The Hustler (1961)

Director:

Robert Rossen

Writers:

Sidney Carroll (screenplay) and
Robert Rossen (screenplay) ...

Release Date:

25 September 1961 (USA)

Genre:

Drama | Romance | Sport

Tagline:

They Called Him "Fast Eddie"

Plot:

An up-and-coming pool player plays a long-time champion in a single high-stakes match.

Plot Keywords:

Alcohol | Billiards | Hustler | Pool Hall | Suicide

Awards:

Won 2 Oscars. Another 12 wins & 13 nominations

Cast

Paul Newman	...	Eddie Felson
Jackie Gleason	...	Minnesota Fats
Piper Laurie	...	Sarah Packard
George C. Scott	...	Bert Gordon
Myron McCormick	...	Charlie Burns
Murray Hamilton	...	Findley
Michael Constantine	...	Big John
Stefan Gierasch	...	Preacher
Clifford A. Pellow	...	Turk (as Cliff Pellow)
Jake LaMotta	...	Bartender
Gordon B. Clarke	...	Cashier
Alexander Rose	...	Score Keeper
Carolyn Coates	...	Waitress
Carl York	...	Young Hustler
Vincent Gardenia	...	Bartender

Also Known As:

Robert Rossen's The Hustler (USA) (complete title)

Runtime:

134 min

Country:

USA

Language:

English

Color:

Black and White

Aspect Ratio:

2.35 : 1

Sound Mix:

Mono (Westrex Recording System)

Certification:

Iceland:L | Brazil:12 | Australia:PG | South Korea:15 | Canada:14+ (Ontario) | USA:Approved (certificate #20068) | Finland:K-16 | Norway:16 | Sweden:15 | UK:15 | West Germany:16 | UK:X (original rating)

Filming Locations:

Downtown, Los Angeles, California, USA

Company:

Rossen Films

Trivia:

When first approached to play the role of Fast Eddie Felsen, Paul Newman couldn't accept it because he was scheduled to begin filming Two for the Seesaw (1962) with Elizabeth Taylor. When Taylor was held up with the filming of Cleopatra (1963), "Seesaw" was postponed and Paul was able to do this film.

Goofs:

Continuity: During the last match between Fats and Eddie, in the first game, Fats attempts a soft break, leaving the cue ball against the rail. In the establishing shot, the cue ball is clearly bouncing away from the rail, in the next shot, the ball is tight frozen against the rail.

Quotes:

Fast Eddie: What if I don't pay ya, Bert?
Bert Gordon: [laughs] You don't pay me? You're gonna get your thumbs broken again. And your fingers. If I want 'em to, they're gonna break your right arm in three or four places.
Minnesota Fats: You better pay him, Eddie.
Fast Eddie: So you figure you're still my manager, huh?
Bert Gordon: I'm a business-man, kid.

Movie Connections:

Referenced in Almost Famous (2000)

Soundtrack:

Louisville

Superb film by a great director.

Because of his tragically erratic, often interrupted career, Robert Rossen is rarely put into the pantheon of great Hollywood directors. However, he produced three films which deserve a permanent place among the classics, All the Kings Men( probably the best film about American politics), Lilith( one of the greatest films about mental illness) and this, a movie which DESERVES to be ranked with the hundred greatest, and possibly the fifty greatest, American films. It is superbly acted, brilliantly photographed and edited, and directed with clarity and assurance. In a just world ( if there is such a place), an special Oscar would have been bestowed on Newman, Laurie, Scott, and Gleason AS A GROUP. Piper Laurie was unforgettably poignant, Scott unforgettably sleazy, and Gleason... well, Gleason simply IS Minnesota Fats. Paul Newman almost certainly deserved the Oscar.It was an amusing irony, perhaps a little joke by God, that the bartender in the movie was played by none other than Jake LaMotta.