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IMDb > Bonnes femmes, Les (1960)

Bonnes femmes, Les (1960)

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User Rating: 7.3/10 (445 votes)
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Overview

Director:
Claude Chabrol
Writers:
Claude Chabrol (screenplay)
Paul Gégauff (dialogue)
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Release Date:
22 April 1960 (France) more
Genre:
Drama | Mystery | Romance more
Plot:
Ginette, Rita, Jacqueline and Jane try to find fulfillment and love in their lives. Rita has a fiancé... more | add synopsis
User Comments:
A slice of lost Parisian life more

Cast

 (Cast overview, first billed only)
Bernadette Lafont ... Jane
Clotilde Joano ... Jacqueline
Stéphane Audran ... Ginette
Lucile Saint-Simon ... Rita
Pierre Bertin ... Le patron du magasin
Jean-Louis Maury ... Marcel
Albert Dinan ... Albert
Ave Ninchi ... Mme Louise
Sacha Briquet ... Henri
Claude Berri ... Le copain de Jane
Jean Barclay
Rossana Rossanigo
Dolly Bell
Jean-Marie Arnoux
Gabriel Gobin (as Gabriel Gobain)
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Additional Details

Also Known As:
Donne facili (Italy)
The Girls
The Good Girls
The Good Time Girls (USA)
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Runtime:
100 min
Country:
France | Italy
Language:
French
Aspect Ratio:
1.85 : 1 more
Sound Mix:
Mono
Filming Locations:
Paris, France
MOVIEmeter: ?
^ 41% since last week why?
Company:
Paris Film more

Fun Stuff

Movie Connections:
References Cousins, Les (1959) more

FAQ

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1 out of 2 people found the following comment useful:-
A slice of lost Parisian life, 13 October 2006
7/10
Author: rowmorg from Eel Pie Island

Just to prove that portraying males as all-negative is nothing new, see Les Bonnes Femmes: the employer with wandering hands, the drippy suitor, his bossy Dad, the snobbish fiancé, the lurking psycho, the bad-jokes bully-boy and his fatty hanger-on, the absent lad on national service. Every one of them is no good. And yet the four shop-assistants are no better, they exist only for the men. Whatever the fellows throw at them, they're up for it. It's a chilling worldview, with a cynical twist at the end, (plus a tacked-on coda that seems to be from another movie). Along the way, there's some really hammy acting from the girls' employer that clashes badly with the realistic mood, and some longueurs as the girls get bored at work and we get bored right along with them. The young Bernadette Lafont is a joy, but she fades out in Reel Three when the lovely Clotilde Joano comes to the fore. Whatever happened to Clotilde? Her subsequent career was undistinguished, and she died at age 42. This is mostly a watchable slice of Paris life from the late 50s, although the Algerians who caused so much mayhem only a few years later are nowhere to be seen.

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