Planets Around Us (1962) Poster

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5/10
Cheaply made Italian/French shocker has its moments.
youroldpaljim28 November 2001
Warning: Spoilers
I saw I PIANETI CONTRO NOI (aka PLANETS AGAINST US) for the first time in many years recently, and was startled to discover that this minor Italian/French film may be possibly be the first movie to depict a cyborg. As I said in my review of TERROR FROM THE YEAR 5000, film firsts should be noted and applauded, even if the films are otherwise unremarkable. Viewing it again for the first time since the early seventies, I also found the film had some elements of interest that, while the film really couldn't be called good, it doesn't deserve the ripping Leonard Maltin or the previous commentator in this forum have given it.

PLANETS AGAINST US, also obscurely know under the translation of its French title THE MAN WITH THE YELLOW EYES, is about alien race who creates a pre-invasion force of cyborgs all copied from the dead body of the dead son of a famous scientist who they killed when they forced the plane he was on to crash while over the Sahara. The fact that they have used the body of the son of a famous scientist as the model for their cyborgs has no bearing on the plot. One cyborg who calls himself "Bronco" shows up in Rome where he mingles with the female members of a Bohemian crowd, all whom find the handsome but mysterious and distant Bronco fascinating, one of whom is the daughter of a scientist who has invented a "paralyzing gas" whom for some reason the aliens want.

PLANETS AGAINST US is a moody and atmospheric but also rather at times slow moving film with somewhat indifferent direction. The film has some elements of NOT OF THIS EARTH and THE INVISIBLE RAY. An alien disguised as a human shows up on Earth and like Mr. Johnson NOT OF THIS EARTH, Bronco repeatedly shows ignorance of everyday things, and acts cold and distant. Bronco also, in one scene he is bothered by bright lights (Mr Johnson was bothered by loud noises.) From THE INVISIBLE RAY, the film borrows the idea of a deadly touch. Michael Lemmione is quite good (as far one can judge a dubbed performance) as the icy Bronco. His piercing eyes are used to good advantage.

Over all, PLANETS AGAINST US is not a good film, but it has its moments.
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5/10
Great Title Hides Problematic Allegorical Melodrama
Atomic_Brain5 December 2019
Planets Against Us is a film I have been obsessed with most of my life. First seeing it on television in the late 1960s, I was sorely disappointed, as it was advertised as Science Fiction, and to my teenage mind, it was in no way Sci-Fi. Plus, it was loooong, and kind of boring. I was excited not only by the great title, but by the fact that it was released to TV by Walter Manley Enterprises, which had also released the astounding Starman movies to TV, and so I hoped that this would be another easy-to-love pulp-fiction adventure. What I got was something entirely different. I tried to watch PAU again in the late 1980s, when Sinister Cinema had it on VHS for a short while, but again, I just couldn't get through it. Finally, a DVD found its way into my stash and I decided to just sit and watch it, regardless of interest. It was certainly worth it, but I can't say its a film for everyone.

Planets Against Us is a slow, contemplative allegorical melodrama, with only the lightest SF touches. The cat-eyed Michael Lemoine (who seemed to be in every French/Italian/International Co-production of the 1960s) plays Bronco, an alien and/or cyborg (explanations differ throughout the film) who is trying to warn Earthlings of their self-destructive nature, ala The Day the Earth Stood Still. Yet Bronco is a soulless, clueless version of who he used to be, in a nod to Invasion of the Body Snatchers. This is a great start, but the film veers towards the melodramatic in that most of Bronco's encounters are with two woman who are obsessed with him, and at times the film seems little more than a weak sex farce.

Yet, in its emphasis on Bronco's strange isolation and inability to connect emotionally with the women who love him, PAU comes across - whether intended or not - as some sort of treatise on two very topical cinema tropes of the day: the angst of existential alienation, and the phenomenon of urban loneliness, of folks in crowded cities being somehow more emotionally distant from their neighbors than the rural populace. The European immigration movement of the day is also addressed, as Bronco is seen - and suspected - as an outsider or "foreigner" (which he assuredly is, being either otherworldly or machine).

The severe emotional detachment perceived throughout the scenario is quite disturbing, and conveys something of the International rootlessness felt by many parties at the time. In a way, PAU seems like a Sci-Fi take on Michelangelo Antonioni's masterpiece, L'Avventura. The idea of the replicated cyborg - endless duplicates of anonymous amoral clones - is a good one, with chilling implications, but the theme is not addressed very profoundly, at least not in the dubbed English release.

Yet for the patient viewer, PAU does have a few thrills to offer. Although the effects scenes are sparse, they are admirable when they occur, including some crude stop-motion animation, some optical effects depicting radiation poisoning, and a real "Wow" of a finale, in which Bronco literally disintegrates before our eyes. There is also a hilarious early depiction of an all-seeing surveillance TV camera, a stupid little gadget which would not fool a fly. The black and white photography is excellent, and there are many wonderful location scenes.

The film's original title - "The Man With the Yellow Eyes" - is more accurate and honest, as the film is really about a man who exists outside of normal society, seen as either a boon or an existential threat to same. Bronco, in all his incarnations, is a cypher, merely a catalyst for others' interpretations and agendas. Although his touch is instant death, his message ironically may be peace for all humanity.
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5/10
Slow cheap but not uninteresting
microx9600228 May 2020
Slow moving, it will probably feel more like a couple of hours than 85 minutes, but you get an android a flying saucer and a ray gun, what more could you want? Maybe for everyone to shift into 2nd gear would be nice. But if you stick with it, it's not all that bad, it's like the terminator sans the action. I've definitely seen worse B movies than this!
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1/10
Plan 9 Meets La Dolca Vita
Ritz26 October 1999
If Ed Wood made "La Dolca Vita" or if Felinni made "Plan 9" this film would be the result. Hilarious all the way through as a bunch of affluent Rome layabouts encounter a catatonic spaceman who never changes his expression but does some amazing things with his finger. Also wacky are the cops in pursuit with the most prepostrous portable TV camera ever seen in a movie. Watch for the doorman who looks exactly like Larry Bud Melman
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2/10
Italian sci-fi with no budget
mikelmike7710 March 2011
Warning: Spoilers
I saw this one in the 70s and couldn't remember much about it , except some guy named Bronco was irresistible to women , in spite of being emotionless and speaking maybe two words . They (the women) are drawn to Bronco like flies to honey , I can't remember why , but it had two things in it I prize from B-movies . That is bad dubbing and bad acting , a sure formula for bad/good films that are so funny because they are trying to be serious films , this one qualifies as one of those . I'd say it rates with the Japanese ventures like ''Prince of Space '' or ''Starman '' , yes that bad/good !! So if you want to see a guy named Bronco , who can sweep women off their feet and kill with a fingers touch , and laugh when your not falling asleep , this is your film !
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3/10
An Italian science fiction trip
BandSAboutMovies8 February 2020
Warning: Spoilers
Michel Lemoine (Kiss Me, Monster) stars as Bronco, an escaped humanoid robot - using the face of a scientist's dead son - from another planet out who has been sent here to prepare us for the hybrid invasion of his alien-cyborg people. His touch means instant death - Teenagers From Mars, anyone? - turning all humans into blackened skeletons! Hopefully, the Italian army can stop him!

Also known as Hands of a Killer, Planets Around Us and The Man With the Yellow Eyes, this was co-written and directed by Romano Ferrara, who also directed A Game of Crime and Virgin of the Jungle under the name Mike Williams. The other writer was Piero Pierotti, who wrote several Hercules film, working from a book I Pianeti Contro di Noi by Massimo Rendina.
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4/10
Plodding sci-fi espionage thriller
jamesrupert201414 January 2021
A mysterious man who seems to be in multiple places at the same time is sabotaging Earth's space-programs in this low-budget and slow-moving French/Italian sci-fi thriller. Typical of '50s films, radiation serves as a preposterous plot driver - unless he is wearing gloves, the man's briefest touch causes catastrophic radiation poisoning. As revealed in the film's deceptive (Earth is never approached by a fleet of spaceships) poster, the saboteur is actually a cyborg, and the scenes in which an X-ray reveals machinery and later, when he removes some of his outer 'tissue' (a brief and blurry foreshadowing of the climatic 'from the ashes' scene in 'The Terminator' (1984)) are the film's highlights. Michel Lemoine is reasonably creepy as Bronco the cyborg - an emotionless agent who seems to have substantial sex appeal (the outcome of his liaison with infatuated Audrey (Jany Clair) is one of the film's few surprises). The film lacks the visual imagination of most contemporaneous Italian sci-fi films, and there is not much to it beyond a prolonged search for the saboteur with a few science fiction highlights towards the end. For dedicated genre fans only.
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2/10
A nice way to end your evening...if you have insomnia.
mark.waltz25 March 2024
Warning: Spoilers
Too many "thinking man's" aliens invading the earth, and outside of Michael Rennie and a few miscellaneous others not very interesting. I could tell that I was in danger of boredom almost from the start, and with the dual performance of Michel Lemoine, I felt a familiarity coming on for what to expect.

He plays an astronaut killed in the desert and his lookalike cyborg, meeting artist Jany Clair who draws his portrait in Rome, and they begin to spend time together. He obviously has a message to give for the entire planet, and if he'd just deliver it and go, we could move on. It's obvious what it is. Earth bad, other planets good, and our time is limited if we don't change. Ho hum. Been there, done that. Adios to dullsville.
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8/10
Camp
metalunar12 June 2007
There is a bit of " Being There" in this flick as the people around our visitor make many assumptions about him. It is well worth watching just for the old Alpha and the Euro-style shades , but also consider it for a double -bill with the first Terminator or Without Warning.Or if you want to consider other Italian Science Fiction films and see how much can be done with a low-budget try watching Planet of the Vampires which has some of the best futuristic spaceship interiors I've ever seen despite the fact that they look like they were all done out of plywood. Or consider that it could have been picked for the prototype of Alphaville had history been a little different.
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8/10
Alien Cyborg likes European ladies. Early Italian sci-fi.
jameselliot-11 January 2020
Warning: Spoilers
The ever creepy looking Michel Lemoine is black gloved Bronco, an artificial human/clone/cyborg created by an alien race from the body of a scientist's son. They're like Terminators with a metal skeleton and a flesh covering and the segment that shows the creation of multiple Broncos is interesting. Bronco spends most of his time with the sunny and nice but sexy girl Marina, played by the gorgeous Italian actress Maria Pia Luzi. We get to see her in a bikini, making the movie worthwhile to watch. She's engaged to Prof. Borri who has developed an invention Bronco is programmed to steal. Marina spends most of her time under Bronco's telepathic control driving him around town and suffers radiation poisoning when she kisses him. For a humanoid/android who shows little to none emotion and has no interest in bedding sexy earth girls, Bronco likes hanging out with hot chicks and they're drawn to him. Marina's bosom buddy Audrey "Bradbury," French knockout Jany Clair, is a pleasure loving busty artist who's hot for the icy cold alien, proof that some girls are turned on by jerks who ignore them. When he takes off, she spends hours looking for him, brings him back to her place for what she thinks will be horny woo woo time, and puts on a corset that nicely displays her ample cleavage and hourglass figure. For all the chasing Audrey does, her reward is Bronco's radioactive hand burning her into powder. The reason he kills her is never explained. Lemoine's sinister face and his physical acting make him perfect to play the alien and assorted weirdos in other films. The cinematography is crisp and coherent and the effects for 1962 have an imaginative flair despite the budgetary limitations.
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