated by Fields, who gets to act like an arrogant, eye-rolling jerk as Jonathan, gets to scream and cry when recalling a traumatic childhood with two oversexed parents, and (with help from a female dub-over) gets to act dainty, mannered and feminine as "Doris." It's a shame he didn't get any other starring roles.

The DVD is from Something Weird, who have paired it with another movie called SCREAM OF THE BUTTERFLY (1965). I started watching SCREAM last night and it seemed like it might be decent enough to merit a purchase of this disc. It's about an adulterous platinum blonde bikini-clad tramp named Marla (Nelida Lobato) who conspires with her lover to kill her wealthy tycoon husband, who married her after a week-long fling. Seems more noir/thriller than horror, but I'll try to finish it and write a review. It's well shot by Ray Dennis Steckler (R.I.P.) and seems to have pretty amusing dialogue, nude scenes from the busty leading lady, plus a hilarious rip-off of the FROM HERE TO ETERNITY beach scene.
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6/10
Ed Wood's Bitter Half
worldofgabby19 January 2013
The film I saw was neither the one described in IMDb's synopsis nor that described in the other reviews. I watched it on Netflix and assume the more lurid scenes were cut. This is a shame. Although I don't particularly enjoy watching depictions of sadism, etc, I see no reason for a movie not to be shown in its entirety, especially on a site which is generally not so squeamish. That being said, I enjoyed the movie despite its bad acting and lack of continuity (the cars driven by the characters, especially the hero/heroine's station wagon, varied in age and marque.) The subject was interesting and the central character well played. There was an inventive use of cheap sets, and the actors seemed to have been chosen from the director's friends and acquaintances, much like in an Ed Wood production. If you enjoy watching Ed Wood's movies, you won't want to miss Day of the Nightmare. It is one step up and quite a bit darker.
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4/10
Addendum To 2001 Review
thomandybish-1511431 March 2021
Warning: Spoilers
There are actually two versions of this film. Originally released in 1965, DAY OF THE NIGHTMARE was a pretty standard detective thriller with a lurid twist: the killer was an artist with a split personality (dissociative disorder) that was female. Apparently this version didn't register at the box office, because four years later it was re-released with newly-filmed sex scenes inserted--the producers lured several of the actors back to make them. This sexploitation version is the one that Something Weird released back in the 90s. I used to get their catalogues, and the writer who described this version wondered why star John Ireland was in a "nudie". The fact is, he wasn't, at least as the movie was originally released.

The 1969 recut version --the Something Weird version I originally reviewed--is available for sale on Amazon and through other second-hand dealers. The original 1965 version is on Amazon Prime. If you don't have the stomach for sixties grindhouse fare, go with that version. If you want a walk on the wild side-lesbian make out sessions, fetishistic whippings, etc.--go with the Something Weird version.
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Low budget psychodrama
thomandybish2 April 2001
Contrary to what the plot summary says, this is NOT about a woman returning from the dead! The story concerns Jonathan Crane, an artist with a decidedly sick way of getting his models in the mood to pose. The movie opens with Jonathan having a topless lovely lay across a couch, then binding her ankles and wrists and beating her back with a belt while wailing, "Unclean!Unclean!" Ooohkaaay. To top THAT off, Jonathan's wife is being stalked by a mysterious woman who slips into the house and chases the wife out and through some woods. The wife is baffled as to who the woman is, but she's someone closer to Mrs. Crane than she realizes . . .

A weird psychosexual drama with all kinds of dysfunctional kinkiness. In between the story concerning Jonathan's kinkiness and the mystery woman are some sleazy scenes including an orgy and a flashback revealing an adolescent sex encounter between Jonathan and an older woman that indicates where he got his taste for whipping from. Grotesquely fascinating.
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5/10
A "femme" fatale "Psycho"-drama
melvelvit-118 June 2007
Warning: Spoilers
Problem artist Jonathan Crane likes to beat barely dressed models with a belt in his L.A. studio and, apparently, carry on with his neighbor, the weird-looking Doris Mays, even though he has a pretty wife and expensive tract home in suburban San Diego. When the downstairs tenants of his L.A. complex have their orgy interrupted by sounds of violence coming from Miss Mays' apartment and later see a man putting a large trunk into his car, a police detective (John Ireland, who looks as though he'd rather be anywhere else) begins questioning, and then tailing, Jonathan. Meanwhile, in San Diego, Jonathan's wife notices a strange trunk in their garage and, unbeknownst to her, is being followed by a creepy-looking, knife-wielding woman...

This Grade-C psycho-drama somehow manages to hold the interest in spite of itself. Made in the wake of PSYCHO, mommie-motivated "Doris Mays" looks about as much like a woman as Michael Caine does in DRESSED TO KILL (which the movie, as well as "Doris", also resembles) so there's very little in the way of surprises. On the plus-side, it's got a good deal of sexual swinging, spanking, stalking, a stabbing, childhood flashbacks, psychiatric mumbo-jumbo, dry-humping, and lots of topless babes in 60s hair-dos. A tad too long at 94 minutes and photographed in crisp B&W by director Ted V. Mikels (THE CORPSE GRINDERS), this "nightmare" of a movie "stars" a no-name cast (with the exception of a tired-looking John Ireland and Elena "House Of Frankenstein" Verdugo as Jonathan's boss). Gangster Mickey Cohen's girlfriend, stripper Liz "Desperate Living" Renay, appears (uncredited) as the lascivious "Mrs. Sisterman" ...get it?

5/10 -but fun, nonetheless.
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5/10
Stranger than fiction/disjointed
mikesmithredbrow11 September 2023
Entertaining in a strange sort of way. Not sure who the editor was on this film but the husband was seen driving a particular car in one scene but in the same scene after a short break when you see his wife opening a trunk low and behold he's in a different car??

Near the end of the movie when the police are chasing him in the dark dressed as a woman, low and behold he opoens a gate and its broad daylight. The film was littered with these amusing mistakes. Having noticed these badly put together scenes, I spent most of the movie looking for more, in that this kept me entertained when the actual script did not.
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2/10
LAME MELODRAMA...TURGID!
shepardjessica16 September 2004
Nice locations and decent "daytime" cinematography in La Jolla, but a terrible low-grade exploitation flick..YUCK! Lots of booze bottles and tacky paintings in this movie. The father and son look to be the same age. The cross-dressing psycho is completely idiotic..he has such a pretty wife. What's his problem? Best line of dialogue - "People go crazy...every day people go crazy". What is John Ireland doing in this one? I know he made some bad flicks, but this is too much. Some nudity. A 2 out of 10. Best performance = Beverly Bain. Ms. Bain plays the attractive and very normal wife of the crazy. Elena Verdugo from MARCUS WELBY, M.D. has a small role as does Liz Renay from John Waters flicks.

The Good Deed Mission guys are right out of the Bowery Boys. Not much to recommend here with the acting low-grade and repellent passivity of most of the characters, especially Mr. Ireland as the world-weary detective. Terrible!
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5/10
Ignore The Synopsis
jimcarter195921 November 2020
Have you seen Brian De Palma's "Dressed To Kill"? It would appear that De Palma was "inspired" by this little low budget thriller. If you agree that "Fatal Attraction" ripped off "Play Misty For Me", then you'll likely feel the same about De Palma's 1980 effort.
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2/10
No budget "Homicidal" clone
preppy-39 February 2022
Warning: Spoilers
Jonathan Crane is a seriously disturbed artist who kills his girlfriend before his wife finds out. He stuffs the body in a trunk and hides out. However the body isn't in the trunk later on and a dead ringer for his dead girlfriend starts stalking his wife! But she's dead...isn't she?

LOW budget clone of William Castle's "Homicidal" but it isn't half as good. With the sole exception of Beverly Bain (who plays Mrs. Crane) the acting is terrible. Even the top-billed John Ireland is lousy (and barely in the film). The script is a mess going all over the place and throws in pointless (and tame) lesbian sex scenes. I was surprised to see topless female nudity in a 1965 film! It's watchable I guess but totally predictable. A good example of a 1960s exploitation film...but it's really pretty bad.
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7/10
Despite a few shortcomings, a dandy psycho flick.
planktonrules4 August 2013
"Day of the Nightmare" is a dandy psycho picture. Now I am not saying it's a great film, but in light of the very low budget, it's awfully entertaining.

The film begins with two strange events. The first is when a couple are heard arguing violently in their apartment and the police are called. The couple is gone, but their dog has been viciously kicked to death--and the police assume the woman was murdered since some neighbor saw a man hauling away a large trunk nearby. The second involves a woman stalking another lady--you think there's going to be a murder, but a friend shows up and frightens away the attacker. The problem is, that the intended victim doesn't know she was almost killed. How does all this fit together? See the film for yourself to find out.

For 1965, this is a rather scandalous film and must have caught audiences by surprise. I guessed the surprise twist--but that is because now in 2013, practically anything goes on TV and in films! My only serious complaint is that this twist was revealed a bit too early and impaired the suspense just a bit. Still, worth seeing and really strange for the time in which it was made.
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10/10
Priceless, Unintentional Camp Comedy.
mls418212 November 2020
Warning: Spoilers
The cheap production values are funny enough but the schizophrenic in really bad drag is just priceless. You won't be able to stop laughing. He looks like a cross between Elton John and Bette Davis from Dead Ringer.
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7/10
Psycho-like Detective Drama
Rainey-Dawn17 April 2016
This one is a lot like watching an episode of Dragnet or Route 66 and and combing that with Hitchcock's Psycho. John Ireland plays Detective Sgt. Dave Harmon who reminds me a little bit like Sgt. Joe Friday or even Buz Murdock with his cool demeanor and smooth talking detective style. Cliff Fields plays Jonathan Crane who will remind you all to much Norman Bates. There are a lot of differences of course from this film and Hitchcock's Psycho but you can easily draw parallels between the films and characters Jonathan Crane & Norman Bates.

While this film is very similar to Psycho in it's way it is in no means a rip-off of Hitchcock's classic. This film is a story of it's own - and it's a pretty good one.

One thing I did not like this film - the ending. The ending to me was hurried, a bit sloppy and could have been rewritten into something conclusive. But it is an unsuspected ending which is nice - must have been a shock to audiences in 1965.

7/10
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