Raven's End (1963) Poster

(1963)

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8/10
Kvarteret Korpen - 86
XxEthanHuntxX18 June 2020
The naturalistic cinematography captures superbly the poor neighborhoods of Malmö and conveys the working class without any embellishment. Sunk in alcoholism, shattered hopes, cretinism, superstition and prostitution, a existentialism in drama without a excessive depressed mood.

"Raven's End " has a very good output and a nice execution, although it is a little event-thin, but the story is nothing but powerful and touching. Bo Widerberg has the ability to create fascinating, strong and convincing dialogues and relationships between the characters.

There are some scenes in the movie that shows the greatness in Swedish film, both in speech and performance. The acting is very glamorous spectacle, mainly from Emy Storm, Keve Hjelm and a terribly young and experienced Thommy Berggren. It is an excellent construction of the black-and-white 1930s, and probably my favourite Swedish film of all time.
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8/10
Crushed Dreams
richardchatten27 January 2018
Set in 1936 and filmed in a bleak tower block in Malmö demolished shortly afterwards, from which the occupants dream hopelessly of escape while being nearly three months behind with the rent.

Anders (Tommy Berggren) dreams of success as a writer, while his father (Keve Hjelm) simply dreams as he drinks himself into a stupor upon his return from a downward succession of humiliating menial jobs; and mother (Emy Storm) toils endlessly in a waking nightmare of drudgery in her exertions to hold the family together.
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10/10
A very touching film!!!!!!!!!!!!
anton-619 November 2001
This film must have inspired many film makers,it´s perfect in every ways,the cinematography,acting,direction........ It´s not so famous in other countries then Sweden.But in Sweden this was actually picked in a newspaper as the best Swedish film ever made including all Bergman films.I think that it has done better films in Sweden but it´s still a perfect film.

Anders is 18 years old and lives with his parents in a poor section of the city.The acting is superb by Keve Hjelm as the alcoholic Father and the acting is great by the rest of the cast to.I am almost sure that I give this film 5/5 but it´s not the best Swedish film ever.
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9/10
A great movie – humorous, passionate and beautiful.
brooklynfinkel11 April 2001
I've seen a lot of films. And I dare to say that this is a masterpiece. A wonderful script, fantastic acting and beautiful photo. It's about working class people in Sweden in the late 40's. It may sound boring but it's a fascinating story told with heart, passion and wit. Each line is poetry. This is a deeply touching film that makes your heart smile with a tiny drop of sadness. So if you're looking for great cinematic experiences, you simply must see Kvarteret Korpen. The sooner, the better!
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10/10
On Hope
In Ingmar Bergman's Gycklarnas afton (Sawdust and Tinsel) there's a great scene where travelling circus owner Albert and troupe arrive at the town where Albert's estranged wife and mother of his children Agda lives, after an absence of many years, and asks to be taken back. Agda meanwhile has learnt the value of peace and quiet, there's a wonderful pause where the conversation stops and she absorbs the chiming of the carriage clock on the mantelpiece in pure stillness. In Bo Widerberg's movie Raven's End you have a similarly telling moment where The Mother (her name is never revealed) mentions aloud her daydream of being able to go out to the forest on her own on a sunny day and daysleep. What the movie does really well is to capture the members of a family, and in general, members of a working class community with great simplicity.

The only child of the family Anders has become a young man, and undergoes many of the metanoiac thoughts young men do, becoming aware of truths about their mum and dad's relationship, reflecting back on poignant moments of their own ungratefulness, of the gap between their own opinion of their potential and concrete achievement, suddenly becoming aware, often too late, of their own set of vanities, intellectual and otherwise. The Father is a frighteningly despondent and fatalistic charlatan, who foreshadows the coming cynicism of National Socialism and consumerism.

However it is all too easy to focus on the miseries of a film. In truth there is a degree of charm to the area "Raven's End", with it's community spirit, quietness, and aspidistra-filled domesticity, where the football players are still members of the local community. There's also small bursts of joy, such as a visit to see the new-fangled escalator in the local department store.

The ultimate message I suppose is to respond to your summer, to respond to the voice of hope in your mind, whatever the cost.
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4/10
Gets better towards the end, but as a whole not enough
Horst_In_Translation27 April 2019
Warning: Spoilers
"Kvarteret Korpen" or "Raven's End" is a Swedish black-and-white movie from 1963, so this one is already way over half a century old now and the writer and director is Bo Widerberg, perhaps the second most known Swedish filmmaker of all time and this was an early breakthrough film for him gaining some nice attention including an Academy awards nomination. Funnily Sweden's undisputed number 1 Ingmar Bergman lists this as one of his all-time favorites. The movie runs for 95 minutes approximately and includes a relative small cast, the younger ones still alive today, who play people living in a particular not very well-off working class block in Sweden. The year is 1936 and you hear right away with the firstg words that Hitler is in power in Germany, but afterward politics is not much of a subject anymore until the very end. Instead it is all about a father-son story. The father is really struggling with failed business, alcoholism and not even capable of delivering a few flyers in the neighborhood. Instead he lies drunk on the sofa and lets the wife do the job, so he won't lose it. The son is aspiring, but clearly scared to end up in the same dark spot like his father. He wants to have a career in writing and travels with the train to a promising job interview. But things don't go right and how he was drawn in with his father before that in perhaps most memorable scene from the film involving cigars too, the outcome is just very sobering. The consequence is eventually that he also ends up drunk after a night of booze with his father, but in the end makes the perhaps right decision to leave them before he gets pulled in a hole where he won't come out again. Going a bit back in time, it is clearly obvious that the father tries to convince his son that life is not all bad and that they are having money to life a fulfilling existence. But it is really all just make-believe and the son sees right through. But despite all these conflicts, love is in the air and you can see that even if there are arguments the family members care for each other. At times, deeply even like in the scene when they all sit one on another in that armchair.

Add to that a story line about the son having gotten his childhood friend pregnant, so his path seems predecided, but it is obvious she cares more about him than he does about her, so it is not surprising that in the end he also has no problems with leaving her behind. In general, I found the son rather unlikable, also the way how he acts early on towards that old lady who cared for him when he was a little boy. But it may also have had to do with how insignificant the character seemed despite being in almost every scene. He mostly feels like a vehicle to propel the performance of his father who is by far the most memorable thing here. But also in the touching scene with his mother near the end, the woman's performance when we find out what happened with her stillborn is better than everything by the younger actor in this film. Back to politics, this was fairly interesting at the end as we could see the situations of people and how these were crucial in getting national politics movements into force like the National Socialist Party. There is also talk about how the desperation and hopelessness from the father drove him into making these choice on who to elect mentioned by the son. But he has hope for the mother still. All in all, this was a very bleak and depressing film from start to finish as financial, emotional and general despair is omnipresent. But I would not that is why I rate the film relatively low. It's rather that the last 15-20 minutes that are kinda worth seeing are not good enough either to sit through all the mediocrity before that. "Nothing is happening" is not a valid criticism by any means, but it needs more than one good characterization (the father. Sixtenn for example is also a complete nothing character) to make me forget about all the other mediocrities. I give this film a thumbs-down and my suggestion is that you something else instead. Nowhere near the best of Widerberg I have seen and he sure has many movie that strongly differ from each other not only in story, but also in style. I disagree with the pretty high imdb rating. This is not one of his best at all in my opinion.
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Magnificent movie
Vincentiu7 March 2007
A splendid exploration of life's essence, beyond illusions, images or hope. Very profound and bitter, mixture of dust and ashes, anatomy of a little world for who the future is only a myth.

Definition of errors and lost of dreams.

Definition of angry days in a empty existence.

A heavy poem and subtle meditation about world, gestures and relation with past. About death in a special form, with strange words and ambiguous intentions.

Parents like poor symbols of a lost past.

The joy of literary success like grotesque lie, love like convention, father like caricature and mother like perfect victim.

In fact, a magnificent movie, with a persistent British flavor, piece of great cinema, reflection and pledge for deep self- discovery.
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