The Magnificent Seven (1960)

Director:

John Sturges

Writer:

William Roberts (screenplay)

Release Date:

23 October 1960 (USA)

Genre:

Western | Adventure | Drama

Tagline:

They were seven - And they fought like seven hundred!

Plot:

An oppressed Mexican peasant village assembles seven gunfighters to help defend their homes.

Plot Keywords:

Spanking | Ensemble Cast | Shotgun | Exploitation | Slap In The Face

Awards:

Nominated for Oscar. Another 1 win & 2 nominations

US TV Schedule:

Mon. May 19	8:00 PM	AMC
Tue. May 20	1:45 AM	AMC
Tue. May 20	2:15 PM	AMC

Cast

Yul Brynner	...	Chris Adams
Eli Wallach	...	Calvera
Steve McQueen	...	Vin
Charles Bronson	...	Bernardo O'Reilly
Robert Vaughn	...	Lee
Brad Dexter	...	Harry Luck
James Coburn	...	Britt
Horst Buchholz	...	Chico
Jorge Martínez de Hoyos	...	Hilario (as Jorge Martinez de Hoyas)
Vladimir Sokoloff	...	Old man
Rosenda Monteros	...	Petra
Rico Alaniz	...	Sotero
Pepe Hern
Natividad Vacío	...	Miguel (as Natividad Vacio)
Mario Navarro

Runtime:

128 min

Country:

USA

Language:

English | Spanish

Color:

Color (DeLuxe) (as De Luxe)

Aspect Ratio:

2.35 : 1

Sound Mix:

Mono (Westrex Recording System)

Certification:

Canada:G (Nova Scotia/Quebec) | Australia:PG (TV rating) (2005) | Netherlands:6 (DVD rating) | Brazil:12 | West Germany:12 (f) | Canada:PG (Manitoba/Ontario) | USA:Approved (certificate #19668) | Australia:PG | Argentina:13 | Australia:M (TV rating) | Finland:K-16 | Norway:16 | Sweden:15 | UK:PG

Filming Locations:

Churubusco Studios, Mexico City, México D.F., Mexico

Company:

Mirisch Corporation, The

Trivia:

According to Eli Wallach's autobiography, Yul Brynner had a major problem with what he perceived as Steve McQueen's trying to upstage him. According to Wallach, McQueen would do things when on screen with Brynner to draw attention to his character. Examples were his shaking of the shotgun shells and taking off his hat to check the sun during the hearse scene and leaning off his horse to dip his hat in the river when the Seven cross into Mexico. Brynner was supposedly so worried about McQueen stealing his limelight in scenes that he hired an assistant to count the number of times McQueen touched his own hat when he [Brynner] was speaking.

Goofs:

Continuity: Just before the first confrontation with Calvera, Chris removes the loop holding his six-gun in his holster twice.

Quotes:

[Chris and Vin were just shot at, hitting the tip of Chris' cigar]
Vin: You elected?
Chris: Na. I got nominated real good.

Movie Connections:

Referenced in Larger Than Life (1996)

About as good as remakes get

I recently subjected "The Magnificent Seven" to just about the toughest test imaginable--I watched it just a few days after "Seven Samurai." And while I'm not going to pretend it's on par with Kurosawa's astounding masterpiece, I have to tip my hat to Hollywood on this one: it's good, DAMN good, among the best American Westerns.

The focus of the screenplay is more on post-Bogart-pre-Eastwood cool banter than the gradual, taciturn character development of "Seven Samurai," but that doesn't mean that the film doesn't have a heart. Considering it clocks in at barely over two hours (compared to the marathonic three and a half of "Samurai"), it actually does a fantastic and very economical job of fleshing out its memorable cast of characters.

One particularly wonderful scene that stuck in my memory from the first time I saw the film ten years ago is the one where Lee (Robert Vaughn), drunk in the middle of the night, confesses his frailties and fear to two of the farmers. The scene (along with the general story of these down-and-out heroes) was groundbreaking in that it began the deconstruction and deromanticization of the Western hero which would be brought to fruition in Sergio Leone's unparalleled spaghetti Westerns.

The star-studded cast wouldn't hold up doing Shakespeare, but they're ideal in this gunslinging, cool-talking tough-guy adventure. As if a lineup of heroes that included Yul Brynner, Steve McQueen, Charles Bronson, and James Coburn wasn't enough, Eli Wallach steals the show as the Mexican bandit chief, a worthy precursor to his classic role "The Good, the Bad, and the Ugly." If the screenplay has a major flaw, it's that his character isn't featured more.

The score is, of course, one of the all-time classics. And while not as alive visually as the Japanese film that inspired it or the Italian Westerns it influenced, it's still mighty fine to look at, and the gunfights don't disappoint.

The pieces add up to one of the great entertaining films of all time, which still manages to be moving and morally aware despite its Hollywoodization of Kurosawa's vision.