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The Twilight Zone

  • TV Series
  • 1959–1964
  • TV-PG
  • 50m
IMDb RATING
9.0/10
101K
YOUR RATING
POPULARITY
363
96
Rod Serling in The Twilight Zone (1959)
Watch 60th Anniversary Celebration Trailer
Play trailer0:31
7 Videos
99+ Photos
Dark FantasyDystopian Sci-FiPsychological DramaPsychological HorrorSpace Sci-FiSupernatural FantasySupernatural HorrorTime TravelDramaFantasy

Ordinary people find themselves in extraordinarily astounding situations, which they each try to solve in a remarkable manner.Ordinary people find themselves in extraordinarily astounding situations, which they each try to solve in a remarkable manner.Ordinary people find themselves in extraordinarily astounding situations, which they each try to solve in a remarkable manner.

  • Creator
    • Rod Serling
  • Stars
    • Rod Serling
    • Robert McCord
    • Jay Overholts
  • See production info at IMDbPro
  • IMDb RATING
    9.0/10
    101K
    YOUR RATING
    POPULARITY
    363
    96
    • Creator
      • Rod Serling
    • Stars
      • Rod Serling
      • Robert McCord
      • Jay Overholts
    • 220User reviews
    • 87Critic reviews
  • See production info at IMDbPro
  • Top rated TV #20
    • Won 3 Primetime Emmys
      • 11 wins & 14 nominations total

    Episodes156

    Browse episodes
    TopTop-rated

    Videos7

    Goofs! The Twilight Zone
    Clip 2:51
    Goofs! The Twilight Zone
    The Twilight Zone: Season One Blu-Ray
    Clip 2:07
    The Twilight Zone: Season One Blu-Ray
    The Twilight Zone: Season One Blu-Ray
    Clip 2:07
    The Twilight Zone: Season One Blu-Ray
    The Twilight Zone: Season One Blu-Ray
    Clip 2:37
    The Twilight Zone: Season One Blu-Ray
    The Twilight Zone: Season One Blu-Ray
    Clip 1:02
    The Twilight Zone: Season One Blu-Ray
    60th Anniversary Celebration Trailer
    Trailer 0:31
    60th Anniversary Celebration Trailer
    The Twilight Zone
    Trailer 0:35
    The Twilight Zone

    Photos3171

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    Top cast99+

    Edit
    Rod Serling
    Rod Serling
    • Narrator…
    • 1959–1964
    Robert McCord
    Robert McCord
    • Waiter…
    • 1959–1964
    Jay Overholts
    • Cowboy #2…
    • 1959–1962
    James Turley
    • 2nd Fireman…
    • 1959–1963
    Vaughn Taylor
    Vaughn Taylor
    • Mr. Carsville…
    • 1959–1964
    David Armstrong
    • Passenger…
    • 1961–1963
    Jack Klugman
    Jack Klugman
    • Captain Ross…
    • 1960–1963
    Burgess Meredith
    Burgess Meredith
    • Henry Bemis…
    • 1959–1963
    John Anderson
    John Anderson
    • Capt. 'Skipper' Farver…
    • 1960–1963
    J. Pat O'Malley
    J. Pat O'Malley
    • Gooberman - Town Drunk…
    • 1960–1964
    Barney Phillips
    Barney Phillips
    • Capt. E.L. Gunther…
    • 1960–1963
    George Mitchell
    George Mitchell
    • Dr. Floyd…
    • 1960–1963
    Cyril Delevanti
    Cyril Delevanti
    • Franklin…
    • 1961–1963
    Jon Lormer
    Jon Lormer
    • Minister…
    • 1960–1963
    Bill Erwin
    Bill Erwin
    • Man…
    • 1959–1963
    Nan Peterson
    Nan Peterson
    • Blonde in Bar…
    • 1959–1964
    Lew Brown
    Lew Brown
    • Lieutenant…
    • 1960–1963
    S. John Launer
    S. John Launer
    • Lieutenant Colonel…
    • 1959–1963
    • Creator
      • Rod Serling
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews220

    9.0100.7K
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    Featured reviews

    yarborough

    A Show of Depth Well Ahead of it's Time

    "The Twilight Zone" brought a complexity and maturity to television that had never existed before and probably hasn't been seen since. The stories were always ironic, briliant, and fascinating, and they often came with a moral lesson. Episodes like "A Kind of a Stopwatch", with Richard Erdmann, "Time Enough At Last", with Burgess Meredith, "Nightmare at 20,00 Feet", with William Shatner, and "Where is Everybody," with Earl Holliman, dove into concepts and situations no other show would have even touched. The entertainment brought on by "The Twilight Zone" was as vast as the Zone itself. Its principal writers, Sterling, Beaumont, and Matheson, were the best of their era. For sheer television entertainment, nothing compares to the brilliant, heavyweight stories of "The Twilight Zone." TO be frank, "The Twilight Zone" was the first show that didn't insult the viewer's intelligence.
    Agent10

    Tucson, AZ

    Whatever incantation, whatever form, whatever decade, this show has managed to intrigue and defy logic with its use of imaginary story lines and ideas, mixing a palate of intrigue and genius to allow the common viewer to become engrossed in the weirdest television has to offer. While the original series was cheesy at some points, this show was always different, always something to look forward to in regards to the eeriness it created. Rod Serling helped usher in a generation of paranoia and science fiction thanks to this groundbreaking show, and I'm thankful for this. I could only imagine what the world would be like if all we had were terrible dramas and average sitcoms filling the airwaves. This show will rank as one of the best in my book, no matter what people say.
    evildead1978

    The signpost up ahead...

    It is completely impossible to narrow down the best episodes of this classic TV series...everything about it (writing, acting, production values) is leaps and bounds above anything around today! That being said, since the Christmas season is approaching, Serling made two holiday episodes that are worth taking the time to watch all over again: "The Night of the Meek" with Art Carney and (my personal favorite) "The Changing of the Guard" with Donald Pleasance. Both are timeless classics, and show a very sentimental side to the Twilight Zone...Every year at the holiday season I like to sit back and take these episodes in; they get better and better with each repeated viewing! Merry Christmas & Enjoy!
    lee_eisenberg

    You've just crossed over into...

    I would assume that everyone knows "The Twilight Zone"'s theme song, and recognizes Rod Serling's monotone explanations of how the given character has just crossed over into the Twilight Zone. I'm not sure which episode is my favorite. There's "Nightmare at 30,000 Feet", in which William Shatner sees a monster tearing at an airplane wing, and there's also "Time Enough at Last", where Burgess Meredith plays a bookworm who gets enough time to read as much as he wants...or does he? Or, it might be another episode. But no matter. "The Twilight Zone" never ceases to impress me. Even the 1983 movie was pretty interesting, not something that many movies based on TV shows accomplish. You should try to see the show.
    dougdoepke

    A Quiet Revolution

    In 1959, network TV was dominated by pretty-boy detective shows (77 Sunset Strip; Hawaiian Eye), law & order westerns (Gunsmoke; Have Gun, Will Travel), and innocuous sitcoms, (Ozzie & Harriet; Leave It to Beaver; The Donna Reed Show). If little else, most of these were entertaining in a blandly narcotizing way. TV producers may have wanted to experiment, but were hamstrung by a production code that was even more restrictive than the notorious motion picture code (crime must not be rewarded; moral transgressors must be punished; the sexes must not be shown in the same bed, etc.). Perhaps more important, producers were strait-jacketed by sponsors who insisted that programming should be as inclusive as possible so as not to risk offending or "confusing" any segment of the audience-- all the better, of course, to sell the sponsor's product, a not unreasonable requirement, given TV's commercial basis.

    I mention this background, because it's hard to appreciate the cultural significance of Serling's Twilight Zone without it. For the above restrictions inevitably produced a product that was almost uniformly bland, superficial, and, by most accounts, boringly predictable-- (One near exception was the series from that sly old subversive, Alfred Hitchcock.) But pity the poor writers who week after week had to search for fresh water in the middle of this much traversed desert. Because of the conformist approach, two of the biggest casualties were, not unnaturally, Reality and Imagination. For rarely did any of these shows demonstrate even a nodding acquaintance with reality as most of us live it, while what imagination was shown was, of course, channeled into safe variations on the usual. I think many of us old enough and imaginative enough at the time, knew that network programming could be a lot better than what FCC Commissioner Newton Minnow characterized as TV's "vast cultural wasteland".

    Obviously, it would be a great overstatement to view The Twilight Zone as a magic cure for this blighted situation. But, Serling did boldly and persistently set out to challenge the blandness, and in the process prepare the way for greater offbeat programming. Of course, TZ never claimed to introduce 'reality' into a weekly series-- that would come later with 1971's All in the Family. However, Serling did insist upon that other missing ingredient, 'imagination'-- and by the bucket loads. How well I remember that 1959 evening when I tuned in "Where Is Everybody?", the series' pilot and first installment-- Earl Holliman wandering through a mysteriously deserted town, running smack-dab into a mirror, and winding up in a plausibly topical outcome. I expect many others besides myself were bowled over by the novelty of what we had seen. A whole new world of what TV could be opened up, thanks to Serling, and his success in getting sponsors to take a chance on an innovative concept. Even more happily, was the promise of more to come.

    Sure, few of the following episodes reached the riveting level of that first installment, at least in my book. But rarely did an entry completely disappoint. Then too, after the first couple of years, the quality dropped off as scripts began buckling under the weekly pressure by falling back on old material for new variations. However, such classics from the first year as "Walking Distance", "And When the Sky Opened", and "The Hitch-Hiker" are among the finest dramatizations of the supernatural ever to appear on TV, and hold up as well today as in that long ago black-and-white. Of course, Serling shouldn't get all the credit. As other reviewers point out, authors such as Charles Beaumont and the greatly under-rated Richard Matheson contributed much to the series' classic standing, as did the often overlooked producer Buck Houghton and director Douglas Heyes. Still and all, it was D-Day paratrooper Serling who exhausted himself in the struggle to deliver three key qualities always in short supply on public airways-- intelligence, innovation, and insight. And for that, those of us graybeards who still enjoy a re-run or two, will always be ready with a tip of the hat to the squinty-eyed gentleman with the cigarette and the powerful belief in the liberating role of imagination.

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    Storyline

    Edit

    Did you know

    Edit
    • Trivia
      Rod Serling wanted Richard Egan to do the narration because of his rich, deep voice. However, due to strict studio contracts of the time, Egan was unable. Serling said, "It's Richard Egan or no one. It's Richard Egan, or I'll do the thing myself", which is exactly what happened.
    • Quotes

      [Opening narration - from "Where Is Everybody?" to "A Passage for Trumpet"]

      Narrator: There is a fifth dimension beyond that which is known to man. It is a dimension as vast as space and as timeless as infinity. It is the middle ground between light and shadow, between science and superstition, and it lies between the pit of man's fears and the summit of his knowledge. This is the dimension of imagination. It is an area which we call the Twilight Zone.

    • Alternate versions
      With the exception of end-of-season episodes, all episodes originally ended with a brief segment in which Rod Serling appeared on camera (even during the first season when he only narrated the episodes themselves) and told viewers about the next week's episode. These promos were deleted from the syndicated versions of the episodes but were later restored for DVD release, although many now exist only in audio form.
    • Connections
      Edited into Twilight Zone: Rod Serling's Lost Classics (1994)
    • Soundtracks
      Twilight Zone Theme
      (theme song)

      Composed by Bernard Herrmann

      (season 1)

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    FAQ26

    • How many seasons does The Twilight Zone have?Powered by Alexa
    • Is the pilot episode, "Where is Everybody," part of season 1?
    • Why are season four's episodes an hour long?
    • Was there a pilot script proposed that was not made?

    Details

    Edit
    • Release date
      • October 2, 1959 (United States)
    • Country of origin
      • United States
    • Language
      • English
    • Also known as
      • Twilight Zone
    • Filming locations
      • Metro-Goldwyn-Mayer Studios - 10202 W. Washington Blvd., Culver City, California, USA
    • Production companies
      • Cayuga Productions
      • CBS Television Network
    • See more company credits at IMDbPro

    Tech specs

    Edit
    • Runtime
      50 minutes
    • Color
      • Black and White
    • Aspect ratio
      • 1.33 : 1
      • 4:3

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