Leading light of the British stage once seen as Gielgud's successor
John Neville, who has died aged 86, was a leading light of the Old Vic, the charismatic artistic director of the Nottingham Playhouse in the early 1960s and, after emigrating to Canada in 1972, a renowned leader of that country's theatre, notably at Stratford, Ontario. Tall, handsome and authoritative on the stage, and best known today, perhaps, for his sinister role as the Well-Manicured Man in The X-Files on television – was he on the side of good or evil? – he was often thought of as the natural successor to John Gielgud.
He found huge matinee-idol success early on, in the Gielgud roles of Hamlet and Richard II, though his patrician veneer and noble bearing could be easily discarded, as he showed to devastating effect in 1963, when he played Bill Naughton's Alfie at the Mermaid theatre, the role that became Michael Caine...
John Neville, who has died aged 86, was a leading light of the Old Vic, the charismatic artistic director of the Nottingham Playhouse in the early 1960s and, after emigrating to Canada in 1972, a renowned leader of that country's theatre, notably at Stratford, Ontario. Tall, handsome and authoritative on the stage, and best known today, perhaps, for his sinister role as the Well-Manicured Man in The X-Files on television – was he on the side of good or evil? – he was often thought of as the natural successor to John Gielgud.
He found huge matinee-idol success early on, in the Gielgud roles of Hamlet and Richard II, though his patrician veneer and noble bearing could be easily discarded, as he showed to devastating effect in 1963, when he played Bill Naughton's Alfie at the Mermaid theatre, the role that became Michael Caine...
- 11/22/2011
- by Michael Coveney
- The Guardian - Film News
Ferociously intelligent actor who reigned supreme in Stoppard and Shakespeare
John Wood, who has died aged 81, was one of the greatest stage actors of the past century, especially associated with his roles in the plays of Tom Stoppard. But a combination of his enigmatic privacy and low profile on film – he cropped up a lot without dominating a movie – meant that he remained largely unknown to the wider public.
As with all great actors, you always knew what he was thinking, all the time. Wood was especially striking in the brain-box department. Tall, forbidding and aquiline-featured, he was as much the perfect Sherlock Holmes on stage as he was the ideal Brutus. He exuded ferocious intelligence, and the twinkle in his eye could be as merciless as it was invariably amused.
As the Royal Shakespeare Company's Brutus in Julius Caesar in 1972, he was undoubtedly the noblest Roman of them all,...
John Wood, who has died aged 81, was one of the greatest stage actors of the past century, especially associated with his roles in the plays of Tom Stoppard. But a combination of his enigmatic privacy and low profile on film – he cropped up a lot without dominating a movie – meant that he remained largely unknown to the wider public.
As with all great actors, you always knew what he was thinking, all the time. Wood was especially striking in the brain-box department. Tall, forbidding and aquiline-featured, he was as much the perfect Sherlock Holmes on stage as he was the ideal Brutus. He exuded ferocious intelligence, and the twinkle in his eye could be as merciless as it was invariably amused.
As the Royal Shakespeare Company's Brutus in Julius Caesar in 1972, he was undoubtedly the noblest Roman of them all,...
- 8/10/2011
- by Michael Coveney
- The Guardian - Film News
Noteworthy inclusions: “Winter’s Bone” for best picture; Ethan Coen and Joel Coen (“True Grit”) for best director; Javier Bardem (“Biutiful”) for best actor; Jeremy Renner (“The Town”) and John Hawkes (“Winter’s Bone”) for best supporting actor; Hailee Steinfeld (“True Grit”) and Jacki Weaver (“Animal Kingdom”) for best supporting actress; “The Illusionist” for best animated film (feature); “GasLand,” “Restrepo,” and “Waste Land” for best documentary film (feature); Greece (“Dogtooth”) for best foreign language film; “I Am Love” for best costume design; “127 Hours” for best film editing; “Barney’s Version” and “The Way Back” for best makeup; “Unstoppable” for best sound editing; “Hereafter” and “Iron Man 2” for best visual effects. Noteworthy snubs: “Blue Valentine” and “The Town” for best picture; Christopher Nolan (“Inception”) for best director; Robert Duvall (“Get Low”), Ryan Gosling (“Blue Valentine”), and Mark Wahlberg (“The Fighter”) for best actor; Julianne Moore (“The Kids Are All Right...
- 1/25/2011
- by Scott Feinberg
- Scott Feinberg
Philip French pays tribute to the Rank Organisation starlet who went on to become one of Hollywood's most luminous actresses
Jean Simmons, who has died at the age of 80 of lung cancer in Santa Monica, California, was among the finest, most beautiful British movie actresses of the postwar years. She was one of only two from that great 1940s flourishing of our native industry under J Arthur Rank to become a major star in Hollywood; the other was Deborah Kerr, with whom she twice appeared.
Born in 1929, the daughter of a gym teacher who had represented Britain in the 1912 Olympics, she grew up in Cricklewood, north London, of which she once disloyally remarked: "No Cricklewood girl would ever admit to being from there." She got a deal of work as a child actress, without becoming a child star (her most memorable early appearance is singing at a forces concert...
Jean Simmons, who has died at the age of 80 of lung cancer in Santa Monica, California, was among the finest, most beautiful British movie actresses of the postwar years. She was one of only two from that great 1940s flourishing of our native industry under J Arthur Rank to become a major star in Hollywood; the other was Deborah Kerr, with whom she twice appeared.
Born in 1929, the daughter of a gym teacher who had represented Britain in the 1912 Olympics, she grew up in Cricklewood, north London, of which she once disloyally remarked: "No Cricklewood girl would ever admit to being from there." She got a deal of work as a child actress, without becoming a child star (her most memorable early appearance is singing at a forces concert...
- 1/23/2010
- by Philip French
- The Guardian - Film News
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