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IMDb > Ukigusa (1959)

Ukigusa (1959)

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User Rating: 8.1/10 (1,344 votes)
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Overview

Director:
Yasujiro Ozu
Writers:
Kôgo Noda (screenplay) and
Yasujiro Ozu (screenplay)
Release Date:
24 November 1970 (USA) more
Genre:
Drama more
Plot:
A troupe of travelling players arrive at a small seaport in the south of Japan. Komajuro Arashi, the aging master of the troupe... more | add synopsis
User Comments:
Perfect Balance of Comedy and Moving Drama more

Cast

  (in credits order)
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Directed by
Yasujiro Ozu 
 
Writing credits
Kôgo Noda (screenplay) and
Yasujiro Ozu (screenplay)

Produced by
Masaichi Nagata .... producer
 
Original Music by
Kojun Saitô 
 
Cinematography by
Kazuo Miyagawa 
 
Film Editing by
Toyo Suzuki 
 
Production Design by
Tomoo Shimogawara 
 
Art Direction by
Tomoo Shimogawara 
 
Makeup Department
Takashi Makino .... makeup artist
 
Second Unit Director or Assistant Director
Bainari Nakamura .... assistant director
 
Art Department
Tokujiro Harasima .... property master
Iwao Iwami .... set designer
 
Sound Department
Takeo Suda .... sound recordist
 
Camera and Electrical Department
Yukio Itô .... lighting technician
 
Editorial Department
Shozo Tanaka .... color consultant
 
Other crew
Sueyuki Hanayagi .... choreographer
Hideo Matsuyama .... planner
Kichijiro Ueda .... stage director
 


Production CompaniesDistributors
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Additional Details

Also Known As:
Drifting Weeds
Floating Weeds (USA)
more
Runtime:
119 min
Country:
Japan
Language:
Japanese
Color:
Color (Eastmancolor)
Aspect Ratio:
1.37 : 1 more
Sound Mix:
Mono
Certification:
Finland:K-12 | UK:PG (re-release)
MOVIEmeter: ?
^ 2% since last week why?
Company:
Daiei Studios more

Fun Stuff

Movie Connections:
Referenced in Triplettes de Belleville, Les (2003) more

FAQ

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8 out of 8 people found the following comment useful:-
Perfect Balance of Comedy and Moving Drama, 27 April 2005
10/10
Author: Galina from Virginia, USA

I wrote this after I saw my first Ozu's film, "Tokyo Story" about a year ago: "As with every great work, the film has its own unique perfection in style, rhythm, details, and artist's vision - but Tokyo Story is very universal in its appeal, simply put, it is for every parent, every son or daughter - for everyone. It was made 50 years ago in Japan, about people who lived far away, but it is also about all of us, our families, our problems, our guilt and our search for love and meaning. Ozu's film does not require one to be a movie buff or to try to solve complex symbolism to appreciate and love it. It brings smiles because it is a comedy (for at least the first 2/3) and sadness with a high drama of the last 1/3 of the film."

I feel absolutely the same about "Floating Weeds". The film is quiet and deceptively simple but its simplicity reminded me the words of Michelangelo Buanorotti. When asked how he created the perfect statues from the shapeless marble lumps, he answered, "It is very simple, you just cut off all unnecessary pieces".

Ozu's films are perfect - they touch us with rare warmth, soft enveloping tenderness and power of human emotions not necessarily with striking visual or sound effects. "Floating Weeds" is a remake of earlier silent black and white Ozu's film "The Story of Floating Weeds". The story is simple: an aging, traveling actor who is the manager of a kabuki troupe returns to a remote village where he secretly meets his former lover and her 19 year old illegitimate son, to whom he is known as "uncle." The older man finds happiness in communicating with his son who turned to be a fine young man. His current mistress, filled with jealousy because of his attachment to his secret family, hires a young beautiful girl, the member of a troupe to seduce a boy. Something in this story attracted Ozu so much that he remade the film twenty five years later.

"Floating Weeds" is a beautiful color film and it is the first color Ozu's film for me. The colors are bright and fresh, tender and kind - they match the director's style perfectly. The delightful music by Kojun Saito reminds me of Nina Rota music in Fellini's films - nostalgic, innocent and rhythmic.

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