| Photos (see all 6 | slideshow) |
| Ganjiro Nakamura | ... | Komajuro Arashi | |
| Machiko Kyô | ... | Sumiko | |
| Ayako Wakao | ... | Kayo | |
| Hiroshi Kawaguchi | ... | Kiyoshi Homma | |
| Haruko Sugimura | ... | Oyoshi | |
| Hitomi Nozoe | ... | Aiko | |
| Chishu Ryu | ... | Theatre Owner | |
| Koji Mitsui | ... | Kichinosuke | |
| Haruo Tanaka | ... | Yatazo | |
| Yosuke Irie | ... | Sugiyama | |
| Hikaru Hoshi | ... | Kimura | |
| Mantarô Ushio | ... | Sentaro | |
| Kumeko Urabe | ... | Shige | |
| Toyoko Takahashi | ... | Aiko no haha (as Toyo Takahashi) | |
| Mutsuko Sakura | ... | O-Katsu | |
| Natsuko Kaga | ... | Yae | |
| Masahiko Shimazu | ... | Sono mago, Masao | |
| Michisumi Sugawara | ... | Kyaku | |
| Tatsuo Hanabu | |||
| Tadashi Date | |||
| Tsutomu Tanaka | |||
| Hachiro Misumi | |||
| Taro Marui | |||
| Saburo Sakai | |||
| Koh Sugita | |||
| Nobuo Minamitaka | |||
| Kyousuke Shiho | |||
| Seiji Sasaki | |||
| Joe Ohara | |||
| Kenichi Miyajima | |||
| Kisao Tobita | |||
| Osamu Maruyama | |||
| Tetsuo Takeuchi | |||
| Ken Yamaguchi | |||
| Rin Sugimori | |||
| Yoshiaki Fujimura | |||
| Wakayo Matsumura | |||
| Mitsuko Takesato | |||
| Nobuko Shingu |
Directed by | |||
| Yasujiro Ozu | |||
Writing credits | ||
| Kôgo Noda | (screenplay) and | |
| Yasujiro Ozu | (screenplay) | |
Produced by | |||
| Masaichi Nagata | .... | producer | |
Original Music by | |||
| Kojun Saitô | |||
Cinematography by | |||
| Kazuo Miyagawa | |||
Film Editing by | |||
| Toyo Suzuki | |||
Production Design by | |||
| Tomoo Shimogawara | |||
Art Direction by | |||
| Tomoo Shimogawara | |||
Makeup Department | |||
| Takashi Makino | .... | makeup artist | |
Second Unit Director or Assistant Director | |||
| Bainari Nakamura | .... | assistant director | |
Art Department | |||
| Tokujiro Harasima | .... | property master | |
| Iwao Iwami | .... | set designer | |
Sound Department | |||
| Takeo Suda | .... | sound recordist | |
Camera and Electrical Department | |||
| Yukio Itô | .... | lighting technician | |
Editorial Department | |||
| Shozo Tanaka | .... | color consultant | |
Other crew | |||
| Sueyuki Hanayagi | .... | choreographer | |
| Hideo Matsuyama | .... | planner | |
| Kichijiro Ueda | .... | stage director | |
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| Ohayô | Tôkyô monogatari | Akasen chitai | The Grudge 2 | Ringu |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb Japan section | Add this title to MyMovies |
I wrote this after I saw my first Ozu's film, "Tokyo Story" about a year ago: "As with every great work, the film has its own unique perfection in style, rhythm, details, and artist's vision - but Tokyo Story is very universal in its appeal, simply put, it is for every parent, every son or daughter - for everyone. It was made 50 years ago in Japan, about people who lived far away, but it is also about all of us, our families, our problems, our guilt and our search for love and meaning. Ozu's film does not require one to be a movie buff or to try to solve complex symbolism to appreciate and love it. It brings smiles because it is a comedy (for at least the first 2/3) and sadness with a high drama of the last 1/3 of the film."
I feel absolutely the same about "Floating Weeds". The film is quiet and deceptively simple but its simplicity reminded me the words of Michelangelo Buanorotti. When asked how he created the perfect statues from the shapeless marble lumps, he answered, "It is very simple, you just cut off all unnecessary pieces".
Ozu's films are perfect - they touch us with rare warmth, soft enveloping tenderness and power of human emotions not necessarily with striking visual or sound effects. "Floating Weeds" is a remake of earlier silent black and white Ozu's film "The Story of Floating Weeds". The story is simple: an aging, traveling actor who is the manager of a kabuki troupe returns to a remote village where he secretly meets his former lover and her 19 year old illegitimate son, to whom he is known as "uncle." The older man finds happiness in communicating with his son who turned to be a fine young man. His current mistress, filled with jealousy because of his attachment to his secret family, hires a young beautiful girl, the member of a troupe to seduce a boy. Something in this story attracted Ozu so much that he remade the film twenty five years later.
"Floating Weeds" is a beautiful color film and it is the first color Ozu's film for me. The colors are bright and fresh, tender and kind - they match the director's style perfectly. The delightful music by Kojun Saito reminds me of Nina Rota music in Fellini's films - nostalgic, innocent and rhythmic.