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The Best Man (1964)
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Overview
Release Date:
5 April 1964 (USA) moreTagline:
Does The Best Man Always Get To The White House?Plot:
The other party is in disarray. Five men vie for the party nomination for president. No one has a majority... more | full synopsisAwards:
Nominated for Oscar. Another 1 win & 3 nominations moreUser Comments:
mutually assured destruction moreUS TV Schedule:
| Mon. Aug. 25 | 12:00 AM | TCM |
Cast
(Cast overview, first billed only)| Henry Fonda | ... | William Russell | |
| Cliff Robertson | ... | Joe Cantwell | |
| Edie Adams | ... | Mabel Cantwell | |
| Margaret Leighton | ... | Alice Russell | |
| Shelley Berman | ... | Sheldon Bascomb | |
| Lee Tracy | ... | President Art Hockstader | |
| Ann Sothern | ... | Sue Ellen Gamadge | |
| Gene Raymond | ... | Don Cantwell | |
| Kevin McCarthy | ... | Dick Jensen | |
| Mahalia Jackson | ... | Herself | |
| Howard K. Smith | ... | Himself | |
| John Henry Faulk | ... | Gov. T.T. Claypoole | |
| Richard Arlen | ... | Sen. Oscar Anderson | |
| Penny Singleton | ... | Mrs. Claypoole (scenes deleted) | |
| George Kirgo | ... | Speechwriter |
Additional Details
Parents Guide:
Add content advisory for parentsRuntime:
102 minCountry:
USALanguage:
EnglishColor:
Black and WhiteAspect Ratio:
1.66 : 1 moreSound Mix:
Mono (RCA Sound Recording)MOVIEmeter: 
Fun Stuff
Quotes:
President Art Hockstader: Power is not a toy we give to good children. It is a weapon. And the strong man takes it and uses it. If you don't go down there and beat Joe Cantwell to the floor with this very dirty stick, then you've got no business in the big league. Because if you don't fight, the job is not for you. And it never will be. moreFAQ
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A sharp as nails look at US politics, maybe a bit old fashioned, but in a good way, with great performances and writing, and very well put together. It pits the packaged candidate of "the people", a scary Cliff Robertson against the principled liberal played by Henry Fonda, with Lee Tracy as the dying ex-president whose endorsement both vie for. While he favors Robertson for his decisiveness, he fears his utter lack of principles, but can't support the wavering Fonda. Sex, mental illness, shady characters dredged up by political operatives (in this case a great part by Shelley Berman), the fabulous portrayals of both of the wives (especially a cute and dangerous Edie Adams), the film transcends the characters, and hits home as much today as when it came out in 1964.