Black Spurs (1965) User Reviews

"Santee Turns Bounty Hunter"

[hitchcockthelegend · 7/10 · 26 December 2014]

Black Spurs is directed by R.G. Springsteen and written by Steve Fisher. It stars Rory Calhoun, Linda Darnell, Lon Chaney Junior, Terry Moore, Bruce Cabot, James Best, DeForest Kelly and Scott Brady. Music is by Jimmie Haskel and Technicolor/Techniscope photography is by Ralph Woolsey.

A brisk and ebullient Oater out of Paramount, Black Spurs finds Calhoun as Santee, a sharp shooting gunman turning to bounty hunting and then paid to corrupt the town of Lark. Lark has been pencilled in to receive the on coming railway, so wealthy town owner of nearby Kile, Gus Kile (Chaney), hires Santee to discredit Lark in order to have the railroad routed through Kile instead. Once in Lark, Santee finds lots of resistance, particularly from an ex-lover and her husband, the sheriff!

Plot holds few surprises as per outcome and characterisations, but the pic is no less entertaining for it. There are a number of live wire action sequences, with Santee often proving he is the number one gun in the West, and there's even some evil nastiness portrayed when things start to come to a head. The seedy saloon set up by Santee is awash with beautiful girls in beautiful costumes, and these girls drink beer out of pint pot tankards! The villains are a gruff, rough and tough bunch, and naturally there's a big good versus evil heart thundering away in the story.

Calhoun has swagger and dangerous sexuality in abundance and he's surrounded by a good cast of pros. Darnell and Chaney, however, were winding down their careers, and in truth there two characterisations could have been played by any studio actors of the time, but they don't disgrace themselves as Springsteen wisely keeps their screen time to a minimum. The Techniscope photography doesn't really add much as more could have been made of the exterior locations, while Haskel's score is a bit too jaunty for its own good.

It feels like a 50s Oater at times, which is no bad thing at all. Not prime Calhoun or a prime 60s Western, but much to enjoy here for the discerning Duster fan. 7/10

Another 'geezer western' from AC Lyles.

[planktonrules · 7/10 · 22 September 2012]

A.C. Lyles produced quite a few westerns during the 1960s and they all had low budgets and featured stars who were past their primes. My assumption is that Lyles used these actors because they would work for less and yet added a bit of class to the cheap productions. Here in "Black Spurs", you have Rory Calhoun (in his mid-40s--hence YOUNG for a Lyles western), Lon Chaney Jr., Richard Arlen (who was in EVERY Lyles film--or so it seems), Linda Darnell, Bruce Cabot and Terry Moore--all who had seen better days in their careers.

The film begins with Santee (Calhoun) about to get married. However, when it's announced that a wanted criminal with a bounty on his head is nearby, Santee runs off to catch the guy. After all, the extra money would sure come in handy now that he's marrying. But, when he returns to town, he learns that his fiancée has left--apparently she did not want to be married to some bounty hunter. In reaction, he becomes a super-bounty hunter--making a fortune bringing in the roughest and toughest criminals--and becoming a very hardened man in the process.

A bit later, Santee and a corrupt boss-man (Chaney) come up with a nasty plan--to destroy a nearby town so that the railroad won't go there but instead go to the boss-man's town--thus making him a fortune. Santee's plan is to make the innocent town as unlivable as possible--bringing in gambling, prostitutes and lawlessness. The problem is that the sheriff of this town is the husband of Santee's old fiancée! Is there any decency left within him? Or is this some elaborate plot for personal revenge? This film is very unusual because the leading man is no hero. Being a mercenary man, he's morally ambiguous and not the guy you'd normally expect to see in a leading man! I liked this, as it's NOT a typical sort of western--and about 90% of all westerns are variations on only 3 or 4 plots. This one uses the greedy boss-man plot but with enough changes to make it unique. Well acted and interesting, I'd give this one a 7.

Linda Darnell and Lon Chaney

[kevinolzak · 6/10 · 28 November 2014]

1964's "Black Spurs" marked the fourth of 13 A.C. Lyles B-Western productions for Paramount in the mid 60s, and another offbeat choice for the veteran filmmaker in that leading man Rory Calhoun is no shining hero, but a bounty hunter known only as Santee looking for bigger and better paydays. His hard riding presence in every town is enough to make the citizens quake in fear, and his arrival in the Kansas town of Kyle is no coincidence, as Gus Kyle (Lon Chaney) is amenable to any scheme to enrich himself by diverting the railroad from the neighboring town of Lark to his own, with Santee's ultimate reward a tract of land (along with a hefty fee). Complications such as Lark's sheriff (James Best) being married to Santee's old sweetheart (Terry Moore), or its 2 fisted man of the cloth (Scott Brady), are no deterrent to Santee's goal to bring women and gambling to the forefront of the formerly peaceful town. The madam is played by a second billed Linda Darnell, who plays her final role here, while Kyle Sheriff Nemo (STAR TREK's DeForest Kelley) provides an interesting subplot that fizzles out before it catches fire. Veterans Bruce Cabot and Richard Arlen are also among the bad guys, on their way to victory until Santee finds out what they've been doing behind his back. 4 for 4 for producer Lyles, Lon Chaney is as solid as ever (though only around for three scenes), while Scott Brady's Tanner demonstrates how the rope burns around his neck prove that he wasn't always a preacher, something repeated verbatim by John Carradine in a Scott Brady Western just two years later, Al Adamson's "Five Bloody Graves."

Career Change

[bkoganbing · 6/10 · 12 December 2012]

Rory Calhoun is a young cowboy who is seeking a career change with upward mobility and big money. His fiancé Terry Moore does not like the fact he wants to be a bounty hunter and leaves him and marries someone else. Years later Calhoun and Moore get reunited sort of when he comes to her town to take it over on behalf of Lon Chaney, Jr. who wants it wild and lawless so the railroad won't use it as a route.

The title of the film comes from the first outlaw that Calhoun does in, a gentlemen from Mexico named El Pescador played by Robert Carricart who has a trademark of Black Spurs. When Calhoun shoots Carricart down in a gun duel, he takes the spurs and wears them for himself now.

This A.C. Lyles western was the farewell film for Linda Darnell who is second billed though this is distinctly a supporting role. Darnell plays the head of a troupe of saloon girls imported to bring down the town's morals. They look like they know their business. Black Spurs was released posthumously after Darnell died in that tragic house fire.

Such A.C. Lyles regulars as Richard Arlen, Bruce Cabot, Scott Brady and DeForest Kelley are in the cast as well. Not the best or the worst of A.C. Lyles geezer westerns, but western fans should be pleased.

"When a man tries to kill me I wanna know why."

[classicsoncall · 7/10 · 28 October 2015]

It's always cool for me to catch one of my favorite TV Western cowboys show up in a movie like Rory Calhoun did here. His run as 'The Texan' during the 1958/1960 season would have overlapped Scott Brady's tenure as 'Shotgun Slade' airing from 1959 to 1961. 'The Texan' was the better of the two shows and had that rousing theme music at the end of each episode. Stephen King must have thought so too because he wrote Rory Calhoun into his novel 'The Regulators'.

Right out of the box though, I had to wonder about the name of Santee's (Calhoun) first bounty target. The Mexican outlaw was called 'El Pescador', which translates as The Fisherman, so I was a little puzzled by that. That doesn't sound very villainous to send shivers up your spine. But his character had those black spurs that gave meaning to the title, which Santee confiscated to bolster his image and reputation.

The picture reminded of the 1959 Audie Murphy Western "No Name on the Bullet" in as much as when Murphy's character Gant arrived in town, it aroused a lot of town folk suspicion that they were the one he was after. There sure were a lot of guilty citizens in Kile, Kansas when Santee came on the scene. With 'No Name', Gant was content to let the town people take each other out over their suspicions, so his work there was made that much easier.

I guess the turning point for Santee here had to be the revelation that old flame Anna's (Terry Moore) son was his as well. You can see the gears slowly turning in Santee's mind about what's important in life and what's not, like turning the civil society in Lark into a hotbed of sin and debauchery. The tar and feathering of Anna's sheriff husband Ralph Elkins (James Best) also played it's part, but you know, I had to laugh when Ralph wanted to lend a hand during the gunfight against the baddies. He looked like The Mummy in one of Lon Chaney's earlier films in which he portrayed the bandaged one ("The Mummy's Tomb" and "The Mummy's Ghost"). It was really kind of comical.

Well besides the principals already mentioned, there was cool support here from the likes of DeForest Kelley, Bruce Cabot and Linda Darnell in a final film appearance, although her second billed status is questionable since she only appeared in a handful of scenes and wasn't really prominent in the story. Oh, and can't forget little Manuel Padilla Jr. who gave Santee something to think about when he told him - "It's sad to be a bad man".

Good Cast but Weak Western

[Michael_Elliott · 17 July 2012]

Black Spurs (1965)

* 1/2 (out of 4)

A ranch hand named Santee (Rory Calhoun) grows tired of being poor so he decides to turn into a bounty hunter so that he can collect some big rewards. After being successful at this he decides to move in on a local town to take it over because he knows a railroad is about to come through. BLACK SPURS has a very interesting cast but sadly that's about the only thing the movie has going for it. This is a pretty strange Western to watch and especially when you consider it was 1965. By this time most Westerns like this weren't being made anymore as the story, structure and overall feel of this makes you seem like it would have been better fit in the 1940s. I think the main reason people are going to come to this film are for the stars. Calhoun isn't very well known today but he has a strong devoted group of fans who will probably be the only ones wanting to watch this. He's pretty good in the film as he has no problem playing rough and later on more soft-hearted. The supporting cast includes some very familiar faces including Linda Darnell and Scott Brady as well as the likes of Lon Chaney, Jr. and Bruce Cabot. Those coming to this film to see Chaney and Cabot might be disappointed to see their roles so small but both actors are still good. BLACK SPURS features some rather routine gunfights that never get too exciting and we're also treated to a sidestory between Calhoun and Darnell that really doesn't add up to much and the big twist is something you'll see coming from a mile away.

The spurs are rusty.

[mark.waltz · 4/10 · 21 September 2023]

The A. C. Lyles westerns are for nostalgia lovers only, and this one is barely even worth that. For fans of 40's ingenue Linda Darnell, it's a sad exit to her career, dying right after in a fire. For Rory Calhoun, it's pretty standard stuff, with his performance as bounty hunter Santee decent but unremarkable. In fact, it's like he didn't want to be anything but, practically allowing little Mexican boy Manuel Padilla Jr. To walk away with it, singing a couple of songs as badly as Alfalfa of "Our Gang", and yet stealing the audience's heart with his adorable presence.

As a bounty hunter, he practically threw fiancee Terry Moore into the arms of James Best, a sheriff he goes up against, scheming with ruthless Lon Chaney to ruin his town. No matter the circumstances, the audience finds out the hard way that Calhoun wasn't worth waiting for, yet arrogantly telling Moore she should have waited. He goes up against a tough preacher (Scott Brady) who is not against using his fists when the bible fails.

A messy, convoluted story goes into so many directions that after a while, it has run out of space on the map. Darnell, billed right after Calhoun, has hardly any point to being in the film, looking tired and resigned by fate to having been relegated to having to accept this job. The color photography can't hide how cheap this looks overall. Only for the most devoted of western movie fans.

The Easy Way Is The Wrong Way

[zardoz-13 · 6/10 · 25 December 2015]

Seasoned western leading man Rory Calhoun plays a cow hand named Santee who embarks on a different career as a bounty hunter hen he learns he can pick up $3-thousand for catching a Mexican bank robber who sports those eponymous spurs. After he guns down El Pescadore (Robert Carricart of "Fun in Acapulco"), Santee appropriates the black spurs of the title that the Mexican wore. Meantime, Santee's prospective bride, Anna (Terry Moore of "Mighty Joe Young"), who abhors his change of profession, leaves him before he can marry her. Anna lectures him at one point that the $3-thousand is "easy" money. This theme of "easy money" permeates this oater. "Johnny Reno" director R.G. Springsteen's "Black Spurs" was one of several westerns that venerable Paramount producer A.C. Lyles produced during the 1960s with actors and actresses whose careers were fading into obscurity. The interesting but formulaic Steve Fisher screenplay adheres to the old school of westerns where bounty hunters were reviled for their cynicism. Actually, Santee doesn't gun down every man that he stalks like those ruthless bounty hunters in Spaghetti westerns; Santee allows one or two to live. Later, he refuses to pursue the bounty on a man's head until it totals over $500. The black spurs that he took from the Mexican serve as a metaphor for what Santee has become.

The first major turning point of the film occurs when Santee the bounty hunter decides to turn into a full-fledged villain. He cuts a shady deal with a notorious, well-heeled, land owner, Gus Kile (Lon Chaney, Jr.), who wants to attract the railroad to the town that he owns. Naturally, Kile's town is named Kile, and the land around it is worth about ten cents an acre. Were the railroad to locate in Kile, Kile's acreage would increase to as much as $10 dollars an acre. Instead of running their line through the town of Kile, the railroad has chosen to lay tracks through the nearby town of Lark. Santee learns that the railroad discriminates against lawless, wide-open towns. Santee and Kile set out to transform Lark into a town so wild that the railroad will relocate to Kile. Santee convinces a local Lark saloon owner, Pete Muchin (Richard Arlen of "Wings"), to go into business with him. Santee imports gambling machines and girls to Lark. Straight-up, honest, lawman, Sheriff Ralph Elkins (James Best of "The Dukes of Hazzard"), tries without success to evict Santee from town, but he doesn't have enough support from local citizens to run him out.

Reverend Tanner (Scott Brady of "$"), baits Santee into brawling, but the parson loses to our protagonist. Santee learns that Tanner is not you're your ordinary, everyday gospel minister. At the same time, Tanner doesn't let Santee alone and struggles to appeal to his conscience. Meantime, villainous Bill Henderson (Bruce Cabot of "Big Jake") arrives with Shifty (Joseph Hoover) and his wagon load of slot machines. Sadie (Linda Darnell of "Forever Amber") brings her dance hall girls to town. Pretty soon the town of Lark is wide-open. Santee encounters Sheriff Elkins's wife, and the woman turns out to be none other than Anna. She insists adamantly that Santee clear out of town. Eventually, Sheriff Elkins stirs up too much trouble for Henderson's taste. Henderson and his cronies tar and feather the scrupulous lawman without Santee's approval. Santee learns the terrible truth about Anna and why she couldn't wait for him after he went in pursuit of the "easy money" on El Pescadore It seems that she got pregnant, and the ladies of the town shunned her business because they regarded her as a tramp. Santee learns that the little boy, Chad, is really his own son. Santee's conscience prompts him to back out of his deal with Kile. In a bizarre reversal of roles, Santee appropriates Elkins' badge and cleans up the town.

Springsteen stages several okay shoot-outs, and "Black Spurs" doesn't wear out its welcome. The gunfight involving Deforest Kelly as a crooked lawman who wants to kill Santee is rather slick. Kelly gives two prisoners in his jail a choice. They are about to swing on the gallows, but he will let them conveniently escape from jail, if they were cut down Santee in the street when they make their big break. Predictably, everything goes wrong, and Kelly pays for his treachery. Aside from some scenes set on the trail, most of the action in "Black Spurs" transpires in town. The film chronicles the changes that occur in our hero's life, and we see Calhoun go full circle until he is back on the side of law and order. Although it came late in Calhoun's career, "Black Spurs" contains more plot that most of his westerns that he made during his heyday in the 1950s.

Rory Razes the Town

[Henchman_Number1 · 6/10 · 21 August 2019]

Santee (Rory Calhoun), a frustrated with his lot in life ranch hand, becomes a bounty hunter when he decides to go after a bank robber with a $3000.00 price on his head. Realizing he has an affinity and skill set for this type work, he sets off chasing down one bad guy after another. Soon he sets his sights even higher when he strikes up a deal with wealthy town big shot Gus Kile (Lon Chaney Jr.) to bring siege upon the neighboring town of Lark so the railroad will divert their planned path to run through Kile's land. In order to decimate the town, Santee buys the local saloon and imports his own band of thugs and saloon girls (Linda Darnell, Bruce Cabot, Richard Arlen) in the hopes of making Lark a crime ridden cesspool. However things go off-kilter when Santee runs into his former fiancee (Terry Moore) who is now married to the local sheriff (James Best).

Pretty typical A. C. Lyles 'second feature' Western. As such Black Spurs had a modest budget with television-like production quality. Much has been made of A. C. Lyles use of superannuated casting in the pursuit of name recognition and that's the case here. Rory Calhoun, even though not an 'old guy', was on the backside of his days as a leading man. Former screen siren Linda Darnell whose career for the previous decade consisted of guest appearances on episodic television, shares lead co-billing with Calhoun but her limited participation in this film amounts to little more than a cameo role in her last screen appearance. Even though past their prime and despite the fading star power, the cast was one of the film's strong points. The story line has an interesting premise but goes off track with characters that are introduced needlessly and subplots that go nowhere but partially saved by director R.G. Springsteen who had done so many of these low budget productions that they could have almost handed him a phone book for a script with passable results.

Black Spurs is a decent flick but suffers in varying degrees from the budget, script and being late in the cycle of the traditional western. By 1965 the Spaghetti Western carried the day at theaters while this type of western had been primarily assigned to network television. Even so, Lyles was able to get a last handful of these old-school westerns made. Some would say with mixed results. Nevertheless western fans may find enough to enjoy here.

Every Time He Comes To Town, Someone's Gonna Die!

[phillindholm · 8/10 · 28 June 2005]

"Black Spurs" was one of producer A.C. Lyles now famous series of low-budget westerns featuring onetime big names. This one starred Rory Calhoun, Linda Darnell, Terry Moore, Lon Chaney, Bruce Cabot, Scott Brady and Richard Arlen. The supporting cast included future director Jerome Courtland, in his last acting role as a small town newspaper publisher living in sin! The story followed the adventures of an ambitious ranch hand (Calhoun) who deserts his pregnant girlfriend (Moore) for the life of a bounty hunter. Eventually this career demoralizes him to such a degree, that he instigates a plot to corrupt the morals of a small town for a fat fee. Thus, a planned railroad franchise will be diverted to a neighboring town owned by crooked businessman Chaney, who is in on the scheme. Calhoun sends for bouncer Cabot, new Orleans Madam Darnell and her "girls" as well as card sharp Joe Hoover, all of whom trash the town. Not so coincidentally, the sheriff happens to be the husband of Calhoun's former love, Moore. What happens is not what one might expect. Sadly, the film was Linda Darnell's last screen appearance. She died in an accidental house fire before it was released. And for many, the sight of the once gorgeous actress looking bloated and middle aged was not a pretty one. She did, however, turn in a reliably good performance, as did her co-stars, and Black Spurs remains an enjoyable nostalgia fest, one of Lyles' best.

The bad guy turns good and all is well

[dfwesley · 6/10 · 3 July 2017]

An above average western made so by the inclusion of former stars and a half way satisfactory plot. It was good to see Bruce Cabot, although in the unlikely role as a dance hall bouncer as well as Lon Chaney, Richard Arlen, and Scott Brady. I must admit I had trouble recognizing DeForrest Kelley. Linda Darnell, though having a top billing, had only a minor role.

Terry Moore looked positively luscious and half her age. Rory Calhoun turned from negative to positive all too quickly after finding out he had Terry Moore's son. He also made a remarkable recovery after a tremendous brawl with Brady. Emerging without a mark, he claimed he was "beaten half to death". Seeing someone who had been tarred and feathered also was novel. Calhoun rides off into the Great West after announcing that he might become a sheriff somewhere. Black Spurs was entertaining but only because of its well known cast.

Fast Moving Western Keeps the Viewer Interested

[hogwrassler · 7/10 · 2 February 2022]

I just watched Black Spurs (1965) on Grit TV. It's one of several westerns made by A. C. Lyles during the 1960s. He always employed older, veteran actors, many of whom were over the hill.

Santee is a cowhand engaged to dressmaker Anna. When the bank is robbed by El Pescadore, Santee sees a chance to get the $3,000 reward and buy that ranch he's always wanted. It takes him ten months but he finally kills El Peacadore, and takes the outlaw's unique black spurs to wear himself. But, he then learns that in his long absence Anna has married Ralph Elkins, the sheriff of Lark, Kansas. Embittered, Santee conspires with Kyle, owner of the town of Kyle, Kansas to turn Lark into a hell town so that the railroad will change its proposed route from Lark to Kyle. He imports a crooked gambler, dancehall girls, and gunslingers to accomplish the job. Sheriff Elkins is no match for the bad guys. But will Santee go through with his plan? Or will he decide to do the right thing and stand up to the bad guys?

The male actors are mostly overweight. Rory Calhoun, Bruce Cabot, Richard Arlen, Lon Chaney Jr., Scott Brady, and Jim L. Brown are past their prime. Only Joseph Hoover and Jerome Courtland appear trim and fit.

Of the actresses, Linda Darnell looks bloated. She doesn't have much to do, anyway. Ageless Terry Moore looks very good. And Patricia Owens is still youthfully trim and beautiful at 40. It's too bad her part wasn't larger.

Black Spurs (1965) has a fairly good script and character development. The fast pace keeps the viewer interested in waiting to see what Santee will finally do at the end.

A Solid "Old-Style" Western

[Uriah43 · 6/10 · 18 May 2022]

This film begins in Texas with a cowboy named "Santee" (Rory Calhoun) watching as a notorious bandido by the name of "El Pescadore" (Robert Carricart) robs a bank and, after killing the bank manager, quickly riding off with the sheriff and his deputies in hot pursuit. Realizing that there is nothing he can really do about the situation, he then proceeds to take his girlfriend "Anna" (Terry Moore) on a romantic picnic where he subsequently proposes to her. Although she willingly accepts his proposal, to her dismay, Santee then announces that he has decided to pursue El Pescadore in order to collect the $3000 bounty on his head to help start their new lives together. Ten months later, he finally finds the outlaw in a small town in Mexico and proceeds to gun him down in the street. Not only that, but he also dons the bandido's famous black spurs as a trophy of sorts. However, once he rides back to town to see his fiancé, he then learns that she has since married another man by the name of "Ralph Elkins" (James Best). Quite upset with this new development, Santee decides to become a permanent bounty hunter and, in the process, acquires a rather notorious reputation of his own. The scene then shifts to several years later with Santee making a deal with a wealthy businessman named "Gus Kile" (Lon Chaney Jr.) to help divert a proposed railroad line from its original destination of Lark, Kansas to the town of Kile, Kansas where the two of them can make a fortune in real estate. The problem is that Lark, Kansas has a sterling reputation and in order to divert the railroad line Santee has to stir up enough trouble there to change the minds of the railroad executives. What complicates matters, however, is the fact that Lark, Kansas has recently acquired a good sheriff who is determined to keep the town as peaceful as possible-and his name is Ralph Elkins. Now, rather than reveal any more, I will just say that, this was a decent "old-style" Western which benefited by solid performances from both Rory Calhoun and Terry Moore. Along with that, although I would have preferred a slightly different ending, I found the overall story to be fairly enjoyable as well and I have rated it accordingly. Slightly above average.

this western is in color!

[ksf-2 · 7/10 · 11 June 2020]

Rory Calhoun is Santee, cowboy who wears black spurs and earns money by bounty hunting. when the local sheriff ( Deforest Kelley was Bones, in Star Trek) tries to work a corrupt land deal, bad stuff happens. Santee runs into some old acquaintances when he ends up in Lark, even the blacksmith who wanted him dead. although they hadn't met before this! Terry Moore is the girl Santee proposed to, but didn't wait around for him. Lon Chaney junior is Gus. You'll also recognize James Best as the sheriff in Lark.. he was Rosco in the Dukes of Hazzard tv series! Directed by Robert Springsteen... directed films from the 1940s - 1950s, then moved into television. Story by Steve Fisher, who had also written Tokyo Joe and Destination Tokyo; oscar nominated for Destination Tokyo. Last film for co-star Linda Darnell, she died right after making this at age 41, in a house fire. The film is pretty good... a very typical but in color, blue-jeans western. some scenes filmed at Corriganville, north LA... it's a county park now. fun history. check it out!

How to turn a good Western town into a wicked one

[Wuchakk · 7/10 · 14 December 2021]

In the late 1880s, a former ranch hand becomes a bounty hunter after developing as a gunman (Rory Calhoun). While his former-fiancé settles down with a good sheriff (Terry Moore & James Best), the now notorious bounty hunter is hired to tarnish the town's reputation by operating a saloon and bringing in gambling & prostitution. The cast also includes the likes of Scott Brady, Lon Chaney Jr., Richard Arlen, Bruce Cabot and DeForest Kelley.

"Black Spurs" (1965) tends to be dismissed because it's an A. C. Lyles production; he was known for B Westerns that featured over-the-hill actors. TV vibe or not, Calhoun towers in the role of the masculine protagonist, there's a lot of Western action and the adult-oriented, soap operatic story is compelling. On the feminine front you have the likes of redhead Rusty Allen and blonde Sandra Giles. This was Linda Darnell's final movie, released posthumously after tragically dying in a house fire at the age of 41.

While lacking the production sheen of notable 60's Westerns like "One-Eyed Jacks," "Nevada Smith," "Hombre" and "Bandolero," I'd watch this any day over overrated ones like "The Man Who Shot Liberty Valance," "A Fistful of Dollars" and "For a Few Dollars More."

The movie runs 1 hour, 21 minutes, and was shot at Iverson Ranch, Ray Corrigan Ranch and Paramount Studios, California.

GRADE: B.

This One Is A Character Rollercoaster

[damianphelps · 6/10 · 8 December 2022]

It took me a little while to settle in to this movie as it turned at right angles on a few occasions.

Rory Calhoun starts at as a man with a basic ambition who starts to see his dream realised then before you can blink he has become a hated sole before he decides to become a complete scoundrel. And that's not the end of it.

The transitions are quite jarring and for the first half of the film had me questioning what I was watching.

The second half of the film things settle down somewhat so its a little easier to digest.

Rory's acting is unusually bad in the start of the movie with an incredibly wooden delivery of his dialogue, this however improves as the movie goes.

Its a weird movie but in the end satisfying enough :)

Black Spurs

[coltras35 · 7/10 · 30 March 2023]

A mercenary is hired to ruin the reputation of his former lover's home town, so that the railroad will be diverted away from it and another settlement will prosper. He hires a band of reprobates to cause mayhem, but their violent methods give him a crisis of conscience and he resolves to protect the town and undo the damage he has caused.

Rory Calhoun stars as Santee, a character leaning towards the shady kind, and isn't your typical good guy hero. Matter of fact, he's driven by greed and possibly revenge, but being the leading actor he eventually sees the error of his ways. Calhoun turns in a very good performance as the character, and assisting him are a good cast - Terry Moore, Bruce Cabot, Richard Arlen, Scott Brady and Linda Darnell.

This western is, I reckon, one of A. C Lyle's best western - it's quite engaging, has a strong story and enough action to satisfy a horse opera fan. The shootout finale is quite exciting.